A mixed work for ensemble revolving around the sequences of video and electronic composition, showing a series of Chilean and Argentine landscapes and cityscapes.

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

A double CD release of works from Italian composer Franco Evangelisti, who was specifically interested in scientific theories behind sound; recordings include work with David Tudor and Eberhard Blum.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Subtle and reflective improvisations with electronics, flutes and melodica from these two active women of the European improvisation scene.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

The Swedish trio of Mats Gustafsson, Johan Berthling and Andreas Werliin collaborating with Australian guitarist Oren Ambarchi for an album of hypnotic, psychedelic rock'n'jazz exploration (CD has 1 track not included on the LP edition).

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

American noise from 910 Noise Collective artists August Traeger and Ryan Lewis, a mix of harsh and atmospheric sound in an EP of wild, untamed and surprising sound work.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images.

Three exquisite electro-acoustic compositions by the New York-based duo of Anne Guthrie (french horn, electronics, recordings) and Billy Gomberg (bass guitar, recordings), using a combination of field recordings, electronics and improvisations on French horn and bass guitar.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Frith's 75 minute intense improvisatory journey work is a graphic structural model by which the most diverse types of musical events are linked together along a time line.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

In The Flirts, Fuhler manipulates sounds from turntables and mbiras, filtering them through an analogue synth, with Prins focusing on electronic noise-based music.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

72 extractions of electroacoustic improvisation from saxophonist Christoph Gallio, and an accompanying DVD from director Beat Streuli, with music and sound coming from Dominique Girod (bass), Julian Sartorius (drums), Andrea Neumann (piano), and Ernst Thoma (synth).

The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.

Mysterious and intense works for electric guitar, signal processing, field recordings and voice from experimenter, improviser and audio researcher Gunnar Geisse.

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

Lithuanian sound and industrial artist Gintas K (Gintas Kraptavicius) in an album of abstract electronics composed on the computer, 11 tracks of burbling and glitching sound.

A rare release from a pioneer of contemporary cross-platform composition, with Chris Cutler, The Icarus Ensemble, Sira and Boubacar Djebate, Johannes Bauer, Tiziano Popoli, &c. &c.

Gigante Sounds's Jared Blum and Faith No More bassist Bill Gould collaborate on this album of dark drones and grainy guitar, a tense and eerie album of dark beauty.

Unusual instrumentation and interaction from the trio of percussionist Mike Goyvaerts (Canaries on the Pole), saxophonist Jeffey Morgan (releases on Headlight, Konnex) and EMS synthesist Willy Van Buggenhout.

Four Allocations, an Artifact, a Cluster, and Instance and a Node form the acoustic and electronic trio of saxophonist Gratkowsi, (prepared) pianist Nabatov and Shmickler on computer.

Improvisers Craig Green (guitars, electronics) and Dave King (drums, percussion, organ) recorded and mixed this haunting album in two days, successfully creating a dark and moody virtual soundtrack.

The Grid Mesh trio performing live at The Loft in Cologne, dark and biting improv with an electroacoustic edge that shifts between playful dialog to massive walls of sound.

Tom Djll put this electro-acoustic improvising group together when Matthieu Werchowski & David Chiesa were visiting the SF area, with performances from duos to octet.

Live performances from this quartet of electroacoustic improvisers using intuitive and performance-oriented technologies to create surprisingly frothy and amazing sound.

Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.

Cory Bengtsen's (aka Gushing Cloud) first full length is an album of melodic electronics and guitar, collaborating on tracks with Cheer-Accident's Thymme Jones, Dog Hallucination's D. Petri, and Lovely Little Girls' Alex Perkolup.

The duo of Anne Guthrie and Richard Kamerman in 5 large canvases of sound using field recordings, domestic recordings, composition, improvisation, processing - unhurried work of great detail and diversity that captivates the attentive listener.

Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.

The Chicago electroacoustic quartet of saxophonist, sine tone & harmonium player Boris Hauff, drummer/electronicist Steven Hess, and reedist Keefe Jackson, recording in the studio 3 freely improvised pieces that build in intensity as the album develops.

Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.

Odd popster Gerard Herman in songs using a combination of poetry, canned beats, field recordings, home made instruments, excerpts from his radio shows and other musique concrete elements.

A multinational jazz trio using compositional and improvisational approaches, led by drummer Dre Hocevar, with Bram De Looze on piano, and Lester St. Louis on cello, plus NY electronics artist Sam Pluta providing signal processing on the title track.

Composer/performer Yuka Honda mixes beats, samples and acoustic and electric instruments with a dramatic sense, aided by Dougie Bowne, Erik Friedlander, Sean Lennon, &c.

Inspired by the ice storm that ravaged large parts of Quebec and Ontario, "Au Coeur du Litige" is a radiophonic work consisting at its core of a series of solo clarinet improvisations.

Triple CD of electro-acoustic improvisers The Hub (Bischoff/Brown/Perkis/&c), a document covering 3 decades of activity with photos, tech diagrams and writings.

If Thousands present a beautiful blanket of sound recorded as a soundtrack for falling asleep. Quite beautiful and soothing. Fans of Godspeed You Black Emperor and Stars of the lid should love this one.

A large Lisboa ensemble presenting a collective improvisation titled after a painting by Yves Klein, with performers including Ernesto Rodrigues (baritone violin), Miguel Mira (bass), Nuno Torres (sax), Carlos Santos (electronics), Rodrigo Pinheiro (piano), &c. &c.

Referencing the work of French artist and composer Yves Klein, this large group of Creative Sources regulars perform the 4 part Monochrome Bleu Sans Titre, a subtle and rich work of acoustic and electronic improvisation.

The 3rd full length from Canada's Inhabitants expands the sonic experiments of this quartet's intuitive group improvisations, mixing rich feedback with alluring lyricism.

Edition Rz's "Parallele" series in a spiral bound catalog and 2 CDs from the 2000 Berliner Festival Neuer Musik with compositions by Francois Donato, Tom Johnson, Christina Kubisch, Alvin Lucier, &c.

Two concerts from an eight-year gap in the published recordings of the ISKRA 1903 trio of Paul Rutherford (trombone), Philipp Wachsmann (violin & electronics) and Barry Guy (bass & electronics), masterful improvisation blending acoustics and electronics.

Recorded in Brooklyn and Paris, this quintet crosses the threshold between jazz, rock and electronic sound with a somewhat dark intent, using guitar & sitar, organs, syths, pianos, drums, bass and sounds to evoke thick and extended psychedelic environments.

Improvising artists Catherine Jauniaux on voice, bird call, cupule, cazoo and eRikm on turntables, electronics, live sampling, architect lamp recorded these 17 pieces for the radio show A L'improviste by Anne Montaron for France Culture Radio.

Brighton, UK turntable/electronics improvisor Daniel Jones and the American guitarist Barry Chabala meet for an album of ringing and beautiful lowercase sound.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

JC Jones on electroacoustic bass and live electronics performing duos with friends Harold Rubin, Ariel Shibolet, Maya Dunietz, Yuval Mesner, Josef Sprinzak, &c.

Vancouver-based Jay Crocker, half of Bent Spoon with Chris Dadge, in an album of electronics using homebuilt instruments and treatments, rhythmically based music with effective melodies and a quirky, sometimes lo-fi, but always engaging approach.

The 2nd CD from the electroacoustic trio of Gunter Muller, Jason Kahn & Christian Wolfarth, an entrancing and mysterious set of extended and unedited improvisations.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

Sonic explorer Jason Kahn & Asher Thal-Nir in a 2008 concert at Boston's Axiom Gallery for a performance that creates inspired sound worlds by layering Kahn's planes of sound with Asher's environmental processing.

Jason Kahn uses feedback and electronic noise to create a large work created from static, hiss, and unusual electronic sound, dynamic and ever-shifting aspects of both lovely and aberrant electronics, captivating in ever-shifting sounds that inform but do not overwhelm.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

Jason Kahn brought Olivia Block, Mark Trayle, and Ulrich Krieger together to create this work for the 2008 Cal Arts Center for Experiments in Art, Information and Technology Festival.

"This Forest" is a single sided LP from Italian noise artist Kam Hassah, dense stratas of sounds moving in hypnagocic ways, a gloomy forest of sounds.

Noise and sound artist Zbigniew Karkowski and Canadian born Japanese based noiser Kelly Churko in four recordings from Super Deluxe and Soup in Tokyo, bookmarking the release with harsh distortion offset by spacious and dynamic glitch and subtly aberrant sound.

Electronic artist (and on this release, pianist) Olivia Block and radical trumpeter Greg Kelley meet for five works that range from breathy meditations to active "slapstick" routines of bewilderingly interesting sound.

A mysterious electroacoustic work in seven compositions commissioned by the Sylvain Emard Danse group of keyboard artists Tiari Kese, aided by trumpeter Ellwood Epps and percussionist Michel F Cote.

Extreme percussion work from Eli Keszler, mostly solo pieces using a diverse sonic palette, and assisted on 2 tracks by clarinetist Ashley Paul, plus brass player Andrew Fenlon and prepared pianist Sakkiko Mori.

KGB (Dougherty/Hennebohl/Cascone) in audio environments fromm 2 day-long performances in Berlin using a mix of found objects, constructions, machines, contact mics & traditional instruments.

Michel F. Cote, Bernard Falaise, and Alexandre St-Onge on their second CD as Klaxon Gueule, but now as an electroacoustic chamber ensemble instead of a power trio.