The trio of Rachel Musson on tenor saxophone, Pat Thomas on piano, and Mark Sanders on drums perform as Shifa, their 46-minute improvisation moving through fiery intensity and spacious reflection in a cohesive journey shaped by deep trust, attentive listening, and fearless exploration, captured live at London's Café Oto in 2023.

Delivering his sixth Discus Music release in two years, saxophonist Paul Dunmall leads a dynamic nonet drawn largely from Birmingham's thriving scene, joined by guests Martin Archer, Corey Mwamba, and John Ball, their first-take performances balancing sharply honed compositions with spontaneous invention in a powerful suite that shifts between bluesy themes, lyrical reflection, and collective fire.

Seminal figures in the evolution of free or nonidiomatic improvisation, guitarist Derek Bailey and percussionist/pocket trumpeter John Stevens are heard in a 1989 London performance vividly captured by Michael Gerzon at The Duke of Wellington, their restless and enthusiastic interplay shifting from angular invention to lyrical reflection in a compelling document of their remarkable rapport.

The tenth duo recording from pianist Satoko Fujii and trumpeter Natsuki Tamura presents eight compositions of slow, lyrical beauty-seven by Tamura and one by Fujii-crafted with exquisite restraint and intimacy, as the long-time collaborators sustain a dignified atmosphere of quiet intensity and emotional depth, shaping silence and subtle detail into music of profound elegance.

An extraordinary 1996 Mixtery Studio encounter between pianist Borah Bergman, Anthony Braxton on a wide range of reeds, and Peter Brötzmann on saxophones, clarinet, and tárogató, balancing ferocious torrents of free jazz interplay with moments of surprising lyricism and abstraction, as three titans of improvisation push their individual voices into a thrilling collective dialogue.

One of two sets recorded on one intense night at Tokyo's Shinjuku Pit Inn from the trio of Japanese improvised rock legend Haino Keiji, European Free Jazz saxophone master Peter Brotzmann, and versatile American composer and musician Jim O'Rourke.

The Full Blast trio of reedist Peter Brotzmann, bassist Mario Piakas and drummer Michael Wertmueller are joined by Ken Vandermark, Thomas Heberer and Dirk Rothbrust for an excellent concert at Donaueschinger Musiktage, 2010.

Meeting for the first time at Café OTO in 2024, soprano saxophonist Evan Parker and guitarist Bill Nace on electric taishogoto create an extraordinary improvised duo, Parker's circular-breathed torrents entwining with Nace's drone-soaked dynamism, from raw intensity to transcendent stillness in a performance of unbounded spirit, deep resonance, and ecstatic liberation.

Reuniting after four years, guitarist Hedvig Mollestad with Ellen Brekken and Ivar Loe Bjørnstad deliver six tracks that fuse hard rock riffing, progressive jazz, and psychedelic exploration, balancing raw power with nuanced improv, from searing grooves and shifting meters to poignant balladry, in seamless interplay of exhilaration and deep expression.

With more than a hundred albums behind them, Acid Mothers Temple & The Melting Paraiso UFO unleash another ecstatic journey, a studio album blending swirling psychedelia, trance-inducing drones, cosmic synths, and Kawabata Makoto's searing guitar with hurdy-gurdy textures from Tomo Katsurada, heavy bass from Taigen Kawabe and soaring vocal layers, a kaleidoscopic ritual of boundless imagination.

Performing two Bill Dixon works alongside pieces by pianist Alexander Hawkins, Hawkins and cornetist Taylor Ho Bynum unite in a deeply intuitive duo recorded live in New Haven, their spacious and lyrical exchange balancing improvisational freedom with structural grace as two distinct voices attuned to form, texture, and expressive subtlety.

Double CD remaster of Braxton's incredible 1978 concert in Koln with a massive orchestra including Ned Rothenberg, Leo Smith, Marilyn Crispell, Bob Ostertag, Marty Ehrlich, JD Parran, &c. &c. &c.!

Remaster of the exhilarating second set from saxophonist and composer Anthony Braxton's concert at the Kuumbwa Jazz Center in Santa Cruz, CA, 1993, one of 7 nights performing with the quartet of Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on percussion.

Harpist and composer Zeena Parkins, a defining voice in the Downtown NY experimental music scene for four decades, presents an extended work inspired by fearless Beat-era visual artist Jay DeFeo, performed with percussionist William Winant on an array of resonant bells and gongs, their collaboration weaving bold textures and hypnotic patterns into a richly expressive and deeply imaginative sound world.

The legendary trio Joseph Holbrooke — guitarist Derek Bailey, bassist Gavin Bryars, and drummer Tony Oxley — reunited after decades for one final performance in 2001, captured in this historic live recording that highlights their uncompromising commitment to free improvisation, the set resonating with both the radical spirit of their 1960s origins and the profound artistry of three pioneering voices in avant-garde music.

Created for the Festival of New Trumpet Music, Dave Douglas leads a sextet with a trio of trumpeters — Douglas, Alexandra Ridout & Dave Adewumi — plus Patricia Brennan on vibes, Kate Pass on bass, and Rudy Royston on drums, their collaboration unfolding from Douglas' lyrical compositions that highlight the breadth of brass voices, collective interplay, and vibrant ensemble synergy.

Tenor saxophonist Ivo Perelman joins Nate Wooley (trumpet), Matt Moran (vibes), Mark Helias (bass) and Tom Rainey (drums) in a tempered yet highly active quintet that nods to the blues, moving through free, melody-rich dialog; vibes replace piano to color the space as the group shifts from playful exchanges to surging peaks, their seemingly telepathic interplay balancing warmth and power.

Martin Küchen's Angles returns as an 11-piece — two trumpets, expanded reeds, vibraphone and amplified violin, Fender Rhodes/synth, and a three-drummer engine — lifting songful, anthemic themes into free, melody-rich interplay and propulsive grooves, the ensemble shifting from playful exchanges to surging peaks as its close-knit rapport balances warmth, bite, and momentum.

An historic document of Chicago's Extraordinary Popular Delusions in their final quintet performance with the late Mars Williams, recorded live in August 2023 at Elastic Arts Foundation, capturing Williams' fiery, life-affirming playing alongside Edward Wilkerson Jr. (tenor sax0, Jim Baker (piano & kesy), Brian Sandstrom (bass), and Steve Hunt (drums) in a two-set suite of fearless improvisation.

A chordless Bay Area quartet with Rob Ewing on trombone, Beth Schenck on alto saxophone, Lisa Mezzacappa on acoustic bass, and Jordan Glenn on drums, performing original compositions from each member in playful, lyrical, and texturally rich improvisations that balance groove, swing, and exploratory ensemble interplay with an eclectic yet cohesive sound.

Recorded while on tour in Arizona, Denmark, and Sweden, experimental composer Chester Hawkins transforms keyboards, live loops, field recordings, synths, lapsteel, and music box into immersive and hallucinatory soundscapes, weaving tense, meditative, and otherworldly excursions that trace the shifting orbits of inner and outer space in vivid, exploratory detail.

A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.

West Coast Bay Area guitarist Karl Evangelista leads his Apura ensemble — Lisa Mezzacappa (bass), Francis Wong (tenor sax), Rei Scampavia (keys, electronics), and Lewis Jordan (alto sax) — joined by drum legend Andrew Cyrille in a powerful statement of free improvisation, blending expressive intensity and forward-looking vision with deeply rooted passion and creative openness.

A 17-piece ensemble of bowed and struck gongs directed by percussionist Tatsuya Nakatani, recorded live with local musicians from Ojai, California in 2023, creating massive resonant waves, shimmering overtones, and dynamic swells through real-time conduction, as Nakatani sculpts an immersive, communal sound world of meditative intensity and textural depth.

Uniting Joe McPhee on tenor saxophone and spoken word with violist Mat Maneri, cellist Fred Lonberg-Holm, and bassist Michael Bisio, this remarkable quartet of long-time collaborators and distinct musical voices forges a deeply cohesive work of lyrical chamber jazz and free improvisation, balancing individual expression with a collective language of striking originality and emotional depth.

A soulful and serene 1979 session from Sun Ra and his Arkestra, Sleeping Beauty brings lush grooves, celestial soul, and meditative funk through gently swaying vamps, gospel-tinged chants, and sublime ensemble interplay, featuring June Tyson's luminous vocals and understated performances that reveal a rare, late-night tranquility within Ra's cosmic jazz vision.

An essential document of Sun Ra's first European performances, recorded live in France in 1970 with a full Arkestra, delivering expansive, theatrical sets of cosmic jazz, ritualistic improvisation, and avant-garde fire, newly restored in a 4-CD box with rare photos, original programs, and liner notes that highlight the interstellar scope of these legendary concerts.

A fiercely expressive and genre-defying second release from Matt Hollenberg's Shardik, blending avant-garde classical, math metal, free jazz, and world music in a searing and politically charged statement performed with virtuosic intensity by Hollenberg, Nagano, Jost, and Sher, delivering complex forms, daring harmonies, and relentless creative fire.

A fiery live performance recorded at Instants Chavires in 2009, reuniting Marteau Rouge's raw and electrified trio of synth, guitar, and drums with saxophonist Evan Parker, erupting in extended collective improvisations that dissolve structure in favour of texture, power, sonic friction and ecstatic freedom through waves of noise, silence, combustion, and control.

A joyful and unpredictable meeting of Japanese quartet Kaze — pianist Satoko Fujii, trumpeters Natsuki Tamura and Christian Pruvost, and drummer Peter Orins — with avant-rock icon Koichi Makigami, recorded live in Lille in a kaleidoscopic blend of free improv, surreal humor, textural exploration, and exuberant interplay that celebrates spontaneity and sonic invention.

A major work in Kassel Jaeger's catalog, blending musique concrète and electronic synthesis into a drifting, immersive soundscape across two LP sides, shifting through abstract environments rich with elusive textures and hidden detail, as subtle rhythms and concrete sounds evoke a sense of motion, memory, and a yearning that echoes the meaning behind the album's title: a deep longing to travel.

Four master improvisers (Mats Gustafsson, Ken Vandermark, Tomeka Reid, Chad Taylor) from overlapping creative circles engage in a set of powerful interactions, where dense low-end reeds, lyrical cello, and rhythmic elasticity create shifting terrain; through deep listening and long-forged connections, they navigate spontaneous form with urgency, restraint, and a shared sense of sonic purpose.

A long-awaited reunion between pianist Georg Graewe and drummer Hamid Drake, joined for the first time by bassist Brad Jones, captured live at the 2024 Konfrontationen Festival in Austria in three expansive improvisations, the trio's chemistry igniting in deep rhythmic interplay, fluid abstraction, and Graewe's seamless movement between jazz traditions and contemporary sensibilities.

Originally released in 1983 as Jean-Marc Foussat's sole solo statement for the next 18 years, Abattage is a frenetic musique concrète collage of Synthi AKS & VCS3 electronics, tapes, voice, guitar, piano and field recordings, reissued in a deluxe remastered edition with 32-page booklet that restores the intensity and inventiveness of his groundbreaking debut.

Recorded live at London's Café OTO in December 2023, this extraordinary collective of guitarists, bass clarinetists, contrabassists, and trumpet interprets works by Earle Brown, David Ryan, Christian Wolff, Morton Feldman, Thanos Chrysakis, and Tim Hodgkinson, capturing a single evening of adventurous performances that merge contemporary composition with improvisatory spirit.

The duo of bassist Jean-Jacques Avenel and alto saxophonist Daunik Lazro are captured live in 1980 at the Massy Library in France in an essential document of French free music, a marvel of liberated improvisation where Lazro's uncompromising voice meets Avenel's inspired and multifaceted playing, captured with clarity by engineer Jean-Marc Foussat in a performance both intense and deeply authentic.

An endlessly imaginative and intricately scored set of chamber works from John Zorn, performed by a virtuosic quartet of Hashimoto, Gosling, Smith, and Roeder, with electronics from Ikue Mori on one track, blending classical precision and improvisational fire in a dynamic and mischievous exploration of surrealist sound worlds.

Chinese Buddhism defines "Hungry Ghosts" as beings who are driven by intense emotional needs in an animalistic way, an apt description of this trio's dynamic and often bristling collective free jazz, with Malaysian saxophonist Yong Yandsen and Norwegians, Christian Meaas Svendsen on bass and Paal Nilssen-Love on drums, performing live in Kuala Lumpur, 2018.

The fourth in the An Ayler Xmas series from saxophonist Mars Williams, expands to a double CD with recordings from two bands: Josh Berman, Jim Baker, Kent Kessler, Brian Sandstrom & Steve Hunt (Chicago); and Steve Swell, Hilliard Greene, Chris Corsano, Nels Cline & Fred Lonberg-Holm (NYC); in incredible free jazz mashups and bash-ups of Holiday favorites.

The title aptly describes the intense excitement and exhilaration of NY guitarist Brandon Seabrook's second trio album on Astral Spirits, performed with rhythm giants Cooper-Moore on Diddley Bow (a single-string bass) and free jazz drum legend Gerald Cleaver, the two creating a percolating interactive foundation for Seabrooks powerfully expressive and investigative playing.

These 1972 trio recordings of pianist Alexander von Schlippenbach's Trio with Evan Parker on tenor & soprano sax, and Paul Lovens on drums recording at the Workshop Freie Musik at the Acadamy of the Arts, Berlin, were found in the FMP archives and are issued for the first time ever.

A perfect matching for a free jazz collective piano trio, bringing frequent collaborators Argentinian pianist Paula Shocron and drummer Pablo Diaz, part of the SLD trio heard on Listen! Foundation and Hatology, together with NY bass legend William Parker, recording in NYC for four powerful improvisations of great technical prowess and attentive explorative interaction.

A one-track electroacoustic work composed and mixed by Lance Austin Olsen, combining amplified copper plate, shruti box, guitar, flute, found tapes, and processed objects with extended voice and sampler, forming a dynamic and unpredictable narrative that shifts between silence, tension, and resonance in a rich, scored soundscape of urban unease.

Following double bassist Mike Majkowski's Astral Spirts cassette "Neighbouring Objects", this vinyl release is Majkowski's 7th solo album, here using analog synthesizer, percussion, piano, vibraphone, samples, and field recordings to create an amazing sonic universe through sound, tone, timbre, deep cogitation and mutant interjections.

The third volume in West Coast/Montreal/Kansas guitarist David Lord's series exploring the concept of what makes a jazz standard, in ten beautifully warm and lyrically rich Lord compositions performed with Chad Taylor on drums & percussion, Christine Tavolacci on flute, David Tranchina on double bass and Nathan Hubbard on vibraphone, marimba & percussion.

Narrated by text-to-speech vocalization, Korean-American pianist and composer Lucy Liyou collaborates with Bulgarian-born guitarist Ivana Kafedjiyska (YSKA) in an album of languorously floating and understatedly abrasive music complemented by subtle field recordings, two works of curiously philosophical, baffling and observational verse; unique and compelling.

A collaboration between Montreal saxophnist Aaron Leaney (Ratchet Orchestra, Nebula) with legendary free jazz drummer and founder of Le Nouveau Jazz Libre de Quebec in 1967, Guy Thouin, performing on a wealth of winds, percussions and bells, their music infused with a rich spiritual and natural feeling of world elements, lyrical playing and folkloric rhythms.

Recorded without an audience at Tokyo's Club Goodman in 2020 and later mixed for release, Koenjihyakkei's double live set spans their entire catalog, unleashing over 100 minutes of virtuosic Zeuhl that fuses progressive rock, jazz fusion, symphonic and neoclassical elements with punk energy, metal power, and dazzling ensemble interplay in a career-spanning, high-intensity performance.

The 3rd album from the improvising trio of Nate Wooley on trumpet, Ingebrigt Haker Flaten on bass, and Chris Corsano on drums, is a live recording at the 2018 Experimental Sound Studio's Option Series, a smoldering session of collective improvisation that builds tension through impressive rhythmic texture and releases it in cathartic and passionate passages.

Commissioned for the Tang Museum's "The Second Buddha: Master of Time", the duo of percussionist Susie Ibarra and guitarist Tashi Dorji envision the legendary figure Padmasambhava, who brought Buddhism to Tibet, through two extended improvisations of close communication and tight interaction, including gamelan-like percussion and unusually tuned guitar abstractions.

A box set documenting the October 2015 3-day event held at Porgy and Bess in Vienna for the 50th birthday of saxophonist Mats Gustafsson (The Thing, Fire! and innumerable duo/trio/ensemble formations) with a who's-who of collaborators invited to join in various formations.

After their duo album A Map of Guilt and many albums together under various Fire! groupings, Swedish saxophonist Mats Gustafsson and electronic artist Joachim Nordwall face off again for a limited 7" single: two simmering dialogs, remarkable counterpunches of rumbling synthetics, instrumental noise, pulsating bass tones, heavy breath and terrifying innuendo!

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

Ngayon, the Filipino tagalog word for "Now" or "Today", effectively describes the immediacy of the second release from Bay Area guitarist and composer Karl Evangelista and his exceptional Apura band, performing five sophisticated original works.

A 2 CD issue of the 2013 LP with 78 additional minutes, from the two day residency at UK's Cafe Oto of Decoy (bassist John Edwards, Alexander Hawkins on Hammond B3, and drummer Steve Nobles) with special guest Joe McPhee on pocket trumpet and alto sax.

Bassist Kyle Motl organized this 2018 studio session with pianist Anthony Davis and drummer Kjell Nordeson in San Diego, Nordeson and Motl having worked together for several years, their session with Davis focused on the pianist's literary-influenced compositions, the synergy in their trio playing of energetic and introspective interaction absolutely exemplary.

With core members Drew Davis, Tim Gick, and John Olsen (Wolf Eyes), the wonderfully eclectic ensemble on each Crazy Doberman album shifts as they introduce musicians who can express the experimental improv structures required for each project, blurring genres and using whatever tools necessary to move from abstract to high intensity motion; a sublimely eccentric big band.

A new collaboration between keyboardist Brent Cordero and bassist Peter Kerlin, a gorgeous blurring of jazz, rock and Terry Riley-esque composition in a swirling collection of original work and a cover of Eddie Harris' "Freedom Jazz Dance", performed in a core trio with drummer Ryan Sawyer and prestigious guests including Daniel Carter, Jessica Pavone, James Brandon Lewis, &c.

19 years after the last Chicago Underground Quartet album, this session with Rob Mazurek on piccolo trumpet, electronics & bells, Jeff Parker on electric guitar, and Chad Taylor on drums, percussion and newcomer Josh Johnson on synth bass & keys is a warm reunion, with individual compositions from Taylor, Mazurek & Parker, and two solo pieces by Mazurek and Taylor.

A trio of iconic UK improvisers — John Butcher on saxophones, Phil Durrant on electric mandolin and electronics, and Mark Wastell on percussion — perform at Poland's Spontaneous Music Festival in a richly textured set of acoustic and electronic interplay, where density, space, and responsiveness converge in a uniquely dynamic and nuanced session of free improvisation.

Distilling the trio of Brotzmann/Noble/Edwards into a duo, saxophonist Brotzmann and drummer Noble recorded this powerful set of free improvisations live at Ateliers Claus, Brussels on January 19th, 2013.

Emphasizing the lyrical aspects of free jazz, the superb trio of Peter Brotzmann on alto & tenor sax and taragato, Fred Hopkins on bass, and Rashied Ali on drums, recorded this album in 1991, now remastered to bring this exceptional music back to the foreground.

Rooted in personal loss and global sorrow, this powerful quartet album from bassist Olie Brice stands apart from many of his collective projects by featuring his own compositions — deeply emotional pieces shaped by grief, love, and resilience — dedicated to mentors, loved ones, and poetic voices and performed with lyrical intensity and free jazz spirit by Brice, Musson, Hawkins, and Glaser.

Inspired by and using the same instrumentation as John Tchicai's seminal 60's free jazz band New York Art Quartet, since 2013 the Berlin Art Quartet of Matthias Schubert on saxophone, Matthias Bauer on bass, Matthias Muller on trombone, and Reinhard Bruggemann on drums, has carried on the spirit of NY Free Jazz, here in a live concert at B-Flat, in Berlin in 2019.

The first of NI-VU-NI-CONNU's 5-LP John Butcher series, presenting concerts from 2019 in Berlin and Leipzig of acoustic free improvisation fueled by incredible technique, extreme concentration and open-minded approaches to free interaction, from the trio of Burkhard Beins on percussion, John Butcher on tenor & soprano saxophones and Werner Dafeldecker on double bass.

Confirming their place in Chicago's improv legacy, the second album from the Artifacts Trio of Nicole Mitchell on flute & electronics, Tomeka Reid on cello and Mike Reed on drums & percussion expand the AACM canon with compositions from each member, plus several insightful and lively collective improvisations and one piece each from Roscoe Mitchell and Muhal Richard Abrams.

An excellent album of informed free improvisation in the debut of this masterful trio of legendary musicians spread across the US--Joe McPhee on soprano sax & pocket trumpet [NY], Ken Vandermark on tenor sax & clarinet [Chicago], and Susan Alcorn on pedal steel guitar [Texas], a profound album from assertive to introspective playing in seven captivating collective improvisations.

A rollicking album of hard blues from the أحمد [Ahmed] quartet of Pat Thomas on piano, Joel Grip on double bass, Antonin Gerbal on drums and Seymour Wright on alto saxophone, performing live in 2022 as part of the Counterflows Festival at The Glue Factory in Glasgow, for a hard driving, upbeat performance in front of an enthusiastic audience.

Reuniting after more than a decade, the Chicago-rooted trio of Dave Rempis (saxophones), Jason Adasiewicz (vibes), and Nate McBride (bass) rekindle their distinctive free-improvising chamber aesthetic in this live recording, blending texture-rich interplay and deep personal history into a resonant, nuanced return that reflects years of evolution, distance, and reconnection.

Reuniting after more than a decade, the Chicago-rooted trio of Dave Rempis (saxophones), Jason Adasiewicz (vibes), and Nate McBride (bass) rekindle their distinctive free-improvising chamber aesthetic in this live recording, blending texture-rich interplay and deep personal history into a resonant, nuanced return that reflects years of evolution, distance, and reconnection.

A powerful acoustic studio session from flutist Massimo De Mattia's Suonomadre ensemble with Zlatko Kaucic on drums & percussion, Giorgio Pacorig on piano, and Luigi Vitale on vibes, marimba & percussion, shifting from prior electronic approaches to explore urgent themes of loss and displacement through raw, unfiltered improvisation that merges expressive virtuosity with politically reflective intensity.

A double CD of inventive and richly textural improvisation from the BlueRing Improvisers, a ten-member ensemble inspired by the radical material aesthetics of artist Alberto Burri, recorded during a creative residency in Tuscany where the group explored sound as substance through composed and improvised works emphasizing gesture, timbre, and interdisciplinary expression.

A formidable trio debut from Irish double bassist Alan Niblock with British improvisers John Butcher on saxophones and Mark Sanders on drums and percussion, recorded live at The Black Box in Belfast and unfolding across five tectonically inspired pieces that channel collective intuition, dynamic interplay, and seismic shifts of intensity and form.

A collaboration between two towering improvisers — soprano saxophonist Evan Parker and synth/voice experimentalist Jean-Marc Foussat — presenting two incisive live duo performances from the 2023 Improtech Festival, paired with archival solo works from the early 1980s, in a release that bridges free improvisationÕs enduring quest for expressive freedom across decades.

A summit of master improvisers as tenor saxophonist Ivo Perelman joins the Matthew Shipp String Trio — Shipp on piano, Mat Maneri on viola, and William Parker on bass — for a profound studio session of dynamic, four-way conversation that balances drama with hope, forging a richly textured and deeply expressive work of improvised chamber jazz.

Recorded live at the 2023 Music Unlimited Festival in Wels, Austria, this powerhouse quartet of Joe McPhee, Susanna Gartmayer, John Edwards, and Maria Portugal delivers an electrifying set of spontaneous composition, blending fierce improvisation, commanding technique, and bold interplay in a dynamic performance brimming with vitality and creative approaches to improv.

Recorded live at Dublin's National Concert Hall, the trio of Izumi Kimura (piano), Lina Andonovska (flutes), and Dominique Pifarély (violin) weave a poetic and deeply intuitive improvisational performance, blending extended techniques and refined sensitivity into a dreamlike suite of tactile, intimate, and emotionally resonant sound worlds.

Recorded at Firehouse 12 Studios, Canyon brings together four exceptional improvisers — drummer Jerome Deupree, pianist Sylvie Courvoisier, bassist Joe Morris, and cellist Lester St. Louis — for a double album of fluid, high-stakes interaction, balancing volatility and restraint as they carve out richly detailed sonic terrain with spontaneous precision.

A remarkable live recording from Einstein Kultur in Munich, reuniting British free improvisation masters John Butcher on saxophones and John Edwards on double bass in four expansive, detailed, and often breathtaking duets, exploring abstract soundscapes with razor-sharp interplay, extended techniques, and an uncompromising sense of sonic exploration.

A fascinating exploration of human-machine collaboration from UK trio Sveio — James Mainwaring on saxophone, Federico Reuben on laptop improvisation and live coding, and Emil Karlsen on drums — using AI in real-time to generate uncanny textures and forms, resulting in a spontaneously composed and constantly evolving electroacoustic sound world.

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes.

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception.

A stunning 1981 live performance at Internationales Jazzfestival Zurich, from pianist Irene Schweizer's short-lived but explosive quartet with Rüdiger Carl, Johnny Dyani, and Han Bennink, blending theatrical flair, fierce intensity, bold humor, and spontaneous surprises in a powerhouse set that channels the spirit of Mingus, the wit of Waller, and the raw energy of punk jazz.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.