"Scott Robinson (born April 27, 1959) is an American jazz multi-instrumentalist. Robinson is best known for his work on multiple saxophones, but he has also performed on clarinet, alto clarinet, flute, trumpet, sarrusophone, and other, more obscure instruments.

The son of a piano teacher and National Geographic book editor, Robinson graduated from the Berklee College of Music in 1981. The next year, he joined the college's staff, becoming its youngest faculty member.

Robinson has appeared on more than 275 LP and CD releases, including 20 under his leadership, with musicians Frank Wess, Roscoe Mitchell, Ruby Braff, Joe Lovano, Ron Carter, Paquito D'Rivera, David Bowie, Maria Schneider, Rufus Reid, Buck Clayton, and the Orchestra of St. Luke's. Four of these recordings won a Grammy Award. He has received four fellowships from the National Endowment for the Arts.

In 2000, the U.S. State Department named him a jazz ambassador for the year 2001, funding a tour of West Africa in which he played the early works of Louis Armstrong. Material from these appearances was released on the album Jazz Ambassador: Scott Robinson Plays the Compositions of Louis Armstrong by Arbors Records.

Throughout his career, Robinson has worked to keep unusual and obscure instruments in the public view. For example, he has recorded an album featuring the C-melody saxophone and performs with the ophicleide. He also owns and records with a vintage contrabass saxophone so rare that fewer than twenty in playable condition are known to exist.

Since 2009, he has operated his record label, ScienSonic Laboratories."

"Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music.

Mr Shipp has reached the holy grail of jazz in that he possesses a unique style on his instrument that is all of his own- and he's one of the few in jazz that can say so. Mr. Shipp has recorded a lot of albums with many labels but his 2 most enduring relationships have been with two labels. In the 1990s he recorded a number of chamber jazz cds with Hatology, a group of cds that charted a new course for jazz that, to this day, the jazz world has not realized. In the 2000s Mr Shipp has been curator and director of the label Thirsty Ear's "Blue Series" and has also recorded for them. In this collection of recordings he has generated a whole body of work that is visionary, far reaching and many faceted."

"Kevin Ray came to music relatively late in life, entering The New School at 25, where he came under the wing of Reggie Workman, a relationship that continues to this day. Under Reggie's tutelage, he developed an appreciation for the entire spectrum of what is called jazz, as well as an affinity for adventurous artists such as The Art Ensemble of Chicago, Henry Threadgill, The World Saxophone Quartet, Andrew Cyrille, and others. Unsure of himself after college, he managed a department at Forbes Publishing, and worked as a consultant at JPMorgan Chase. At the same time, he came into contact with one of his spiritual mentors, Andrew Hill. "Andrew gave me the confidence to be truly serious about becoming a musician," Ray explains.

For ten years he played regularly with Hill and continued to expand his horizons by performing and recording with other outstanding artists such as John Hicks, Oliver Lake, Greg Osby, John Stubblefield, Ray Anderson, Elliott Sharp, Hamiet Bluiett, Nels Cline, Ursula Oppens, Ken Peplowski, J.D. Allen, and Kalaparusha Maurice McIntyre. At the present time, he is a member of several cooperative ensembles, such as 10³²K, with Frank Lacy and Andrew Drury; BLRZ, with Bobby Zankel, Kelvyn Bell and Tony Lewis; and Shipp/Lowe/Cleaver/Ray with Matthew Shipp, Allen Lowe and Gerald Cleaver."

"A native of NYC, Eric McPherson came to prominence apprenticing with legendary saxophonist and educator, Jackie Mclean, and innovative pianist and composer Andrew Hill. Those foundational experiences cultivated Eric into one of the leading drummers in contemporary creative music. Eric continues the legacy of the musical giants who came before him. As well as performing and teaching internationally with an array of today's leading contemporary creative musicians, Eric teaches privately and at the University of Hartford's, Jackie Mclean institute."