Pianist Joel Futterman presents a compelling solo program of concise yet richly layered improvisations, weaving sustained resonances, sharp staccato gestures, evolving tonal relationships, and intimate melodic fragments into a reflective and interconnected musical journey marked by continual transformation and emotional depth.
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Label: Squid Note Records
Catalog ID: SQN 001
Squidco Product Code: 37114
Format: Digital
Condition: New
Released: 2025
Country: USA
Packaging: Digital Release on Bandcamp
Recorded in Virginia Beach, May 2025, by James Jones. Mixed by Stephen Schmidt. All compositions by Joel Futterman (BMI).
This solo piano music by Joel Futterman called ABSORB is like no other music that was, or will be, created. Futterman has reached deep into his soul and captured a prophetic flow of sound full of rhythmic essences and beautiful contrasts, guiding listeners to the heart's deeper places. These places are rarely touched upon in schools of musical thought. This music goes beyond thought; it is about feelings and compassion - these sounds, songs, and poems. Swing, in the truest sense, is fueled by the movement of blues and cosmic delight. "Absorb" connects to the sacred history of the unknown - the joy of music and the experience of living another day. Joel touches the piano keys like there is no tomorrow, both robust and sensitive. In the meantime, through the corner of my eye, I can see Charlie Parker digging this music all the way. Each stanza of the music is about building mountains made from modal hymns for the rest of the world to follow. Play Joel Futterman, dance, sing, shout at the top of your lungs, and sketch, reaching the next level.
Continue, stop, and remember: the message is to love all human beings every day. This is the information in Joel Futterman's music: the more we listen, the more apparent it all becomes. The closer we come to the fundamental concept of love.
--William Parker
"Never has the title of a Joel Futterman album been chosen to better effect. Futterman's pianism has reached a point of what might best be called multidirectional absorption, layers of simultaneous and symbiotic expansion and distillation in which a lifetime of spontaneous creation imbues each gestural complex. Audition and reauditon illuminates the heart and mind behind each micro and macrocosmic event.
The first part, half an hour of peak-and-trough narrative over which springs of drone flow in abundance, can also be heard as gestural point and counterpoint. The wonderfully subtle articulations of a single sonority, at 14:03, bespeaks the way timbre and tonal relationships nest and nurture each other, speaking to the decades of absorptive contemplation in practice.
The first three pieces begin with the same descending interval, itself then absorbed into the tides and turns of textural intricacy and tonal ambiguities typical of everything in Futterman's vast and rich catalog. Viewing the entire canvas reveals a landscaped diminution, a process in progress toward final piece's miniaturization without any lessening of motivic intrigue.
The entire album's processes inhabit a more sharply delineated space in which interregistral meteor showers, staggered middle-register repetitions, exquisitely etched basslines and, finally, chord and stride in heroic balladry prefigure bluesy ecstasies.
Nothing, though, prepares for the final interval, a sustained dyad in which the music, all music, seems poised, encapsulated, embraced."
--Marc Medwin
Artist Biographies
• Show Bio for Joel Futterman "Joel Futterman, Piano and Indian Flute Determined to push the limits of the piano to techniques never heard in jazz, Joel began a 25-year regimen of practicing 8-10 hours a day. During this period, he developed a three-hand technique based on completely autonomous playing between the hands. With more than 70 recordings, he is considered one of the most innovative yet enigmatic new music pianists. Known for his spirited, highly imaginative, and innovative piano technique, Joel Futterman is an internationally recognized veteran pioneer into the frontiers of spontaneous, improvised music. He is considered one of the foremost inventive and adventurous artists shaping the creative, progressive music scene today. Futterman continuously pushes the limits of the piano as he explores new musical horizons. He has performed across North America and Europe including at such noted music festivals as the Tampere Jazz Festival in Finland, the Vision Festival in New York, the New Orleans Jazz & Heritage Festival, and the Guelph Festival in Canada. He has performed with such notable jazz innovators as Jimmy Lyons, Rahsaan Roland Kirk, Paul Murphy, Joseph Jarman, Richard Davis, William Parker, Alvin Fielder, and Hal Russell; as well as Edward 'Kidd' Jordan, with whom he has had a highly productive association. For many years, Futterman has also played the Indian Wooden Flute. Joel Futterman was born in Chicago, IL. He grew up and lived in Chicago until 1972. Joel had piano lessons from about age 9-11, then continued playing on his own, eventually studying theory and harmony with Alan Swain. Joel met Clarence (Gene) Shaw when he was 18 and studied with Clarence for two years. Clarence was an important influence at the time. One night Clarence invited Joel to his home for a party. He introduced Joel to Charles Mingus. Joel recalls that Mingus gripped his hand firmly and stared up at the ceiling. Joel attended University of Illinois in Chicago obtaining a (B.S.). Herman Finer, professor of political science, was a profound influence and encouraged Joel to pursue his creative endeavors. While Joel was in college, his mother passed away and he isolated himself and began practicing 12 to 16 hours a day. Practicing was the only comfort for him at this time. Joel attended Northeastern University in Chicago and worked on an MS in Education. He was nine hours short of receiving the degree when he decided to leave Chicago. Joel did receive an MS in Education with an endorsement in Reading at Old Dominion University in 1975. In 1972, Joel moved to Virginia, where he resides today, in a personal quest to develop his creative voice. His first album, CAFETERIA, was released in 1980 to considerable acclaim due to its originality. Since then, his recordings have included a number of jazz legends, such as Jimmy Lyons, Richard Davis, Hal Russell, William Parker and others. In 1994, photographer Michael Wilderman introduced Joel to Edward 'Kidd' Jordan, and since then Joel has enjoyed many rewarding musical collaborations with Kidd and drummer Alvin Fielder. Also, Joel Futterman has had a deep association with artist Ike Levin, founder of the Charles Lester Label." ^ Hide Bio for Joel Futterman
1/27/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Absorb Part 1 29:06
2. Absorb Part 2 23:27
3. Absorb Part 3 09:19
4. Absorb Part 4 12:05
Digital Releases
Improvised Music
Jazz
Free Improvisation
Piano & Keyboards
Solo Artist Recordings
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