An extraordinary solo piano album from UK pianist Pat Thomas, recorded at London's Fish Factory Studio, presenting eight deeply focused improvisations and compositions reflecting Thomas's lifelong engagement with Sufism and spiritual expression through sound; a luminous, exploratory work that unites the traditions of jazz and mysticism into a transcendent, profoundly human statement.
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UPC: 642623801918
Label: Tao Forms
Catalog ID: TAO 019LP
Squidco Product Code: 36930
Format: LP
Condition: New
Released: 2025
Country: USA
Packaging: LP
Recorded at Fish Factory, in London, UK, on September 22nd, 2024, by Benedic Lamdin.
"Hikmah is the astonishing new solo piano work from virtuosic & far-ranging sound scientist; deep & compassionate thinker; UK-based musical treasure, Pat Thomas. It is a singular album in his singular and now substantial body of work, and his first for the TAO Forms label, which we are honored to present. This album brings the information.
Pat Thomas was Born in Oxford, UK to Antiguan parents on July 27, 1960. Interestingly, just over 4 months separate his birth from that of fellow modern piano master Matthew Shipp (Dec 7, 1960) - whose The Piano Equation was TAO Forms inaugural release. Thomas is most certainly among the Black Mystery School Pianists of which Shipp elucidates in the title essay of his recently published first book.
Hikmah comprises eight thoroughly focused improvised and otherwise compositions recorded at Fish Factory studio in London. The album's title means wisdom, in Arabic. The title is also presented in two different forms of calligraphic script on the cover artwork. Herein, the vibrantly living jazz tradition, and new modes of expression in abundance, are brought forth from a lifetime of work/study and a decades long devotion to Sufism, understanding that the practice and performance of this music is an elemental form of spiritual practice. As William Parker writes in the liner notes, "[the] music becomes the prophet and the prayer all in one gesture." And, "If you haven't yet heard the music of Pat Thomas, get hip to it quickly."
Attuned US audiences are most likely to have become familiar with Pat Thomas in recent years through recordings of his work with the quartet [Ahmed], who have amazed with their mesmeric, long-form explorations on the compositions of Ahmed Abdul-Malik. Their US performance premiere took place on March 25, 2025, and TAO Forms were lucky members of the rapt audience at Roulette, Brooklyn that night; the group then flew to Knoxville, TN to perform for equally rapt audiences at Big Ears.
From a Jazzwise (UK) interview by Daniel Spicer published May 2025:
"The piano is a great sound source. There's no instrument like it in the Western world because it's so self-contained. And the fact that it's still being used, the fact that you can't replicate it. I've yet to come across any sample that sounds like a real piano. It's still got a mileage of another hundred years at least. It's way ahead of its time." And he continued, "The piano is basically a zither with keys. There is an Arabic instrument called a kanun that had a big influence on it. We've sort of forgotten the Ottoman Empire. Beethoven and Mozart living in that time were well aware of its influence on Western music."
For Thomas, there's a strong urge to transmit the secrets and encourage spiritual transcendence. "Yeah. Things may be bad but maybe for 45 minutes, you can help people see there's something that takes them somewhere else. We need to be taken somewhere [else] in these times!" "-Tao Forms
Artist Biographies
• Show Bio for Pat Thomas "Born 27 July 1960; Piano, electronics. Pat Thomas started playing at the age of 8 and studied classical music and played reggae. He began playing jazz at sixteen after seeing Oscar Peterson on television then listened to snatches of jazz on the radio before, in 1979, playing his first serious improvised gigs. From 1986 he played with Ghosts which was Pete McPhail and Matt Lewis. In addition to programming his keyboards, Pat Thomas also utilises prerecorded tapes. He told Chris Blackford (1991), 'As far as the tapes are concerned I'll probably just sit in front of the TV and tape whatever's going on and so some editing afterward to decide what might be useful. ...But I don't actually put a label on each tape saying what's on there, so when I come to use them I don't know what I'm going to be playing. That obviously prevents me from setting things up. I pick them at random and see what happens. So I'm just as surprised as anybody else at what comes out'. In 1988 he was awarded an Arts Council Jazz Bursary to write three new electroacoustic compositions for his ten-piece ensemble, Monads: Roger Turner and Matt Lewis, percussion; Pete McPhail, WX7 wind synthesizer; Neil Palmer, turntables; Phil Minton, voice; Phil Durrant, violin; Marcio Mattos, bass; Jon Corbett, trumpet; Geoff Searle, drum machines. The intention was to feature different aspects of electronics using improvisation so, for example, one piece - Dialogue - featured Pete McPhail and Neil Palmer, another concentrated on the interaction of percussionists and drum machines, and a third piece had Phil Minton and Jon Corbett improvising with a computer. The pieces were performed at the Crawley Outside-In Festival of new music in 1989. Pat Thomas was invited by Derek Bailey to play in Company Week in 1990 and 1991 and he also took part in the Ist International Symposium for Free Improvisation in Bremen with the guitarist. He has been a member of the Tony Oxley Quartet (documented on Incus CD 15) and played in Oxley's Angular Apron along with Larry Stabbins, Manfred Schoof and Sirone at the 8th Ruhr Jazz Meeting and in the percussionist's Celebration Orchestra. He plays with Lol Coxhill in a range of combinations from duo to being a member of 'Before my time', is a member of Mike Cooper's Continental Drift, and he has a well established duo with percussionist Mark Sanders and a trio with Steve Beresford and Francine Luce. In 1992 Pat Thomas formed the quartet Scatter with Phil Minton, Roger Turner and Dave Tucker; funded by the Arts Council they toured the UK in 1993 and again at the beginning of 1997. On the 'Festival circuit', Pat Thomas has appeared at: the Young Improvisors Festival at the Korzo Theatre, Den Haag (with Jim O'Rourke, Mats Gustafsson and Alexander Frangenheim); Angelica 95 in Bologna, Italy; the Stuttgart 5th Festival of Improvised Music 96 (with Fred Frith, Shelly Hirsch, Carlos Zingaro and others); and the 3rd International Festival 96 in Budapest (with Evan Parker, Phil Minton, John Russell and Roger Turner). ^ Hide Bio for Pat Thomas
11/12/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Hikmah 4:24
2. For Joe Gallivan 4:06
3. The Shehu 5:47
4. Sheikh Amadou Bamba 6:40
SIDE B
1. For Caroline L. Karcher 6:54
2. For McCoy Tyner 9:53
3. Luqman The Wise 4:00
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Jazz & Improvisation Based on Compositions
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