The Squid's Ear Magazine
The Squid's Ear Magazine


Schindler, Udo / Georges-Emmanuel Schneider / Gunter Pretzel: Rhizome (Creative Sources)

Live recordings of the performance on March 1st, 2018 at the Galerie arToxin in Munich, presenting compositions from Udo Schindler performing on bass clarinet, soprano saxophone & euphonium, Gunter Pretzel on viola, and Georges-Emmanuel Schneider on violins & live electronics, three artists of diverse background crossing boundaries to create something unique and exciting.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





Product Information:

Personnel:



Udo Schindler-bass clarinet, soprano saxophone, euphonium

Georges-Emmanuel Schneider-violins, live electronics

Gunter Pretzel-viola

Click an artist name above to see in-stock items for that artist.



UPC: 5609063405712

Label: Creative Sources
Catalog ID: cs571
Squidco Product Code: 26718

Format: CD
Condition: New
Released: 2018
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at the Galerie arToxin in Munich, Germany, on March 1st, 2018 by Gottfried Duren (artoxin).
Descriptions, Reviews, &c.

Artist Biographies

"Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation."

-Wikipedia (translated by Google and Squidco) (https://de.wikipedia.org/wiki/Udo_Schindler)
11/4/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Georges-Emmanuel Schneider has developed from the beginning of his musical career to one of the most versatile violinists of his generation. As a soloist, chamber musician and ensemble player, as a member of a band, a tango quintet, behind a DJ set, in free improvisation or in the recording studio in an electronic music production he crosses all musical boundaries. Georges is characterized by an extraordinary authenticity in a variety of musical styles.

Recent musical highlights include Jürgen Grözinger's setting of drums, tape recording and violin with live electronics, a ballet production by the Ulm Theater under the direction of ballet director Roberto Scafati (season 2017/18), the opening of Posterboy of Antikunst by the Austrian artist TOMAK in Graz with John Cage's Freeman Etudes and the beginning of the season in 2018 with the performance of Giacinto Scelsis Anahit at the Scelsi Festival in Basel. Georges has also participated in 2 CD productions that have been released in 2017: the classic jazz fusion album Sound of a Poem with singer Esther Kretzinger and the classic label Gramola (Vienna, also available as vinyl record) and Assassinous Act with the Kieler Music producer Morgen Were and the ambient label Time Released Sound (Oakland, California).

Georges deals extensively with electronic music and is currently completing his expertise in this field with a Max / MSP certification at IRCAM in Paris. Since 2015 he is a member of the artists and scientists collective EMU - Experimental Music of the University of Ulm, where he actively participates in art and research projects. In addition, Georges is an active protagonist of the subculture and participates in various band projects.

Concerts led Georges u.a. to the Bâtiment des Forces Motrices Genève, Biennale Koper, Bregenz Festival, Brucknerhaus Linz, Cadogan Hall London, Carinthian Summer, Festival Dialogues of the International Mozarteum Foundation, KHS Hall Taipei, Konzerthaus Berlin, Konzerthaus Vienna, St. Luke's LSO, Melos Ethos Bratislava, Metropolitan New York Museum, National Concert Hall Dublin, Rudolfinum Prague, Salzburg Biennale, Salzburg Festival, Salzburg Jazz Festival, Scelsi Festival Basel, Shanghai New Music Week, Sounds of Jazz Salzburg, Tonhalle Zurich, Traettorie Festival Parma, Ulmer Zelt, Ultrasonic Festival Berlin, Unprecedented ! (Bayerischer Rundfunk) and to Vienna Modern.

He works with such artists as Sir Harrison Birtwistle, Matteo Cesari, Tim Collins, David Danzmayr, Wayne Darling, Rohan de Saram, Pascal Dusapin, Gerald Endstrasser, Beat Furrer, Michel Galante, Vinko Globokar, Jürgen Grözinger, Georg Friedrich Haas, Christoph Herndler, Toshio Hosokawa, Johannes Kalitzke, Eri Klass, Esther Kretzinger, Ondrej Kukal, José Manuel López López, Andor Losonczy, Michele Marelli, Siegfried Mauser, Juan José Mosalini, Liliana Nikiteanu, Franck Ollu, Héctor Ulyse's Passarella, Omara Portuondo, Robert David Rusconi Oswald Sallaberger, José Maria Sánchez Verdú, Marianne Schroeder, Lavard Skou-Larsen, Matthias Spahlinger, the Stadler Quartet, TOMAK, Manos Tsangaris, Nicolas Tzortzis, Rudy Vistel and Noam Zur.

His unusual artistic career began when he founded his own orchestra "I Sinfonietti" in Switzerland at the age of 21. Washer, so he came to work as Indemn bits and worked on programm fitting concepts. As a student, he became interested in early 20th-century music and performed works for violin and orchestra, such as Frank Martin's "Polyptyque", Alban Berg's chamber concert or Arvo Pärt's "Fratres". With Classic Concert Records, Georges has later released several CD recordings, including the CD Solo Sonatas, which contains a unique recording of Bartók's solo sonata in the original version. Many praised by the international press, this 2011 recording was awarded the "Clef" by Resmusica.

Georges was born in Zurich and spent his childhood there. Later he became a student of Ruggiero Ricci at the University Mozarteum Salzburg for eight years. In 2006 he completed his violin studies in the class of Lavard Skou-Larsen with distinction. Musicians such as Zbigniew Czapczynski, Edmond de Stoutz, Lola Benda, Igor Oistrakh and Pierre Amoyal have their development

also marked. Georges had already engaged in current music during his studies. This was followed by an intensive work in the field of new music, Georges was for several years a dedicated member of the Austrian Ensemble for New Music. At the same time Georges found his way into jazz by meeting drummer Gerald Endstrasser. As a lecturer, he was a regular guest at music universities such as Shanghai Conservatory of Music, China Conservatory Beijing, Chinese Culture University Taipei, Zhejiang Normal University, and Zagreb Music University from 2011-2015. Since 2015, Georges is managing director of the association Klang & Kunst e.V., which annually organizes the Weissenhorn Klassik Festival in the Fugger town of Weißenhorn."-

-Georges-Emmanuel Schneider Website (Translated by Google) (https://www.ge-schneider.com/)
11/4/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Born in 1954 in Hamburg, violist Gunter Pretzel has won a number of prizes from the "Jugend musiziert" competition. He studied violin and viola in Hamburg and Berlin with Sashko Gavriloff and Bruno Giuranna and received a scholarship from the Study Foundation of the German People. In 1980 he became solo violist of the Munich Chamber Orchestra, in 1984 he moved as member of the viola section to the Munich Philharmonic. Concerts with the Debussy Trio of Munich as well as radio and CD recordings as soloist and chamber musician round off his musical activities."-Grosses Horen (https://www.mphil.de/en/persons/gunter-pretzel.html)
11/4/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Jazz
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Trio Recordings
Friends of Squid

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Munchen Neus (Schindler, Udo / Gunnar Geisse / Anton Kaun)
superGau
(FMR)
A single extended improvisation from the trio of Udo Schindler on reeds, brass & analogue synthesizer, Gunnar Geisse on laptopguitar & virtual instruments, and Anton Kaun on electronics, zeug & effects recorded live at Das Lihotzky/wagnis ART, in Munchen, Germany in 2017, a journey of odd intent, brilliant technique, eccentric attitude, and unorthodox dialog.
Petit, Jean-Luc / Jeremy Baysse / Fabrice Favriou
Ecorchure
(Creative Sources)
"Ecorchure" translates to a skin wound produced by a violent friction that removes or tears the superficial layers; here the French trio of Jean-Luc Petit on saxophones, Jeremy Baysse on electric guitar & gadgets, and Fabrice Favriou on drums, tear through three excoriating improvisations during a 2019 live concert at Ateliers Musicaux Syrinx, in Poitiers France.
Zyft (Ziv Taubenfeld / Henk Zwerver / Maya Felixbrodt)
Midnight Tea Suite
(Creative Sources)
The debut for this acoustic free improvising Amsterdam trio of Ziv Taubenfeld on bass clarinet, Henk Zwerver on guitar, and Maya Felixbrodt on viola, in a set of abstract improvisations of an active nature using unorthodox and extended techniques, with an upbeat sense of excitement and enthusiasm that allows for solo forays amongst great collective discourse.
Massaro, Francesco / Giovanni Cristino / Walter Forestiere
Undergrowth
(Creative Sources)
The Italian trio of saxophonist/clarinetist Francesco Masaro, pianist and prepared pianist Giovanni Cristino, and drummer/percussionist Walter Forestiere, take us on a journey at the lower levels of a forest's undergrowth, adding objects, preparations and extended techniques in a blend of free jazz and nonidiomatic forms to reveal mystery and brightness in the brambles.
Rowland's Evil Jazz Trio (Galewicz / Sandstad Dalen / Nordberg Funderud)
Death Machine
(Creative Sources)
The Norwegian guitar trio led by Roland Galewicz on drums, Henrik Sandstad Dalen on double bass, and Havard Nordberg Funderud on guitar, free improvisers with a dark intent captured live at Kafe Haerverk, in Oslo in 2018 as they perform Galewicz's rhythm-heavy three part "Death Machine Suite", Funderud's spacious "Nice Things" and Dalen's searing "Holmenkollekspressen".
Baumann, Franziska / Udo Schindler
Blue Sonic Vibrations
(Creative Sources)
German saxophonist and leader of the Salon for Klang + Kunst started the Improx, or "The X for the Unknown and the Unheard" with Gunnar Geisse, here in the third edition of the series with Swiss free improvising vocalist Franziska Baumann, captured live at two performances in 2018 in Germany & Switzerland, for unusual, quick-witted and innovative interchanges.
Gratkowski, Frank / Udo Schindler
Sounding Dialectics
(Creative Sources)
Schindler, Udo / Ove Volquartz
Answers And Maybe A Question?
(FMR)
Udo Schindler's Salon for Sound and Art at Krailing in Krailing, Germany is the setting for this superb live duo concert, capturing Schindler and Ove Volquartz both on bass and double bass clarinet, showing the breadth of sonic possibilites and diverse approaches from the deepest of clarinets performed by two masterful musicians.
Schindler, Udo / Marco von Orelli
Luft.Spiele
(FMR)
A wild dialog between Swiss trumpeter Marco von Orelli and saxophonist Udo Schindler, recording live at the 58th SALON for Klang+Kunst in Krailing/Munich in 2015, using an insanely advanced set of techniques and approaches to their horns for intense and exultant effect.
Giesriegl & Schindler
So{u}ndages
(Creative Sources)
Schindler / Harnik
Empty Pigeonhole
(Creative Sources)
Elisabeth Harnik on piano and Udo Schindler on bass clarinet, contrabass clarinet, soprano saxophone and cornet in a free interchange of subtle nuance and strong dynamics recorded live at SALON fur Klang + Kungst in 2009.



Customers Who Bought This Item Also Bought:
Futterman, Joel / Ike Levin
Liberation
(CLM)
Pianist Joel Futterman and tenor saxophonist Ike Levin mark their 16th recording collaboration in 25 years with three spontaneously created works balancing intensity and reflection, density and space, drawing on their long-developed improvisational rapport to move fluidly through free jazz, lyrical exchange, rhythmic momentum and layered interaction.
Stewart, Luke Exposure Quintet (w/ Vandermark / Wilkerson / Baker / Ra)
In The Air And On The Ground
(RogueArt)
Bringing together DC double bassist Luke Stewart with Chicago mainstays Edward Wilkerson Jr., Ken Vandermark, Jim Baker and Avreeayl Ra, the Exposure Quintet blends collective improvisation with field recordings and samples, creating spacious, exploratory music combining saxophones, clarinets, strings, keyboards, bass and percussion with a strong sense of place.
Melford's, Myra Fire and Water Quintet
Sure Grand Out
(RogueArt)
Pianist Myra Melford's Fire and Water Quintet with Mary Halvorson on guitar, Ingrid Laubrock on tenor and soprano saxophones, Tomeka Reid on cello, and Lesley Mok on drums, continuing Melford's Cy Twombly-inspired balance of cellular composition, collective improvisation, lyricism, counterpoint, and rhythmic momentum in a richly interactive studio recording.
Quatuor Bozzini
Jurg Frey: String Quartets
(Collection QB)
Montreal-based Quatuor Bozzini records Jurg Frey's Streichquartett (1988) at Radiostudio Zurich, shaping spare scales, measured intervals, and quietly sustained tones into music of unusual clarity and concentration, where seemingly anonymous material reveals its own distinct character through space, duration, resonance, and the tactile presence of sound.
La Casa, Eric / Seijiro Murayama
Paris Public Spaces 2
(Swarming)
Recorded across various public spaces in Paris, this collaborative work extends the practice of Eric La Casa and Seijiro Murayama as they document subtle vocal interventions and field recordings that explore attentive listening, bodily presence, and sonic autonomy, positioning sound-making as a quiet, animist act of witness within complex urban environments.
Granberg, Magnus / Skogen
The Willow Bends And So Do I
(Another Timbre)
Composed from four pools of material inspired by Johnny Mandel's A Time for Love, Magnus Granberg's 2024 work for his Swedish ensemble Skogen unfolds in ten slow cycles where delicate fragments, melodic shadings, and restrained improvisation interlace across strings, harp, guitar, percussion, and prepared piano, creating a quietly luminous meditation on fragility and motion.
Mayas, Magda / Jim Denley
One Another
(Relative Pitch)
An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.
Laubrock, Ingrid
Purposing The Air [2 CDs]
(Pyroclastic Records)
Drawing on poet Erica Hunt's sixty-part "Mood Librarian," composer Ingrid Laubrock presents a stunning 2-CD song cycle of miniature vocal duets — performed by an extraordinary ensemble including Fay Victor, Theo Bleckmann, Sara Serpa, and others — each piece a poetic and sonic fragment brought vividly to life with precision, emotion, and profound collaboration.
Dunmall, Paul / Tobias Delius / Olie Brice / Mark Sanders
No Better Than The Butcher Bird
(Listen! Foundation (Fundacja Sluchaj!))
With two reeds--Paul Dunmall on tenor & soprano saxophones & clarinet, and tenor saxophonist & clarinetist Tobias Delius--and the masterful rhythm section of Olie Brice on double bass and Mark Sanders on drums, this superb collective quartet leverages the long relationships between players, particularly the trio of Sanders/Brice/Delius and Dunmall & Sanders' extensive work together.
Quatuor Bozzini
Jurg Frey: String Quartet No. 4
(Collection QB)
The third string quartet that Swiss composer Jürg Frey has written for the Montreal string quartet Quatuor Bozzini of Alissa Cheung on violin, Clemens Merkel on violin, Stephanie Bozzini on viola and Isabelle Bozzini on cello, a beautiful work in five movements of illusory motion, slowly evolving through furtive and seemingly feigned momentum.
Feldman, Morton (Judith Wegmann)
Triadic Memories [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
The second of four connected solo piano works by Morton Feldman, Triadic Memories is about that reality, the acoustic space created by the piano's strings and soundboard, as Feldman attempted to expand the temporal frame of his music, heard here in Judith Wegmann's 2019 recording, where thThe second of four connected solo piano works by Morton Feldman, Triadic Memories is about the acoustic space created by the piano's strings and soundboard, as Feldman worked to expand the temporal frame of his music, heard her in Judith Wegmann's 2019 studio recording where that space is revealed by a magnificent Bosendorfer 280VC piano.at space is revealed by a magnificent Bosendorfer 280VC piano.
TEST / Roy Campbell
TEST / Roy Campbell
(577 Records)
A live recording from 1999 at Hint House in Harlem of TEST, led by Tom Bruno on drums with Matthew Heyner on bass and Sabir Mateen on alto & tenor sax, flute & clarinet, joined by Daniel Carter on alto & tenor sax, trumpet & flute, the set recorded by Matt Motel who captures the essence of this freewheeling band who brought their music not only to jazz clubs, but also to the street and subway.
Graves, Milford / Don Pullen
The Complete Yale Concert, 1966
(Corbett vs. Dempsey)
Originally issued in two volumes on their own SRP Records in 1966 & 67 as In Concert At Yale University and Nommo, the duo of drummer/percussionist Milford Graves and pianist Don Pullen are heard live in in this excitingly energetic and revelatory concert at Yale University, redefining the roles of their instruments during the most exploratory period of free jazz.
Gestalder / Marion / Becheanu
3 vues d'un paysage / 3 views of a landscape
(Creative Sources)
A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.
Rodrigues, Ernesto / Lauri Hyvarinen / Abdul Moimeme / Carlos Santos
Kuori
(Creative Sources)
Finnish guitarist Lauri Hyvarinen joins Portugues Creative Sources collective members Ernesto Rodrigues on viola, Abdul Moimeme on electric guitar, and Carlos Santos on synthesizer, for a studio album whose title refers to the shell of an object, a mysterious reference peeled away by this quartet through subliminal playing of intense technique and concentration.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC