Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   The Squidco Blog
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine
The Squid's Ear Magazine

NARTcore (Meggyes / Kovats)

Aeluton

NARTcore (Meggyes / Kovats): Aeluton (Creative Sources)

...
 

Price: $16.95

Quantity:

In Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





Product Information:

Personnel:



Gergo Kovats-electronics, saxophone

�dam Meggyes-trumpet, objects

Click an artist name above to see in-stock items for that artist.


UPC: 5609063403572

Label: Creative Sources
Catalog ID: cs357
Squidco Product Code: 23869

Format: CD
Condition: New
Released: 2016
Country: Portugal
Packaging: Cardboard foldover
Recorded at L.V. Hang Studio by Valik Laszlo.
Descriptions, Reviews, &c.


Track Listing:
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Duo Recordings
Instruments with Preparations

Search for other titles on the label:
Creative Sources.

Recommended & Related Releases:
Binot, Loris / Violaine Gestalder
Loris Binot & Violaine Gestalder
(Creative Sources)
A contemplative and building collection of electroacoustic improvisations from French alto & soprano saxophonist Violaine Gestalder, augmenting her horn with effect pedals, and pianist Loris Binot, using preparations, magnetic bows and electronics to create sustained and percussive elements, recording in the CIM auditorium in Bal-Le-Duc, France for five rich and fascinating dialogs.
Sung, You Jin / Vincent Laju
Kairos
(Creative Sources)
Exotic improvisation from Korean musician based in Berlin, You Jin Sung, performing on the gayageum, a large traditional Korean plucked zither sometimes augmented with electronics, in a duo with French cellist Vincent Laju, both performers using tension and space contrasted with moments of intensity through six improvisations of cross-cultural, contemporary conversation.
Other Plastics (Dominic Coles / Hunter Brown)
Overtime Liquor
(Creative Sources)
Unusual glitch and extreme electronics improvised by the duo of New York artist Dominic Cole and Chicago/NY artist Hunter Brown (Sound Tribe Sector Nine), using approaches including glitch, noise & circuit bending in 9 pieces with tongue-in-cheek titles, balancing erratic moments with exploratory sections and near silence, an interesting and enigmatic album of aberrant electronics.
Brodbeck / Bohm
Weak Ties
(Creative Sources)
Working in the Elektronisches Studio, in Basel, Switzerland, the duo of electronic artist and guitarist Volker Böhm and drummer/percussionist Benjamin Brodbeck, also employing sonic objects of indeterminate source, create a fascinating set of 9 sonic compositions driven by rhythmic interaction, using space and focused recording techniques in superbly timed dialogs.
Gelber Flieder
Olbaumgewachse
(Creative Sources)
Gelber Lilac, or Yellow Lilac, is the electro-acoustic trio trio of Yves Arques (Tricentric) on objects & electronics, Joao Camoes (Open Field String Trio) on viola, and Luise Volkmann (Autochrom) on saxophone, presenting a romantic still life in improvisational colors and extended techniques, recorded live at La Petite Maison, in Paris in 2016.
Besalduch, Ferran / Riuichi Daijo
Cumulonimbus
(Creative Sources)
Improvising Japanese guitarist Riuichi Daijo joins Spanish Bass & Sopranino saxophonist Ferran Besalduch for a series of non-idiomatic dialogs, from bright restrained to assertive interactions, unusual techniques from Besalduch and percussive asides on the guitar adding engaging ornaments to their conversation; a nice accompaniment to a bright day.
Un Coup de Des (Barriere / Sainz)
Volcan Evaporado
(Creative Sources)
Two women in a duo of voice and amplified objects, Lali Barrier using a variety of devices that are clearly micro-amplifed and mixed in performance, as Marta Sainz intones vocal sounds, never speaking but creating innuendo and drama at a cautious pace, allowing Barrier's objects to interact, creating an unusual sonic environment of unpredictable and interesting discourse.


Customers Who Bought This Item Also Bought:
Sheer Anxiety
If You Want Blood You've Got It
(Love Earth Music)
The Boston duo of Chris Strunk on snare drum and percussion and Andrea Pensado on electronics and voice unleash six live performances from 2018-2025, forging a raw and volatile language of harsh electronics, extreme vocal force, rattling percussion, snare-driven impact and free improvisational tension rooted in noise, physicality and underground experimental performance.
S*Glass
Benign Neglect
(Public Eyesore)
Founding member of Bren't Lewiis Ensemble and Glands of External Secretion, and longtime driver of Bananafish magazine, Seymour Glass (as S*Glass) presents three 20-minute works of surrealist musique concrète, layering loops, cassettes, objects, organ, voice, and field recordings into unsettling yet strangely meditative sound collages that conjure fever dreams and altered states.
ukya (Bo / Lien / Sorenmo)
We Come For An Experience Of Presence
(Nakama Records)
The debut from Norwegian trio ükya — trombonist Emil Bø, guitarist Kristian Enkerud Lien, and drummer Michael Lee Sørenmo — offers a lyrical yet rigorous exploration of just intonation, European art music, minimalism, and British free improvisation, blending intuitive interplay with sonic precision in a strikingly original and deeply present studio recording.
Skaset, Havard
8:15
(Conrad Sound)
Guitarist Håvard Skaset (Sult, MoE) delivers a grim and compelling solo work of guitar, synth, and tape compositions with a 24-page book of abstract b&w art, exploring themes of disappearance and destruction, building intense drone-based soundscapes punctuated by moments of stark introspection, in a minimalist and historically charged reflection on human malice and memory.
Juice Machine
Yachats
(Love Earth Music)
Recorded across two seasons in coastal Oregon, Yachats showcases the late Heather Chessman and Roger Smith as Juice Machine, sculpting fragile, tape-based electro-acoustic collages that blend field recordings, loops, and discreet electronics into seven immersive vignettes — each a poetic meditation on place, memory, and sonic texture.
Electric Bird Noise / Derek Roddy
8-10-22 [CD EP]
(Silber Media)

With snaking guitar lines and psychedelic drumming, the collaboration of Myrtle Beach experimental guitarist Brian McKenzie (Electric Bird Noise) and extreme metal drumming virtuoso Derek Roddy creates a mesmerizing fusion of looping sustain, hypnotic textures, and dynamic percussive energy, captured live in an unfiltered improvisational session that pulses with atmospheric tension and spontaneous synergy.

Borden, TJ / Steve Flato
In the Garden of Eating
(Full Spectrum)
Taking ironic inspiration from Stockhausen�s conceptual extremes, cellist Tyler J. Borden and guitarist Steve Flato fuse cello, microtonal guitar, modular synth, Gizmotron, and electronics in an absurdist yet introspective performance score, immersively weaving subtle textures and just-intonation harmonies shaped by physical and psychological excesses around food and discomfort.
+Felladog+
+Felladog+
(Love Earth Music)
A high-decibel collaboration between harsh noise veteran Steve Davis (+DOG+) and Cleveland sound artist Jim Fellahean Szudy (Fellahean), recorded in Massachusetts and Ohio, blending subterranean industrial textures with metal scraping, low drones, and brutal sonic ruptures across 14 dynamic tracks, delivering an hour of immersive and confrontational electro-industrial experimentation.
Modelbau
1x33.3
(Love Earth Music)
Recorded in March 2024 using an 8-track borrowed from Peter Duimelinks, Frans de Waard's Modelbau project presents a dark drone piece that envelops listeners in rich, immersive textures, exemplifying his adept manipulation of lo-fi equipment to create profound ambient soundscapes.
Nil by Nose
Pictures On Trains Repainted
(Love Earth Music)
A collage of reinterpretations based on original tracks composed by Nil by Nose to accompany graffiti-covered train videos, this remix album features a diverse range of experimental artists reimagining those quick, raw compositions into a wildly creative and unpredictable audio journey through sound, decay, rhythm, and noise.
+DOG+
Peace
(Love Earth Music)
A long-running experimental noise unit led by Steve Davis and featuring Lob Instagon, +DOG+ craft a subtle and textural set of eighteen lo-fi electroacoustic improvisations recorded in Massachusetts, California, and Rhode Island, blending electronics, field recordings, and minimalist structures with a calm, intimate, and exploratory aesthetic.
E.O.C. (Engineering Of Consent)
Dreams
(Love Earth Music)
An enigmatic electroacoustic project from Mexico City, E.O.C. (Engineering Of Consent) crafts layered, dramatic, and immersive soundscapes that blend dark ambient, noise, and experimental textures into a compelling exploration of human nature, perception, and the subtle forces shaping collective experience.
Weathers, Andrew
Two Recordings
(Editions Glomar)
Two extended performances from Los Angeles and Colorado Springs by the West Coast ensemble of Andrew Weathers (tenor saxophone, mixer), Angel Lin (percussion), Ethan Marks (trumpet), and Mar Perez (trombone), freely improvising with resonance and experimental techniques to craft immersive soundscapes that blur the line between instrumental performance and environmental noise.
Zane, Allan / Carl Kruger
Model Collapse
(Love Earth Music)
Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.
Jarret, Paul / Karin Johansson / Donovan Von Martens
Hemisphere / Hemisfar
(Havtorn Records)
Paul Jarret, Karin Johansson, and Donovan Von Martens explore the dynamic interplay of prepared strings through experimental techniques and preparations, blending nature-inspired improvisation with echoes of Feldman, Bailey, and Debussy, creating a sharp, imaginative, and evolving soundscape that bridges improvisation, composition, and sound painting
Persson, Rasmus / Lee Noyes
Ratios
(Idealstate Recordings)
The collaboration between sound artists Lee Noyes and Rasmus initiated during their 2021 residency at Elementstudion in Goteborg, blending feedback electronics to explore balance, restraint, and precision; navigating the unpredictability of their instruments, they use improvisation, negative space and perceptual phenomena to develop these fascinating compositions.
Miller, Kevin / Dan Blake
At First Light
(Creative Sources)
Brooklyn saxophonist Dan Black and guitarist Kevin Miller present a duo album featuring three improvisations using pre-conceived time-based structures, one work using a particular kind of ambience, and an abstract take on a classic jazz tune, all reflecting their years of collaboration and exploration through free improvisation based around jazz standards.
Lisbon String Trio & Carlos Santos
Cobra
(Creative Sources)
The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety.
Flinn, Stephen / Bryan Eubanks
Stephen Flinn / Bryan Eubanks
(Public Eyesore)
A live performance of acoustic improvisation augmented by electronics between Stephen Flinn and Bryan Eubanks, Flinn bringing percussion and gongs to the stage while Eubanks performs on saxophone and electronics, over a 30 minute dialog they coax out unusual cries, squeals and utterance of confident sonic force evolved through improvisational restraint; compelling and mysterious.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related