The Squid's Ear Magazine
Squidco Distribution Sale!
   290 Albums at Distribution Prices Until Sunday, June 14!




Filip, Klaus / Dafne Vicente-Sandoval: Remoto (Potlatch)

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:




Product Information:

Personnel:



Klaus Filip-sinewaves

Dafne Vicente-Sandoval-bassoon

Click an artist name above to see in-stock items for that artist.



UPC: 3491570002124

Label: Potlatch
Catalog ID: P213
Squidco Product Code: 18203

Format: CD
Condition: New
Released: 2013
Country: France
Packaging: Cardstock gatefold foldover
Recorded at Amann Studios by Christoph Amann on April 27th, 2013 and at Evangelische Kirche A.B. Nickelsdorf by Noid on August 12th, 2013.
Descriptions, Reviews, &c.

Artist Biographies

"Dafne Vicente-Sandoval, born in Paris in 1979, is a bassoon player who explores sound through improvisation, contemporary music performance and sound installations. Her instrumental approach is centred on the fragility of sound and its emergence and development within a given space. In a concert situation she seeks to create a parodoxical presence of vulnerability and strength by testing the limits of control and instability. A key aspect in her work is the deconstruction of her instrument. She amplifies fragments through miniature microphones mounted inside the instrument. This exploded version of her sound sometimes meets more conventional bassoon playing to generate aural discontinuities between the exterior and the interior, the whole and the parts, wood and electricity - a "reverse-engineered emergence". Dafne Vicente-Sandoval currently lives in Paris and works mainly everywhere else. She favours long-term face-to-face collaborations within which her work keeps an integrity while engaging in a dialogue with that of others. Current projects with Klaus Filip, Bonnie Jones, Pascal Battus, Jakob Ullmann, Éliane Radigue and Klaus Lang. Her work has been presented at contemporary music festivals (Huddersfield Contemporary Music Festival, England; Blurred Edges, Hamburg; Visiones Sonoras, Mexico), festivals of improvised music (Konfrontationen, Austria; No Idea, Texas) and sound art fetsivals (Tsonami, Chile)."

-Musikprotokoll (http://musikprotokoll.orf.at/en/biography/dafne-vicente-sandoval)
6/10/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
lowercase, reductionist, micro-improv, sound improv, onkyo sound
Duo Recordings
Duo Recordings

Search for other titles on the label:
Potlatch.


Recommended & Related Releases:
Ullmann, Jakob
Muntzers Stern, Solo II [2 CDs]
(Edition Rz)
Between 2014-16 Jakob Ullmann composed the orchestral work "steine, feuer, sterne" (stones, fire, stars) based on a modular structure, such that individual sections can be played outside of a complete performance, solo or in predetermined combinations; this album presents one section for solo bassoon titled "Muntzers stern" performed by Dafne Vicente-Sandoval.
Baron, Marc
Un Salon Au Fond D'un Lac
(Potlatch)
Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.
Merce, Sergio
Microtonal Saxophone
(Potlatch)
Using an alto saxophone where the original mechanisms have been replaced with water, gas & compressed air taps, saxophonist Sergio Merce can microtonally move the tuning of any note and create multiphonics, allowing him to play several sonic layers while using circular breathing.
Guionnet, Jean-Luc / Seijiro Murayama
Window Dressing
(Potlatch)
Four recordings of subtle improvisation for saxophone & percussion, recorded for Radio Nationale Slovene in Ljubljana, and in the library of Jean-Paul Manganaro, Paris.
Foussat, Jean-Marc
Nouvelles
(Potlatch)
This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images.
Narthex (Baron / Blairon)
Formnction
(Potlatch)
Saxophonist Marc Baron & bassist Loic Blairon recorded 6 improvisations and then recomposed and organized them into these two 30 minute works, one acoustic and one digital.
Phosphor (Beins / Dorner / Hayward / Krebs)
Phosphor II
(Potlatch)
Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.
Baron / Denzler / Guionnet / Rives
Propagations
(Potlatch)
Four reed players of the European improv community in a series of compositions exploring drones, flutters, grainy tones, and powerfully radical approaches to the sax.



Customers Who Bought This Item Also Bought:
Flying Luttenbachers, The
Spectral Warrior Mythos 2
(ugEXPLODE)
Documenting The Flying Luttenbachers' transition from a New York-based lineup to a Chicago trio, this blistering live-in-the-studio session captures Weasel Walter (guitar), Luke Polipnick (bass), and Charlie Werber (drums) unleashing complex, high-energy compositions with no overdubs, solidifying their raw and relentless approach to genre-blurring improv, as the band continues its evolution.
Hubbard, Nathan / Kyle Motl
Obsidian
(Confront)
Recording live in the studio in San Diego, percussionist Nathan Hubbard and double bassist Kyle Motl engage in four fascinating duets of improvised music, blending extended techniques and unconventional approaches to their instruments to evoke richly textured, unpredictable, and exploratory performances that push the boundaries of traditional bass-and-drum interplay.
Mezei, Szilard
Always The Same
(Not Two)
In September of 2002, Szilard Mezei performed a series of 5 consecutive, unaccompanied solo concerts in Hungary improvising on viola, this album presenting two of these captivating and magnificent performances, balancing impressive technique with his ability to captivate through stunning passages of exquisite lyricism and thematic development, an incredible achievement.
Nakamura, Toshimaru / David Lee Myers
Elements
(Surface World)
Two like-minded electronic sound & feedback artists, David Lee Myers, aka Arcane Device from NYC and Toshimaru Nakamura from Japan, use feedback matrices & modular electronics�(Myers) and No-input Mixing Board (Nakamura) in a remote collaboration of alien overlays, sonic extensions and disruptive digressions through 12 complex and varying compositions.
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Rempis / Harnik / Lonberg-Holm / Daisy
Earscratcher
(Aerophonic)
Formed in 2019, the quartet of Dave Rempis on alto sax, Elisabeth Harnik on piano, Fred Lonberg Holm on cello and Tim Daisy on drums celebrate Elisabeth Harnik's 50th birthday in 2020, originally planned as part of a European tour that year but prevented by pandemic, instead recording this well-balanced and often unbridled 2022 concert at Alte Gerberei, St. Johan in Tirol, Austria.
Baldrian Quartett
Frieda Bertelsohn Martholdy: Streichquartette - Entschlummern sollst Du, sollst entschlummern
(Bruit Editions)
A tongue-in-cheek album packaged like a Deutsche Grammophon release of a string quartet by fictional composer Frieda Bertelsohn Martholdys (1878-1907), which is instead a superb live ea-improv performance at the 2018 Music Unlimited Festival in Austria by Gaudenz Badrutt (electronics), Kai Fagaschinski (clarinette), Jonas Kocher (accordion) & Christof Kurzmann (electronics).
Masked Pickle (Scemama / Malmendier / Weil)
7
(Relative Pitch)
A fully free, quirky and marvelous set of virtually indescribable improvisation from the trio of French vocalist Clara Weill (known from her work with Fred Frith), Olivia Scemama on bass and Tom Malmendier on drums, three active international collaborators with powerful technical skills and a strange sense of humor willing to take their music where ever it oddly leads.
Countryman, Rick
The First Bird
(ChapChap Records)
Taking his inspiration from the concepts and work of German fractal image & video artist Joerg Wand, US-born and Philippines-based alto saxophonist Rick Countryman presents his first unaccompanied saxophone album, as he flows, winds and weaves his saxophone along rich peninsular curves to illustrate Wand's vision through fluid and sustained playing.
Davis, Greg
Throughline
(Autumn Records)
Taking modular synths into unusual territory, Autumn Records label leader and relentless audio explorer Greg Davis spent years using a computer controlled modular synthesizer system to generate an obsessive set of synthetic and electronic sounds -- swooping, burbling, chattering, &c. -- assembled into this quick witted and energetic set of compositions.
Hirose, Junji
SSI-7
(Hitorri)
Known mostly as a saxophonist on the Japanese improvised music scene, Junji Hirose has also released a series of albums using self-made analog noise instruments, here using a device where balls and small objects are placed on a large, shallow, round metal plate and moved by a compressor, here in four tracks with different objects and one with no objects at all.
Faustino, Hernani / Joao Madeira
dB Duet
(FMR)
Two deep basses come together in this recording of a live performance at O'Culto de Ajuda, Lisboa, Portugal between Red Trio double bassist Hernani Faustino and Ensemble MIA/String Theory double bassist Joao Madeira, mixing bowed and plucked styles along with preparations and extended techniques in a three part suite of powerfully imposing improvisation.
Dadge, Chris / Tim Olive
Nice You!
(845 Audio)
After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter and Bug Incision lAfter a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.
Owl, The feat. Pablo Held
Improcode
(Listen! Foundation (Fundacja Sluchaj!))
The Polish trio OWL of Marcin Halat on violin, Maciej Garbowski on double bass, and Krzysztof Gradziuk on drums invited German pianist Pablo Held for a concert at Loft in Cologne, 2019, to perform three lyrical and dynamic compositions from violinist Halat, alongside a 6-part "IMPRO" collective improvisation, balancing free and lyrical approches to superb modern jazz.
Orchestra Entropy
Rituals
(Discus)
An extended work for 10 improvisers using a composite composition of graphic scores, open notations, and two trio sub-pieces titled "skelf" (electric guitar, double bass and drums) and "antiphon" (violin, viola and double bass), all directed by UK saxophonist Matt London in an ensemble with reeds, winds, brass, strings, electric guitar, and Mark Sanders on drums.
Munchen Neus (Schindler, Udo / Gunnar Geisse / Anton Kaun)
superGau
(FMR)
A single extended improvisation from the trio of Udo Schindler on reeds, brass & analogue synthesizer, Gunnar Geisse on laptopguitar & virtual instruments, and Anton Kaun on electronics, zeug & effects recorded live at Das Lihotzky/wagnis ART, in Munchen, Germany in 2017, a journey of odd intent, brilliant technique, eccentric attitude, and unorthodox dialog.
Pisaro, Michael (w/ Didier Aschour / Stephane Garin)
Resting in a Fold of the Fog
(Potlatch)
Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).
Guionnet, Jean-Luc / Dedalus
Distances Ouies Dites
(Potlatch)
Composer Jean-Luc Guionnet wrote "Distances ouies Dites" ("Distances: Hearsay") for the 7-piece Dedalus Ensemble, who are positioned in separate rooms at Le Consortium, each having to use the features of the room and distance from each other to confer liked musical ideas.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC