The Squid's Ear Magazine
The Squid's Ear Magazine


Cooper-Moore / Assif Tsahar: America (Hopscotch Records)

Half protest statement and half call for renewal, America offers a wonderful combination of the familiar and the unexpected in improvised and heartland music.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





Product Information:

Personnel:



Cooper-Moore-voice, bango, deedly-bo, piano, mouth bow, flute, drums

Assif Tsahar-tenor saxophone, bass clarinet, classical guitar

Click an artist name above to see in-stock items for that artist.



UPC: 015568230875

Label: Hopscotch Records
Catalog ID: HOP 18
Squidco Product Code: 2407

Format: CD
Condition: New
Released: 2003
Country: USA
Packaging: Cardstock Sleeve
Recorded at Hopscotch Studios, in August, 2003, by Assif Tsahar and Cooper-Moore.
Descriptions, Reviews, &c.

Artist Biographies

"As a composer, performer, instrument builder/designer, storyteller, teacher, mentor, and organizer, Cooper-Moore [b. August 31, 1946] has been a major, if somewhat behind-the-scenes, catalyst in the world of creative music for over 40 years. As a child prodigy Cooper-Moore played piano in churches near his birthplace in the Piedmont region of the Blue Ridge Mountains of Virginia. His performance roots in the realm of avant jazz music date to the NYC Loft Jazz era in the early/mid-70s. His first fully committed jazz group was formed in 1970 - the collective trio Apogee with David S. Ware and drummer Marc Edwards. Sonny Rollins asked them to open for him at the Village Vanguard in 1973, and they did so with aplomb. A studio recording of this group was made in 1977, and issued as Birth of a Being on hatHut under Ware's name in 1979 (re-mixed and re-issued in expanded form on AUM Fidelity in 2015!). Following an evidently rather trying European tour with Ware, Beaver Harris, and Brian Smith in 1981, Cooper-Moore returned home and completely destroyed his piano, with sledgehammer and fire, in his backyard. He didn't play piano again until some years after, instead focusing his energies from 1981-1985 on developing and implementing curriculum to teach children through music via the Head Start program. Returning to New York in 1985, he spent a great part of his creative time working and performing with theatre and dance productions, largely utilizing his hand-crafted instruments. It was not until the early 90s, when William Parker asked him to join his group In Order To Survive, that Cooper-Moore's pianistic gifts were again regularly featured in the jazz context. In the early 'aughts the group Triptych Myth was his own first regular working jazz group in decades and together they blazed some trails and released two albums: one rich formative, and one exquisite. A destined creative re-union with David S. Ware in the Planetary Unknown quartet, the Digital Primitives trio with Assif Tsahar & Chad Taylor, and continued work with William Parker followed. Cooper-Moore's creative life continues well-strong and unabated into the present day. He will be/was the Lifetime Achievement Honoree at the 22nd iteration of Vision Festval, NYC on May 29, 2017."

-Aum Fidelity (http://www.aumfidelity.com/cooper-moore.html)
9/14/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Assif Tsahar (born Israel, June 11, 1969) is an Israeli tenor saxophonist and bass clarinetist. He lived in New York City from 1990 to the early 2000s, returning to Israel.

He has performed with Cecil Taylor, Butch Morris, William Parker, Mat Maneri, Hamid Drake, Peter Kowald, Susie Ibarra, Rashied Ali, Warren Smith, Wilbur Morris, Le Quan Ninh, John Tchicai, Fred Anderson, Rob Brown, Roy Campbell, Gerald Cleaver, Agusti Fernandez, Ken Vandermark, Kent Kessler, Joe Daley, Herb Robertson, Cuong Vu, Chris Jonas, Ori Kaplan, Oscar Noriega, Roman Stolyar, Alex Harding, Steve Swell, Cooper-Moore, and Tom Abbs

He founded the label Hopscotch Records in 1999. In 2006 he opens the music club Levontin7 with Daniel Sarid in Tel Aviv. "

-Wikipedia (https://en.wikipedia.org/wiki/Assif_Tsahar)
9/14/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:

Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Song Based Music
Hopscotch Records
Duo Recordings
Before April-2006
Saxophone & Drummer / Percussionist Duos
Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Song Based Music
Hopscotch Records
Duo Recordings
Before April-2006
Saxophone & Drummer / Percussionist Duos

Search for other titles on the label:
Hopscotch Records.


Recommended & Related Releases:
Cooper-Moore & Stephen Gauci
Conversations Vol. 2
(577 Records)
The second of two volumes from legendary Downtown NY pianist Cooper-Moore and saxophonist Stephen Gauci, recorded after a seven-month residency at Happylucky No. 1 Gallery in Brooklyn, allowing the two players to develop a natural dialog of unique and idiosyncratic approaches to their instruments, resulting in these seven solid recordings freely improvised in the studio.
Cooper-Moore / Stephen Gauci
Conversations Vol. 1 [VINYL]
(577 Records)
The first of two volumes from legendary Downtown NY pianist Cooper-Moore and saxophonist Stephen Gauci, recorded after a seven-month residency at Happylucky No. 1 Gallery in Brooklyn, allowing the two players to develop a natural dialog of unique and idiosyncratic approaches to their instruments, resulting in these 6 commanding recordings freely improvised in the studio.
Kabako, Solo Dja
Solo
(Hopscotch Records)
Blind guitarist and singer Solo Dja Kabako is an important figure in Burkina Faso in West Africa, whose talent took him from begging on the streets as a kid to being a treasured artist in his country, here in an album recorded in his home in Ougadougou by saxophonist Assif Tsahar after a festival where they met; a record of warm, sincere music and song.



Customers Who Bought This Item Also Bought:
Sorey, Tyshawn / Pat Thomas
Red Sulphur
(Otoroku)
In their first meeting, drummer Tyshawn Sorey and pianist Pat Thomas deliver a fiercely dynamic live improvisation at Cafe OTO, moving through dense clusters, inside-piano resonance, metallic percussion, brushes, string slides and sudden silences with remarkable precision, building a volatile dialogue that shifts between thunderous rhythmic density, delicate texture and sharply focused spontaneous interplay.
Ballister + Luke Stewart
Clocking the Wheel
(Aerophonic)
Joining Dave Rempis on saxophones, Fred Lonberg-Holm on cello, and Paal Nilssen-Love on drums with bassist Luke Stewart, this live Ballister performance from Roulette expands the trio's ferocious long-running rapport into a dense, high-velocity quartet, Stewart locking with Nilssen-Love in elastic propulsion as cello and saxophone surge through explosive, telepathic collective improvisation.
Murray, Sunny / Sabu Toyozumi
Sun's Blessings
(NoBusiness)
Recorded live at Zippy Hall in Japan in 1999, this extraordinary duo unites pioneering free jazz drummer Sunny Murray (Cecil Taylor, Albert Ayler) with Japanese free music innovator Sabu Toyozumi for two extended improvisations, their overlapping rhythmic languages creating a vivid exchange of rolling cymbal fields, sharp attacks, spacious resonance and explosive momentum.
AMM (Prevost / Rowe / Tilbury)
Phlegm
(Matchless)
A late-period live recording from AMM — Eddie Prévost, Keith Rowe, and John Tilbury — capturing their refined electroacoustic free improv language of near-silence, where percussion, electronics, and piano dissolve into a shared sonic field shaped by extreme restraint, microscopic detail, and a collective focus on texture, duration, and deep listening.
Ulher, Birgit / Jaap Blonk
Breezes - Improvisers
(Kontrans)
Birgit Ulher and Jaap Blonk engage in an eccentric duo of trumpet, radio, electronics, and voice, where drifting textures, interference, and extended techniques shape a spacious, volatile improvisation balancing delicate detail with sudden, fractured gestures, recorded at the artist-run collective, gallery, and cultural venue Westwerk in Hamburg, Germany.
Douglas, Dave / GIFTS (w / Lewis / Bhatia / Chang / Reid)
Transcend
(Greenleaf Music)
Dave Douglas expands his GIFTS Quintet with Tomeka Reid on cello alongside James Brandon Lewis, Rafiq Bhatia and Ian Chang, drawing on the spiritual openness of Duke Ellington's Sacred Concerts in a powerful electro-acoustic jazz setting where trumpet, tenor, guitar, cello and drums merge lyricism, electronics and high-energy interplay into a reverent, forward-looking ensemble statement.
Merzbow / Gustafsson / Pandi
Cuts Cut
(Les Disques Victo)
Documenting a ferocious live performance from the 2018 Victoriaville Festival with additional recordings from 2025, the trio of Merzbow (electronics), Mats Gustafsson (bass & baritone sax, electronics), and Balázs Pándi (drums) unleash a volatile collision of noise, free jazz intensity, and crushing rhythmic force of towering electronic textures, blistering sax blasts, and wildly inventive percussion.
Melford, Myra / Satoko Fujii
Katarahi
(RogueArt)
Myra Melford and Satoko Fujii meet in a rare two-piano encounter rooted in decades of friendship, their live performance unfolding as the heart-to-heart conversation suggested by the title, with both artists so deeply attuned that individual lines dissolve into a shared language of spontaneous form, lyrical intensity, emotional openness and beautifully balanced collective invention.
Kahn, Jason
Dotolim (2023)
(Editions)
Composed for the Seoul experimental space Dotolim and originally realized in 2009, Jason Kahn's graphic score is revisited here with a new generation of Seoul-based experimental musicians, combining voice, electronics, tape devices, film projectors, and resonant objects in a subtle electroacoustic performance shaped by texture, space, and collective interpretation.
Evans, Peter / Mike Pride
A Window, Basically [CD + DOWNLOAD]
(Relative Pitch)
Concentrating their work from the Pulverize the Sound trio, trumpeter Peter Evans and drummer Mike Pride reveal a ferocity that pushes free improvisation to its extremes, balancing explosive virtuosity with kaleidoscopic percussive interaction through dense sound clusters, fractured grooves, unexpected silences, and wild exploration, in seven high-risk dialogs tempered by moments of striking clarity.
La Casa, Eric / Jerome Noetinger
Off Tracks
(erstwhile)
Compositions from Éric La Casa and Jérôme Noetinger built from site recordings made while exploring buildings emptied of their activities, crossing spaces abandoned by their occupants and drifting through the ghostly traces of vanished presence, revealing a mysterious electroacoustic force that lingers within the shifting textures of these emptied environments.
Malfon, Don / Vasco Trilla
Towers of Silence
(Confront)
A deeply immersive duo performance from saxophonist Don Malfon and percussionist Vasco Trilla, this exploratory session unfolds as a richly textured dialogue of breath, resonance, and rhythm, where haunting tones, shifting densities, and subtle dynamics blur the lines between experimental jazz, ambient improvisation, and abstract sound sculpture, revealing a finely balanced interplay of intensity and restraint.
McKain, James / Damon Smith / Weasel Walter
... Seeing the Way The Mole Tunnels...
(Balance Point Acoustics / International School of Evidence)
Energetic trio interplay from saxophonist James McKain with Damon Smith and Weasel Walter, recorded in Collinsville, Illinois, where taut lines, volatile textures, and razor-cut dynamics sketch "free jazz by way of the European tradition," six concise pieces whose titles nod to Thomas Bernhard and whose restless momentum — anchored by springy bass and splintered drums — turns spontaneity into vividly shaped form.
Valencia, Maria / Matt Moran / Brandon Lopez
Tarabita Espiral
(Relative Pitch)
Recorded live at IBeam in Brooklyn, the trio of María Valencia (alto saxophone, Bb clarinet), Matt Moran (vibraphone), and Brandon Lopez (bass, percussion) weave a richly textured improvisation of lyric tension and resonant space, where breath, metal, and wood converge in shifting layers of sound, balancing volatility with quiet reflection in an atmosphere of deep, intuitive dialogue.
Gjerstad, Frode / Alexander von Schlippenbach / Dag Magnus Narvesen
Seven Tracks
(Relative Pitch)
A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.
Sleep Of Reason Produces Monsters, The (Rasmussen / Mitelli / Rezaei / Koenig)
The Sleep Of Reason Produces Monsters
(Corbett vs. Dempsey)
An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos.
Blonk, Japp
Kurt Schwitters Ursonate
(Corbett vs. Dempsey)
Dutch vocal artist Jaap Blonk performs Kurt Schwitters' iconic Dada sound poem Ursonate with deeply internalized precision and theatrical nuance, drawing on decades of experience to present a vivid, expressive interpretation of the four-movement work, including both an improvised and written Kadenz, in this definitive 2024 studio recording.
Keune, Stefan / Sandy Ewen / Damon Smith
Two Felt-Tip Pens: Live At Moers
(Balance Point Acoustics)
An explosive and intricately balanced trio performance dedicated to the late bassist Hans Schneider from sopranino and alto saxophonist Stefan Keune, guitarist Sandy Ewen, and bassist Damon Smith, recorded live at the Moers Festival, where jagged breathwork, meticulous micro-noise, and deep-string abstraction collide in a fiercely expressive set of free improvisation.
Dan, Lao
To Hit a Pressure Point
(Relative Pitch)
Recorded solo in Hangzhou, China, saxophonist and suona player Lao Dan merges Chinese folk motifs with the raw energy of punk, the spontaneity of free jazz, and the abrasiveness of noise and rock forms, creating a fiercely expressive and unpredictable improvisational landscape driven by aesthetic tension and fearless experimentation.
Kawashima, Makoto
arteria
(Relative Pitch)
A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation.
Kim, Jung-Jae (Kim / Lee / Song / Kim)
Shamanism [CD+DOWNLOAD]
(Relative Pitch)
A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression.
Koketsu, Masayo / Nava Dunkelman / Tim Berne
Poiesis
(Relative Pitch)
A first-time meeting in the studio for alto saxophonists Tim Berne and Masayo Koketsu with percussionist Nava Dunkelman, captured in a dynamic session of collective free improvisation where contrasting approaches — Berne's grounded tone, Koketsu's extended techniques, and Dunkelman's textural percussion — intertwine with clarity and spontaneous expression.
Flaherty, Paul
A Willing Passenger
(Relative Pitch)
A solo saxophone album from legendary free improviser Paul Flaherty, recorded at Pete's Basement Studio in Massachusetts in 2021, presenting a deeply personal and expressive journey through alto and tenor saxophone explorations that juxtapose raw turbulence and lyrical beauty, continuing Flaherty's legacy of shaping sound into emotionally resonant sonic narratives




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC