Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   The Squidco Blog
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine
July 11-13, 2025: Previously Played Sale - Save 20% on all Used CDs!

Burnett, Aaron
Correspondence

Burnett, Aaron: Correspondence (Relative Pitch)

Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
 

Price: $13.95

Quantity:

In Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Aaron Burnett-saxophone


Click an artist name above to see in-stock items for that artist.



UPC: 5902249003673

Label: Relative Pitch
Catalog ID: RPRSS010
Squidco Product Code: 31426

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Cardboard Gatefold
Recorded at Figure 8 Studios, on Prospect heights, Brooklyn, New York, on December 13th, 2020, by Lily Wen.

Descriptions, Reviews, &c.

"Aaron Burnett is Ňa standout new voice on the saxophone. In a very short time, the young musician has already lent his personal and unhindered approach to a breadth of bandleaders including Esperanza Spalding, Wynton Marsalis, Anti-Pop ConsortiumÔs HPRIZM, and Weasel Walter. He also toured with three time Grammy winner, Esperanza Spalding in her 2012 world tour with Radio Music Society.

Aaron has the also retained the true nature of jazz in his music and his playing, constantly searching for new ways of interpreting the music while remaining modern and consistent with the times we live in coupled with his much appreciated love for the greats of jazz and the tradition by establishing his role as an innovator within this art. In a society ruled by corporations and banks its imperative that the music is reflective of these times and that true innovation is a centerpiece of jazz once again.

Aaron Burnett has made this his mission to provide people with the sounds of this time and into the future. Aaron has declared that this is his final avant-garde record. Seven solo saxophone improvisations recorded during the lockdown."-Relative Pitch



"Aaron Burnett began to study classical saxophone at the age 11. After attending the University of North Carolina at Greensboro for Classical and Jazz Performance (1999-2001), he relocated to Berklee College of Music in Boston for Classical Composition (2005-2008), graduating with a degree in Professional Music. Burnett has always stressed the importance of establishing a unique sound for himself while in college, studying classical Baroque composition techniques, advance harmony, world music, and atonal composition. He has performed with many renowned musicians such as Vijay Iyer, Teri Lyne Carrington, Kurt Rosenwinkel, Michelle Rosewoman, Jeff Tain Watts, and Kim Thompson, and toured with three-time Grammy winner Esperanza Spalding in her 2012 world tour with Radio Music Society."


Artist Biographies

"Aaron Burnett began to study classical saxophone at the age 11. After attending the University of North Carolina at Greensboro for Classical and Jazz Performance (1999-2001), he relocated to Berklee College of Music in Boston for Classical Composition (2005-2008), graduating with a degree in Professional Music. Burnett has always stressed the importance of establishing a unique sound for himself while in college, studying classical Baroque composition techniques, advance harmony, world music, and atonal composition. He has performed with many renowned musicians such as Vijay Iyer, Teri Lyne Carrington, Kurt Rosenwinkel, Michelle Rosewoman, Jeff Tain Watts, and Kim Thompson, and toured with three-time Grammy winner Esperanza Spalding in her 2012 world tour with Radio Music Society. Burnett retains true nature of jazz in his music and his playing, always searching for new ways of interpreting the music while remaining modern and consistent with the times we live in."

-Roulette (https://roulette.org/event/aaron-burnett-presents-compound-gravity/)
7/9/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. New Age (Matrix) 08:52

2. Perspective 04:30

3. Red Pill 03:06

4. Spirit 04:51

5. Titan 03:06

6. Visions 06:46

7. Titan alt 02:59

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings

Search for other titles on the label:
Relative Pitch.

Recommended & Related Releases:
Ono, Ryoko
The Days
(Relative Pitch)
Known for her ensemble Ryorchestra and as half of SaxRuins with Yoshida Tatsuya, Nagoya-based saxophonist, flutist, and composer Ryoko Ono steps out on her own with a solo album featuring saxophone, mouthpiece, duck whistle, and voice, capturing the dramatic contrasts of life through her dynamic, genre-defying improvisations and emotionally resonant compositions.
Williams, Jamison
The Lesser Key of Solomon-Bael
(Relative Pitch)
Appropriately recorded at Le Sauvage Cathedral in France, the region name dating to the legend of a wild woman who only ate raw meat, had a double row of teeth, lived under a rocky promontory and was buried by a landslide, as baritone saxophonist Jamison Williams darkly burns in an extended improvisation of outside technique while referencing the Lemegeton, a 17th century book of magic.
Baczkowski, Steve
Cheap Fabric
(Relative Pitch)
Recording on a vintage reel-to-reel tape deck in his own warehouse living room during a lunar eclipse, saxophonist Steve Baczkowski (Brandon Lopez Trio, Buffalo Suicide Prevention Unit, Ensemble MIA) captures thirteen explorations on tenor and baritone saxophones, plus a homemade wind instrument, for an intimately challenging album of outrageous technique and overtones.
Rave, Ada
In Search Of A Real World
(Relative Pitch)
A collection of sonic poems & images that are inspired by her search for a 'real world' — more tangible and less virtual — presented by Argentinian saxophonist based in Amsterdam, Ada Rave, performing on tenor, soprano & sopranino saxophones with differing preparations for each improvisation, while also being influenced by the native music of the Mapuche people and Argentinian folk music.
Salvo, Sofia
ROTAROTA
(Relative Pitch)
Berlin-based, Buenos Aires-born saxophonist Sofia Savlo takes listeners on a tour of eight improvisations performed on the low pitched baritone saxophone, using great control & tone augmented by multiphonics and extended techniques, "rotating" through unusual approaches while engaging listeners through expressive narratives, including emulating a drunken revery.
Gibson, Yedo
Conic Tube
(Relative Pitch)
Born in São Paulo, Brazil and working in Amsterdam and Lisbon, and also part of the London Improvisers Orchestra, Yedo Gibson unleashes an album of solo improvisation on the soprano and tenor saxophones, his "conic tubes" which he uses to express the potential to change environment and energy through technically impressive, expressive playing.
Wright, Jack
What Is What
(Relative Pitch)
Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds".
Valencia, Maria
Compendio de Alofonias Abisales
(Relative Pitch)
Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
Greenstone, Madison
Resonance Studies in Ecstatic Consciousness
(Relative Pitch)
Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression.
Nebbia, Camila
Una Ofrenda A La Ausencia
(Relative Pitch)
Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects.
Vergara, Benjamin
The Impossibility Of A Single Sound
(Relative Pitch)
A "subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker", in six improvisations of unusual technique and creative concept from Chilean trumpeter Benjamin Vergarda, known for his work with Fred Frith, Keefe Jackson, &c, and director of the Festival of Experimental Music Relincha.
Jessen, Kyle
Primitive
(Relative Pitch)
An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Abdou, Sakina
Goodbye Ground
(Relative Pitch)
An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances.
Shiraishi, Tamio
Moon
(Relative Pitch)
Known for his resonant solo alto saxophone work, often recording with the New York City subways, this album presents ten unusual duos between Tamio Shiraishi and improvisers on piano, voice, cello, electronics, bass, guitar and sax, with Tim Dahl, Steve Baczkowski, Mico, Mike Sidnam, Austin Sley Julian, Nina Dante, Tara Fenamore, Leila Bordreuil, Chris Libutti, and Ami Yamasaki.
Foster, Michael
The Industrious Tongue
(Relative Pitch)
It's not just the tongue that drives these compellingly irascible and unexpected sounds from the saxophone, augmented at times by samples and oscillators, as NY saxophonist Michael Foster applies technique beyond extended to a tenor and soprano saxophone, in two multi-part works of solo utterance: "Libidinal Fragments" in seven parts, and "Celluloid Nightmares" in two.
Grimal, Alexandra
Refuge
(Relative Pitch)
Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance.
Ullen, Lisa / Elsa Bergman / Anna Lund
Space
(Relative Pitch)
The debut of this thoroughly modern piano trio from Sweden of pianist Lisa Ullen, bassist Elsa Bergman and drummer Anna Lund, merging traditional and free jazz forms along with influences from contemporary compositional music, approaching their collective music using a diverse set of strategies and techniques that yield a spectrum of captivating conversations.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Garcia, Violeta / Chris Pitsiokos
Uanmortaim
(Relative Pitch)
From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation.
Gjerstad, Frode / Isach Skeidsvoll
Twenty Fingers
(Relative Pitch)
A sparkling and energetic encounter between Norwegian saxophone legend Frode Gjerstad and fellow Norwegian and relative newcomer, pianist Isach Skeidsvoll of groups Bear Brother and Garrubo Band, the two spurring each other to intense levels of interaction, stepping back at times for introspective moments only to plunge forward in a wonderfully enthusiastic dialog.
Emmeluth, Signe
Hi Hello I'm Signe
(Relative Pitch)
A single piece recorded live for Ingebrit Haker Flaten's 2020 Sonic Transmissions Festival finds the Danish saxophonist in an extended improvisation of varying moods, applying a diverse set of methods and technical approaches to the horn, from quiet meditate work to full-throated exuberance, in a remarkably personal journey of confident exposition.
Shiraishi, Tamio
Sora
(Relative Pitch)
Japanese saxophonist living in NYC Tamio Shiraishi, an associate of Keiji Haino, has a unique approach to his solo work, often playing outdoors in concert with nature, or using the natural resonance of his performance space, recreating the sounds of wind, birds, water, and any other natural "noise" sounds, here in a live performance at Issue Project Room & 6 studio recordings.
Pitsiokos, Chris
Speak In Tongues And Hope For The Gift Of Interpretation
(Relative Pitch)
Dedicating his pieces to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy, and John Zorn, NY alto saxophonist Chris Pitsiokos is heard live at this solo concert in New Haven, CT in 2019, reflecting on the history of jazz through his intense playing style that deploys incredible technique balanced with abstraction and rapid lyricism.
Rogers, Erin
Dawntreader
(Relative Pitch)
Performing on saxophones and cymbal, the debut album from NY-based Canadian-American composer, saxophonist, and performance artist Erin Rogers uses multiphonics, vocalization, circular breathing, and inciting of outer resonance to add layers of complexity to her gripping improvisations, which she describes as "No electronics, no bandmates, no composers... just me + dark room + 2 saxophones".




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related