The Squid's Ear Magazine


Niblock, Phill: NuDaf (XI Records)

An extended electroacoustic composition from composer Phil Niblock based on recordings captured at Marcus Schmickler's Piethopraxis studio in Koln of bassoonist Dafne Vicente-Sandoval, layering her playing and using multiphonics to create beautifully rich textures that slowly evolve, shifting in hypnotic ways as the pieces arches and descends through harmonic interaction.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Phill Niblock-composer

Dafne Vicente-Sandoval-bassoon


Click an artist name above to see in-stock items for that artist.




UPC: 725531214527

Label: XI Records
Catalog ID: XI 145CD
Squidco Product Code: 30695

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Digipack
Original tones recorded in 2015 in Marcus Schmickler's Piethopraxis studio in Koln, using a Brauner microphone. The piece was constructed at Experimental Intermedia in NY using Protools. Additional EQ and revision in Boston.

Descriptions, Reviews, &c.

NuDaf (2020) is the 2nd longest piece in Niblock's repertoire of recorded audio works. NuDaf is a departure from his previous pieces in that he makes extensive use of multiphonics and constructed the work with fewer tracks than usual, creating uniquely transparent and ephemeral textures. The piece is the result of a collaboration between Niblock and the stellar bassoonist Dafne Vicente-Sandoval. Her musicality and breadth of knowledge, extended bassoon performance, and uncanny timing inspired the piece.

This is the first of three collaborative projects between XI Records and Akoh Media. Akoh initiated the project, suggesting that Phill confront a longer form that also seemed eminently suitable to Dafne Vicente-Sandoval's interests. Akoh, as is its tradition, presents the work in a limited numbered edition of a one-of-a-kind Petri dish that incorporates Niblock's photos in an exquisite and unique design. CD and download versions also available."-XI Records


Artist Biographies

"Phill Niblock is a New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade-hopping. He has been a maverick presence on the fringes of the avant garde ever since. In the history books Niblock is the forgotten Minimalist. That's as maybe: no one ever said the history books were infallible anyway.

His influence has had more impact on younger composers such as Susan Stenger, Lois V Vierk, David First, and Glenn Branca. He's even worked with Sonic Youth's Thurston Moore and Lee Renaldo on "Guitar two, for four" which is actually for five guitarists. This is Minimalism in the classic sense of the word, if that makes sense. Niblock constructs big 24-track digitally-processed monolithic microtonal drones. The result is sound without melody or rhythm. Movement is slow, geologically slow. Changes are almost imperceptible, and his music has a tendency of creeping up on you. The vocal pieces are like some of Ligeti's choral works, but a little more phased. And this isn't choral work. "A Y U (as yet untitled)" is sampled from just one voice, the baritone Thomas Buckner. The results are pitch shifted and processed intense drones, one live and one studio edited. Unlike Ligeti, this isn't just for voice or hurdy gurdy. Like Stockhausen's electronic pieces, Musique Concrete, or even Fripp and Eno's No Pussyfooting, the role of the producer/composer in "Hurdy Hurry" and "A Y U" is just as important as the role of the performer. He says: "What I am doing with my music is to produce something without rhythm or melody, by using many microtones that cause movements very, very slowly." The stills in the booklet are from slides taken in China, while Niblock was making films which are painstaking studies of manual labour, giving a poetic dignity to sheer gruelling slog of fishermen at work, rice-planters, log-splitters, water-hole dredgers and other back-breaking toilers. Since 1968 Phill has also put on over 1000 concerts in his loft space, including Ryoji Ikeda, Zbigniew Karkowski, Jim O'Rourke."

-Phill Niblock Website (http://phillniblock.com/2007/06/14/biography-photos/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dafne Vicente-Sandoval, born in Paris in 1979, is a bassoon player who explores sound through improvisation, contemporary music performance and sound installations. Her instrumental approach is centred on the fragility of sound and its emergence and development within a given space. In a concert situation she seeks to create a parodoxical presence of vulnerability and strength by testing the limits of control and instability. A key aspect in her work is the deconstruction of her instrument. She amplifies fragments through miniature microphones mounted inside the instrument. This exploded version of her sound sometimes meets more conventional bassoon playing to generate aural discontinuities between the exterior and the interior, the whole and the parts, wood and electricity - a "reverse-engineered emergence". Dafne Vicente-Sandoval currently lives in Paris and works mainly everywhere else. She favours long-term face-to-face collaborations within which her work keeps an integrity while engaging in a dialogue with that of others. Current projects with Klaus Filip, Bonnie Jones, Pascal Battus, Jakob Ullmann, Éliane Radigue and Klaus Lang. Her work has been presented at contemporary music festivals (Huddersfield Contemporary Music Festival, England; Blurred Edges, Hamburg; Visiones Sonoras, Mexico), festivals of improvised music (Konfrontationen, Austria; No Idea, Texas) and sound art fetsivals (Tsonami, Chile)."

-Musikprotokoll (http://musikprotokoll.orf.at/en/biography/dafne-vicente-sandoval)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. NuDaf 01:05:10

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Electroacoustic Composition
Compositional Forms
Recordings by or featuring Reed & Wind Players
Sound, Noise, &c.
Ambient & Minimal Music
NY Downtown & Metropolitan Jazz/Improv
New in Experimental & Electronic Music
New in Compositional Music

Staff Picks & Recommended Items

Search for other titles on the label:
XI Records.


Recommended & Related Releases:
Other Recommended Releases:
Niblock, Phill
Working Touch [USB CARD]
(Touch)
A massive archive of drone & ambient composer Phill Niblock's films and music, from recordings made between 2013 and 2016 in festivals and studios around the world, orchestrated with primarily acoustic instruments using rich and closely related harmonics, paired with moving images of people from around the world engaged in work; hypnotic and engrossing.
Niblock, Phill
Ghosts And Others
(Room40)
An engrossing set of compositions through field recordings captured around the globe, transitioning by passages of trains, trucks and cars and accompanied by unusual percussive elements and strange melodies, as Niblock invites us to a funeral procession, a collective farm, and untold other exotic and fascinating streets and unexpected environments.
Corner, Philip
On Tape From The Judson Years
(Alga Marghen)
Early tape collage works from Fluxus founder and member of the Experimental Media Foundation Philip Corner, five distinct pieces recorded and developed between 1962 to 1963 in New York's Lower East Side, including Lucinda Pastime" for a a dance piece by Lucinda Childs, and "Oracle, a Canata on Images of War" commissioned by the Living Theatre; includes a 16-page booklet.
Niblock, Phill / Franck Vigroux / Kasper T. Toeplitz
BestiaIRE [VINYL]
(Matiere Memoire)
Two large works of complex sound and drone composed by New York avant composer Phill Niblock and performed by the French IRE ensemble of Kasper T. Toeplitz on electric bass, Franck Vigroux on electric guitar & electronics, and Helene Breschand on electric harp, exploring Niblock's work through the innovative merging of electronic instrumentation.
Wong, Eric
Cognitive Dissonance
(Edition Wandelweiser Records)
Guitarist, computer musician, and improviser Eric Wong (D.N.A.N.D.N.A. with Simon Rose) focuses on sound textures and perception of sound, in three works composed using Ableton Live that explore concepts of psychoacoustic sound through dissonance, harmonic interference and hallucinatory sound, slowly developing works of rich sonic characteristic.
Grady, Kraig
Monument Of Diamonds
(Another Timbre)
Microtonal composer Kraig Grady in a work for specially adapted brass instruments (Kris Tiner, trumpets; Subhraag Singh-saxophones; Emmett Kim Narushima-trombones) and organ (Terumi Narushima) using a the Meta-Slendro tuning, an obscure 17-tone scale, to create an expansive and organic work assembled from recordings of each musician playing meditations on single notes.
Davies, Rhodri
Transversal Time
(Confront)
Assigning different times systems--standard time, decimal and hex time--to different musicians, harpist Rhodri Davies develops an electroacoustic improvisational environment of unusual perception and sensation, performed live in Cardiff in 2018 with Ryoko Akama, Sara Hughes, Sofia Jernberg, Pia Palme, Andre Parkinson, Lucy Railton, Pat Thomas, & Dafne Vicente.
Formanex w/ AMM / Christian Wolff / Keith Rowe / Ralf Wehowsky / John Tilbury / Phill Niblock / ONsemble / Seth Cluett / Radu Malfatti / Michael Pisaro / Julien Ottavi / Kasper T. Toeplitz
20 Years Of Experimental Music [10 CDS]
(Mikroton Recordings)
Their first release in 2000 performing Cornelius Cardew's "Treatise", for 20 years the Formanex quartet of sound artists, conceptualists and experimenters Anthony Taillard, Christophe Havard, Emmanuel Leduc, and Julien Ottavi are heard here in collaborations with Keith Rowe, Kasper T. Toeplitz, Ralf Wehowsky, Seth Cluett, Michael Pisaro, Radu Malfatti, &c.
Ullmann, Jakob
Muntzers Stern, Solo II [2 CDs]
(Edition Rz)
Between 2014-16 Jakob Ullmann composed the orchestral work "steine, feuer, sterne" (stones, fire, stars) based on a modular structure, such that individual sections can be played outside of a complete performance, solo or in predetermined combinations; this album presents one section for solo bassoon titled "Muntzers stern" performed by Dafne Vicente-Sandoval.
Martin, Luke
So Softly That It Came, A Wild Dim Chatter, Meaningless
(Edition Wandelweiser Records)
Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording.
Ullmann, Jakob
fremde zeit addendum [3 CDs]
(Edition Rz)
A 3 CD box with new recordings of composer Jakob Ullmann's works, recorded between 2008-2011, including "disappearing musics for six players (more or less)", "komposition fur streichquartett 2", &c.



Customers Who Bought This Item Also Bought:
Baker, Duck
Contra Costa Dance
(Confront)
In 1980 Duck Baker's first label deal had expired and the label changed direction, as did Baker himself from arranging traditional tunes into compositions for improvisation; still, these well-recorded demos from 1982 held an appeal through song selection and a uniquely edgy yet lyrical approach to his playing, now finally released to the public 40 years later.
Baars, Ab / Kaja Draksler / Terrie Exx
When The Hills Run Across The Fields - Live In Nickelsdorf
(Listen! Foundation (Fundacja Sluchaj!))
Drawing on previous collaborations between Amsterdam pianist Kaja Draksler and wind player Ab Baars, here on tenor sax, clarinet & shakuhachi, and two duo albums between Baars and guitarist Terrie Ex, this meeting as a trio took place at the 2018 Konfrontationen Festival in Nickelsdorf, Austria for a diverse journey from uniquely introspective to wildly energetic conversation.
Riley, Terry played by John Tilbury
Keyboard Studies
(Another Timbre)
There is uncertainty of when pianist John Tilbury recorded these three solo keyboard works by his associate and friend, legendary minimalist composer Terry Riley, performing "Keyboard Study #1" and #2, along with "Dorian Reeds" using piano, electric organ, harpsichord & celesta, captured with excellent quality in superb performances from Tilbury at the height of his powers.
Taylor, Cecil
Music From Two Continents feat Stanko, Rava, Frank Wright, Lyons, Borca, Barker, Hampel
(Listen! Foundation (Fundacja Sluchaj!))
A truly wild concert of free jazz from Cecil Taylor's transatlantic orchestra, captured live at the 1984 Jazz Jamboree in Warsaw, Poland, bringing together impressive improvisers from the US--William Parker, John Tchicai, Jimmy Lyons, Karen Borca, Frank Wright, & Henry Martinez--with European Free Jazz leaders Tomasz Stank, Enrico Rava, Conrd Bauer & Günter Hampel.
New York Contemporary Five
Copenhagen 1963, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Originally released in 1964 on The Sonet label as Volumes 1 & 2, this CD remasters this exceptional 1963 concert of original material and pieces by Ornette & Monk, complete in sequence as performed at Jazzhaus Montmarte in Copenhagen with Archie Shepp on tenor saxophone, Don Cherry on cornet, John Tchicai on alto saxophone, Don Moore on double bass and J.C. Moses on drums.
Guthrie, Will
People Pleaser 2 [VINYL]
(Kythibong)
Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.
Feldman, Morton (Judith Wegmann / Andreas Kunz)
For John Cage [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
First performed in 1982, Morton Feldmans' monumental composition for piano and violin dedicated to peer John Cage creates a distinctive environment of instrumental interaction where patterns are subtly varied in a virtual suspension of time as the music drifts and reflects, beautifully rendered in this 2021 recording by pianist Judith Wegmann and violinist Andreas Kunz.
Subatin, Javier (w/ Demian Cabaud & Pedro Melo Alves plus guests)
Mountains
(Habitable Records)
Led by Argentinian guitarist based in Lisbon, Javier Subatin, the core of his band is fellow Portugal-based Argentian bassist Demian Cabaud and drummer Pedro Melo Alves, with guests improvisers on a number of tracks, presenting a series of "Mountain" tracks interspersed with "Rocks", "Birds", "Cave", &c. in impressively advanced use of time, rhythm, structure and harmonics.
Alves, Pedro Melo Omniae Large Ensemble
Lumina
(Clean Feed)
Three expansive and stunning performances at Centro Cultural de Vila Flor as part of the Guimaraes Jazz 2020 festival by drummer and percussionist Pedro Melo Alves' expanded 23-piece Omniae Ensemble directed by Pedro Carneiro, adding electronics, voice and a diverse orchestration that gives his band both power but also flexibility to express an astonishing array of moods.
Smith, Wadada Leo / Henry Kaiser / Alex Varty
Pacifica Koral Reef
(577 Records)
Interpreting trumpeter Wadada Leo Smith's Ankhrasmation graphic score--the term joining the Egyptian symbol for life, the Ethiopian word for leader and the universal term for mother--Smith and guitarists Alex Varty & Henry Kaiser use the rich combination of visual cues and musical notation to record this rapturous and unduplicable album of profound and engaging improvisation.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Garcia, Violeta / Chris Pitsiokos
Uanmortaim
(Relative Pitch)
From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation.
Cherry, Don
Complete Communion & Symphony For Improvisers, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Following a 1964 Albert Ayler tour, trumpeter Don Cherry remained in Europe, working on new concepts of improvising based on form itself, developing his concepts with saxophonist Gato Barbieri, vibraphonist Karl Berger & bassist J.F. Jenny Clark, composing two brilliant albums: 1966's Communion with Barbieri, Henry Grimes & Ed Blackwell; and in 1967 Symphony for Improvisers as a septet.
Carl, Rudiger / Joel Grip / Sven-Ake Johansson
In Early November
(Corbett vs. Dempsey)
Two European Free Improvisation legends--Prussian clarinetist Rudiger Carl and Swedish drummer Sven-Ake Johansson--join with younger double bassist Joel Grip (Umlaut Records) for three improvised "Inflections" performed live at Au Topsi Pohl in Berlin, superb examples of the historical depth of free jazz across Europe and the continuing energy each new generation brings.
Prehn, Tom Quartet
Centrifuga & Solhverv
(Corbett vs. Dempsey)
Two early free jazz masterpieces from 1964 never released in their day, from Danish pianist Tom Prehn and his Kvartet with Poul Ehlers on bass, Fritz Krogh on tenor saxophone and featuring drummer Finn Slumstrup, the close mic recording bring their swinging and enthusiastic music to the foreground in an adventurous album that absolutely demands to be heard!



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC