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![Arashi (Akira Sakata / Johan Berthling / Paal Nilseen-Love): Jikan (PNL) Arashi (Akira Sakata / Johan Berthling / Paal Nilseen-Love): Jikan (PNL)](https://www.teuthida.com/productImages/misc4/27592.jpg)
The third album from the Arashi trio of Akira Sakata on alto saxophone, Bb clarinet & vocals, Johan Berthling on double bass, and Paal Nilssen on Love on drums & percussion, formed in 2013 at the Molde Jazz Festival in Norway and touring steadily since, here captured live at Pit Inn, in Tokyo for four intense free improvisations of inspired power.
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Akira Sakata-alto saxophone, Bb clarinet, vocals
Johan Berthling-double bass
Paal Nilssen-Love-drums, percussion
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UPC: 7041880997519
Label: PNL
Catalog ID: PNL-045
Squidco Product Code: 27592
Format: CD
Condition: New
Released: 2019
Country: Norway
Packaging: Cardboard Gatefold
Recorded live at Pit Inn, in Tokyo, Japan, on September 11th, 2017, by Takahiko Watanabe.
"The trio of Scandinavian rhythm section Paal Nilssen-Love (drums) and Johan Berthling (double bass) hooking up with Japanese free jazz legend Akira Sakata (saxophone/clarinet) started in 2013 at the Molde Jazz Festival in Norway. The trio took their name from the legendary 1977 collaborative album by Yosuke Yamashita Trio and dance group Dairakudakan - an album that Sakata was a central part of, that even 40 years later stand solid as a radical and bold musical statement. And this piece of history gives us a clue to where the trio of Nilssen-Love, Berthling and Sakata is aiming for, not by looking back and rethreading what has been done before, but adopting its attitude of kicking the often stale sax/drums/bass-format forward with such force that it feels completely fresh.
After its start in 2013 Arashi has been a steady group, doing numerous tours in Europe and Japan, and PNL Records is pleased to release the trio's third album, Jikan, a live recording from the Pit Inn club in Tokyo in September 2017. "Jikan" captures the trio at full force - with Sakata doing almost as much vocals as playing the reeds."-PNL
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Artist Biographies
• Show Bio for Akira Sakata "Akira Sakata (坂田明; born 21 February 1945 in Kure, Hiroshima) is a Japanese free jazz saxophonist. Sakata began studying music seriously at high school, where he played clarinet.[1] He played alto sax in a jazz band when at Hiroshima University.[1] He trained as a marine biologist. Sakata joined the Yamashita Yosuke Trio from 1972 till 1979 and toured internationally with them. In 1986, he performed with Last Exit with Bill Laswell. This performance was released as 1987's Noise of Trouble: Last Exit Live in Tokyo. Laswell went on to play bass on and produce Sakata albums such as Mooko, Silent Plankton and Fisherman's.com, the last of which also featured the reclusive Pete Cosey (who had worked with Miles Davis) on guitar.[2] In 1994, Sakata organized a one-month tour of Uzbekistan, Mongolia and China with the Flying Mijinko Band, consisting of 14 members from Japan, Africa and America. Some of those included were Laswell, Anton Fier and Foday Musa Suso. He has more recently worked with DJ Krush[3] and Chikamorachi (Darin Gray and Chris Corsano)." ^ Hide Bio for Akira Sakata • Show Bio for Johan Berthling "Johan Berthling (* 1973 in Stockholm ) is a Swedish jazz and improvisational musician ( contrabass , electric bass , also piano ). Berthling studied at the Royal Music College in Stockholm from 1996-1998 . Since then, he has worked in the Swedish and international jazz and improvisation scene in various ensembles including David Stackenäs , Raymond Strid , Fredrik Ljungkvist , Sten Sandell , Paal Nilssen-Love , Akira Sakata , Mats Gustafsson , Jonas Kullhammar and the Christer Bothén Acoustic Ensemble. In the field of jazz, he was involved in 23 recording sessions between 1996 and 2014. He also worked with folkmusicist and songwriter Nicolai Dunger ( roasting och herren , 2007)." ^ Hide Bio for Johan Berthling • Show Bio for Paal Nilssen-Love "Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20. The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson. Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec. Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression. All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet." ^ Hide Bio for Paal Nilssen-Love
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
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Track Listing:
1. Saitaro-bushi Arashi 12:33
2. Jikan 8:30
3. Yamanoue-no-Okura 16:21
4. Tsuioku (Remembrance) 6:59
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Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Asian Improvisation & Jazz
Trio Recordings
Paal Nilssen-Love
Collective Free Improvsation
Search for other titles on the label:
PNL.
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