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Judson Trio (Joelle Leandre / Mat Maneri / Gerald Cleaver): An Air of Unreality [VINYL] (RogueArt)

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
 

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product information:


UPC: 3760131270730

Label: RogueArt
Catalog ID: Rog-0073
Squidco Product Code: 23228

Format: LP
Condition: New
Released: 2016
Country: France
Packaging: LP - Gatefold
Recorded live at Judson Church, Manhattan, New York, on July 11th, 2015, by Stephen Schmidt.


Personnel:

Joelle Leandre-doublebass

Mat Maneri-viola

Gerald Cleaver-drums, percussion

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Artist Biographies:

"French double bass player (born 12 September 1951 in Aix-en-Provence, France), improviser and composer, Joëlle Léandre is one of the dominant figures of the new European music. Trained in orchestral as well as contemporary music, she has played with l'Itinéraire, 2e2m and Pierre Boulez's Ensemble Intercontemporain. Joëlle Léandre has also worked with Merce Cunningham and with John Cage, who has composed especially for her - as have Scelsi, Fénelon, Hersant, Lacy, Campana, Jolas, Clementi and about 40 composers.

As well as working in contemporary music, Léandre has played with some of the great names in jazz and improvisation, such as Derek Bailey, Anthony Braxton, George Lewis, Evan Parker, Irene Schweizer, William Parker, Barre Phillips, Pascal Contet, Steve Lacy, Lauren Newton, Peter Kowald, Urs Leimgruber, Mat Maneri, Roy Campbell, Fred Frith, John Zorn, Mark Naussef, Marilyn Crispell, India Cooke and so many others...

She has written extensively for dance and theater, and has staged a number of multidisciplinary performances. She got the DAAD at Berlin, is welcomed as artist resident at Villa Kujiyama (Kyoto). In 2002, 2004 and 2006, she is Visiting Professor at Mills college, Oakland, CA, Chaire Darius Milhaud, for improvisation and composition. Her work as a composer and a performer, both in solo recitals and a part of ensembles, has put her under the lights of the most prestigious stages of Europe, the Americas and Asia.

From 1981 to 2009, Joëlle Léandre has about 150 recordings to her credit.

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
9/27/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mat Maneri was born in 1969, and started studying violin at age five. He studied privately with Julliard String Quartet founder Robert Koff, and with bass virutuoso Miroslav Vitous. Mat received a full scholarship as the principal violinist at Walnut Hill High School, but left school to pursue a professional career in music. By 1990, Mat founded the critically acclaimed Joe Maneri Quartet with Randy Peterson. Mat started releasing records as a leader in 1996, and has developed four working ensembles. Pianists Paul Bley, Cecil Taylor, Matthew Shipp, and Borah Bergman have called upon Matt to perform with them in such venues as the Montreal Jazz Festival, the Library of Congress, and concert stages across Europe. Mat also enjoys a strong relationship with bassists Ed Schuller, Mark Dresser, William Parker, Michael Formanek, Barre Phillips, and John Lockwood. Never to be boxed in, Mat has also worked with Joe Morris, John Medeski, Tim Berne, Cecil McBee, T.K. Ramakrishnan, Franz Kogelman, Roy Campbell, Spring Heel Jack, Draze Hoops, and appears on an Illy B Eats remix CD. Mat presently teaches privately and through the New School / NYC, and performs and records worldwide."

-Aum Fidelity (http://www.aumfidelity.com/maneri.html)
9/27/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others.

Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists."

-Wikipedia (https://en.wikipedia.org/wiki/Gerald_Cleaver_(musician))
9/27/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Unreal I 19:20

SIDE B



1. Unreal II 9:43

2. Unreal III 6:46
sample the album:






descriptions, reviews, &c.

"An "air of unreality" characterizes the best free improvisation. This performance-captured during last year's Vision Festival in Manhattan's Judson Church-definitely ranks among the best on record this year. Part of this unreality has to do with finding beauty and gratification in uncertainty, something that so often makes reality difficult to bear. Another part is transcendence, both of person and pedigree: the idea of a musician effaced by their instrument, and then by their creation. Music that, if not divorced from each musician's lineage, then certainly-as the truism goes-surpassing their sum. Joëlle Léandre, Mat Maneri, and Gerald Cleaver as bass, viola, and drums, and then as something else entirely.

Absorption is as good a benchmark as any when attempting to evaluate improvisation. Even after several listens, I found myself surprised each time that An Air of Unreality was already concluding. Maneri and Léandre are a proven pairing, neither afraid of all the pitches and ambiguity that lie between the notes. The microtonal improvisation Maneri inherited from his father has parallels with the inflections of many folk traditions, and his close work in recent years with pianist Lucian Ban seems to have drawn even more of that influence into his playing. These deep cultural wells, authentic music of story-telling-and often of stunning virtuosity-are the places Léandre draws from, as well. "Unreal II" develops the meandering, melancholic quality of a Romanian doina, a rhythmically free and largely improvised folk lament.

Cleaver compliments the strings nicely. A robust and almost absurdly versatile drummer, his restraint here is commendable. He bides much of his time focused on color and accent, a palette heavy in cymbals, rattles, bells. He's often able to anticipate points Léandre and Maneri wish to emphasize, underscoring each with an emphatic kick or thunderous tom hit. Still, he's unafraid of making leading, muscular moves to goad his companions in new directions. Late in "Unreal I" he finds a vein of rhythm in Léandre's low grinding drone and opens it into a propulsive groove, an brief and unforeseen measure of order in previously restless music.

The Vision Festival, celebrating its 20th edition in 2015, has become the last bastion for large-scale celebration of this music in a country that is often painfully indifferent to the avant-garde. Its annual rosters consist of none less than titans of creative music, and last year was no different. Listening to An Air of Unreality, documenting about half of the trio's late Saturday night set, it's hard to imagine a more earnest statement of improvisation's vitality, or-even among such a field of giants-that many other performances that week could have reached Judson Trio's apogee."-Dan Sorrells, Free Jazz Blog


Get additional information at Free Jazz Blog
Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
NY Downtown & Jazz/Improv
European Improvisation and Experimental Forms
Free Improvisation
Trio Recordings
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