A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes.

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception.

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

Swedish composer Erik Klinga crafts radiant electroacoustic works from Buchla synth, pipe organ, drum machine, and field recordings, weaving melodic ambient vignettes that shimmer with warmth and light, moving through celestial textures, gliding rhythms, and bird-like flourishes in a richly detailed debut recorded at StockholmÕs Royal College of Music, the first of a planned trilogy on Thanatosis.

A limited-edition cassette release from Turkish-born, Seattle-based artist Deli Kuvveti, Kuşlar Söyledi presents four studio compositions blending creaking doors, bird and liquid sounds, and minimal drones into a meditative exploration of microsound and sound collage.

Composing with assembled field recordings and environmental textures, Chiba, Japan-based composer Tetsuya Nakayama transforms mundane sounds into poetic events, as water, metal, and incidental noise intertwine in a quiet yet immersive narrative that re-enchants everyday spaces, revealing a new mode of listening shaped by nuance and fleeting detail.

Swedish composer Erik Klinga crafts radiant electroacoustic works from Buchla synth, pipe organ, drum machine, and field recordings, weaving melodic ambient vignettes that shimmer with warmth and light, moving through celestial textures, gliding rhythms, and bird-like flourishes in a richly detailed debut recorded at StockholmÕs Royal College of Music, the first of a planned trilogy on Thanatosis.

Commissioned by Geneva's Museum of Ethnography, Jean-Jacques Birgé crafts a richly imaginative sonic fiction using field recordings, archival folk material, and electroacoustic composition, with a remarkable ensemble including Nicolas Chedmail, Antonin-Tri Hoang, Jean-François Vrod, Sylvain Lemêtre, and Else Birgé, evoking a post-human journey through reinvention and memory.

Originally compiled for Steven Stapleton's United Dairies label and now remastered, this snapshot of late 20th-century experimental/industrial music brings together the surreal collage of Nurse With Wound's Stapleton, the brooding piano of Robert Haigh (Sema), the chamber-styled acoustics of Hélène Sage, and the sonic provocations of Un Drame Musical Instantané.

A song-oriented, genre-blurring album from the French quartet Poudingue (Pudding), drawing from the spirit of Rock in Opposition with richly layered arrangements, experimental textures, and playful lyricism, as multi-instrumentalist Nicolas Chedmail, guitarist Frédéric Mainçon, synthesist Jean-Jacques Birgé, and drummer Benjamin Sanz fuse improvisation and composition into an irreverent and inventive set.

The ninth and first concept album from Phil Zampino's CHANGES TO blind project, composed from synthetics, samples, field recordings, plunders, and voice, draws on a childhood 10" circus record to explore life's strange loop through sonic experimentation, collage, and poetry-blurring memory, absurdity, and existential inquiry in a deeply personal, carousel-like narrative.

Recorded across two seasons in coastal Oregon, Yachats showcases the late Heather Chessman and Roger Smith as Juice Machine, sculpting fragile, tape-based electro-acoustic collages that blend field recordings, loops, and discreet electronics into seven immersive vignettes — each a poetic meditation on place, memory, and sonic texture.

Two live performances from Norwegian sound artist Sindre Bjerga, capturing his signature blend of cassette-manipulated drones, lo-fi electronics, abstract vocal elements, and field-recorded textures in evolving soundscapes that evoke intimate, surreal, and psychedelically fractured environments.

Using multiple voices, field recordings and electronics, Brazil-born composer living in Berlin Laura Mello works with spoken language as she explores human perception of acoustic phenomena in relation to spoken language, here in 8 compositions or excerpts that reveal hallucinatory and unusual aspects of speech complemented by elusive aural environments.

Working from recordings made at maritime ports between 2017 and 2023, sound artist Éric La Casa constructs a compelling suite of documentary compositions shaped by the industrial rhythms, constraints, and spatial tensions of global harbours, blending field recording and sonic observation into a tactile, immersive portrait of male-dominated coastal labor environments.

Live recordings from four Northeast U.S. performances by subservientdominance, the solo project of Doug DeWalt, blending power electronics, harsh noise, and deep vocal-driven textures into a visceral exploration of sonic dominance, with each set presenting a uniquely aggressive and immersive approach to raw electroacoustic intensity.

For the first time on record, Yoko Ono's seminal 1964 conceptual text Grapefruit is sonically realized in a full album, as Stockholm's Great Learning Orchestra interprets 20 of Ono's event scores through ensemble performances, environmental recordings, and experimental sound actions, bringing her visionary work into vivid and imaginative musical form.

Dedicating his album to Paul Burwell and Z'ev, Spanish percussionist Paolo Sanna demonstrates his many years of research in sound, silence, noise, experimentation, musical research and deconstruction through standard percussive devices and found objects, giving his playing a distinctive and personal palette which he plays with superb technique and timing.

Exploring the fluid boundaries between singing, recitation, and speech, bassist João Madeira and vocalist Margarida Mestre present an intricate dialogue of sound and expression, recorded in Lisbon, with Mestre's voice shifting between phonetic poetry, storytelling, and abstract improvisation, while Madeira's double bass, guitar, and field recordings weave around and underpin her vocalizations.

A meditative and immersive work of sonic abstraction, Alexander Cooper's first solo release in eight years unfolds as a lattice of minimalism-inspired harmonic diffusion, where shifting textures and fluid structures dissolve into ethereal, non-representational spaces, blurring the boundaries between form and perception in a dynamic interplay of sound and air.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

Blending the autonomous compositions of Nabaz'mob, his opera for 100 smart rabbits, with the vibrant naturalism of "Dawn at Shimiyacu", a field recording from Peru's Amazon rainforest, Jean-Jacques Birgé along with Antoine Schmitt juxtaposes minimalist robotic orchestrations with raw environmental soundscapes, creating a genre-defying exploration within his signature sonic universe.

Uniting Ukrainian artist Sergiy Senchuk (aka Tungu), Austrian violinist Mia Zabelka, and German musician Stefan Strasser, this debut project blends field recordings, improvisation, electronics, and live instrumentation, embodying defiance and resilience amidst adversity through bold, dynamic, and genre-defying soundscapes shaped by their collective strength.

Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.

Recorded in Berlin during the summer of 2022, this first collaboration between clarinetist Kai Fagaschinski and Beijing-based sound artist Yan Jun, blends clarinet, voice, and field recordings with objects and inventive sound sources in four pieces that dissolve boundaries between improvisation, composition, and experimental sound design, creating a dizzying, multilayered auditory experience.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Two acoustic improvisations from percussionist Kevin Corcoran and Andrew Weathers on soprano saxophone, recorded in an abandoned garage and using the structure's resonance to shape their playing, with the third and title track being an electroacoustic composition by Corcoran, incorporating field recordings from Mare Island, where they were working.

A series of 19 wide-ranging duets between Sergey Senchuk, aka Tungu, who performs on voice, acoustic bass, field recording & sampling, and an impressive set of international improvisers, including Fred Lonberg-Holm (cello), Jaap Blonk (voice), Gunda Gottschalk (violin), Susan Alcorn (pedal steel guitar), Sainkho Namtchylak (voice), Xavier Charles (clarinet & processing), &c.

Live improvisations from the North Carolina duo of Alexander Cooper and Joseph Schlam, a double album of eight extended journeys through textural sound, drone and veiled reference, influenced by Costin Miereanu, Jaap Vink, Lionel Marchetti, Luc Ferrari, and Dagar Vani, as the duo work in stereo using two amps for drums, voice, live electronics, and field recordings.

An engaging album of solo percussion that start like a vortex of clocks ticking, and then draws the listener into an amazing journey of unique percussive expression, timbre, rhythm and subtle transitions, the second album in Swiss percussionist Christian Wolfarth's 39 series, presenting Parts IV - VI of his works exploring the relationships between 3, 9 & 39.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.

Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.

Buenos Aires sound artist & saxophonist Sergio Merce presents his third album on the Hitorri label, in two pieces recorded between 2023-24: "Segundo Paisaje", an organized composition using wind synthesizer, virtual instruments & field recordings; and "Glissotar" using a new wind instrument designed for extreme glissando effects, joined with wind synth & electronics.

A 2-part work leveraging binaural recordings made in daily walks in Asheville, NC to different points of the French Broad River: Part 1 "Interior" is collaged as a room resonance study using hydrophone recordings of the French Broad, microtonal instruments by Ben Hjertmann plus piano & synth recordings; Part 2 "Exterior" is a layered alignment of the recordings from his walks.

Created as part of an artist-in-residence programme of Azkuna Zentroa, Bilbao in 2024, Miguel A. Garc’a creates seven intricate compositions using the raw sound and rhythmic material provide by Ruben Gil, with additional material on one track from Fernando Carvalho, in a well-paced album of awe-inspiring moments of beauty and propulsive motion.

"Turning discarded sounds into a form of stumbling poetry", Christian Schiefner (aka Chemiefaserwerk) and Michal Fundowicz (aka Turmeric Acid) use cassette tapes, objects and field recordings (eg. a kitchen timer, a kalimba pattern, a Polish instructional tape, Croatian field recording) to create fascinating transformations of sonic environments in two engaging aural journeys.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

The duo of French sound artists J-Kristoff Camps and Carole Rieussec, whose long-running duo project Kristoff K.Roll creates sound labyrinths of electroacoustic and acousmatic sources, meets with pianist Sophie Agnel and saxophonist Daunik Lazro for two extended works of sonic twists and turns, acoustic improvisation infiltrated with mysterious and startling sound; fascinating.

The French/Danish band Sparkling Sessions merge free improvisation and experimental music styles, borrowing from outsider jazz and electronic music, with collaborations from well-known musicians including trumpeter Jac Berrocal or synth player Vincent Epplay, here in a collection of performances at the Sparkling Sound Festival in Copenhagen in 2022.

Inspired by August Strindberg's short story about a fortepiano being dropped into deep waters off an archipelago island, Stora grusharpan, and using composer Rosanna Gunnarson's underwater recordings including a piano being lowered into water, Swedish pianist Karin Johansson performs Gunnarson's graphic score and compositions on a prepared grand piano.

Discovering the sounds of electromagnetic fields on trams in the city of Trondheim by wearing custom induction headphones, Christina Kubisch's work explores themes of the sounds of travel in this 3-part work for electromagnetic wave recording and six voices, commissioned by nyMusikk Trondheim and developed with Trondheim Voices, recorded live in Trondheim in 2022.

A portrait of UK interdisciplinary composer Paul Newland's music through five pieces dating from 2009 to 2023 performed by members of London's Apartment House ensemble, including a string quartet, two different trio combinations, a short work for solo piano, and a score for open instrumentation, realised in this recording by a septet.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Mailing unspooled 1/4" tape to each other along with a magnet to randomly erase part of each tape, Marc Baron & Mark Vernon captured these fragments and placed them into sequence based on the minute past the hour each was originally recorded, contrasting the degraded recordings with the original; an exacting but fascinating method of creating something unexpected and uniquely engaging.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

Two distinctive works of sounds and noise from Atlanta sound artist and drummer Kelsey Wilson composing extended works using field recordings collected between 2020-2022, volume/feedback and synthesizers; first a howling and heavy journey in "Bootstrap Story"; then a rich and ringing birthday party for Nick Cave that ends with haunting bells and running water.

Following their 2009 release of the same title, this album of primarily free improvisation is a well-paced presentation of two 3-movement works between Japanese percussionist Seijiro Murayama providing precise rhythmic abstractions, and French sound artist Eric La Casa using field recordings of recurring and curious sound sources plus objects to expand Muriyama's punctuations.

An apt description for the layers of sonic decay and deteriorated sounds, loops and errata that underpin each of the five tracks on this elusively restrained noise album, Juice Machine, aka Roger H. Smith (Chefkirk) and Heather Chessman, use mangled field recordings and concrete elements of blurred looping structures and aberrant interjection, each unique work a fascinating curiosity.

A journey through drone, abstract sound and concrete elements from Netherlands sound artists and writer Frans de Waard (Vital Weekly), mixed from recordings sessions in 2022 and sourced from small electronics, shortwave radio, aqueous recordings, iPad synths, Walkman and "whatever else", the work suggesting 11 movements through various textures and sonic environments.

The Finnish duo of Niko-Matti Ahti and Marja Ahti, merging musique concrète with narrative elements in an album titled Nokivesi (soot-water) that presents a two-part work using a collage approach to acousmatic sound and documentary elements of elderly people, through themed field recordings along with modular synthesizer and digital processing.

Two realizations of Michael Pisaro-Liu's 2006 work for sustaining instruments, harmonium & field recordings, recorded first at Wild Gallery, in Brussels with Guy Vandromme (keyboards) and Adriaan Severins (field recordings and synthesizer); then at the Museo Archeologico San Lorenzo, in Cremona, Italy with Luciana Elizondo (viola da gamba) and Fabio Gionfrida (field recordings), in collaboration with Guy Vandromme (Indian harmonium).

Bringing together two generations of sound artists and field recording specialists--Belgian composer Moniek Darge, known for her ethnomusicologist "soundies" from global locations; and American sound composer Vanessa Rossetto transforming everyday occurrence--for a meeting at Lincoln Center in NYC to record the city and reshape its sound into four impressionistic sonic reveries.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.

A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space.

A beautiful album of expanded landscapes performed on electronically modified Electronic Wind Instrument, field recordings, virtual instruments and synthesizer from Argentinian sound artist Sergio Merce, his characteristically patient pacing and use of space creating dramatic and beautiful sonic environments that hint at warm narratives in a seductive excursion.

A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.

Recording in Switzerland at La Becque Residency Center, the experimental improvising duo of Francisco Meirino on synth & field recording and Jerome Noetinger using electronics, tape, reel to reel player & radio, create a 6-part series of unusual sonic interactions, patiently exposing unidentifiable sounds and synthetic punctuation, neither subtle nor explosive but wonderfully engaging.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

San Francisco East Bay sonic artist and Public Eyesore/Eh? label-leader Bryan Day meets Omaha bass player and sound artist Dereck Higgins for four enveloping works of sound, sonically rich and epic journeys through terrains of identifiable musical elements and acousmatic curiosity, all with an ear to story-telling as the duo weave passages of fantastic elements.

Fusing many styles into a strange jazz-like environment fueled by exotica, electronica, orchestral forms and unusual transitions, Dutch multi-instrumentalist & composer Jeroen Kimman, along with ten Amsterdam musicians including John Dikeman, Koen Nutters, Michael Moore and Mark Morse, present Kimman's unusual and often rubbery musical vision while continually fascinating his listeners.

Mysterious sonic collaborations between Russian experimental electronic musician Vitaly Maklakov, who runs the Zaimka and Besperech' labels, and Oregon sound artist CHEFKIRK, merging field recordings and experiments with tape & synths to create five works of submerged sound amid enigmatic detail; mastered by Squidco's own Carl Kruger.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.

Composer & clarinetist based in Heerlen, Netherlands, Germaine Sijstermans, in a collaborative work with fellow Dutch composers and performers, Reinier van Houdt performing primarily on Indian harmonium and Koen Nutters on harmona organ, both employing field recordings, tapes, objects and sine waves in this peacefully meditative 2022 concert at Savelberg Chapel.

Washington DC-area sound artist and Zeromoon label-leader Jeff Surak, creating audio environments since the 80's home taping days, in a set of sound recordings of electro-acoustic drones, tape generated musique concrete, "plus a heavy dose of weirdness"; five tracks of diverse approaches to sonic experimentation, particularly the epic "Parasite Lost".

Sound artist Charles Lareau, a member of Naturaliste with Bryan Day, Chris Fischer & Lonnie Methe, in six solo compositions of assertive electronics and noise, using recordings, found sounds and various electronics while often incorporating his environment to add aural excitement and unexpected moments between sections of slowly shifting, static textures.

For more than 10 years since its inception as a spin-off from founder and principal programmer Eufrasio Prates's doctorate research in 2012, the Brasilia Laptop Orquestra has become a regular institution on the Brasiliense experimental and electronic scene, the orchestra an ever-changing collaboration of musicians, heard in 11 recordings captured live between 2013-2020.

Restarting his sonic life at "nothing", Chester Hawkins' new project after work under his own name and his previous decades-long project Blue Sausage Infant is nil, recording after a two-week residency at Liebig12 in Berlin and participation in the Zero Cohesion program, this five-part work for "maximal drone" explores complex harmonics in a dynamic and powerful wall of sound.

As part of a 2004 performance series at Fabrique in Brisbane, Australia, Lawrence English invited experimental cassette and field recording artrist Aki Onda to present his unique approach to reusing and rupturing recordings using cassettes, Walkmans, delay pedals and fender twin amps, improvising this extended work & its coda, blurring concrete and inexplicable sources in remarkable ways.

Kingston, NY sound artist and media artist Evan Lindorff-Ellery recorded these two experimental improvisations in the summer of 2021 in a small cabin in West Saugerties, NY using electric guitar, contact mic, amp, recordings and various objects, while also repurposing recordings made while in Maine by running them through his electric guitar.

A work for voice, piano and electronics from experimental composer Laurence Crane, working with the closely associated UK ensemble Apartment House, Natural World is in three sections--"Field Guide", "Chorus" and "Seascape"--with vocalist Juliet Fraser and pianist & electronic artist Mark Knoop, Crane's work describing the natural world and portending the fragility of our ecosystems.

The third album in Chicago 6- & 12-string guitarist Elijah McLaughlin's numbered album series of original compositions, rich flowing works of lyrical textures augmented with environmental field recordings and tape loops, performed with Jason Toth on upright bass, Katinka Kleijn on cello, effects, Joel Styzens on hammered Dulcimer and Adler Scheidt on piano.

A series of sound impressions and an audio documentary of metal barriers placed at entrances to public buildings after the coordinated 2015 Paris attacks by ISIS; 29 compositions recorded and mixed between 2018-2023 by Eric La Casa, wondering what the barriers protected Parisians from, and answering the question of what Paris sounds like to the barriers themselves.

Jade Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds.

Black Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds.

A work of scientific sound from Australian sound artist Philip Samartzis, creating compositions based on field work from the High-Altitude Research Station at Jungfraujoch, Switzerland, over four weeks deploying various recording devices and microphones in and around the station to capture anthropogenic & geophysical forces, allowing listeners to experience the ecology under stress.

Composed by erikM and performed with the Dedalus Ensemble, these pieces started through acousmographe recording of sounds outside of human hearing, transposed into notes and scored to be interpreted by musicians while immersed via headphone to mimic the sounds of cetaceans, then rearranged in the studio to create the annotated compositions heard on these carefully recorded compositions.

A journey through an uncharted jungle island from NY electronic composer David Lee Myers, aka Arcane Device, using field recordings in rhythmic environments with synthetic sounds buzzing and whirling around and electronic tones and textures rising and falling, composing detailed song structures that are embraceable and awe-inspiring at the same time.

Aural Terrains label-leader, composer and sound artist Thanos Chrysakis presents six new pieces merging electronic composition with field recordings and other electro-acoustic sources, in five rich and beautifully paced works of a diverse nature, evolving a consistent sound world where each piece draws the listener into the composer's detailed and engaging concepts.

Netherlands keyboardist, sound artist and composer Michel Banabila's work is explored through 14 recent projects in different configurations with 10 collaborators including guitarist Anton Goudsmit, violinist Oene van Geel, clarinetist Gareth Davis, cellist Peter Hollo, &c.; beautifully dramatic works of great depth and texture with rich and often haunting melodies.