A live performance at Fridman Gallery in New York City as part of erstwhile's AMPLIFY 2015 festival from sound artists Taku Unami & Devin DiSanto, using electronics, concrete sounds, and spoken word to create diverse active environments of narratives and pure sound.

New Pricing April 2019: Recordings from the Berlin Inventionen Festivals for New Music 2005 and 2006 featuring compositions by Edgar Barroso ("ODD"); Mario Verandi ("Comme un jeu des images"); Paul Wilson ("Trhough the Rain"); Ricardo Climent ("Wallwoodpeckers"); Vladimir Djambazov ("The Secret Life of a Snare Drum"); and Ludger Brummer ("Glasharle").

Originally released in 2013 on CDR, this meeting of sound artists Jeph Jerman and Aaron Dilloway show the skill, subtlety, and disruptive sonic skills of two innovators, using objects, damaged electronics, electronic loops and live acoustic sound to create large tapestries: 4 pieces that defy characterization through diverse approaches to impactful sound.

Sound Artist Jeph Jerman explored his Cottonwood, Arizona environment between 2019-2021 to capture the field recordings, windswept drones and close mic-ed minimal sounds that make up Flapndr, combining them in the studio to form complex and sometimes dense compositions that evolve and mutate in a fascinating hybrid of nature and noise.

Sound artist and electroacoustic improviser Dave Knott (aka Vague Johnson) presenting compositions created from the sounds of frogs, toads, insects, periodic sounds of fire and snapping branches; "a microphone attached to a reed brings the listener to the water's edge of these swampy sounds"; an album to transform your dull room into a swampy wonderland.

Engrossing interactions of electronic sound, abstract percussion, static, metallic ringing and other ephemeral sonic assertions, from French-based Spanish sound artist Clara de Asís and UK-based Japanese-Korean installation & sound artist Ryoko Akama: three tracks of live electroacoustic improvisation, and three compositions extracted from those sessions.

An unusual narrative of field recordings, electronics and chamber instrumentation from composer Vanessa Rossetto, through two CDs weaving an abstracted and detailed story of recurring motifs, indescribably intertwined with spoken word, equestrian moments, environmental recordings, and melodic progressions of strings and harps; a momentous work of collaged composition.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

A mesmerizing album of rich percussion and synthetic sound floors from Odd Person, aka August Treager (Bicephalic, Somnaphon), in seven trance-like compositions based around grooves that slowly evolve in character while accompanied by haunting asides of ghostly melodic figures, casting a decidedly world music flavor to original music that transcends location.

Acousmatic work from electronic composer Degrassi: two serial pieces using algorithmic software, an elabration of recorded sounds, and an improvisation using real-time synthesizers.

The duo of Herve Perez (Orchestra Of The Upper Atmosphere, AXIS) and Discus label leader Martin Archer, both saxophonists and sound artists using a collection of software instruments, organs, computer instruments and field recordings in a live-in-the-studio recording of remarkable electroacoustic performance, blurring free jazz and abstract sound in fascinating ways.

Bassist J.C. Jones brings together science & music, enabling an evocative window into the illness MS by making the vibrations of myelin protein audible, over which Jones, Yoni Silver, Harold Rubin, Airel Shibolet, &c. improvise.

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations.

Sound artists Graham Lambkin and Taku Unami create two large works using material which they recorded together, and then which independently assembled into a single CD each, with "Whistler Vanishes in Wind" composed by Taku Unami, and "Small Mistakes in Nature" by Graham Lambkin, both fascinating collages that alternately distract and absorb the listener.

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.

Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.

Reissuing La Casa's 2006 album of ventilation systems, which started with a bathroom vent and expanded to a sonic exploration of aeraulic devices and air flows in Paris buildings of various ages and dimensions, documenting their sonic and musical qualities, functioning as a sound study, a sonic data bank, a CD of environments, and finally as music.

Reissuing his 2003 album on the Confront label, Rhodri Davies' first solo album is a captivating set of uniquely voiced free improvisation, using a pedal harp, radio and tape recorders and percussive devices, and recorded in the natural resonance of All Angels, St Michael and All Angels Church in London, creating narrative and drama through Davie's intuitive sense of timing.

After the collaboration of Illusion of Safety and Z'EV which culminated in a performance at Enemy in Chicago in 2007, Z'EV approached IOS member Daniel Burke to collaborate on an album, providing Burke with a number of short acoustic recordings which Burke developed into these compositions merging his own field recordings, sampling, electro-acoustics, and Eurorack modular synth.

Netherlands keyboardist, sound artist and composer Michel Banabila's work is explored through 14 recent projects in different configurations with 10 collaborators including guitarist Anton Goudsmit, violinist Oene van Geel, clarinetist Gareth Davis, cellist Peter Hollo, &c.; beautifully dramatic works of great depth and texture with rich and often haunting melodies.

A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.

The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.

A journey through an uncharted jungle island from NY electronic composer David Lee Myers, aka Arcane Device, using field recordings in rhythmic environments with synthetic sounds buzzing and whirling around and electronic tones and textures rising and falling, composing detailed song structures that are embraceable and awe-inspiring at the same time.

Aural Terrains label-leader, composer and sound artist Thanos Chrysakis presents six new pieces merging electronic composition with field recordings and other electro-acoustic sources, in five rich and beautifully paced works of a diverse nature, evolving a consistent sound world where each piece draws the listener into the composer's detailed and engaging concepts.

Composed by erikM and performed with the Dedalus Ensemble, these pieces started through acousmographe recording of sounds outside of human hearing, transposed into notes and scored to be interpreted by musicians while immersed via headphone to mimic the sounds of cetaceans, then rearranged in the studio to create the annotated compositions heard on these carefully recorded compositions.

A work of scientific sound from Australian sound artist Philip Samartzis, creating compositions based on field work from the High-Altitude Research Station at Jungfraujoch, Switzerland, over four weeks deploying various recording devices and microphones in and around the station to capture anthropogenic & geophysical forces, allowing listeners to experience the ecology under stress.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Kingston, NY sound artist and media artist Evan Lindorff-Ellery recorded these two experimental improvisations in the summer of 2021 in a small cabin in West Saugerties, NY using electric guitar, contact mic, amp, recordings and various objects, while also repurposing recordings made while in Maine by running them through his electric guitar.

A series of sound impressions and an audio documentary of metal barriers placed at entrances to public buildings after the coordinated 2015 Paris attacks by ISIS; 29 compositions recorded and mixed between 2018-2023 by Eric La Casa, wondering what the barriers protected Parisians from, and answering the question of what Paris sounds like to the barriers themselves.

Restarting his sonic life at "nothing", Chester Hawkins' new project after work under his own name and his previous decades-long project Blue Sausage Infant is nil, recording after a two-week residency at Liebig12 in Berlin and participation in the Zero Cohesion program, this five-part work for "maximal drone" explores complex harmonics in a dynamic and powerful wall of sound.

For more than 10 years since its inception as a spin-off from founder and principal programmer Eufrasio Prates's doctorate research in 2012, the Brasilia Laptop Orquestra has become a regular institution on the Brasiliense experimental and electronic scene, the orchestra an ever-changing collaboration of musicians, heard in 11 recordings captured live between 2013-2020.

Sound artist Charles Lareau, a member of Naturaliste with Bryan Day, Chris Fischer & Lonnie Methe, in six solo compositions of assertive electronics and noise, using recordings, found sounds and various electronics while often incorporating his environment to add aural excitement and unexpected moments between sections of slowly shifting, static textures.

Washington DC-area sound artist and Zeromoon label-leader Jeff Surak, creating audio environments since the 80's home taping days, in a set of sound recordings of electro-acoustic drones, tape generated musique concrete, "plus a heavy dose of weirdness"; five tracks of diverse approaches to sonic experimentation, particularly the epic "Parasite Lost".

A work for voice, piano and electronics from experimental composer Laurence Crane, working with the closely associated UK ensemble Apartment House, Natural World is in three sections--"Field Guide", "Chorus" and "Seascape"--with vocalist Juliet Fraser and pianist & electronic artist Mark Knoop, Crane's work describing the natural world and portending the fragility of our ecosystems.

Composer & clarinetist based in Heerlen, Netherlands, Germaine Sijstermans, in a collaborative work with fellow Dutch composers and performers, Reinier van Houdt performing primarily on Indian harmonium and Koen Nutters on harmona organ, both employing field recordings, tapes, objects and sine waves in this peacefully meditative 2022 concert at Savelberg Chapel.

The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

Occupying a unique area between composition & folk music, classical & jazz/improv, tension & serenity, these duos also include recordings from Klaus Filip and dieb13.

Two fascinating experimental concepts executed by Roger Turner, Henry Kaiser, Martin Kuchen, Damon Smith, Jeff Coffin, Ed Pettersen, Tania Chen, & Jordan Muscatello; Disc 1, each musician improvised alone to NASA recordings from the Voyager spacecraft, the results mixed together over the Voyager track; Disc 2, three improvisers play together in response to Voyager tracks.

Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.

San Francisco East Bay sonic artist and Public Eyesore/Eh? label-leader Bryan Day meets Omaha bass player and sound artist Dereck Higgins for four enveloping works of sound, sonically rich and epic journeys through terrains of identifiable musical elements and acousmatic curiosity, all with an ear to story-telling as the duo weave passages of fantastic elements.

Fusing many styles into a strange jazz-like environment fueled by exotica, electronica, orchestral forms and unusual transitions, Dutch multi-instrumentalist & composer Jeroen Kimman, along with ten Amsterdam musicians including John Dikeman, Koen Nutters, Michael Moore and Mark Morse, present Kimman's unusual and often rubbery musical vision while continually fascinating his listeners.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.

Mysterious sonic collaborations between Russian experimental electronic musician Vitaly Maklakov, who runs the Zaimka and Besperech' labels, and Oregon sound artist CHEFKIRK, merging field recordings and experiments with tape & synths to create five works of submerged sound amid enigmatic detail; mastered by Squidco's own Carl Kruger.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.

The Italian free improv quartet The Assassins (Francesco Cusa, drums; Giulio Stermieri, piano; Flavio Zanuttini, trumpet; Giovanni Benvenuti, sax) joins together with the classical chamber string ensemble, Florence Art Quartet (Daniele Iannaccone, violin; Lorenzo Borneo, violin; Agostino Mattioni, viola; Cristiano Sacchi, cello) in a wonderful hybrid of both approaches.

An excellent 50 year overview of the work of drummer & composer Chris Cutler, best known for his work with Henry Cow and his label ReR Megacorp, but also heard here in groupings including Art Bears, Cassiber, News From Babel, Aqsak Mabou, Duck and Cover, Peter Blegvad, Rene Lussier, The Work, Pere Ubu, The (ec) Nudes, Domestic Stories, Cutler/Frith, Cutler/Parkins, &c.

Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

Using double bass player John Geggie's compositions as a point of departure, this creative trio covers much terrain with its lyrical and sonic landscapes.

2 CDs expanding work from Milanese ethnomusicographers Musci & Venosta's self-titled album, plus pieces form "Water Messages on Desert Sand" and "Urban & Tribal Portraits", plus their soundtrack for Theodore Carl Dreyer's silent movie "Vampyr" recorded with Chris Cutler.

A split LP with each side featuring a 20 minute solo track from both brotherly halves of the acclaimed space guitar improvising band My Cat Is An Alien.

A collection of compositions from drummer/composer Federico Ughi dedicated to the four cities where he's lived: Rome, London, Montreal and New York, performed in a quartet with Darius Jones (sax), Eri Yamamoto (piano) and Ed Schuller (bass).

The Finnish duo of Niko-Matti Ahti and Marja Ahti, merging musique concrète with narrative elements in an album titled Nokivesi (soot-water) that presents a two-part work using a collage approach to acousmatic sound and documentary elements of elderly people, through themed field recordings along with modular synthesizer and digital processing.

A beautiful album of expanded landscapes performed on electronically modified Electronic Wind Instrument, field recordings, virtual instruments and synthesizer from Argentinian sound artist Sergio Merce, his characteristically patient pacing and use of space creating dramatic and beautiful sonic environments that hint at warm narratives in a seductive excursion.

Two realizations of Michael Pisaro-Liu's 2006 work for sustaining instruments, harmonium & field recordings, recorded first at Wild Gallery, in Brussels with Guy Vandromme (keyboards) and Adriaan Severins (field recordings and synthesizer); then at the Museo Archeologico San Lorenzo, in Cremona, Italy with Luciana Elizondo (viola da gamba) and Fabio Gionfrida (field recordings), in collaboration with Guy Vandromme (Indian harmonium).

Following their 2009 release of the same title, this album of primarily free improvisation is a well-paced presentation of two 3-movement works between Japanese percussionist Seijiro Murayama providing precise rhythmic abstractions, and French sound artist Eric La Casa using field recordings of recurring and curious sound sources plus objects to expand Muriyama's punctuations.

An album of sonic environments reflecting on religion in the Southeast from Atlanta, GA drummer and sound artist Kelsey Wilson, using organ, tapes and field recordings to create dark and brooding meditations intended for loud playback, five opaquely layered constructions of ambience and drone, crackling tape loops, low-tones synths and disembodied voices.

Bringing together two generations of sound artists and field recording specialists--Belgian composer Moniek Darge, known for her ethnomusicologist "soundies" from global locations; and American sound composer Vanessa Rossetto transforming everyday occurrence--for a meeting at Lincoln Center in NYC to record the city and reshape its sound into four impressionistic sonic reveries.

Two distinctive works of sounds and noise from Atlanta sound artist and drummer Kelsey Wilson composing extended works using field recordings collected between 2020-2022, volume/feedback and synthesizers; first a howling and heavy journey in "Bootstrap Story"; then a rich and ringing birthday party for Nick Cave that ends with haunting bells and running water.

An apt description for the layers of sonic decay and deteriorated sounds, loops and errata that underpin each of the five tracks on this elusively restrained noise album, Juice Machine, aka Roger H. Smith (Chefkirk) and Heather Chessman, use mangled field recordings and concrete elements of blurred looping structures and aberrant interjection, each unique work a fascinating curiosity.

A journey through drone, abstract sound and concrete elements from Netherlands sound artists and writer Frans de Waard (Vital Weekly), mixed from recordings sessions in 2022 and sourced from small electronics, shortwave radio, aqueous recordings, iPad synths, Walkman and "whatever else", the work suggesting 11 movements through various textures and sonic environments.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

Mailing unspooled 1/4" tape to each other along with a magnet to randomly erase part of each tape, Marc Baron & Mark Vernon captured these fragments and placed them into sequence based on the minute past the hour each was originally recorded, contrasting the degraded recordings with the original; an exacting but fascinating method of creating something unexpected and uniquely engaging.

A portrait of UK interdisciplinary composer Paul Newland's music through five pieces dating from 2009 to 2023 performed by members of London's Apartment House ensemble, including a string quartet, two different trio combinations, a short work for solo piano, and a score for open instrumentation, realised in this recording by a septet.

Inspired by August Strindberg's short story about a fortepiano being dropped into deep waters off an archipelago island, Stora grusharpan, and using composer Rosanna Gunnarson's underwater recordings including a piano being lowered into water, Swedish pianist Karin Johansson performs Gunnarson's graphic score and compositions on a prepared grand piano.

Conceived and constructed over 16 years, composer, electronic artist & percussionist Matt Weston employs graphic and personal notation systems with elements including clandestine recordings in concert halls and athletic buildings while they were not in use, rural field recordings, and the sound of cars driving over a bridge at Weston's conducting; unique and fascinating.

Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.

Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

"Turning discarded sounds into a form of stumbling poetry", Christian Schiefner (aka Chemiefaserwerk) and Michal Fundowicz (aka Turmeric Acid) use cassette tapes, objects and field recordings (eg. a kitchen timer, a kalimba pattern, a Polish instructional tape, Croatian field recording) to create fascinating transformations of sonic environments in two engaging aural journeys.

Discovering the sounds of electromagnetic fields on trams in the city of Trondheim by wearing custom induction headphones, Christina Kubisch's work explores themes of the sounds of travel in this 3-part work for electromagnetic wave recording and six voices, commissioned by nyMusikk Trondheim and developed with Trondheim Voices, recorded live in Trondheim in 2022.

Created as part of an artist-in-residence programme of Azkuna Zentroa, Bilbao in 2024, Miguel A. Garc�a creates seven intricate compositions using the raw sound and rhythmic material provide by Ruben Gil, with additional material on one track from Fernando Carvalho, in a well-paced album of awe-inspiring moments of beauty and propulsive motion.

The French/Danish band Sparkling Sessions merge free improvisation and experimental music styles, borrowing from outsider jazz and electronic music, with collaborations from well-known musicians including trumpeter Jac Berrocal or synth player Vincent Epplay, here in a collection of performances at the Sparkling Sound Festival in Copenhagen in 2022.

The duo of French sound artists J-Kristoff Camps and Carole Rieussec, whose long-running duo project Kristoff K.Roll creates sound labyrinths of electroacoustic and acousmatic sources, meets with pianist Sophie Agnel and saxophonist Daunik Lazro for two extended works of sonic twists and turns, acoustic improvisation infiltrated with mysterious and startling sound; fascinating.

A 2-part work leveraging binaural recordings made in daily walks in Asheville, NC to different points of the French Broad River: Part 1 "Interior" is collaged as a room resonance study using hydrophone recordings of the French Broad, microtonal instruments by Ben Hjertmann plus piano & synth recordings; Part 2 "Exterior" is a layered alignment of the recordings from his walks.