Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Buenos Aires sound artist & saxophonist Sergio Merce presents his third album on the Hitorri label, in two pieces recorded between 2023-24: "Segundo Paisaje", an organized composition using wind synthesizer, virtual instruments & field recordings; and "Glissotar" using a new wind instrument designed for extreme glissando effects, joined with wind synth & electronics.

An engaging album of solo percussion that start like a vortex of clocks ticking, and then draws the listener into an amazing journey of unique percussive expression, timbre, rhythm and subtle transitions, the second album in Swiss percussionist Christian Wolfarth's 39 series, presenting Parts IV - VI of his works exploring the relationships between 3, 9 & 39.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Two acoustic improvisations from percussionist Kevin Corcoran and Andrew Weathers on soprano saxophone, recorded in an abandoned garage and using the structure's resonance to shape their playing, with the third and title track being an electroacoustic composition by Corcoran, incorporating field recordings from Mare Island, where they were working.

Live improvisations from the North Carolina duo of Alexander Cooper and Joseph Schlam, a double album of eight extended journeys through textural sound, drone and veiled reference, influenced by Costin Miereanu, Jaap Vink, Lionel Marchetti, Luc Ferrari, and Dagar Vani, as the duo work in stereo using two amps for drums, voice, live electronics, and field recordings.

A series of 19 wide-ranging duets between Sergey Senchuk, aka Tungu, who performs on voice, acoustic bass, field recording & sampling, and an impressive set of international improvisers, including Fred Lonberg-Holm (cello), Jaap Blonk (voice), Gunda Gottschalk (violin), Susan Alcorn (pedal steel guitar), Sainkho Namtchylak (voice), Xavier Charles (clarinet & processing), &c.

Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.

Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.

Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.

Recorded in Berlin during the summer of 2022, this first collaboration between clarinetist Kai Fagaschinski and Beijing-based sound artist Yan Jun, blends clarinet, voice, and field recordings with objects and inventive sound sources in four pieces that dissolve boundaries between improvisation, composition, and experimental sound design, creating a dizzying, multilayered auditory experience.

Uniting Ukrainian artist Sergiy Senchuk (aka Tungu), Austrian violinist Mia Zabelka, and German musician Stefan Strasser, this debut project blends field recordings, improvisation, electronics, and live instrumentation, embodying defiance and resilience amidst adversity through bold, dynamic, and genre-defying soundscapes shaped by their collective strength.

Blending the autonomous compositions of Nabaz'mob, his opera for 100 smart rabbits, with the vibrant naturalism of "Dawn at Shimiyacu", a field recording from Peru's Amazon rainforest, Jean-Jacques Birgé along with Antoine Schmitt juxtaposes minimalist robotic orchestrations with raw environmental soundscapes, creating a genre-defying exploration within his signature sonic universe.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

Exploring the fluid boundaries between singing, recitation, and speech, bassist João Madeira and vocalist Margarida Mestre present an intricate dialogue of sound and expression, recorded in Lisbon, with Mestre's voice shifting between phonetic poetry, storytelling, and abstract improvisation, while Madeira's double bass, guitar, and field recordings weave around and underpin her vocalizations.

A meditative and immersive work of sonic abstraction, Alexander Cooper's first solo release in eight years unfolds as a lattice of minimalism-inspired harmonic diffusion, where shifting textures and fluid structures dissolve into ethereal, non-representational spaces, blurring the boundaries between form and perception in a dynamic interplay of sound and air.

Dedicating his album to Paul Burwell and Z'ev, Spanish percussionist Paolo Sanna demonstrates his many years of research in sound, silence, noise, experimentation, musical research and deconstruction through standard percussive devices and found objects, giving his playing a distinctive and personal palette which he plays with superb technique and timing.

Using multiple voices, field recordings and electronics, Brazil-born composer living in Berlin Laura Mello works with spoken language as she explores human perception of acoustic phenomena in relation to spoken language, here in 8 compositions or excerpts that reveal hallucinatory and unusual aspects of speech complemented by elusive aural environments.

For the first time on record, Yoko Ono's seminal 1964 conceptual text Grapefruit is sonically realized in a full album, as Stockholm's Great Learning Orchestra interprets 20 of Ono's event scores through ensemble performances, environmental recordings, and experimental sound actions, bringing her visionary work into vivid and imaginative musical form.

Working from recordings made at maritime ports between 2017 and 2023, sound artist Éric La Casa constructs a compelling suite of documentary compositions shaped by the industrial rhythms, constraints, and spatial tensions of global harbours, blending field recording and sonic observation into a tactile, immersive portrait of male-dominated coastal labor environments.

Originally compiled for Steven Stapleton's United Dairies label and now remastered, this snapshot of late 20th-century experimental/industrial music brings together the surreal collage of Nurse With Wound's Stapleton, the brooding piano of Robert Haigh (Sema), the chamber-styled acoustics of Hélène Sage, and the sonic provocations of Un Drame Musical Instantané.

The ninth and first concept album from Phil Zampino's CHANGES TO blind project, composed from synthetics, samples, field recordings, plunders, and voice, draws on a childhood 10" circus record to explore life's strange loop through sonic experimentation, collage, and poetry-blurring memory, absurdity, and existential inquiry in a deeply personal, carousel-like narrative.

Swedish composer Erik Klinga crafts radiant electroacoustic works from Buchla synth, pipe organ, drum machine, and field recordings, weaving melodic ambient vignettes that shimmer with warmth and light, moving through celestial textures, gliding rhythms, and bird-like flourishes in a richly detailed debut recorded at Stockholm�s Royal College of Music, the first of a planned trilogy on Thanatosis.

A limited-edition cassette release from Turkish-born, Seattle-based artist Deli Kuvveti, Kuşlar Söyledi presents four studio compositions blending creaking doors, bird and liquid sounds, and minimal drones into a meditative exploration of microsound and sound collage.

A song-oriented, genre-blurring album from the French quartet Poudingue (Pudding), drawing from the spirit of Rock in Opposition with richly layered arrangements, experimental textures, and playful lyricism, as multi-instrumentalist Nicolas Chedmail, guitarist Frédéric Mainçon, synthesist Jean-Jacques Birgé, and drummer Benjamin Sanz fuse improvisation and composition into an irreverent and inventive set.

Commissioned by Geneva's Museum of Ethnography, Jean-Jacques Birgé crafts a richly imaginative sonic fiction using field recordings, archival folk material, and electroacoustic composition, with a remarkable ensemble including Nicolas Chedmail, Antonin-Tri Hoang, Jean-François Vrod, Sylvain Lemêtre, and Else Birgé, evoking a post-human journey through reinvention and memory.

Composing with assembled field recordings and environmental textures, Chiba, Japan-based composer Tetsuya Nakayama transforms mundane sounds into poetic events, as water, metal, and incidental noise intertwine in a quiet yet immersive narrative that re-enchants everyday spaces, revealing a new mode of listening shaped by nuance and fleeting detail.

Two live performances from Norwegian sound artist Sindre Bjerga, capturing his signature blend of cassette-manipulated drones, lo-fi electronics, abstract vocal elements, and field-recorded textures in evolving soundscapes that evoke intimate, surreal, and psychedelically fractured environments.

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

Live recordings from four Northeast U.S. performances by subservientdominance, the solo project of Doug DeWalt, blending power electronics, harsh noise, and deep vocal-driven textures into a visceral exploration of sonic dominance, with each set presenting a uniquely aggressive and immersive approach to raw electroacoustic intensity.

Swedish composer Erik Klinga crafts radiant electroacoustic works from Buchla synth, pipe organ, drum machine, and field recordings, weaving melodic ambient vignettes that shimmer with warmth and light, moving through celestial textures, gliding rhythms, and bird-like flourishes in a richly detailed debut recorded at Stockholm�s Royal College of Music, the first of a planned trilogy on Thanatosis.

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception.

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes.

Recorded across two seasons in coastal Oregon, Yachats showcases the late Heather Chessman and Roger Smith as Juice Machine, sculpting fragile, tape-based electro-acoustic collages that blend field recordings, loops, and discreet electronics into seven immersive vignettes — each a poetic meditation on place, memory, and sonic texture.

A major work in Kassel Jaeger's catalog, blending musique concrète and electronic synthesis into a drifting, immersive soundscape across two LP sides, shifting through abstract environments rich with elusive textures and hidden detail, as subtle rhythms and concrete sounds evoke a sense of motion, memory, and a yearning that echoes the meaning behind the album's title: a deep longing to travel.

An unusual and deeply personal work from trombonist Sam Kulik, blending field recordings, voice, and layered acoustic and pre-recorded elements in a quirky, eccentric, and heartfelt conversation across time, presenting an imaginative and intimate meditation on life, death, and transformation through a uniquely expressive trombone-centered soundscape.

A celebration of friendship, sound, and daily life, Hal McGee�s cassette + download release assembles dictaphone recordings from his June 2025 trip to Ohio, capturing conversations with Chris Phinney, Jeff Chenault, and Jerry Kranitz, the ambience of caf�s, shops, and the Arts Fair, collaborative studio and live performances, and voices from the city, composed into a strangely compelling audio diary.

Recorded largely in an off-grid mountain hut, the fifth A Magic Whistle album finds Andy Puls uniting the chamber-folk intimacy and minimalist electronics of his earlier work into a vivid, wilderness-shaped soundscape where homemade sequencers, modular synths, guitars, whistles, and his resonant "Cascadian Sympathetic Steel" flow with field recordings and wordless voice.

Developed during a residency in the Spanish town of Blanca, violist Julia Eckhardt's eight compositions trace daily walks through the arid hills as sound, image, and memory, each piece born from field recordings, photographs, and improvisations that echo the wind-swept landscape, transforming the act of walking and listening into meditative musical reflection.

Drawn from field recordings made in Tainan, Taiwan and recomposed in Zurich, this album by Jason Kahn transforms ambient hums, distant voices and architectural resonances into a contemplative sonic map where place becomes material, silence pulses with hidden motion and listening itself is foregrounded as gesture, inviting deep immersion rather than narrative resolution.

The culmination of 15 years of work is this ambitious installment of Bryan Eubanks with Joe Foster, Dan Brown, and Dan Reynolds' sound project, in a CD of diverse compositions merging concrete, acousmatic sources and field recordings, with an accompanying 391 page book of letters, notes, aphorisms, scores, images, and commentary from the artists & contributors.

Compositions from Éric La Casa and Jérôme Noetinger built from site recordings made while exploring buildings emptied of their activities, crossing spaces abandoned by their occupants and drifting through the ghostly traces of vanished presence, revealing a mysterious electroacoustic force that lingers within the shifting textures of these emptied environments.

Three works from American composer Kory Reeder's Grid Series bring piano and two violas into sparse, quietly shifting environments where structured pitch fields, performer agency, and subtle repetition form reflective sound spaces that balance structure and spontaneity, inviting deep listening through poised restraint and the poetic tension between silence and tone.

In a subtly detailed journey, Nate Wooley layers field recordings, trumpet, piano, sine tones, whistling, and bodily sound into a stark, reflective work that probes the uneasy coexistence of nature, machinery, and human presence, shaping a quietly political soundscape in which environmental detail, isolation, and mechanical intrusion collide in fragile, contrapuntal tension.

Blending field recordings, percussion, tapes, and modular synthesis with Marina Katsarou's voice and text and Eva Matsigou's flute, Eventless Plot reshape urban sound into a finely detailed electroacoustic work that invites listeners to reconsider noise as a living, expressive presence, revealing the shifting textures, hidden meanings, and poetic potential embedded within the everyday sonic fabric of the city.

Recorded across various public spaces in Paris, this collaborative work extends the practice of Eric La Casa and Seijiro Murayama as they document subtle vocal interventions and field recordings that explore attentive listening, bodily presence, and sonic autonomy, positioning sound-making as a quiet, animist act of witness within complex urban environments.

Working alone with electronics, radios, field recordings, homemade instruments, and voice, Georgy Orlov-Davydovsky constructs immersive electro-acoustic pieces shaped by specific physical environments, layering noise, drone, and fragile gestures into meditative sound narratives that explore borderline psychosonic listening states through dense textures and unstable sonic detail.

Portuguese improvisers Ernesto Rodrigues and son Guilherme Rodrigues juxtapose a live Berlin performance with field recordings from Pico Island in a quietly probing duo set where viola, cello, crackle box, and environmental sound blend in austere, texture-driven improvisations that move between subtle acoustic detail and atmospheric ambiguity.

A comprovised music piece based on a sound score composed of field recordings from autonomous demonstrations that shook the streets of Montreal in recent years, the 10-piece Montreal ensemble of performers and sound artist interacting with the ambient recordings as they aim to understand how sound and music contribute to the formation of affective communities.

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

Dedicating his album to Paul Burwell and Z'ev, Spanish percussionist Paolo Sanna demonstrates his many years of research in sound, silence, noise, experimentation, musical research and deconstruction through standard percussive devices and found objects, giving his playing a distinctive and personal palette which he plays with superb technique and timing.

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.

A 7-CD retrospective from guitarist and composer Steve MacLean collecting decades of inventive work, from chamber jazz-rock and electronics to playful sound experiments, including Frog, Bug, Guitar, Computer, the Steve MacLean Ensemble�s GPS, the Chris Cutler-featured Year of the Dragon, the double-CD Bridges, Ordinary Objects and Other Distractions, and the long out-of-print Radial Circuit.

Beginning with recordings of an electric induction cooktop made in his kitchen, French sound artist Éric La Casa constructs an electroacoustic work from improvisations and environmental sounds, which Spanish composer Francisco López then transforms into a dense studio mutation, the two discs tracing a dialogue of listening, transformation, and immersive sonic textures drawn from everyday objects and resonant spaces.

Recorded at the Holy Trinity Anglican church in York, Western Australia, this solo work from Laura Altman explores the interplay of instrument, environment, and intervention, as clarinet, voice, tapes, and small objects interact with feedback and resonant space to create a delicate yet expressive sound world where shifting timbres, silence, and acoustic response blur the boundaries between source and surroundings.

Using field recordings captured inside working printing houses in Santiago, Chile, Amanda Irarrazabal merges industrial machine rhythms, electro-acoustic manipulation, and studio improvisation into immersive sound works that balance hypnotic repetition, dense textural abstraction, and fragile resonant space, transforming mechanical process into fluid and deeply tactile experimental composition.

Portuguese improvisers Ernesto Rodrigues and son Guilherme Rodrigues juxtapose a live Berlin performance with field recordings from Pico Island in a quietly probing duo set where viola, cello, crackle box, and environmental sound blend in austere, texture-driven improvisations that move between subtle acoustic detail and atmospheric ambiguity.

New Pricing April 2019: Recordings from the Berlin Inventionen Festivals for New Music 2005 and 2006 featuring compositions by Edgar Barroso ("ODD"); Mario Verandi ("Comme un jeu des images"); Paul Wilson ("Trhough the Rain"); Ricardo Climent ("Wallwoodpeckers"); Vladimir Djambazov ("The Secret Life of a Snare Drum"); and Ludger Brummer ("Glasharle").

Dave Petts' Remote Viewers, now a septet of 4 saxophonists, marimba, bassist John Edwards and drummer Mark Sanders, in 7 pieces blending rock and improvisational aesthetics in seductive ways.

Uniting Ukrainian artist Sergiy Senchuk (aka Tungu), Austrian violinist Mia Zabelka, and German musician Stefan Strasser, this debut project blends field recordings, improvisation, electronics, and live instrumentation, embodying defiance and resilience amidst adversity through bold, dynamic, and genre-defying soundscapes shaped by their collective strength.

Composer Finola Merivale surrounds Catherine Sikora's layered tenor saxophone, breath tones and multiphonics with electronics and field recordings gathered in County Cork, New York and other changing environments, creating three immersive electroacoustic works that move from stark detail to surging masses of sound while exploring landscape, displacement, memory and the unsettled meaning of home.

Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.

Recording in Switzerland at La Becque Residency Center, the experimental improvising duo of Francisco Meirino on synth & field recording and Jerome Noetinger using electronics, tape, reel to reel player & radio, create a 6-part series of unusual sonic interactions, patiently exposing unidentifiable sounds and synthetic punctuation, neither subtle nor explosive but wonderfully engaging.