One circular and one continuous composition from Argentinian composer Sergio Merce, using rich tones like clouds of sound generated by a microtonal saxophone, synthesizer and wind synth, the title referring to his sense of music a channel to see, to reveal, a channel that opens through intuition, observation and attention but not through thinking; beautiful.

Four works by Argentinian composer Max Bober living in Warsaw, Poland, performed in solo, duo and trio configurations by pianist Alejandro Peña Gutiérrez, flutists Francisco Rojas and Clara Peláez Hidalgo, and soprano Natalia Jarosiewicz; fragile works of depth and beauty that unfold gracefully.

"French musician Bruno Duplant is one of the most talked-about artists on the experimental music scene today. In recent years he's presented many outstanding composed pieces and released a succession of excellent recordings on labels ar...

Dutch composer Michel Banabila amalgamates genres, using acoustic and electronics elements to serve his work, here in 8 recent pieces that blend electronica, world forms and soundscape in sophisticated ways, with vocal samples from all n4tural and Yuko Parris, guitar from Cok Van Vuuren, and a collaborative composition with Machinefabriek/Rutger Zuydervelt.

Composer, keyboardist and conceptualist David Shea continues his musical journeys through the world's ancient trading routes that began with his albums Hsi-Yu Chi, The Tower of Mirrors, Satyricon and Rituals, here in ten encompassing compositions exploring the trading route from ancient Xian to Rome, through music, stories, history and Buddhist influences.

Compositions for violas, bass clarinets and flutes performed by Vincent Royer, Jill Valentine, Jason Alder, Chris Cundy, Tim Hodgkinson, Yoni Silver, Lori Freedman, Carla Rees, Karin de Fleyt, Thanos Chrysakis, Katrina Lauder, with compositions from Gerard Grisey, Iancu Dumitrescu, Thanos Chrysakis, Niels Rasmussen, Salvatore Sciarrino, Lori Freedman, and Tim Hodgkinson.

US sound artists Heather Frasch and UK Ryoko Akama, who together run the mumei journal exploring the relationship between text and sound, in works commissioned by Bruno Duplant based on written texts, each interpreted, recorded and edited by the other using objects, field recordings, electronics, cello & voice, with one piece from Frasch and two versions from Akama.

Three versions of composer Koen Nutters piece "Intervals, time and space between," performed in Berlin, Switzerland and The Netherlands in 2019 by Ensemble Post-music and DNK Ensemble with special guests Stefan Thut, Luke Martin, Thea Mesirow and Aaron Foster Breilyn, the work open to interpretation as a construction kit for each player to build their own version.

Formed in 2005, the Chicago trio Haptic of sound artists and composers Steven Hess, Joseph Clayton Mills, and Adam Sonderberg, release their 2nd album on Notice Recordings, a cinematic set of four compositions that use tense ambiance to introduce both visceral and observational sound, intense journeys of unpredictable movement, insinuation and curious culminations.

Since 2014 the collective [SNDNG STTNS] has explored theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing, this work featuring cellist Guilherme Rodrigues bridges the art of the brazilian "violeros" with contemporary music, acoustic and electronic composition and improvisation.

Taking modular synths into unusual territory, Autumn Records label leader and relentless audio explorer Greg Davis spent years using a computer controlled modular synthesizer system to generate an obsessive set of synthetic and electronic sounds -- swooping, burbling, chattering, &c. -- assembled into this quick witted and energetic set of compositions.

"Text score is from Walter Benjamin's 'Einbahnstrasses, Halteplatz fur nicht mehr als 3 Droschken', 1928 and reads: "vor ubergrosser ermudung hatte ich im erhellten zimmer mich in kleidern aufs bett geworfen und war sogleich, fur einige...

Recording in live conditions and multitrack, French guitarist and multi-instrumentalist Jeremy Baysse performs a version of Terry Riley's classical minimalist composition "In C" using electric guitar, acoustic guitar, twelve string guitar, effects, banjo, bass, glockenspiel, maracas, cymbal, mandolin, synthesizer, percussion, and drum machine.

A solo album from Italian percussionsit Lucio Miele, presenting six works of layered percussion with live electronics and, on three tracks, recitation from actor Simona Fredella, each piece sound-oriented with an incredibly diverse set of percussive variety, detailed atmospheric settings and diverse rhythmic foundation; a remarkable and sometimes hair-raising album.

Three concisely plain compositions for guitar, two solo and one trio, are played only with open strings or natural harmonics, where all the tunings are respectively irregular, written by Tokyo-based guitarist and composer Taku Sugimoto and performed and recorded in St. Petersburg, Russia by guitarists Andrey Popovsky, Denis Sorokin and Alexander Markvart.

A 12-hour collection over 12 CDs of composer Anthony Braxton's Ghost Trance Music (GTM), a compositional system he developed with his superlative Tri-Centric Vocal Ensemble, GTM allowing the ensemble to generate a performance in real time in a mix of sung, spoken, and non-verbal utterances, with unpredictable and surprising results that reveal fascinating layers with each listen.

Percussionist and sound artist Matt Weston incorporated Western notated scores, multidimensional graphic scores, implied notation, and aural scorers in addition to site-specific constructions to facilitate his instantaneous realization of this composition, which was mastered by Jason Lescalleet at Glistening Labs USA.

A collection of compositions drawn from recent works by Michel Banabila, the composer performing alongside artists Rutger Zuydervelt, Yuko Parris, ok Van Vuuren and all n4tural, showcasing his flexibility in developing a variety of works that include cinematic sweeps, ambient/fourth world, sound and noise, and rhythm-based and synthetic.

ensemble 0: Variable geometry performs this essential work from composer Julius Eastman, written in 1974 for a chamber ensemble of acoustic and electronic instruments, merging a backbone of hypnotic minimalism with forms of improvisation and points of flexibility for the performers, a great example of Eastman's work and relationship to other contemporary composers.

The 2nd live release from the duo of iconic American composer and minimalist pioneer Terry Riley and his guitarist/composer son Gyan Riley, comprised of spontaneous improvisations and compositions by both Terry and Gyan captured during three performances in Canada, Japan and the US, with Gyan performing on electric guitar and Terry Riley on piano, voice, melodica and electronics.

Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.

Vocalist Amirtha Kidambi (Elder Ones, Mary Halvorson's Code Girl) and guitarist/composer Matteo Liberatore create sonic environments and aural landscapes without using effects, slowly evolving their work so as to allow each utterance and sustaining note to be fully absorbed, their meditative and introspective works rewarding to the attentive listener.

Spring/Summer issue of Canada's premiere new music magazine, including an 11-track CD of music from the artists covered in each issue, with articles: Sobey Art Award wubber Lou Shppard; a 30-page section exploring climate emergency through nine sound and music artists; Brooklyn-based composer and violist Tanya Kalmanovitch; Ashley Au; James Goddard; David Psutka; &c. &c!

Known for her chamber and piano works, Canadian composer and widow of Morton Feldman presents five beautiful chamber works performed by the trio of George Barton on percussion, Siwan Rhys on piano and Mira Benjamin on violin, introspective and contemplative pieces of rich color & reflection that reveal the gravity between sound and silence.

Five chamber works written by composer UK Oliver Leith, the debut CD release from the creative music group Explore Ensemble including a piece they commissioned--Me Hollywood--, the compositions spanning four years of work and reflecting a sort of portrait of the composer as he experiments with unusual arrangements, sampling sounds, and new instruments.

Two works from Canadian composer Linda Catlin Smith and performed by cellist Anton Lukoszevieze and pianist Kerry Yong: "Through the Low Hills" a piece for constrained variations like an object viewed from different angles as it is turned over; and "Ballad" a major work intended for performance that unfolds slowly, allowing for delicate melodic interaction.

Five chamber works from UK composer James Week performed by Explore Ensemble, developing works extending the poetic idea of a piece as an imaginary or remembered space by exploring combinations of instruments such as the mixed instrumental duos, the use of slow-moving or static background harmonics, and intimate instrumental idioms based on long, breath-length sounds.

A cohesive suite in eight parts on dynamics, tone and vocal narration in acoustic jazz from the joining of the 20+ year Swedish duo project J/L Duo of saxophonist Johan Jutterstrom and drummer/percussionist Andreas Hiroui Larsson, Brooklyn-based pianist Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist).

The title referring to a condition of aural hallucinations, Anthony Pateras' composition is a work of tense motion, dissonance and resolution, commissioned by the Musica Sanae project and performed at the 17th Sacrum Profanum Festival in Krakow, 2019, using a recording improvised and assembled in Australia with his tape septet that underpins the performances in concert with his live septet.

Virtuoso guitarist and composer Gyan Riley, son of composer Terry Riley, in his second solo album on the Tzadik label, a brilliant collection of classical guitar works expanded with influences from minimalism, flamenco, bossa nova, and folk, nine pieces recorded during the pandemic lockdown for an album of intricate detail and reflective perseverance.

The fourth release in Die Schachtel's Decay Music series is Italian composer Giovanni Di Domenico's Downtown Ethnic Music, a tapestry of synthetic and acoustic sources in a 4th world/Jon Hassell mode, with rhythms from drummer João Lobo, vocals by Pak Yan Lau and Patshiva CIE women choir, the horns of Ananta Roosens and Jordi Grognard; a gorgeous album of detailed ambience and atmosphere.

In 2012 the trio of composers Iancu Dumitrescu and Ana-Maria Avram, both performing on computers, and Stephen O'Malley on electric guitar, entered the GRM Paris studios to develop this work, depicting in sound The Veil Nebula--the results of a massive supernova--heard in this working session including verbal conduction as the three developed the piece.

Alvin Curran's famous 1980 composition combines piano, voice, a Serge modular synthesizer, and tape recordings, particularly of his 14 year old dachshund Caspar "singing", recorded after meeting a female dog in heat earlier in the day, a peculiar love song based around a 5-note motive played on the piano, increasingly frenzied and affected by the Serge synth.

Two works from Paris-based electroacoustic composer Michèle Bokanowski (b. 1943 and who studied with Pierre Schaeffer) recorded by the artist in 2008 and 2018, "Rhapsodia" an hypnotic work of looping structures and rich strains of muted melody, while "Battements Solaires" is the edgy soundtrack to the award-winning film of the same name by her husband Patrick Bokanowski.

A fascination for clouds may have influenced French electroacoustic composer Lionel Marchetti in the composition of his incredible "Micro-Climat", a journey through concrete and acousmatic sound with a sense of open environments, perfectly paired on this LP with the epic journey presented to the listeners in his expansive and impressionist work "La Grande Valée".

"Four Pianos (1979-80): It is recognized today that these tutelary pieces for four pianos are among the most powerful in contemporary music, their impact is almost unparalleled. After the historical version recorded forty years ago, thi...

Opening Performance Orchestra, the Czech avant noise music group from perform an electronic interpretation of composer Phill Niblocks's work "Four Walls Full of Sound", recorded in the studio the day after a live performance at the 2017 Ostrava Days Festival of New and Experimental Music.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

French composer & pianist Melaine Dalibert's 6th solo album, works developed using an algorithmic approach to composing, such as retrograde sequences or cellular automaton, generating beautifully delicate patterns that he performs on instruments chosen for their tonal qualities, David Sylvian adding electronic coloring to the pieces "Yin" and "Yang".

"Greek composer Anastassis Philippakopoulos has been a member of the Wandelweiser composers collective since 2003. He pursues his own compositional style to create a new kind of tonal music, deeply associated with his individuality and ...

"Theatrically gripping and sonically sophisticated, this modern opera by composer Elliott Sharp and librettist/narrator Jack Womack reflects the events surrounding a 1981 killing in New York's East Village. That flashpoint was the genes...

"The first volume in an ongoing collaboration between composers Kenneth Kirschner and Joseph Branciforte, From the Machine explores the application of software-based compositional techniques - including algorithmic processes, generative...