Legendary sound artist AMK in a 6 track cassette release of sounds performed on records and record players with sources including Elvin Jones, Gary Madeley, Aston Barrestt, Carlton Barrett, Joe Higgs, John B, John Bonham, Keith Moon and Howard Stelzer.

The first release from Ken Vandermark's Audiographic label, and his new band Audio One, a 10-piece ensemble inclduing Jason Adasiewicz (vibes), Jeb Bishop (trombone), Josh Berman (cornet), Tim Daisy (drums), Nick Mazzarella, Mars Williams, Dave Rempis & Ken Vandermark on reeds.

The Spring 2016 issue of Canada's best creative music magazine covering composed, improvised and experimental music. Articles include: Juan Camilo Vasquez' Caliope (canto de las abejas); First-Place Winner, Musicworks' 2015 Electronic M...

Gino Robair recorded this cassette of ham radio in Alaska while on tour with organist Dave Hyatt, taking his feed off the radio of a friendly operator while they listened to an anonymous operator trolling the airwaves and taunting others, over strange whines and radio timbre.

A recomposition of sound artists Howard Stelzer and Frans de Waard's album "Pink Pearl", reworked into two extended compositions of throbbing ambience that glacially grows over the life of each compositions.

2 CDs and a book of photos documenting solo work from Chicago improviser Ken Vandermark performing on clarinet, tenor, and baritone sax in 4 sites--a house, a cavern, a train trestle, & a skate park--dedicating the performances to important musicians, and to Buster Keaton, and Jay Adams.

The continuing adventures of European drummer Paal Nilssen-Love and Chicago reedist Ken Vandermark, this album was recorded live in Antwerp Belgium in 2013, showing the powerful technical skills of both players and their euphorically great approach to free improv.

The first release from the NY/West Coast trio of Tomas Fujiwara on drums, Ben Goldberg on clarinet, and Mary Halvorson on guitar, a collaborative improv of lyrical and nuanced improv, using great skill and sophistication in dialog that takes unexpected twists and turns.

Crossing NY and Chicago artists, the quartet of Mike Ladd on vocals & synth, Jeff Parker on electric guitar, Tyshawn Sorey on drums, trombone & electric piano, and HPRIZM/High Priest on synth create thought-provoking spoken environments of intense improv.

A beautifully evolving set of duos, or "paths" from Philadelphia saxophonist Keir Neuringer and Polish bassis Rafal Mazur, using monumental technique to support a dialog that's technical and intensely focused while remaining lyrically sophisticated and imaginative.

Jemeel Moondoc's third release on New York's Relative Pitch label is this duo with bassist Hilliar Greene, a soulful album of bluesy free playing, Greene's solid finger and bow work anchoring Moondoc for beautiful, informed, quirky and sincerely heartfelt playing.

Despite their desire to record together, UK improvisers, guitarist Derek Bailey and pianist John Tilbury, never quite worked it out; so Tilbury instead took these solo Bailey recordings into the studio and improvised to them, making Bailey the dead leader of their duo.

Using electronics and voice, composer & sound artist Gtanit Elyakim presents a diverse set of compositions in collaboration with other acoustic, voice and electronic artists, a superb debut for an artist interested in aspects of the human and the digital paradigm.

The Leena Circus trio of Antoine Letellier on sax, trumpet & guitar, Nicolas Moulin on guitar, and Guillaume Arbonville on drums, joins with trumpeter Itaru Oki for an album of open-ended and downright psychedelic free improvisation, a superb achievement in creative music.

Serbian violist Szilard Mezei trio with double bassist Ervin Malina and drummer/percussionist Istvan Csik, in two extended works that blend seemingly chaotic approaches to improvisation with subtle and spacious playing, a tremendous achievement.

Polish conceptual composer Zygmunt Krauze meets pianist John Tilbury, who studied in Warsaw in the 1960s, and returned in 2015 for a residency; this delicate and beautiful work was recorded at the Concert Studio of Polish Radio in Warsaw with 4 pianos and a percussionist.

Anthony Pateras & Valerio Tricoli worked 7 years transforming pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld that celebrates the "End of Times" in three parts; a meticulous and fascinating work.

A 6 part work based on immersive listening with a smartphone featuring a GPS and audio headphones made during a train trip across the Arc Jurassien, developed into 6 rich and detailed compositions, performed with violinist Julia Eckhardt and cellist Silvia Platzer.

Extended Pianos employ stochastic improvisations, live analogue processing, feedback experiments, atmospheric tape composition, and ultra-physical episodic structures to manipulate prepared piano performances in real time, creating an exceptional and engrossing work.

Dedicated to both composer Olivier Messiaen and hip-hop record producer J Dilla, David Fiuczynski uses non-Western tuning to show the connections between exotic bird calls and J Dilla's 'flam beats' while referencing Messiaen, Gagaku, and other Pan-Asian ingredients.

Using saxophone and electronics in unexpected ways, Warszawa composer Kamil Szuszkiewicz's 9 movement "Robot Czarek" is described as a "sound cartoon", using odd punctuation of voice and effected interactive instrumental interjections to tell his libretto's strange tale.

Henry Threadgill's tribute to friend, composer-conductor Lawrence D. Butch Morris, in a detailed 4-part work with an excellent set of improvisers: Henry Threadgill, Jose Davila, Jason Moran, Christopher Hoffman, David Virelles, Roman Filiu, Curtis Macdonald, and Craig Weinrib.

UK guitarist and vocalist Richard Youngs, also on zither, suggested performing his large song work "Parallel Winter" on the first day of his Warszawa tour of Poland, a piece that changes in length based on location and environment, here in an extended and contemplative version.

Crossing heavy improv with jazz, classical, world music and more, Zorn's latest compositions are handled by the ensemble of John Medeski (organ), Ches Smith (congas, Voudun drums), Kenny Wollesen (vibes), Kenny Grohowski (drums), and Matt Hollenberg (guitar).

The solo harsh dream sound project of media and sound artist Ryan Lewis, delving deep into his childhood traumas through sound, which he developed as an outlet and meditative release for the artist using sound.

Nacka Forum, the Scandinavian quartet of Jonas Kullhammar on sax and other winds, Goran Kajfes on trumpet & cornet, Johan Berthling on double bass and Kresten Osgood on drums, in their 5th studio album of lyrical free jazz of massive technical and creative skill.

A pop-infused psychedelic trip featuring Cyro with a huge lineup of superb musicians, lyrical improvisation with latin and world influences, with Baptista taking vocals over his eclectic and melodically embraceable music; a beautiful album to return to frequently.

Originally intended as a trio recording, when the 3rd player missed the Nepal Jazzmandu Jazz Festival, saxophonist Francois Carrier and drummer Michael Lambert carried on as a duo, these recordings from two sets displaying their impressive "freely melodic" approach to improvised music.

Eric Normand's Quebec based 12-piece GGRIL (Grand Groupe Regional d'Improvisation) in an album of 5 improvisations and a piece by percussionist Danielle P. Roger; wonderfully creative music with eclectic instrumentation that's simultaneously challenging and fun.

Clarinetist Ben Goldberg leads a trio with electric guitarist John Schott and Mr. Bungle bassist Trevor Dunn for a lyrical and beautifully reserved album of improvisation that uses a subtly spacious approach to creating environments for informed interchange.

The trio of Chris Caldwell on reeds, Susie Hodder Williams on flute, and Trevor Taylor on percussion and electronics in a set combining free improvisation with written pieces using stochastic & graphic processes, plus a work by Stockhausen, "Aus Den Seien Tagen" and one dedicated to John Mayer.

Amorfon continues their exploration of the "voice" of babies, started with "Kindermusik: Improvised Music by Babies" and expanded here as 14 babies are recorded in a single take, expressing themselves before the learning of language, volume, timbre and speech intervals.

The 1st of 2 album with Amorfon label leader Yoshio Machida performing acoustic improvisation on the steelpan drum influenced by traditional Indian improvised music, adding elements of Jazz, twelve-tone and ethnic music to create a unique hybrid, in a limited clear vinyl LP.

The 2nd of 2 album with Amorfon label leader Yoshio Machida performing acoustic improvisation on the steelpan drum influenced by traditional Indian improvised music, adding elements of Jazz, twelve-tone and ethnic music to create a unique hybrid, in a limited clear vinyl LP.

The improvising steelpan ensemble of Yoshio Machida (steel drums, percussion, electronics, PanKAT), Tatsu (bass, electronics) and Norihide Saji (drums, laptop, electronics) in their 3rd release, an alternative dub album, or music created by poly-rhythm and sound effects.

Using bass, drums, steelpan, electronics and programming, the trio of Tatsu, Norihide Saji and Amorfon label leader Yoshio Machida create a "pulse dub" album of polyrhythms and phase, producing warm, complex and embraceable music that includes a cover of Bjork's "Hyperballad".

The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".

Live recordings of the trio of Yoshio Machida on steelpans and gamelan, Hiroki Chiba on double bass and electronics, and Jorge Queijo on drums & percussion, performing live at Foxhole and Apollo in Tokyo, 2015, free improvisation with Eastern attitudes and European propulsion.

An intense and dynamic album of unusual electroacoustic improvisation from the duo of Pascal Battus performing on rotating surfaces, styrofoam, paper, plastic objects, and microphones, and Dafne Vicente-Sandoval performing on bassoon, microphones and mixing board.

Emphasizing the lyrical aspects of free jazz, the superb trio of Peter Brotzmann on alto & tenor sax and taragato, Fred Hopkins on bass, and Rashied Ali on drums, recorded this album in 1991, now remastered to bring this exceptional music back to the foreground.

Electronic composer Jean Schwarz in two large works composed in the Ina GRM's numerical composition studio exploring exaggerated amplification, inversion, transformation, and include tributes to Kenny Clarke and John Coltrane.

Guitarist Stephen O'Malley meets UK free improvising drummer Steve Noble in Philadelphia PA to record this mammoth duo of sound and drone guitar with active, deep drumming, a mesmerizing album of intense sound and rhythm.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Glasgow's Improvisers Orchestra from the CCA Glasgow performing three free improvisations and a discretely structured piece by Raymond MacDonald.

Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.