The debut album from the NY based Baloni trio, blending chamber techniques with a unique approach to improvisation, as performed by bassist Pascal Niggenkemper, violist Frantz Loriot, and multi-reedist Joachim Badenhorst.
A nearly 5-hour long recording of Cornelius Cardew's work based on one of the 4 classic books of Confucian religion, and the first work to be referred to as minimalist, performed at Wigry in Sejny, 2010.
In 1977 Doc Chad recorded these sessions with saxophonist Philip Johnston and drummer Steve Moses playing Chadbourne originals plus one tune from Billy Strayhorn; intriguing and informed free improvisation.
Clockwork is the Polish duo of drummer Maciej Wrobel and bassist Szymon Orlowski, who for the last two years have worked with saxophonist Lukasz Poprawski (Urszula Dudziak, Michal Urbaniak, &c) here in their first album together.
The subtle duo of pianist Marc Copland and saxophonist Dave Liebman in a set of great jazz compositions from luminaries including Jimmy Giuffre, Herbie Hancock, John Coltrane, Miles Davis, Lester Young, plus original work.
Wind and reed player Mary Ehrlich's excellent Rites Quartet with Hank Roberts (cello), Michael Sarin (drums) and James Zollar (trumpet) in a set of lyrical compositions that borrows from jazz and downtown NY traditions.
eRikm on 3k Pad Loop System, Electronics and Norbert Moslang playing Cracked Everyday Electronics in a collection of recordings from European concerts performed between 2002 and 2005; produced by Guiseppe Ielasi..
The second duo release between trumpeter Dennis Gonzalez and pianist and accordionist Joao Paulo Estevez da Silva, a beautiful album of winter moods with Sefardic overtones, introspective and reflective improvisation.
The London improvising scene duo of vocalist Kay Grant, a former Downtown NY artists, and clarinetist Alex Ward, have been playing together for decades, here recorded in four live performances and a studio session.
Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.
This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.
A live recording of this quartet from the Iwate Prefecture in the Tohoku region of Japan, improvised an29730d impressive rock from Yoshida Tatsuya (drums), Nasuno Mitsuru (bass), Kita Naoki (violin) and Murakami Naoki (guitar).
Embracing free tonality, microtonal music, and 20th century classical music, Noah Kaplan's informed compositions are performed with his quartet of Joe Morris (guitar), Giacomo Merega (electric bass) & Jason Nazary (drums).
Extreme percussion work from Eli Keszler, mostly solo pieces using a diverse sonic palette, and assisted on 2 tracks by clarinetist Ashley Paul, plus brass player Andrew Fenlon and prepared pianist Sakkiko Mori.
The trio LAMA comes from the dynamic and inventive Portuguese jazz scene, formed by bassist and composer Goncqalo Almeida & trumpeter/electronics artist Susana Santos Silva, with Candian drummer Greg Smith.
Mecha Fixes Clocks' 3rd release with Michel F. Cote, Lori Freedman, Philippe Lauzier, Ellwood Epps, Josh Zubot, Martin Tetrault, Bernard Falaise, &c... a musique actuelle supergroup, and an amazing conceptual work.
Eccentric Japanese vocalist Makigami Koichi joins Ruins/Korekyojinn drummer Yoshida Tatsuya, Altered States guitarist Uchihashi Kazuhisa, and Shimizu Kazuto (Hikasu) for an album of impressive and slightly deranged rock.
Recordings of a concert at London's Cafe Oto dedicated to Jozef Patkowski's Polish Radio Experimental Studio (CD2), which are transformed in the studio by John Tilbury, Eddie Prevost, Phil Durrant, Maciej Sledziecki & Mikolaj Palosz (CD1).
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
With lyrics inspired by Hindu erotic books, Arabic love games, and sensual songs; Joane Hetu presents her first CD of her own music with accompaniment from Jean Derome, Diane Labrosse, and Pierre Tanguay.
Pianist/composer Gordon Beeferman's trio with bassist James Ilgenfritz and drummer/percussionist Michael Evans in an entirely acoustic record that conjures up electronica, noise, free jazz, and new-complexity, in a sublimely creative fashion.
Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.
"An arresting mix of painstakingly overdubbed vocals, human beatbox effects, African-inspired choral music, plus the odd visit to the world of Jimi Hendrix"; two tracks collaborate with NY guitarist Marc Ribot.
Since 1989 the Netherlands quartet of Olga Wallis, Freek Kinkelaar, Frans de Waard and Niek Groothuyse have created a unique blend of pop music with ea approaches, here in their 16th captivating release.
Sophomore release by Chuck Bettis (aka T.A.T.A.) featuring two collaborations with Mick Barr and a track dedicated to Daniel Higgs; further investigations into the realms of extreme frequencies and mind bending acrobatics.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
Double bassist and composer Carlos Bica's Azul with guitarist Frank Mobus and drummer Jim Black in their 5th album, bringing jazz and elements of rock together into a lyrical and alluring set of recordings.
Montreal creative guitarist Tim Brady and his Bradyworks (Lori Freedman, Karen Young, &c) performing 6 duos for electric guitar with other instruments, and 12 compositions for electric guitar (with and without effects pedals).
Three performances from London and Glasgow from New York saxophonists Jim Sauter and Don Dietrich, and guitarist Donald Miller, playing through pedals and distortion devices in unique and irascible free improvisations.