The debut album from the NY based Baloni trio, blending chamber techniques with a unique approach to improvisation, as performed by bassist Pascal Niggenkemper, violist Frantz Loriot, and multi-reedist Joachim Badenhorst.

The Borbetomagus trio of Jim Sauter (sax), Don Dietrich (reeds) and Donald Miller (guitar) in a 1982 release on their own Agaric label, high volume jazz compiled from concerts in 1979 and 1981.

The unique voice of the Borbetomagus quartet recording in NYC in 1987, dark and beautiful improvisation that takes freedom to a unique level of squealing skronky feverish overtones and exhilaration.

The first Borbetomagus, an unprecedented release of extreme free/punk improvisation and sound from the trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald Miller (guitar).

Performing together since the late 70s, this is the first recorded documentation of West Coast trumpeter Bobby Bradford, NY bassist Mark Dresser, and trombonist Glenn Ferris.

Clockwork is the Polish duo of drummer Maciej Wrobel and bassist Szymon Orlowski, who for the last two years have worked with saxophonist Lukasz Poprawski (Urszula Dudziak, Michal Urbaniak, &c) here in their first album together.

The subtle duo of pianist Marc Copland and saxophonist Dave Liebman in a set of great jazz compositions from luminaries including Jimmy Giuffre, Herbie Hancock, John Coltrane, Miles Davis, Lester Young, plus original work.

Wind and reed player Mary Ehrlich's excellent Rites Quartet with Hank Roberts (cello), Michael Sarin (drums) and James Zollar (trumpet) in a set of lyrical compositions that borrows from jazz and downtown NY traditions.

eRikm on 3k Pad Loop System, Electronics and Norbert Moslang playing Cracked Everyday Electronics in a collection of recordings from European concerts performed between 2002 and 2005; produced by Guiseppe Ielasi..

Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.

A live recording of this quartet from the Iwate Prefecture in the Tohoku region of Japan, improvised an29730d impressive rock from Yoshida Tatsuya (drums), Nasuno Mitsuru (bass), Kita Naoki (violin) and Murakami Naoki (guitar).

Embracing free tonality, microtonal music, and 20th century classical music, Noah Kaplan's informed compositions are performed with his quartet of Joe Morris (guitar), Giacomo Merega (electric bass) & Jason Nazary (drums).

Eccentric Japanese vocalist Makigami Koichi joins Ruins/Korekyojinn drummer Yoshida Tatsuya, Altered States guitarist Uchihashi Kazuhisa, and Shimizu Kazuto (Hikasu) for an album of impressive and slightly deranged rock.

Tim Brady in an extraordinary collaboration mixing his rhythmic, jazz-influenced chamber music with Australia's dynamic and virtuosic Topology ensemble.

An excellent quartet of 4 female improvisers creating mysterious landscapes, bizarre spaces and surprising topography using dual pianos, flute, melodica, trombone & alphorn.

Composer and improviser Antoine Berthiaume in a compilation of guitar duos with Derek Bailey and Fred Frith exploring the full range of guitar improvisation.

Vocalists DB Boyko and Christine Duncan turn gibberish into improvised poetry while accompanied by drummer Jean Martin who uses multi-timbered objects to create beautiful and absurd music.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Tim Brady with Bradyworks and Quatuor Molinari in a CD/DVD release of four synchronized musical, video & theater works, ambitious and fascinating compositional pieces.

Since 1989 the Netherlands quartet of Olga Wallis, Freek Kinkelaar, Frans de Waard and Niek Groothuyse have created a unique blend of pop music with ea approaches, here in their 16th captivating release.

The Quatuor Bozzini string quartet dedicate this double CD to emerging artists in a collection of miniatures written in 2011 by emerging composers for the QB's annual Composer's Kitchen event.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Double bassist and composer Carlos Bica's Azul with guitarist Frank Mobus and drummer Jim Black in their 5th album, bringing jazz and elements of rock together into a lyrical and alluring set of recordings.

A musical theatre in 3 acts using texts, songs, free improvisation and compositional textures, "an evocation of the fusion between opposite forces-tight and flexible, male and female".

Montreal creative guitarist Tim Brady and his Bradyworks (Lori Freedman, Karen Young, &c) performing 6 duos for electric guitar with other instruments, and 12 compositions for electric guitar (with and without effects pedals).

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

Three performances from London and Glasgow from New York saxophonists Jim Sauter and Don Dietrich, and guitarist Donald Miller, playing through pedals and distortion devices in unique and irascible free improvisations.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

A musical theatre in 3 acts using texts, songs, free improvisation and compositional textures, "an evocation of the fusion between opposite forces-tight and flexible, male and female".

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.