Creep Of Paris, the solo project of British experimental sound artist Thomas LaRoche, also known as Eudocimus Ruber, presents two extended compositions exploring the unstable territory between sound collage, drone, noise, and spoken word. Released on Ireland's Krim Kram label, the album continues LaRoche's idiosyncratic approach to electroacoustic experimentation, assembling disparate sonic materials into unpredictable constructions that embrace both abrasive textures and unusual juxtapositions.

The two side-long pieces, "Dehydrator As Economic God" and "In Fear Of A New Queen," unfold across nearly half an hour, combining environmental sounds, layered drones, fragmented voices, and abstract sonic interventions. Rather than following conventional musical structures, the compositions emphasize shifting densities, repetition, and the interaction of contrasting sound sources, allowing recognizable fragments to emerge from and disappear into more ambiguous textures.

LaRoche's work extends beyond music into visual art and unconventional collecting practices, including insect breeding and secondhand bookselling. His recordings have appeared on Drowned by Locals, Index Clean, Chocolate Monk, and Beartown Records, alongside releases on his own Research Laboratories imprint. With its unconventional sound palette and deliberately eccentric sensibility, the album offers another exploration of the boundaries between musique concrète, experimental noise, and outsider sound art.