"Ishmael Ali is a first generation Filipino-Arab-American cellist, guitarist, improviser, composer, and electronic artist currently residing in Chicago. His work centers on exploring sound through improvisation, experimentation, collaboration, as well as a wide array of idiomatic approaches in an ever-changing, always-growing list of projects with diverse focuses and influences.Though varying drastically from group to group, a common thread in his work is the juxtaposition of seemingly disparate elements to create something new: both foreign and familiar.

In addition to performing, Mr. Ali is a co-founder and audio engineer at the recording space Marmalade in Chicago and was the founder and director of the now inoperative music and art space, Orotund Music. He continues to work as an organizer and promoter through the music series OBTC."

"Edward L. Wilkerson Jr. (born July 27, 1953 in Terre Haute, Indiana) is an internationally recognized American jazz composer, arranger, musician, and educator based in Chicago. As founder and director of the cutting-edge octet 8 Bold Souls, and the 25-member performance ensemble Shadow Vignettes, Wilkerson has toured festivals and concert halls throughout the United States, Europe, Japan, and the Middle East. "Defender", a large-scale piece for Shadow Vignettes, was commissioned by the Lila Wallace/Reader's Digest Fund and featured in the 10th Anniversary of New Music America, a presentation of BAM's Next Wave Festival.

His music can be heard on 14 recordings, including two film soundtracks and the critically acclaimed albums Birth of a Notion, and 8 Bold Souls, both on his own Sessoms Records label.

One of the great saxophone and clarinet players on the Chicago scene, Wilkerson from the 1980s into the new millennium may have become best known as a bandleader and composer, particularly associated with medium- to large-scale projects (somewhat daunting in an era when creative music bandleaders are challenged to keep even small ensembles together). He has also been a major presence in Chicago's Association for the Advancement of Creative Musicians (AACM), teaching composition at the organization's music school and serving for a time as AACM president.

The AACM collective, with its spirit of community as well as unbridled creativity, has been a predominant nurturing force for Wilkerson and has informed much of his work. He was an original member of the Ethnic Heritage Ensemble (formed by percussionist Kahil El'Zabar upon El'Zabar's 1976 graduation from the AACM school) and remained with the group until 1997, when he was replaced by Ernest "Khabeer" Dawkins. However, while appearing on such Ethnic Heritage Ensemble recordings as Three Gentlemen From Chicago (Moers), Hang Tuff (Open Minds), and Dance With the Ancestors (Chameleon), Wilkerson was also becoming more involved in leading his own projects, which characteristically saw the reedman thinking big. His most ambitious project, Shadow Vignettes, was initiated in 1979; with 25 musicians and incorporating dance, poetry, and visual arts, the ensemble's influences include the big band work of Muhal Richard Abrams, Duke Ellington, Count Basie, and Sun Ra. Shadow Vignettes released one CD, Birth of a Notion, on the Sessoms Records label in 1985. One of Shadow Vignettes' major pieces is entitled "Defender", commissioned by the Lila Wallace/Reader's Digest Fund and featured in the tenth anniversary of New Music America, presented by the Brooklyn Academy of Music's Next Wave Festival.

Wilkerson's best-documented ensemble as a leader is 8 Bold Souls, an octet initiated in January 1985 with a series of Thursday-night concerts at the Chicago Filmmakers performance space. The popularity of the concerts led Wilkerson to establish 8 Bold Souls as a working band, and since their formation, four Souls CDs have been issued: 8 Bold Souls on Sessoms Records, Sideshow and Ant Farm on Arabesque Records, and Last Option on Thrill Jockey. Influenced by the small groups of Duke Ellington and Jimmie Lunceford, 8 Bold Souls also makes plenty of room for adventurous experimentation in the AACM spirit, drawing fully on the unusual sonic possibilities of the group's instrumentation of two woodwinds, trumpet, trombone, cello, tuba, bass, and trap drums. Overall, Wilkerson's work may be heard on 14 recordings, including two film soundtracks.

In addition to his work with 8 Bold Souls, Shadow Vignettes, and the Ethnic Heritage Ensemble, Wilkerson has also played with the AACM Big Band, Roscoe Mitchell, Douglas Ewart, the Temptations, Chico Freeman, Geri Allen, the Lyric Opera of Chicago, Muhal Richard Abrams, Aretha Franklin, and George Lewis.

Wilkerson's most recent release is the ensemble performance, Frequency, on the Thrill Jockey label. Encompassing distinctive compositions, and high-quality improvisational flights plus World and Native American sonic echoes, this debut CD confirms both the talents of the band Frequency and the continued adaptability of AACM members.

Besides the AACM-link, each participant in this Chicago-based quartet brings different sensibilities to the session. It includes reedist Ed Wilkerson and bassist Harrison Bankhead from 8 Bold Souls. Flautist Nicole Mitchell leads her own groups as well as working as an educator, while veteran percussionist Avreeayl Ra's AACM involvement goes back almost to the cooperative's founding.

Wilkerson has received grants from the Illinois Arts Council, the National Endowment for the Arts, Meet the Composer, and the Community Arts Assistance Program, and has been cited in numerous music polls.

In his free time, Wilkerson, past president and longtime member of the Association for the Advancement of Creative Musicians (AACM), teaches composition at the AACM School of Music."

"Corey Wilkes has established himself as one of the best improvising trumpeters in the modern era. Having the skill and maturity to approach mainstream repertoire of jazz standards with his own unique sensibilities, he combines them with his deep appreciation of hip-hop. Corey continues to bring his brand of musicianship and talent to the forefront of the genre.

As a child, growing up in the suburbs of Chicago, Wilkes was surrounded by the sounds of Blues, R&B, Soul, Funk and Jazz. He picked up the trumpet for the first time at the age of 10 participating in his school band programs. Corey's natural talent immediately began to flourish. His confidence and maturity were well beyond his years. As a student at Rich South High School in Richton Park, Illinois, his hard work and dedication secured him a spot in the Illinois All State Honors Jazz Combo; the first student in the school's history to do so.

Corey has also shared the stage with numerous Jazz Masters including but not limited to; Wynton Marsalis, Roy Hargrove, James Moody, Kurt Elling, Von Freeman, Greg Osby, Roscoe Mitchell, Marcus Belgrave, Clark Terry, Harry "Sweets" Edison and Mulgrew Miller. His soulful notes can be heard gracing a variety of contemporary projects including sets by DJ Logic, Osunlade and Josh Deep; tracks on Hidden Beach Recordings Presents: Unwrapped Vol. 4, Kahil El Zabar's Ascension Loft Series as well as Nona Hendryx, Soulive, Meshell Ndegocello and Ledisi."

"Jim Baker was born in Chicago a number of years ago and has been playing in and around Chicago and elsewhere in the world for a few decades, mostly on piano and analog synthesizer; mostly in improvisational contexts; in situations involving, amongst others, Fred Anderson, Ken Vandermark, Michael Zerang, Mars Williams, Brian Sandstrom, Steve Hunt, Edward WIlkerson Jr, David Boykin, Rob Mazurek, Guillermo Gregorio, Nicole Mitchell, Vincent Davis, the Thing XXL, Tortoise, Dave Rempis, Fred Lonberg-Holm, Paul Hartsaw, Janet Bean, Damon Short, and numerous others.

For a number of years, Mr Baker was the house pianist at the weekly jam sessions at Fred Anderson's Velvet Lounge; and for most of the past decade, has played weekly with the improvising quartet Extraordinary Popular Delusions (the other three Delusions: Messrs. Williams, Sandstrom, & Hunt) , who currently play nearly every monday night at Beat Kitchen in Chicago."

Brianna Tong is a Chicago-based vocalist and improviser. A former community organizer and librarian originally from Delware, she moved to Chicago to attend University of Chicago in 2011. She is a member of groups Cordoba, Je'raf, and Bussy Kween Power Trip.

"Bill Harris is a percussionist, composer, improviser, and audio engineer from Pittsburgh currently based in Chicago. He also operates and produces for Amalgam, a Chicago-based collective.

(B. 1987, Pittsburgh, PA)

Bill has been active in Chicago's music communities since 2011, working at the intersection of free improvisation, jazz, noise, rock, and country. His music has been presented at Constellation, Elastic Arts, The Bop Stop, The Hungry Brain, The Hideout, Experimental Sound Studios, Spot Tavern, Beat Kitchen, Empty Bottle, and Comfort Station.

Bill is humbled to have played or recorded with Jim Baker, Dave Rempis, Kent Kessler, Brian Sandstrom, Ed Wilkerson, Carol Genetti, Angel Bat Dawid, Jeb Bishop, Peter Maunu, Josh Berman, Brandon Lopez, Keefe Jackson, and Jason Roebke, among many other experimental and improvisatory musicians and artists.

Bill is constantly inspired by and thankful to work with his frequent collaborators: Ishmael Ali, Jake Wark, Timothee Quost, PT Bell, Gerrit Hatcher, Eli Namay, Matt Piet, Brianna Tong, Wills McKenna, David Fletcher, Jess McIntosh, Aaron Smith, Jeff Kimmel, Adam Shead, Molly Jones, Jakob Heinemann, and many others...

In 2015 he started Amalgam, a 100% artist-run collective and label dedicated to showcasing works of improvised and experimental music in Chicago. Bill is also an audio engineer working in both studio and live situations, and operates an independent studio in Chicago with engineering, mixing, mastering, and production credits on labels such as Amalgam, Astral Spirits, No Index, 577 Records and Ears&Eyes."