Known for his more abstract Memorize the Sky project, tenor saxophonist and clarinetist Matt Bauder's band Day in Pictures adheres to jazz traditions with the superb quintet of Nate Wooley (trumpet), Kris Davis (piano), Jason Ajemian (bass) and Tomas Fujiwara (drums).

The 2nd of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 LPs of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

A set of playful, upbeat duos from West Coast-born bassist Greg Cohen and NY guitarist Bill Frisell, celebrating Cohen's home state of California in 6 originals and 3 California covers.

West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.

Two amazing wind players - saxophonist, clarinetist and flautist Vinny Golia and saxophonist Urs Leimgruber - in a series of free improvising duos pushing their instruments into unusual and captivating territories.

Pianist Richard Grossman in a trio with double bassist Ken Filiano and percussionist Alex Cline, playing freely improvised jazz in a live setting.

Ensemble Recherche plays chamber music pieces by Polish composer Roman Haubenstock-Ramati that are dynamically explosive and allow for the free communicating of the musicians.

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

The free improvising trio of saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald performing at Zeitgeist Multi-Disciplinary Arts Center in New Orleans in 2002, plus the duo of Jordan and Fielder in the studio in 2005 and live, 2012 in Texas.

After many years collaborating together, New York saxophonist Ingrid Laubrock and drummer Tom Rainey present their debut as a duo in a series of improvisations, from subtle interaction to rousing interplay.

Although she has probably become known as one of Australia's best-known composers, Liza Lim's compositions undermine centuries-old Eurocentrism and are largely inspired by Asian culture.

Composer and saxophonist Jon Lloyd comes together for the first time as a quartet with Stan Adler (cello), Marcio Mattos (bass), and Paul Clarvis (percussion) in a series of loosely composed works with a lot of room for improvisation.

Sound artist Annabelle Playe blends electroacoustic, experimental and electronic noise music in her debut album.

Showcasing the working trio of saxophonist Dave Rempis, Joshua Abrams on bass, guimbri and small harp, and percussionist Avreeayl Ra, in a uniquely voiced trio balancing beauty and power.

The duo of Bryan Day (Eloine, Shelf Life) and instrument builder Jay Kreimer in what they describe as "confrontational gamelan theatre", a form of amplified metal/object-based improvisation.

Splatter's 3rd CD resulted from a meeting between the London-based quartet Splatter (Noel Taylor-clarinet; Anna Kaluza-sax; Tom Greenhalgh-drums; Pedro Velasco-electric guitar) and Polish bassist Rafal Mazur after their successful collaboration at Cafe Oto in 2010.

Composer Ernstalbrecht Stiebler presents three solo pieces, one for accordion (Teodoro Anzellotti) one for piano (Marianne Schroeder) and the third for organ (Huub Ten Hacken).

Prisme is the music for a sound installation by sound artist Franck Vigroux and a collaboration with Fabien Zocco in a live audiovisual performance.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Electric jazz from the trio of Swedish born Greek Jiannis Pavlidlis on guitar, Greek organist Giorgos Kontrafouris, and American jazz/fusion drummer Adam Nussbaum, funky melodic and superb improv from an international group looking forward and back.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Electronic artist Nathaniel Bartlett (marimba, computer) is joined by Geoffrey Brady (percussion) and Nils Bultmann (viola) for a physical and temporal sound experience.

The NY duo of Ben Miller (voice) and Franck Vigroux (electronics) in a studio recording influenced by industrial, punk, and electroacoustic music.

Franck Vigroux's performance at Museum de la Mine, Saint Etienne, France in 2012, performed without an audience, dramatic textural sound work in an impressive and twisted industrial setting.

Electronic sound artist Franck Vigroux uses electronics, guitar, percussion, and his voice in this dark release with vocalist Annabelle Playe.

The Ensemble fur Neue Musik Zurich plays seven pieces by Swiss composer Dieter Ammann, each made through a very slow creative process that contrasts the very lively and gestural music.

Composer Clarence Barlow, like Beethoven, builds his own labyrinths, brick by brick, and then searches for an escape by creating conceptual forms to get around the traps of time, tonality, and style.

Four composers - John Carisi, Eddie Sauter, Christian Wolff, and Stefan Wolpe - create a program of works with a measured balance in the interrelated and contrasting material.

Guillermo Gregorio produces a series of compositions that reinterprets the structural concepts of Constructivism, Concretism, and Madi, focusing on the physicality of sound.

Pianist Stephen Clarke plays seven works for solo piano by Estonian-born, Canadian-naturalized composer Udo Kasemets that focus on specific designs of micro-detail.

Indian-born, currently Amsterdam-based American Rajesh Mehta expands the timbral and textural palette of the trumpet in twelve pieces with accompaniment by Paul Lovens on drums and cymbals.

Musician and composer Max Nagl in his first release that breaks away from his standard miniaturist compositions and is played with a broad-band ensemble.

The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.

An interesting mixture of sound and spoken word originally recorded as a DJ set by RLW for a birthday celebration that was remixed with help from Stephen Meixner.

Pianist Steffen Schleiermacher plays six spiritual pieces by composer Dane Rudhyar that are not meant to be analyzed and thought about, but to be felt and experienced.

Pianist and composer Daniel N. Seel plays four pieces from four generations of different composers including Stefan Wolpe, Morton Feldman, Walter Zimmerman, and his own work.

Since 1997 drummer Tim Daisy and saxophonist Dave Rempis have worked together as part of the vital Chicago improvising scene, heard here in these superb duo sessions of great technical, musical, and inventive skills.

Wire's annual survey of the past 12 months, including their Top 50 Releases, Top 50 Archive Releases, and commentary from Simon Reynolds, Clive Bell, Agata Pyzik, &c. &c.

Max Nagl (composer, saxophones), Otto Lechner (accordion, piano, voice) and Bradley Jones (double bass) play ten pieces inspired by Charles Mingus but with a unique signature that is Nagl's own.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.