French electronic music pioneer Eliane Radigue performs her three-part composition Triptych, recorded in her Paris studio and inspired by Tibetan Buddhism and the elemental forces of water, air, fire, and earth, presenting a patient, immersive work of sustained electronic tones and subtle transformation, here issued as a double LP with the complete pieces preserved without editing or cuts.
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Eliane Radigue-composer, performer, electronics
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Double LP pressed at Optimal in Germany on audiophile-quality vinyl, with the complete three-part work spread across the first three sides and an etched fourth side.
UPC: 793447526010
Label: Important
Catalog ID: IMPREC 260LP
Squidco Product Code: 37875
Format: 2 LPs
Condition: New
Released: 2026
Country: USA
Packaging: Double LP in a Gatefold Sleeve
Recorded in the composer's studio in Paris, France.
Originally released in 2009 as a Compact Disc on the Important Records label with catalog code IMPREC260.
"The final collaboration between Eliane Radigue and Important Records is this double LP edition of Triptych. Audiophile quality pressing at Optimal in Germany. Radigue insisted that her music only be released on vinyl if the pieces would fit without being edited or cut. Triptych met those requirements leaving room for an etching on the fourth side.
Back to music after three years of silence. On the suggestion of Robert Ashley, Douglas Dunn commissioned Triptych from Eliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris.
After the 1974 premiere of Adnos in San Francisco, a group of French students introduced Eliane Radigue to Tibetan Buddhism. When she returned to Paris, she began to explore this spirituality in depth, which slowed her musical production up until 1978. Triptych marks her return to composition, and draws its inspiration from "the spirit of the fundamental elements, water, air, fire, earth." Eliane Radigue likes to add that this has often been useful to her in her moments of research and transitions.
This three-part composition, with its great humility and contemplative simplicity, heralded a new period of her work and was the first in a series of masterpieces inspired by Tibetan Buddhism: Adnos Trilogy (1980), Songs of Milarepa (1983) -- with the voices of Lama Kunga Rinpoche and Robert Ashley, Jetsun Mila (1986), as well as the Trilogy of Death: Kyema (1988), Kailasha (1991) and Koume (1993)."-Important Records
Double LP pressed at Optimal in Germany on audiophile-quality vinyl, with the complete three-part work spread across the first three sides and an etched fourth side.
Artist Biographies
• Show Bio for Eliane Radigue "Eliane Radigue was born in Paris, France. She studied electroacoustic music techniques at the Studio d'essai at the RTF, under the direction of Pierre Schaeffer and Pierre Henry (1957-58). She was married to the artist, Arman, and devoted ten years to the education of three children, deepening classical music studies and instrumental practice on the harp and piano at the same time. In 1967-68 she worked again with Pierre Henry, as his assistant at the Studio Apsome. Radigue worked for a year at the New York University School of the Arts in 1970-71. Her music, its source an Arp synthesizer and medium recording tape, attracted considerable attention for its sensitive, dappled purity. She was in residence at the electronic music studios of the University of Iowa and California Institute of the Arts in 1973. Becoming a Tibetan Buddhist in 1975, Radigue went into retreat, and stopped composing for a time. When she took up her career again in 1979, she continued to work with the Arp synthesizer which has become her signature. She composed Triptych for the Ballet Théâtre de Nancy (choreography by Douglas Dunn), Adnos II & Adnos III, and began the large-scale cycle of works based on the life of the Tibetan master, Milarepa. In 1984 Radigue received a "bourse à la creation" from the French Government to compose Songs of Milarepa, and a "commande de l'état" in 1986 for the continuation of the Milarepa cycle with Jetsun Mila. Notoriously slow and painstaking in her work, Radigue has produced in the last decade or so on average one major work every three years. Very recently, in response to the demands of musicians worldwide, she has begun creating works for specific performers and instruments together with electronics. The first of these was for bass player Kaspar Toeplitz, and more recently the American cellist Charles Curtis. Performances of her music have taken place at galleries and museums such as the Salon des Artistes Decorateurs (Paris), Foundation Maeght (St. Paul de Vence), Albany Museum of the Arts (New York), Galerie Rive Droite (Paris), Gallery Sonnabend (New York), Galerie Yvon Lambert (Paris), and Galerie Shandar (Paris); at festivals including the Festival de Como (Italy), the Festival d'Automne a Paris, Festival Estival (Paris), International Festival of Music (Bourges, France); and at the New York Cultural Center, Experimental Intermedia Foundation (New York), The Kitchen (New York), Columbia University (New York), Vanguard Theatre (Los Angeles), LACE (Los Angeles), Mills College (Oakland), University of Iowa, Bennington School of Music, the San Francisco Art Institute, and the NEMO Festival (Chicago 1996). She has appeared on many broadcast programs including France Culture, France Musique, distribution via satellite covering over 50 stations in the U.S. including special programs on KPFK (Los Angeles) and KPFA (San Francisco). Radigue currently lives in France, where she continues to compose electronic music and study the teachings of the Tibetan lamas. She returns to the United States periodically to present programs of her electronic works." ^ Hide Bio for Eliane Radigue
9/15/2026
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Track Listing:
SIDE A
1. Part 1 17:47
SIDE B
1. Part 2 24:23
SIDE C
1. Part 3 19:27
September 2026
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