Drawing from a period of intense experimentation in the mid-1980s, Jessica Williams transforms a prepared piano into a newly imagined and startlingly creative instrument, shaping music that moves from Satie-like lyricism to controlled cacophony through altered strings, tactile resonance, and deeply expressive melodic voicing-forward-thinking and intimate work unheard for nearly four decades.
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Jessica Williams-prepared piano
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UPC: 199284200425
Label: Pre-Echo Press
Catalog ID: PREECHO 025LP
Squidco Product Code: 37080
Format: LP
Condition: New
Released: 2025
Country: USA
Packaging: LP
Recorded at Quanta Studios and Moon Studios, in Sacramento, California, and at Noe Valley Ministry in San Francisco, California, on January 11th, and May 10th, 1986.
"Blue Abstraction compiles a selection of Jessica Williams' lost prepared piano recordings. These recordings document the beginning of a vital, solitary phase in her career: a period of intense sonic experimentation that began with physically altering a 6'4" grand piano -- creating a new instrument, and from there, creating a new music.
The results are breathtaking; from melancholic soundscapes with Satie-esque lyricism to forcefully controlled cacophony, always grounded by the distinct emotional voicing of her melodic lines.
Jessica Williams (1948-2022) was a pioneering trans jazz pianist and composer from Baltimore, where she studied at the Peabody Conservatory. Among countless other greats, she gigged with Philly Joe Jones, Dexter Gordon, Stan Getz, Tony Williams, Charlie Rouse, Jackie McLean, Roy Haynes, Charlie Haden, and Bobby Hutcherson, and recorded with Eddie Henderson, Eddie Harris, Leroy Vinnegar, Victor Lewis, and Ray Drummond. She received accolades from piano greats McCoy Tyner and Dave Brubeck.
Williams could play anything and knew the standards deeply -- expanding from there through her composing and arranging. In 1985, with a head full of Thelonious Monk's dissonant harmonies, Williams began her prepared piano project.
She altered the piano by placing vibrating and/or muting elements on top of and between the strings at varying distances across the harp -- some sounding like bells or gongs (screws, bolts), others like percussion instruments (clothespins, hairpins, washers, erasers). The effect radically expanded the instrument's possibilities, sometimes making it sound metallic or ghostly, other times muted, tactile, almost broken.
The resulting beauty and listenability of these works are a testament to Williams' vision and mastery. The recordings on Blue Abstraction came out of three years of experimentation. She recorded at her own Quanta Studios and at Moon Studios (both in Sacramento), and two live performances at Noe Valley Ministry in San Francisco, on January 11 and May 10, 1986, as part of the Noe Valley Music Series.
For Williams, these recordings were a personal transformation through the musical process. Though known for her recordings and live performances -- especially of Monk tunes -- Williams made some of her most forward-thinking music privately. The music on this record disappeared for almost four decades."-Pre-Echo Press
Artist Biographies
• Show Bio for Jessica Williams Jessica Jennifer Williams (March 17, 1948 - March 10, 2022) was an American jazz pianist and composer. Williams was born in Baltimore, Maryland, on March 17, 1948. She started playing the piano at age four, began music lessons with a private teacher at five, and at age seven was enrolled into the Peabody Preparatory. She studied classical music and ear training with Richard Aitken and George Bellows at the Peabody Conservatory of Music. At age twelve, Williams was listening to Dave Brubeck, Miles Davis, and Charles Mingus. She began performing jazz in her teens, playing with Richie Cole, Buck Hill, and Mickey Fields. In a radio interview with Marian McPartland on NPR's Piano Jazz from 1992, she stated that her main influences were not pianists, but reed and brass players such as John Coltrane and Miles Davis. According to her own words, "I was just a problem when it came to authority" and this carried over to her professional life as she developed her own style of playing, as heard on her version of "Getting Sentimental Over You", where she would strum the strings inside the piano itself, a clear way for her to break convention. In June 1976, Williams began performing regularly with the "Philly Joe" Jones band in New Jersey, and with Lex Humphries in Philadelphia and New York City, before moving to the West Coast in October 1976. In 1977, Williams moved to San Francisco, where she played in house bands at the Keystone Korner. She worked with Eddie Harris, Tony Williams, Stan Getz, Bobby Hutcherson, and Charlie Haden, eventually leading her own jazz trio, and recording regularly for several decades. In 1997, Williams established her own record label, Red and Blue Recordings. She also started her publishing company, JJW Music/ASCAP, and an internet mail order business. Williams appeared at the 2004 and 2006 "Mary Lou Williams Women in Jazz Festival" at the John F. Kennedy Center for the Performing Arts in Washington, D.C. She also appeared in festivals and venues worldwide, including The Purcell Room in London, The Bern Jazz Festival, The Monterey Jazz Festival, The New Morning in Paris, Spivey Hall in Georgia, and hundreds of other venues. She was a guest on NPR's Fresh Air with Terry Gross, and Marian McPartland's Piano Jazz on NPR, as well as an appearance at the Brecon Jazz Festival in Wales, which was filmed by the BBC, she was however "disappointed when only a fifteen minute segment was shown and her attempts to get the material for her own use were unsuccessful". ^ Hide Bio for Jessica Williams
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Blue Abstraction 04:06
2. Portrait of Picasso II 09:52
3. Portrait of Matisse 02:52
4. The Spider 04:08
SIDE B
1. Odun-de 02:38
2. The Banshee 05:52
3. Half Circle Song 08:08
4. Snow 02:44
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