The Squid's Ear Magazine

Williams, Jamison

The Lesser Key of Solomon-Bael

Williams, Jamison: The Lesser Key of Solomon-Bael (Relative Pitch)

Appropriately recorded at Le Sauvage Cathedral in France, the region name dating to the legend of a wild woman who only ate raw meat, had a double row of teeth, lived under a rocky promontory and was buried by a landslide, as baritone saxophonist Jamison Williams darkly burns in an extended improvisation of outside technique while referencing the Lemegeton, a 17th century book of magic.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: 1

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Jamison Williams-baritone saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 5904224873219

Label: Relative Pitch
Catalog ID: RPRSS033
Squidco Product Code: 35261

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded at Le Sauvage Cathedral, in Differdange, Luxembourg, on May 30th, 2023, by

Descriptions, Reviews, &c.

"Solo baritone saxophone recorded at Le Sauvage cathedral, France; the place name goes back to a legend of a wild woman, who is supposed to have only eaten raw meat, had a double row of teeth, and lived under a rocky promontory, where she was buried by a landslide. In early chronicles, it is referred to as Val de la sauvage femme (French for "Valley of the wild woman")."-Relative Pitch "Solo baritone saxophone recorded at Le Sauvage Cathedral, France; the place name goes back to a legend of a wild woman, who is supposed to have only eaten raw meat, had a double row of teeth, and lived under a rocky promontory, where she was buried by a landslide. In early chronicles, it is referred to as Val de la sauvage femme (French for "Valley of the wild woman")."-Relative Pitch



The "Lesser Key of Solomon," also known as the Lemegeton, is a famous grimoire (book of magic) dating back to the 17th century. It is attributed to King Solomon and consists of various sections, the most well-known being the Ars Goetia, which focuses on summoning and controlling demons. The Book of Evil Spirits refers to the Ars Goetia, where 72 demons are described with instructions for invoking them.

In a musical context, references to the "Lesser Key of Solomon" and "Goetia" often suggest themes of mysticism, occult practices, and darker, esoteric subject matter. Albums using these titles might explore complex, dark, and atmospheric soundscapes, possibly invoking a sense of ritual or the supernatural.


Artist Biographies

"Jamison Williams, baritone saxophone [b. 1976] Relentlessly creative, and challenging the boundaries of saxophonic extended techniques, Jamison Williams' role in defining the pursuit of expressive freedom through the use of the instrument cannot be understated; from founding the Experimental Arts Union of Florida, +SoLo Sound Gallery's I/II, and Vantage Bulletin publishing, to designing the educational curriculum taught at [neu]Sonics Music Initiative, and as the current residing president of the Society of Independent Composers [sic], his energy is contagious and an inspiration."

-League of David (http://leagueofdavid.com/biography.html)
12/3/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1 Bael 50:15

Related Categories of Interest:


Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
Recent Releases and Best Sellers
New in Improvised Music

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Other Recommended Releases:
Bennett, Ben / Michael Foster / Jacob Wick
Carne Vale
(Relative Pitch)
With alliterative titles beginning with "To blowe wyth the nose and to snorce", percussionist Ben Bennett, saxophonist Michael Foster, and trumpeter Jacob Wick create an uncompromising tapestry of extended techniques and visceral interplay, through raw and dynamic exploration of texture, space, and sound that blurs boundaries between energy, silence, and collective improv.
Lauro, Audrey
Prose Metallique
(Relative Pitch)
Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.
Baczkowski, Steve
Cheap Fabric
(Relative Pitch)
Recording on a vintage reel-to-reel tape deck in his own warehouse living room during a lunar eclipse, saxophonist Steve Baczkowski (Brandon Lopez Trio, Buffalo Suicide Prevention Unit, Ensemble MIA) captures thirteen explorations on tenor and baritone saxophones, plus a homemade wind instrument, for an intimately challenging album of outrageous technique and overtones.
Strycharski, Dominik
Ecstasy
(Listen! Foundation (Fundacja Sluchaj!))
Rave, Ada
In Search Of A Real World
(Relative Pitch)
A collection of sonic poems & images that are inspired by her search for a 'real world' — more tangible and less virtual — presented by Argentinian saxophonist based in Amsterdam, Ada Rave, performing on tenor, soprano & sopranino saxophones with differing preparations for each improvisation, while also being influenced by the native music of the Mapuche people and Argentinian folk music.
Salvo, Sofia
ROTAROTA
(Relative Pitch)
Berlin-based, Buenos Aires-born saxophonist Sofia Savlo takes listeners on a tour of eight improvisations performed on the low pitched baritone saxophone, using great control & tone augmented by multiphonics and extended techniques, "rotating" through unusual approaches while engaging listeners through expressive narratives, including emulating a drunken revery.
Gibson, Yedo
Conic Tube
(Relative Pitch)
Born in São Paulo, Brazil and working in Amsterdam and Lisbon, and also part of the London Improvisers Orchestra, Yedo Gibson unleashes an album of solo improvisation on the soprano and tenor saxophones, his "conic tubes" which he uses to express the potential to change environment and energy through technically impressive, expressive playing.
Wright, Jack
What Is What
(Relative Pitch)
Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds".
Valencia, Maria
Compendio de Alofonias Abisales
(Relative Pitch)
Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
Jessen, Kyle
Primitive
(Relative Pitch)
An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.
Parker, Evan
NYC 1978
(Relative Pitch)
In 1978 after recording his acclaimed solo album Monoceros, saxophonist Evan Parker embarked on a solo tour of the US and Canada, in New York City performing at the legendary loft space Environ, his first-ever solo performance in NYC and a masterpiece of extended techniques, circular breathing and spectacular control on the soprano and tenor saxophones.
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Abdou, Sakina
Goodbye Ground
(Relative Pitch)
An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances.
Grimal, Alexandra
Refuge
(Relative Pitch)
Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance.
Burnett, Aaron
Correspondence
(Relative Pitch)
Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.



Customers Who Bought This Item Also Bought:
Sharp, Elliott
Mandocello
(zOaR Records)
A tour-de-force exposition of the mandocello, acoustic and electronic, an instrument evolving out of the 18th century mandalone into a louder instrument intended to take the bass role in mandolin ensembles, which Sharp demonstrates through strings that ring with powerful resonance as he performs original compositions with references to Derek Bailey, Kinshi Tsuruta, and Harry Partch.
Nebbia, Camila / Angelica Sanchez
In Another Land, Another Dream
(Relative Pitch)
An intimate duo at Brooklyn's IBeam performance venue in November 2023 between visiting Argentine-born, Berlin-based tenor saxophonist Camila Nebbia and New York pianist Angelica Sanchez, performing six freely improvised and sophisticated dialogs that highlight the implicit lyricism of each player and the finesse of their virtuosic skills in subtle expression.
Berne, Tim / Michael Formanek
Parlour Games
(Relative Pitch)
With an extensive discography of collaboration together in a wealth of groupings, New York bassist Formanek and alto saxophonist Tim Berne are heard in this 1991 live duo performance at The Parlour in Providence, Rhode Island, a powerfully confident concert of informed dialogs captured seven years before their only other duo album from 1998, Ornery People.
Rose, Jon / Mark Dresser
Band Width
(Relative Pitch)
Two phenomenal string players improvising remotely across two continents using SonoBus real-time streaming software: former Downtown NY pioneering double bassist Mark Dresser, now located in San Diego, and Australian violinist Jon Rose positioned between the Australian deserts at Alice Springs, presenting eight recordings from their animated and inspired intertwining.
Butcher, John / Florian Stoffner / Chris Corsano
The Glass Changes Shape
(Relative Pitch)
A remarkable concert in 2023 at The Loft in Cologne, Germany, a superb example of collective free improvisation using extraordinary and masterful technique between UK saxophonist John Butcher, Swiss guitarist Florian Stoffner and NY drummer Chris Corsano, also performing on half clarinet; nine conversations of sophisticated and astute communication.
Reid / Kitamura / Bynum / Morris
Geometry of Phenomena
(Relative Pitch)
The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.
Pavone, Jessica
What Happens Has Become Now
(Relative Pitch)
Her 5th solo viola album finds NY improviser & composer Jessica Pavone extending her exploration of music based on the pitches of the open strings, accentuating the natural sympathetic resonances of the instrument and expanded through the use of electronic effects to create a virtual duo, on one track performing on a Ken Butler hand-crafted hybrid instrument, the Sword Viola.
Hubbub (Blondy / Denzler / Guionnet / Mariage / Perraud)
abb abb abb
(Relative Pitch)
With prior albums on For4Ears and Matchless, the French electroacoustic (with an emphasis on "acoustic") free improvising quartet Hubbub of Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion) present two extended, perfectly paced improvisations of stunning interplay and incredible technique.
SORBD (Steyer / Dyberg / Okuda / Robler / Borges)
Wild Peacock In Transit
(Relative Pitch)
Each of the 5 members of this band bring a composition to this 2022 live recording at Kuhlspot Social Club in Berlin, along with four collective improvisations, in the impressive debut of the acronym-named band SORBD, signifying Edith Steyer on Bb clarinet, Mia Dyberg on alto saxophone, Rieko Okuda on piano, Isabel Rossler on bass, and Sofia Borges on drums & percussion.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC