Baltimore brass player and composer Dave Ballou, know for Either/Orchestra, Meridian Art Ensemble, John Hollenbeck's Large Ensemble, Satoko Fujii ensembles, &c, in an intimate, diverse, and informed solo album performed on Bb trumpet, flugelhorn, piccolo trumpet, and mutes.

Jazz drummer and composer Scott Clark leads his Richmond, VA 4Tet of Cameron Ralston (bass), Jason Scott (sax) and Bob Miller (trumpet) on a lyrical and passionate suite exploring Clark's Native American roots, referencing Dee Brown's "Bury My Heart at Wounded Knee".

Young Belgian pianist & composer Bram De Looze in a new Septych (septet) orchestrated with two cellos, three horns, piano and drums from a tremendous set of players: Daniel Levin, Gebhard Ullmann, Robin Verheyen, Lester St-Louis, Bo Van Der Werf and Flin Van Hemmen.

Two string masters--Mat Maneri on viola and Daniel Levin on cello--recording at The Village in Copenhagen, Denmark in an album titled for psychologist and philosopher Carl Jung, reflecting the balance between intuitive spontaneity and pre-established conditions.

Guitarist Luis Jose Martins and pianist Joana Sa, known from their Shhpuma release "Almost a Song" and a release on Creative Sources, join again with harpist Eduardo Raon, with two Shhpuma releases, for a delicately complex, effervescent, and sometimes turbulent release.

Nate Wooley assembled his outstanding quintet of Josh Sinton on bass clarinet, Matt Moran on vibs, Eivind Opsvik on bass and Harris Eisenstadt on drums to present a non-ironic take on the early music of a trumpeter who inspired Wooley at an early age - Wynton Marsalis.

For her second solo album, Charlotte Hug concentrates on solo viola without any electronics in a series of pieces inspired by a then-recent visit to London, showing her strong musical personality and original extended techniques in a solo recital unlike any other.

Taking their name from composer Guillaume de Machaut, Quentin Biardeau directs his saxophone quartet as they reinterpret his 1365 polyphonic mass "Messe de Nostre Dame", using the resonance of the the Abbey of Noirlac, France to enhance these beautifully paced compositions.

A long-term studio project/mutant big band merging collage, scored pieces, structured improvisations, cut-up jams, hi- and lo-fi textures, electroacoustic work, and location recording into large and wonderfully unpredictable compositions with few boundaries.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.

Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Guitarist Luis Lopes (Humanization 4tet, Lisbon-Berlin Trio) is known for his mix of jazz, blues, rock; saxophonist Guionnet (The Fish, Hubub) for a mix of free jazz and electroacoustic experimentation; together live they create a riveting and unexpected hybrid of sound.

Features: The Expanding Universe of Yamantaka // Sonic Titan; Yamantaka // Sonic Titan; The Retro Aesthetic of Le Revelateur; JOYFULTALK (Drip Audio); Muuixx; Hard Rubber Orchestra; Festival International de Musique Actuelle de Victoriaville; Allison Cameron and Contact; plus live and recorded reviews.

Sardinian pianist Claudio Sanna, versed equally in the classical, jazz, and electroacoustic traditions, in his debut recording of 8 original compositions blending composition and improvisation, revealing an enthusiastic and curious approach to music.

"This Norwegian duo takes the listener into a world of sound that moves between the continuous and the meditative and the fleeting and frag- mented. Their scraping, thundering, trembling and tinkling sounds sur- round the listener. The...

German pianist Uwe Oberg (Lacy Pool, Uwe Oberg Quartet, Kooperative New Jazz) in a solo album performing works of Charles Mingus, Ornette Coleman, John Coltrane, Thelonius Monk and his own original work, applying a diverse set of approaches rooted in jazz tradition.

Sardinian pianist Claudio Sanna, versed equally in the classical, jazz, and electroacoustic traditions, in his debut recording of 8 original compositions blending composition and improvisation, revealing an enthusiastic and curious approach to music.