Inspired by jazz standards, bassist and composer Pierre Cartier combines the voice of Quebec's poets with new jazz to tackle the theme of love.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A double CD set of fourteen songs based on the poetry of Yves Bonnefoy, composed by bassist Pierre Cartier and executed by two females voices, one man's, three brass instruments, two saxophones, one double-bass and two trap sets.

Guitarist Antoine Berthiaume leads the trio of Michel Donato (bass) and Pierre Tanguay (drums) in this lively album of eleven original compositions.

Saxophonist Dijkstra in compositions commissioned from the North Sea Jazz Festival 2009, 9 works written for Henry Threadgill, George Lewis, Fred Frith, &c.

Recording in France in 1970, the Art Ensemble of Chicago (Malachi Favors on bass, Joseph Jarman on saxophone, Roscoe Mitchell on saxophone, Lester Bowie on trumpet) recorded the soundtrack to director Moshé Mizrahi's movie Les stances à Sophie, joined by vocalist Fontella Bass, releasing a classic and exciting album that stands as a great testament to the versatility of its players.

The first recording of an ongoing collaboration between violinist Maya Bennardo, bass clarinetist Erik Blennow Calälv, and kacapi (similar to a Japanese koto) musician Kristofer Svensson, presenting two restrained and lovely compositions bringing together contemporary classical, free improvisation and Sundanese music in a unique chamber format.

Guitarist Henk Zwerver, bassist Raoul van der Weide and percussionist George Hadow, frequent collaborators in the Amsterdam free improv scene, join with Berlin saxophonist & clarinetist Edith Steyer to make up the Bertch Quartet, their debut album a great and embraceable example of subtle, collective free improvisations that merge traditional and non-idiomatic forms.

A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden.

A mix of songs and instrumentals, with 11 country classic covers, recorded in the studio and on tour from 2017-2018 in Germany, Italy, Switzerland, Slovenia, and Bulgaria, and the UK including one track from Cafe Oto, in the company of Titus Waldenfels (guitar), Thilo Kuhn (keys), Schroeder (drums), Gary Cherwonka (pedal steel) and Steven De Bruyn (harmonica).

Chris Pitsiokos' Unit with electric guitarist Brandon Seabrook, electric bassist Tim Dahl, and drummer Weasel Walter turn in a fiery and demanding album of compelling free jazz, using traditional jazz structures but turning them on their head in joyfully unconventional ways.

Exploring the Venus Flytrap (dionée attrape-mouche) through a trio of electroacoustic improv, with the acoustic elements from Clarisse Beriault on oboe and acoustic bass and Robin Servant on accordion, bassist Éric Normand providing the electric foundation to their sly and savage improvisations, all three using electronics & effects to emulate the thigmonastic carnivore.

Guitarist, composer and arranger Matt White with his unique big band including Steven Bernstein, J.C. Kuhl, John Lilley, BobMiller, Reggie Pace, Bryan Hooten, &c.

Named for the miraculous recovery of drummer and AACM founder Alvin Fielder, who travelled to Dallas in 2010 to record with trumpeter Gonzalez and his sons bassist Aaron and vibraphonist Stefan, with Gaika James on trombone.