A live recording at O'Culto da Ajuda, Lisbon, during the 2017 CreativeFest #11 from the quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Gianna de Toni on double bass, and Vasco Trilla on percussion, a sinuous, curving extended improvisation of subtle shades, with certain rotations more forceful, but always gravitating to quietude.
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Sample The Album:
Ernesto Rodrigues-viola
Guilherme Rodrigues-cello
Gianna de Toni-double bass
Vasco Trilla-percussion
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UPC: 5609063404999
Label: Creative Sources
Catalog ID: cs499
Squidco Product Code: 25614
Format: CD
Condition: New
Released: 2018
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at O'Culto da Ajuda, Lisbon, during the CreativeFest#11, on 25th November 25th, 2017, by Miguel Azguime.
"[...] From later in the year, and so following the Lisbon String Trio series & others, is Synchronous Rotation, recorded at CreativeFest in Lisbon in November 2017, by a quartet of Ernesto & Guilherme Rodrigues, Gianna de Toni (double bass) & (again) Vasco Trilla. I was not familiar with de Toni, but she appears on a prior album on Creative Sources, Trees (recorded in May 2013) by a quintet including both Rodrigueses. So Synchronous Rotation forms an alternate "Lisbon String Trio" around Ernesto, bolstered once again by Trilla's imaginative percussion. It also continues the recent history of geometric cover art on Creative Sources, particularly around the String Theory series (as does, more as a hybrid, the very sparse Spiric Sections, recorded the following day, also at CreativeFest 11), and the music suggests a corresponding technical quality: Synchronous Rotation consists of one modest length (under thirty minute) track, and opens strongly, with rich counterpoint around what I might describe as post-serial thematics.
It's much more forceful in its first half, evoking various string associations, but seems to become more subdued following a long, quiet interlude. (One might say that after some equivocation, minimalism decisively asserts itself, although its reign does not remain untroubled. There's even something of a spiritual, Scelsian vibe to the drone & rattle combination that arises toward the end, as distinct from the presumptively geometric evocations.) Trilla does seem more animated at times, so perhaps this is the start of him putting more of his personal vigor into these projects with Rodrigues. And perhaps the more "ethereal" results are generated as a consequence of the "rotation" (to which the title refers) - I'm not sure - but the album does fade to a close. I can't claim that either album truly distinguishes itself in the midst of Rodrigues's massive outpouring of recordings featuring himself with various other string players, but both Zweige & Synchronous Rotation present independent points of interest, documenting the ongoing development of Rodrigues's "string theory" more generally. (And the latter also includes a nice two-panel, full color photograph of the quartet in concert.) There is clearly more to explore here: I'd be keen on hearing some of the early, high energy passages of Synchronous Rotation elaborated in different directions, say. Given the pace of these releases, perhaps that's already in the works."-Todd McComb's Jazz Thoughts
Get additional information at Todd McComb's Jazz Thoughts
Artist Biographies
• Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Guilherme Rodrigues "Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings. Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene. Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ... Has performed and toured in all Europe. Released more than 30 albums of his own projects." ^ Hide Bio for Guilherme Rodrigues • Show Bio for Gianna de Toni Italian double bassist Gianna de Toni is a member of the Portuguese-based groups IKB and String Theory. ^ Hide Bio for Gianna de Toni • Show Bio for Vasco Trilla "Born in Barcelona, Vasco Trilla started playing drums at the age of nineteen. His first influences were progressive rock and metal, but gradually he developed an interest in a variety of different genres such as jazz, Indian music, African music, klezmer, free improvisation, etc. Since then he has collaborated, toured and recorded with many different bands and projects such as Boi Akih (an ethno-jazz band from the Netherlands), Planeta Imaginario (progressive jazz-rock) October Equus (avant-rock), The Oddvisers (pop-avant), Fine! (indie pop-rock), Mundo Flotante (ethno-jazz-rock), Kaulakau/Cobla Sant Jordi (an ethno-jazz Catalan orchestra), Filthy Habits Ensemble (a jazz octet playing Zappa's and Stravinsky's repertoire), Cows On Trees (a jazz-improv quartet with Susana Santos Silva and Kaja Draksler), Balimonster (an impro-ethno duo with Angel Ontalva), Yedo Gibson-Vasco Trilla duo (an improv sax & drums duo), Outerzone (jazz-core), Reptilian Mambo (mambo free rock), Liba's Traum, etc. In the last years he has been playing and experimenting on the free-improv scene, applying extended techniques to the kit and treating it as a textural-melodic instrument. Blowing, bowing, scratching, playing with hands and all kinds of objects, all is valid to expand the vocabulary of this innovative percussionist. He played with improvisers, such as: Lotte Anker, Marshall Allen, Yedo Gibson, Susana Santos Silva, Kaja Draksler, Jasper Stadhouders, Mikloaj Trzaska, Martin Kuchen, Richard Barrett, Jorma Tapio, Christher Bothen, Marc Stucki, Luc Ex. etc... He has released around 30 CDs in labels such as Cuneiform Records (USA), Altrock Records (Italy), Leo Records (UK) Discordian Records (Barcelona, Spain), Audition Records (Mexico), El Negocito Records (Belgium), Jacc Records (Portugal), Fmr Records (UK)." ^ Hide Bio for Vasco Trilla
4/28/2025
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4/28/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/28/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Synchronous Rotation 27:33
Creative Sources
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Quartet Recordings
Stringed Instruments
Search for other titles on the label:
Creative Sources.
 | Rodrigues, Ernesto / Jung-Jae Kim / Alvaro Rosso Meari: Instant Waves (Creative Sources) |
| A live trio improvisation from violist Ernesto Rodrigues, tenor saxophonist Jung-Jae Kim, and bassist Alvaro Rosso, recorded at Lisbon's CreativeFest#18 at Casa do Comum, in Lisbon, unfolding as a 28-minute journey from hushed, lowercase textures to dynamic, scrabbly interplay, emphasizing timbral nuance and collective exploration in an intimate acoustic setting. | |
 | Petzold, Dietrich / Ernesto Rodrigues / Guilherme Rodrigues / Matthias Bauer dis/con/sent (Creative Sources) |
| An album for bowed strings, bowed metal, and double bass, from the quartet of Dietrich Petzold on violin, viola, bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Matthias Bauer on double bass, presenting a seven part suite recorded in the studio in Berlin, active and exciting music that bridges classical technique with free improvisation. | |
 | Rodrigues, Ernesto / Bruno Parrinha / Nuno Torres / Paulo Galao 3 Phases (II) Grey (Creative Sources) |
| "3 Phases", or different aspects of the approach that violist Ernesto Rodrigues applies to improvisation, in three different groupings over three different days, all live at O'Culto da Ajuda, in Lisbon, Portugal in 2018, here in an acoustic sax trio with strings, with Bruno Parrinha on soprano, Nuno Torres on alto, Paulo Galao on tenor sax. | |
 | Rodrigues, Ernesto / Guilherme Rodrigues / Adam Pultz Melbye / kriton b. The Distant Sound Within (Creative Sources) |
| Three strings--cello from Guilherme Rodrigues, double bass from Adam Pultz Melbye, and viola from Ernesto Rodrigues--plus harmonium and objects from Kriton Beyer, in a live performance at Kuhlspot Social Club in Berlin, each of the 9 movements a concentrative work named with a three-letter onomatopoeia, as the players draw sound from a mysterious dark distance. | |
 | Rodrigues, Ernesto / Guilherme Rodrigues / Miguel Mira / Carlos Santos Penedo (Creative Sources) |
| Recorded on New Years Eve in Sintra in the Penedo region of Portugal, three strings--viola from Ernesto Rodrigues, cello from Guilherme Rodrigues, and a second cello from Miguel Mira--are joined by Carlos Santos on electronics for three extended and richly detailed improvisations, active yet concentratively controlled, using impressive and extended techniques. | |
 | Rodrigues, Ernesto / Guilherme Rodrigues/ Eduardo Chagas/ Andre Hencleeday/ Carlos Santos Spiric Sections (Creative Sources) |
| The affect of Carlos Santos' electronics and recordings are the foundation of this Portuguese quintet's improvisations, creating an environment over which Ernesto & Guilherme Rodrigues on viola & cello, Eduardo Chagas on trombone, and Andre Hencleeday add subtle gestures of unusual approaches to their instruments, in a mysterious album of lowercase improv. | |
 | Van Schouwburg, Jean-Michel / Nuno Torres / Ernesto Rodrigues / Joao Madeira / Carlos Santos La Rambarde Des Songes, Les Congruences Des Soupirs (Creative Sources) |
 | Isotope Ensemble Caesium (Creative Sources) |
| Recorded live at CreativeFest #18 in Lisbon, the Isotope Ensemble channels the volatile and fluid nature of caesium through spontaneous improvisation, blending strings, brass, woodwinds, piano, electric guitars, modular synthesizer, electronics, and objects into a dynamic sonic reaction that reflects the element's unique liquid properties that make the isotope pivotal role in atomic timekeeping. | |
| Rodrigues, Ernesto / Jung-Jae Kim / Alvaro Rosso Meari: Instant Waves (Creative Sources) |
| A live trio improvisation from violist Ernesto Rodrigues, tenor saxophonist Jung-Jae Kim, and bassist Alvaro Rosso, recorded at Lisbon's CreativeFest#18 at Casa do Comum, in Lisbon, unfolding as a 28-minute journey from hushed, lowercase textures to dynamic, scrabbly interplay, emphasizing timbral nuance and collective exploration in an intimate acoustic setting. | |
 | Parrinha, Bruno / Andrew Levine / Ernesto Rodrigues Sensor Out Of Service (Creative Sources) |
| In a live performance emphasizing minimalism and lowercase improvisation, Ernesto Rodrigues (viola, crackle box), Bruno Parrinha (bass clarinet), and Andrew Levine (Theremin, modular synth, crackle box, stereo field) engage in a nuanced exploration of subtle textures and sonic interactions, resulting in an immersive and introspective auditory experience. | |
 | Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues Whispers In The Moonlight - In Seven Movements [2CDs] (Creative Sources) |
| Capturing a richly nuanced sonic journey across seven improvised movements from concerts in Berlin, Köln, and Munich, this 2-CD set from the Portuguese trio of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), and Nuno Torres (alto sax) presents a masterful exploration of intricate textures, hushed atmospherics, and lyrical interplay, woven into a vivid tapestry of contemporary European free improvisation. | |
 | Zingaro, Carlos / Carlos Bechegas / Ernesto Rodrigues Spleen (Creative Sources) |
| A fascinating live performance from Lisbon's Reverso Festival in 2024, where luminaries Carlos Zíngaro (violin), Ernesto Rodrigues (viola, crackle box), and Carlos Bechegas (flute, piccolo) intertwine their distinct approaches into an intricate tapestry that blends classical sensibilities with free improv exploration in a compelling journey through texture and timbre. | |
 | Rodrigues, Ernesto / Carlos Santos / Miguel Mira The Knowledge That Our Time Is Limited Can Inspire Us (Creative Sources) |
| Recorded live during the 2024 Creative Sources Cycle, violist Ernesto Rodrigues, cellist Miguel Mira, and analog synthesist Carlos Santos deliver a nuanced and exploratory collective improvisation, drawing on Rodrigues's delicate textural approach, Mira's lyrical sensitivity, and Santos's ethereal synth interactions, evoking an urgent reflection on the fleeting nature of time. | |
 | Rodrigues, Ernesto / Helena Espvall / Tracy Lisk Illuminations (Creative Sources) |
| A fluid and energetic improvisation recorded live at COSMOS in Lisbon, as Ernesto Rodrigues (viola, crackle box), Helena Espvall (cello), and Tracy Lisk (drums) engage in a texturally rich performance of scattered, bouncing string interplay, with percussion subtly framing the dialogue, resulting in a dynamic and layered exploration of sound. | |
 | Williams, Mars / Vasco Trilla Awakening Nature From Her Dream (Live In Barcelona) (Not Two) |
| A powerful 2019 live performance from Barcelona between legendary multi-reedist Mars Williams and boundary-pushing percussionist Vasco Trilla, unfolding from introspective explorations into bursts of intricate and energetic free jazz, as Williams' array of saxophones and toys meets Trilla's rich palette of percussion in an electrifying exchange. | |
 | Centazzo, Andrea Ictus@45 - Out Off Nights [4 CD BOX SET] (Listen! Foundation (Fundacja Sluchaj!)) |
| Celebrating 50 years of Andrea Centazzo's career and 45 years of ICTUS Records, this 4-CD set documents concerts over four nights at Milan's Teatro Out Off, vibrant sets of improvisation uniting global luminaries like Elliott Sharp, Ellen Burr, and Steve Swell in a boundary-pushing exploration of ICTUS's legacy and Centazzo's innovative artistry. | |
 | Rotor (Rodrigues / Torres / Santos) Impulses And Signals (Creative Sources) |
| Seven studio improvisations from frequent collaborators Ernesto Rodrigues on viola & crackle box, Nuno Torres on alto saxophone and Carlos Santos on digital electronics, quiet conversations of subtle and extended technique that adhere to the session title, emulating electronic impulses and signals through understated and impeccably controlled acoustic and electronic expression. | |
 | Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite Free to Open (Creative Sources) |
| On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection. | |
 | Symbolist (Flinn / Rodrigues / Carroll) The Age Of Bronze (Creative Sources) |
| Improvising collaborators, percussionist Stephen Flinn and cellist Guilherme Rodrigues join with Irish improviser and composer Roy Carroll, a member of Splitter Orchestra and who works with the amplification and signal processing of diverse objects, here the trio performing an extended improvisation of exotic and transformative sonic interaction through unusual, encompassing soundscapes of exotic and transformative sonic interaction. | |
 | Rodrigues / Gratkowski / Rodrigues / Griener Unstable Molecules (Creative Sources) |
| Bridging jazz and contemporary forms, this 2024 live recording of four improvisations at Berlin's Kuhlspot Social Club channels collective power with chamber jazz influences, showcasing the refined techniques and deep experience of Ernesto Rodrigues on viola, Frank Gratkowski on clarinets and alto saxophone, Guilherme Rodrigues on cello, and Michael Griener on percussion. | |
 | Hunter Underwater (Rodrigues / Rodrigues / Kohn / Lin) Archipelago (Creative Sources) |
| In their second release, the Hunter Underwater quartet of four cellists — Guilherme Rodrigues (Portugal), Gábor Hartyáni (Budapest), Guido Kohn (Buenos Aires), and Hui-Chun Lin (Taiwan) — record at Berlin's Zentrifuge, creating sound sculptures and landscapes with layered harmonics and dynamic interplay through composition and improvisation. | |
 | Rodrigues / Sa / Rocha / Rodrigues / Silva / Varela / Goncalves / Flak / Trindade Mimesis (Creative Sources) |
| Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon. | |
 | Rodrigues / Torres / Hencleeday / Santos Synopsis (Creative Sources) |
| Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint. | |
 | Lisbon String Trio & Carlos Santos Cobra (Creative Sources) |
| The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety. | |
 | Villavecchia, Liba Trio (Reviriego / Trilla) + Luis Vicente Muracik (Clean Feed) |
| Trumpeter Luís Vicente joins the Spanish saxophonist Liba Villavechia's Trio with double bassist Alex Reveriego and drummer Vasco Trilla for a studio album of four Villavecchia compositions, and one each from Reviriego and Vicente, propelling the band into hard swinging free improv balanced with introspective abstraction and sonic extensions; masterful. | |
 | Sjostrom, Harri / Floros Floridis / Guilherme Rodrigues / Lawrence Casserley Fields (Creative Sources) |
| Two reeds, a cello and a signal processing instrument in this live electroacoustic improvisation session captured at Petersburg Art Space, in Berlin, Germany between cellist Guilherme Rodrigues, saxophonist Harri Sjostrom on soprano & sopranino using selected mutes, clarinetist Floris Floridis and electronic improvising legend Lawrence Casserley. | |
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