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Hauser, Fritz: Pieces For Percussion (Hat [now] ART)

Ensemble XII performs pieces by percussionist Fritz Hauser that were composed with an attention to detail that is heard in the timbre, texture, density and dynamics of his arrangements.
 

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product information:


UPC: 752156019121

Label: Hat [now] ART
Catalog ID: Hat[now]ART191
Squidco Product Code: 18103

Format: CD
Condition: New
Released: 2013
Country: Switzerland
Packaging: Cardstock foldover
Recorded at Warren Studios, UCSD, La Jolla, CA between August 10th and 17th, 2009.


Personnel:

Matthieu Chardon

Tom de Cock

Loic Defaux

Robert Dillon

Ross Karre

Domenico Melchiorre

Kevin Sims

David Skidmore

Jared Soldiviero

Nicholas Tolle

Eugene Ughetti

Steven Schick

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Artist Biographies:

"Ross Karre is a percussionist and temporal artist based in New York City. His primary focus is on combining media, including classical percussion performance, electronics, theater, moving image, visual art, and lighting design. He designs integrated, moving images that emerge from an aesthetic foundation in American experimental music as well as that of the European avant garde. Ross is a percussionist and the co-artistic director for the International Contemporary Ensemble (ICE).

His projection design has been presented in such prestigious venues as the BBC Scotland (Glasgow Concert Halls), The Park Avenue Armory, Miller Theatre (NYC), and the National Gallery of Art (Washington, DC), and the Kennedy Center. As a percussionist, he has worked closely with European masters such as Pierre Boulez, Helmut Lachenmann, Chaya Czernowin, Olga Neuwirth, and Harrison Birtwistle. Karre has been a percussionist and staff member of the International Contemporary Ensemble (ICE) since 2011 and also performs regularly with Third Coast Percussion (Chicago), red fish blue fish, and the National Gallery of Art new music ensemble.

Using his background as a percussionist, production manager, and projection designer, Ross is active as a production coordinator and designer of several intermedia operas and staged works by Ashley Fure, Pauline Oliveros, Suzanne Farrin, and many more. He has collaborated as a producer/designer on the world's largest scale productions at the Park Avenue Armory, Holland Festival, Ojai Festival, and Lincoln Center.

As a teacher, Ross is a regular guest lecturer and clinician on topics ranging from contemporary percussion and media to arts administration and professional development. He has been invited to return to his alma maters of Oberlin Conservatory, UCSD, and Interlochen Arts Academy as well as the Eastman School, Bard College, the Carnegie Hall Professional Training Workshops, and dozens more. Ross has organized several unique university residencies for the International Contemporary Ensemble at RPI, Kent State, MacAlester, the University of Michigan and other institutions in South America and Europe.

As a traveling artist, Ross has presented work at nearly every major festival in Europe and the United States including those in Lucerne, Darmstadt, Holland Festival, Ojai Festival, Mostly Mozart, Aspekte Festival (Austria), Eight Bridges (Cologne), Rotterdam, Reykjavik, Copenhagen, Banff (Canada), Mona Foma (Tasmania), Far North (Greenland), and the Park Avenue Armory.

In 2011, Ross commenced two major archiving projects which seek to document and distribute recorded performances of hundreds of artist-clients all of the world. The rKAD media collective and metafields​.org have become vital parts of the contemporary music scene by preserving and proliferating the important works of emerging and established artists."

-Ross Karre Website (https://rosskarre.com/about/)
12/6/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. 60 4:56

2. Nothing will ever change 6:14

3. Bricco Lu 10:14

4. Die Welle 9:46

5. Le Souvenir 9:09

6. Zeichnung 6:03

7. Die Klippe 8:04

8. As we are speaking 6:34

9. Zytraffer 8:33

10. 60 - in space 5:28
sample the album:








descriptions, reviews, &c.

"Hauser's ear for timbre and texture, density and dynamics, informs his compositions. A single woodblock, or snare, or cymbal penetrates the existential emptiness, finds common ground with the addition of other instruments. Metallic tones shimmer or rasp in an illusion of electronics. A linear pulse is expanded, layered, or multiplied, registers as the complex momentum of thought. Rhythmic patterns as motion studies - static, kinetic, but always disciplined - occupy space with sculptural multi-dimensionality. Silence is rigid or fluid. Colors resonate as in a Rothko or Hofmann canvas - soft, muted, detached, or lustrous, lucid, keen. But like all music, it is aimed at the ear, not the eye. It is best heard in total darkness, with an open mind."-Art Lange

Related Categories of Interest:


Compositional Forms
Percussion & Drums
Hat Art


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