"Michel Doneda (F) soprano saxophone, born in 1954, comes from the French South-West. He is a self-taught musician.

In 1980 he founded in Toulouse a reed trio: HIC ET NUNC, a group that toured quite a lot in France, playing mostly improvised music. At the same time he founded with musicians, dancers and actors a place called IREA (Institute for research and exchange between arts of improvisation).

In the following years, he participated in music projects with other artists and he became a regular guest of the Chantenay-Villedieu festival. Meeting other artists he developed a very personal approach with his music and his instrument in improvised music. During this period he played with Europeans musicians: Fred Van Hove, Phil Wachsmann, Max Eastley, Steve Beresford and Americans: John Zorn, Eliott Sharp, Elvin Jones

In 1985 he made his first record under his own name: TERRA (Nato record). At the same time he started playing regurlarly with Lê Quan Ninh, Daunik Lazro, Benat Achiary, Martine Altenburger, Barre Phillips, Paul Rogers, Tetsu Saitoh, Kazue Sawai. More recently he developed his work with Keith Rowe, Gunter Muller, Bhob Rainey, Giuseppe Ielasi and dancers as Masaki Iwana, Yukiko Nakamura, Valérie Métivier and poets, actors.

Since then, he has been very involved in the international improvised music scene, toured in Africa, Japan, Asia, USA, Canada, South America, Russia and with a lot of improvisers in Europe. In 1992 he founded in Toulouse with musicians, actors, poets, dancers the association: La Flibuste. As of today he recorded almost 50 records for European, Americans and Japanese labels."

"Since 1992, eRikm has extended the field of artistic experimentation on the international scene.

Maintaining a constant fusion between thought, instinct and sensitivity, he pursues a simultaneity of practices and addresses the interplay between various compositional modes, relating to and using all languages.

From his early experience as a guitarist through to his later visual work, he is a maverick genre-bender who breaks down anyone's attempts to conveniently classify him.

Quickly recognised as a virtuoso turntablist and sound artist (1996), eRikm has made a longlife habit of crossing all territories and " world-systems " deemed "independent", "institutional".

At the same time (1997), he has developed an open and aspirational approach toward the technological media, both as a means of development for a new economic model and as an instrument for creation, production and diffusion.

He deals with sounds like living organisms, constantly in flux, always open to the risk of accident or delight/unisson. As he plays with all these contradictions in his improvisations, his performance reaches new heights of intensity, trading off both understanding and sensation, seriousness and farce, anticipation and instinct.

His work references both the intimate and political, both popular and high culture, but without demonstration. Rather he creates a short-circuit connection between points with his live generated (and degenerated) material - from noise to reference - presenting multiple ways to capture each moment of the present in clear focus.

Throughout his career, collaborations have naturally occurred with his audiences and contemporaries, most notably : Luc Ferrari, Christian Marclay, Mathilde Monnier, Jerome Noetinger, FM Einheit... The kind of coincidences which have confirmed his instinctive search for transmutation, and to play on several levels.

Since 1997, on his own or with collaborators, eRikm has toured (with 5-7 on-tour projects to date), or created by request specific pieces, both transversal or for fixed spaces (record labels, radio, festivals, art centres...)

In the meanwhile, each time building on what has emerged before, the most personal fragments from his work (notably from his early artworks in photography, drawings, visual installations and video) continue to substantiate a singular kaleidoscopic vision.

Ultimately, eRikm's research resonates through all of his work, bordering scientific discovery and a poetic curiosity of the world.

eRikm is a Marseille based artist"

French guitarist and electronics innovator, Montera works at the intersection of free improvisation, noise, and electroacoustic exploration. He has used guitar table, objects, live electronics and is known for pushing the boundaries of guitar-based sound.