"Jérémy Baysse is guitarist, composer and arranger, he starts the guitar at age 15 following classes in rock and then jazz. He quickly climbed his first bands ranging from rock to funk through improvised music, African music, jazz and song.

As a composer, he follows courses in writing, harmony, counterpoint, composes and arranges for the jazz Big Band, theater companies, for documentaries and short films.

He accompanies the singer Emmanuelle Bercier between 2005 and 2015 and realizes the disc with the article of the love.

From 2005, he multiplies the creations for the cine-concert with the films Nosferatu of Murnau, Chang of Cooper and Schoedsack, Nanouk the esquimau of Flaherty, Go West of Buster Keaton, short films Dada.

In 2009, he was musical director, arranger and actor of Jean-Marie Sillard's Théâtre du lavoir for the show The opera du gueux (Beggar's Opera) with 25 actors and 7 musicians.

In 2010, he worked on the creation of a young public show around Buster Keaton's "La Croisière du Navigator" on a commission of the young public programming associated with the TAP-Scène Nationale de Poitiers. He continues the youth-public cinema-concerts interactive show the demountable house.

In 2012, he starred Jeremy Baysse quintet for a film-concert on Russell Rouse's The Thief. The show is created in 2012 in co-production with the National Scene of Poitiers. The record of the show is released in January 2013.

From 2013, Jérémy trained in Soundpainting with Walter Thompson and François Jeanneau, he teaches this language in schools and colleges as well as in mediation actions around film concerts.

In 2013, he composed the music of the series G directed by Claire Eveillé and in 2014 the documentary Éphémère by William Rougier in 2015, the revealer of Jules Potier in 2016, the body of the old Louise Prémonville in 2017. It gives also conferences on music and cinema (RIHL 2013, conference-concert in colleges and high schools).

Jérémy Baysse also regularly teaches at the Poitiers Conservatory or during master-classes at various conservatories and music schools.

He currently plays with the trio Hors Bords with Julien Touery and Fabrice Favriou, in duet with bassist PY Desoyer, comedian Isabelle Bouhet and most often in cine-concert solo, duet, trio or quintet and of course many more current projects..."

"Jean-Luc Petit

Saxophones sopranino, alto and baritone, clarinet double bass

Born on 22 November 1954

Alongside his studies at the School of Art in Angoulême, he began learning saxophones and clarinets in a self-taught way. His decisive encounters with first the composer Etienne Rolin and later Kent Carter reinforces him in the idea of ​​becoming a musician. He collaborated for a long time with Etienne Rolin and founded the Trio EVER with him and participated in his many other projects. He meets composer and improviser François Rossé , plays quartet with Kent Carter and meets Kent Carter , musicians like Olivier Johnson , Jean-Jacques Avenel , Takashi Kako , Carlos Zingaro , Glenn Ferris ...

He composes music for the theater and participates with the actor and poet Daniel Crumb in several shows "The small studies of self" , "Love is a dog of hell" on poems of Charles Bukowski , ...

From the beginning improvisation is at the center of his practice and his preoccupations. He performed solo and formed several duets with Benjamin Duboc , Mathias Pontévia , Didier Lasserre , pianist Didier Fréboeuf , trombonist Christiane Bopp , founded with Fabrice Favriou and Adrien Monteiro "Rossignol Genocide", participated in the Orchestra "Le Lobe" Directed by Claire Bergerault , has multiplied the recontres with musicians such as Eric Brochard , Louis-Michel Marion , Claude Parle , Daunik Lazro , Jean-Marc Foussat , Joel Grip , Makoto Sato , Jean-Luc Cappozzo -Brice Godet , etc ...

"I believe that music is formed in time and finds its fulfillment. Programming, defining, schematizing, improvising are the different and not contradictory ways of accompanying the growth of an organism that, like every living thing, is born, grows , Becomes individualized and extinct.The necessity of the ephemeral is the credibility of the form: I do not know the aesthetics of the piece globally, but only the form of a fragment which reproduces constantly as it transforms itself. "

Franco Donatoni"

"Fabrice Favriou is a trained drummer who has become a guitarist by occupational hazard, and who has also endeavoured thus far to learn to don't play harmonium decently, with some success.

Influenced by contemporary music from the future, impossible musics and decadent rock music, he composes, improvises and actively plays live on survivor scene. Mindful of placement and the relationship between space and silence, he regularly creates music for contemporary dance.

Fabrice Favriou is an attentive rambler, attracted to the sounds of an urban environment, such as the noises of power transformers, all types of turbines, used neon tubes, or the palpitations of controlled mechanical ventilation systems which inspire his work with drones, undulations, dephase vibrations, cyclical, off-centre gestures and continuums..."