"Maggie Nicols (or Nichols, as she originally spelled her name as a performer) (born 24 February 1948), is a Scottish free-jazz and improvising vocalist, dancer, and performer.

Nicols was born in Edinburgh as Margaret Nicholson. Her father was from the Isle of Lewis, and her mother is half-French, half-Berber from North Africa. At the age of fifteen she left school and started to work as a dancer at the Windmill Theatre. Her first singing engagement was in a strip club in Manchester at the age of sixteen. At about that time she became obsessed with jazz, and sang with bebop pianist Dennis Rose. From then on she sang in pubs, clubs, hotels, and in dance bands with some of the finest jazz musicians around. In the midst of all this she worked abroad for a year as a dancer (including a six-month stint at the Moulin Rouge in Paris).[citation needed]

In 1968, she went to London and joined (as Maggie Nichols) an early improvisational group, the Spontaneous Music Ensemble, with John Stevens, Trevor Watts, and Johnny Dyani, and the group performed that year at Berlin's then new avant-garde festival, Total Music Meeting. In the early 1970s she began running voice workshops at the Oval House Theatre (one of the most important centres for pioneer fringe theatre groups). She both acted in some of the productions and rehearsed regularly with a local rock band. Shortly afterwards she became part of Keith Tippett's fifty-piece British jazz/progressive rock big band Centipede, which included Julie Tippetts, Phil Minton, Robert Wyatt, Dudu Pukwana, and Alan Skidmore. Tippetts, Minton, and Nicols also joined Brian Eley to form the vocal group Voice. Around the same time Nicols began collaborating with the Scottish percussionist Ken Hyder (who had recently moved to London) and his band Talisker.[citation needed]

Maggie Nicols recorded an album with the vocalist Julie Tippetts called Sweet and S'Ours which was an FMP]] import.

By the late 1970s, Nicols had become an active feminist, and co-founded the Feminist Improvising Group, which performed across Europe, with Lindsay Cooper. She also organised Contradictions, a women's workshop performance group that began in 1980 and dealt with improvisation and other modes of performance in a variety of media including music and dance. Over the years, Nicols has collaborated with other women's groups, such as the Changing Women Theatre Group, and even wrote music for a prime-time television series, Women in Sport.

Nicols has also collaborated regularly over the years with Swiss pianist Irene Schweizer and French bassist Joelle Leandre, including tours and three recordings as the trio "Les Diaboliques". Her collaboration with Ken Hyder also continues; the duo incorporate elements of the traditional tunes of their shared Scottish background into jazz improvisations in their most recent project, Hoots and Roots Duo. She has worked with pianists Pete Nu and Steve Lodder, with her own daughter, Aura Marina, with avant-gardists Caroline Kraabel and Charlotte Hug, and with lighting designer Sue Neal in Light and Shade. She performed internationally for several decades, including the Zürich and the Frankfurt "Canaille" festivals, the Victoriaville Festival. She gave solo performances at the Moers Music Festival, the Cologne Triennale, and a number of other creative and improvised music festivals."

"Born in Ilford, London, Mitchell has forged a formidable reputation as a gifted pianist and composer. As part of the F-IRE Collective, Robert won the Jazz on 3 Innovation Award at the 2004 BBC Jazz Awards; he has also been nominated twice: for Rising Star in 2002, and Best New Work in 2003. He has worked with Norma Winstone, Steve Coleman, Greg Osby, Courtney Pine, Steve Williamson, Iain Ballamy, Mark Wingfield, Jeremy Stacey, David Lyttle, Ty, 2 Banks of 4, and IG Culture, in addition to leading the 4/6-piece Panacea, his trio (with Richard Spaven and Tom Mason), performing in duo with Omar Puente (Bridges), and performing as a solo pianist.

Mitchell studied at City University and the Guildhall School of Music and Drama. Early band memberships included Tomorrow's Warriors and Gary Crosby's Nu Troop, plus award-winning bands Quite Sane and J-Life.

Panacea first performed in 2000, and have performed in the London Jazz Festival, Manchester Jazz Festival, Cheltenham Jazz Festival (Pillar Room), and the North Sea Jazz Festival (2006), and Vienne Jazz Festival (2008) and in such venues as the Pizza Express, Jazz Cafe, The Wardrobe, The Spin, The Spitz, Le Tavernier and Cargo. The group released its debut album Voyager on the Dune label in 2001. Its second album, Trust, was released on F-IRE in 2005. In March 2006, the band recorded a session for BBC Radio 1's Gilles Peterson Worldwide show. The band was subsequently nominated for Session Of The Year at the 2006 Gilles Peterson Worldwide Awards.

The duo with Cuban violinist Omar Puente began in 2003. The performance of this duo in the Havana International Jazz Festival (2004) resulted in a TV programme being made about the pair for Cuban TV (A TODO JAZZ 2005). The debut album Bridges was released in 2006 on F-IRE. They have also performed to great acclaim in Morocco and Belgium, as well as the UK.

Mitchell's solo album, Equinox, was originally a BBC Radio 3/Jerwood commission, and was released in 2007. It was nominated for Best Work at the BBC Jazz Awards (2003). It was launched at Lifting The Lid, a three-day celebration of modern solo jazz piano instigated, organised and curated by Mitchell. He has performed solo in Sweden, Belgium, Latvia and across the UK. He opened for Wayne Shorter in Brighton in 2003 (at the Dome), and Branford Marsalis in the same year (at the Barbican, London).

Robert Mitchell 3io grew out of the long-running band Panacea. It features Tom Mason (on bass) and Richard Spaven (on drums). After starting in around 2003/04, it released its debut album The Greater Good in late 2008 (33 Jazz Records/Jazz Services). The trio also tour the UK during the same period.

In September 2011 the album Embrace was released. Reviewing the album for the BBC, Kevin Le Gendre wrote: "Mitchell's command of avant-garde and mainstream piano vocabulary is impeccable."

Mitchell is working with singer Jhelisa Anderson (cousin of Carleen Anderson), Dan Stern (saxophonist, clarinettist and composer), and Yolanda Charles (bassist and singer), among others.

Since 2003, Mitchell has been a visiting composer at the Royal Academy of Music Jazz Department. His education work has also included projects at WAC, City University London, Middlesex University, and as solo, ensemble teacher and examiner on the jazz course at the Royal Academy of Music."