Enrico Fazio is an Italian bassist known for his contributions to the jazz and improvisational music scenes. In the late 1970s, he was part of the band Art Studio, alongside Carlo Actis Dato and Fiorenzo Sordini. Fazio has continued to collaborate with these artists, contributing to various recordings and performances that have enriched the Italian jazz landscape. His work is characterized by a deep understanding of rhythm and harmony, providing a solid foundation for the ensembles he performs with.

Fiorenzo Sordini is an Italian drummer and percussionist who has made significant contributions to the jazz and improvisational music scenes. In the late 1970s, he was a member of the band Art Studio, collaborating with Carlo Actis Dato and Enrico Fazio. Sordini's dynamic drumming style has been a driving force in various ensembles, and he has been involved in numerous recordings that showcase his versatility and commitment to musical exploration.

Carlo Actis Dato, born in Turin, Italy, is a renowned saxophonist and bass clarinetist prominent in the avant-garde jazz scene. In the late 1970s, he was a member of the band Art Studio, collaborating with bassist Enrico Fazio and drummer Fiorenzo Sordini. This ensemble laid the foundation for his future explorations in jazz. Throughout the 1980s, Actis Dato's innovative approach drew critical comparisons to Dutch musicians, highlighting his unique blend of wit and daring in his performances. He has also been a member of the Italian Instabile Orchestra and has collaborated with various artists, including trumpeter Pino Minafra and cellist Laura Culver. His solo performances are noted for their mastery of split-tones and diverse saxophone textures, reflecting his rich musical imagination. Actis Dato's work has been well-documented, with recordings on labels such as Splasc(h) and Leo Records.

"Masahiko Kono was born December 7, 1951, in Kawasaki, Kanagawa prefecture, Japan. He started playing flute in 1966, when he was in high school. In 1971, as a student at Wako University in Tokyo, his friend the late pianist Yoshito Osawa introduced Kono to trumpeter Toshinori Kondo. Soon thereafter Kono gave up the flute for the trumpet in order to study trumpet with Kondo. Preferring the sound of the trombone to that of the trumpet, however, Kono took up trombone in 1976. Among the trombonists he listened to a great deal at that time were Paul Rutherford, George Lewis and Roswell Rudd. Kono formed a free jazz/free improvisation group called Tree which, besides himself, consisted of two sax players and a guitarist. The group toured around Japan for about a year and then disbanded. Subsequently, Kono sometimes participated in the group EEU (Evolution Ensemble Unit), which was formed by Kondo, drummer Toshiyuki Tsuchitori, sax player Mototeru Takagi and bassist Motoharu Yoshizawa, and played with numerous other musicians, including violinist Takehisa Kosugi.

Kono made his first trip to New York City in the fall of 1980 and stayed there for three months. During this time he met and played at jazz clubs with American musicians such as percussionist Milford Graves, guitarist Elliot Sharp and bassist William Parker. After returning to Japan, he played/toured with Japanese musicians like Kondo, drummer Shoji Hano and pianist Katsuo Itabashi (with whom he made a duo album in 1983), and non-Japanese musicians like violinist Billy Bang, drummer Paul Lovens and guitarist Derek Bailey.

In the summer of '83, Kono returned to New York City, planning to go on to Mexico. At the time he had no intention of living in New York. While there, however, he frequented a club called Saint, where alto sax player John Zorn had a weekly gig. When Zorn and guitarist Fred Frith invited Kono to join them in a concert, he postponed his visit to Mexico, and eventually decided to settle in New York with his family. In 1984 he played at the Kool Jazz Festival as a member of bassist William Parker's big band. From 1985 to the early '90s, he often played with alto sax player Jemeel Moondoc's Jus Grew Orchestra. He appeared on FM station WKCR in 1987, performing with alto sax player Ken McIntyre and percussionist Warren Smith. In the fall of that year he gave a duo performance with George Lewis at the club The Kitchen, in a festival showcasing Japanese musicians that was produced by Zorn and guitarist Arto Lindsay. In 1989 Kono participated in a studio recording by drummer William Hooker, which was later released with the title The Firmament Fury. In the same year, Kono received his U.S. residency. He spent a month in Japan in December '91-January '92, during which he played with such musicians as Kosugi, Yoshizawa, Hano and guitarist Haruhiko Gotsu.

In fall of 1992, Kono spent two weeks in Oaxaca, Mexico, a place he had long wanted to visit. In addition to joining in various local bands, including a salsa and a folk dance band, he played alone on downtown streets and near the ruins of Monte Alban. Although his visit was brief, he feels he gained a great deal from his experiences in Mexico. (While there he made a solo recording using a portable cassette tape recorder, and this was later released as a tape entitled Mexico.)

In the '90s, Kono has played and recorded as a member of William Hooker's band and of the Ellen Christie and Fiorenzo Sordini Quintet. The former band's live recordings from November '92 and April '94 were later released as a CD called Radiation; and the latter band's 1991 studio recording was released the following year as the CD A Piece of the Rock. In '93 the Christie and Sordini Quintet, with Kono, toured in Italy, Austria and North America. Kono played often over a one-year period with cellist Boris Rayskin, and participated in William Parker and the Little Huey Creative Music Orchestra, whose live recording of 1994 was released as th CD Flowers Grow In My Room. For the past several years he has played with José Halac, and he participated in the 1994 Halac recording which became the CD Illegal Edge. Since 1995, Kono has played many times with pianist Cecil Taylor's big band. Currently, he also plays regularly with Japanese bassist Hideki Kato, another New York resident. Kono led a group consisting of himself, Zusaan Kali Fasteau, Halac and Kato in a performance at the Vision for the 21st Century Arts Festival in New York in June of 1996."

"Since the mid-seventies, Ellen Christi has steadily gained ground as an important contributor to American improvised music and contemporary jazz. As a composer/vocalist, Ms. Christi has worked in varying performance venues ranging from multi-media theatrical productions to solo vocal concerts. She has also been an active advocate in supporting innovative performing artists through organizations that she has co-founded or directed.

Ms. Christi came to New York in the nascent period of the downtown loft scene. Jimmy Hopp was a positive catalyst introducing her to a musicians' collective at 501 Canal Street. And it was there that she lived and performed for many years with Tom Bruno, Ray Anderson, David Ware, Dave Burrell, and Coopermore.

Ms. Christi studied piano technique, composition, and arranging with Jaki Byard, an internationally acclaimed pianist/composer and a professor at the New England Conservatory of Music. She studied the bel canto technique with Galli Campi, a coloratura singer with the Metropolitan Opera. Earlier on in her career, she studied vocal technique and movement with Jeanne Lee, an avant-garde jazz vocalist. Presently, Ms. Christi is working with vocal coach, Dr. Virgina Davidson, composer/conductor and founder of New York Treble Singers.

Ms. Christi was one of the co-founders of New York City Artists' Collective, a non-profit organization committed to developing creative independence for artists, fostering appreciation of visual and performing arts, and record documentation/ production (N.Y.C.A.C. Records). New York City Artists' Collective was housed at 501 Canal Street, one ofthe prominent loft performance spaces of the 70's in Tribeca.

She is also the founder of Network Records, an independent record label promoting contemporary jazz music.

She has received numerous grants and commissions from the New York State Council of the Arts and Meet the Composer as well as having received varied commissions for dance and theater performances throughout the years. Her most recent commission has been funded through the prestigious Mary Flagler Cary Charitable Trust. She is currently performing and teaching master classes in vocal technique/improvisation and movement throughout the United States and Europe.

Ms. Christi has been performing and recording with musicians in the United States and Europe for the past twenty five years. She has worked with: Tom Bruno, Ray Anderson, Mark Dresser, Andrew Cyrille, Reggie Workman, Rashid Ali, Tony Scott, Ed Blackwell, William Parker, Lisa Sokolov, Jeanne Lee, Kenny Wheeler, Steve McCall, Rahn Burton, Roy Campbell, Lawrence "Butch" Morris, and Hans Koch.

For the past twelve years, she has been collaborating with Fiorenzo Sordini, Claudio Lodati, Carlo Actis Dato, and Enrico Fazio in Italy. In Switzerland, she has been performing and recording with Thomi Hirt , Fritz Heigi, and Pit Gutmann of the trio, Illustrio. Currently she is working with Joe Gallant's Illuminati, a 22-piece ensemble,as well as performing and producing concerts with her present performing ensemble, Aliens' Talk. She is developing a world music project with Vincent Nguini of Cameroon. And the most recent recording project is with bassist, Habib Faye and balafonist, Babacar Konate of Senegal. A great portion of her time has been spent working as a producer for Bliss Corporation, a euro dance music production company in Torino, Italy."