The Squid's Ear Magazine


Lovano, Joe & Dave Douglas Sound Prints: Other Worlds (Greenleaf Music)

Referencing Wayne Shorter ("Footprints") and the lyrically free playing of Shorter's 60s influences, this 3rd album led by tenor saxophonist Joe Lovano and trumpeter Dave Douglas, with the powerful support of pianist Lawrence Fields, bassist Linda May Han Oh, and drummer Joey Baron, was recorded following a week at New York's Village Vanguard in January 2020.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Joe Lovano-tenor saxophone

Dave Douglas-trumpet

Lawrence Fields-piano

Linda May Han Oh-bass

Joey Baron-drums


Click an artist name above to see in-stock items for that artist.




UPC: 186980000848

Label: Greenleaf Music
Catalog ID: CD-GRE-1084
Squidco Product Code: 30310

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Digipack
Recorded at Bunker Studios, in Brooklyn, New York, on January 31st, 2020, by Tyler McDiarmid and Geoff Countryman.

Descriptions, Reviews, &c.

"Other Worlds, the new studio album from saxophonist Joe Lovano and trumpeter Dave Douglas's Sound Prints quintet was recorded following a week at New York's Village Vanguard in January 2020. Their third full length release, this further nod to jazz visionary Wayne Shorter features boisterous and playful originals as well as a couple of beautiful ballads. The rhythm section features the powerful multi-generational lineup of pianist Lawrence Fields, bassist Linda May Han Oh, and drummer Joey Baron, who continue to provide a fluid and firm footing for the two horn players. The album artwork features a unique illustrated cover by cartoonist Dave Chisholm."-Greenleaf music



"Not footprints, but Sound Prints: this US quintet led by Joe Lovano and Dave Douglas follows a tradition established by Wayne Shorter's classic 60s albums. They celebrated Shorter's 80th birthday with their first album in 2013. Shorter tunes (some written specially for them) are in the band's repertoire, as well as originals, but this third album's ten fine tracks are all by Lovano and Douglas. It's no pastiche, but carries these musicians' distinctive mark- what Douglas calls their "Sound Prints self...Wayne inspires us to think about our place in the universe."

It takes off with Lovano's Other Worlds Suite: Space Exploration starts enigmatically as they explore the space around each other with tense phrases. Linda May Han Oh's lustrous bass tone leads them into up swing; the spikiness and thoroughly modern sensibility of Lovano's sound melds with his rich Ben Webster-y tone.

Douglas solos in brilliant bold colours enhanced by Lawrence Fields' playfully free piano and Joey Baron's delicately inventive drumming. The horns tussle together before the short Shooting Stars, as phrases break out in all directions. They settle down for The Flight, the third part of the trilogy, delayed till later in the album. It's an exhilaratingly bumpy ride, like a Monk tune played with the notes in a different order. The sax solo is emphatic and delicate in full flight. The trumpet is more playful, the huge arcs pleasantly at odds with the bass. The horns duel again, the piano gets funky and all land in one piece.

The bright major chords of Douglas' waltz Manitou have a spacious feel as the horn lines slide chromatically past each other; the bass solo is woody and sonorous. Douglas' Antiquity to Outer Space reflects his study of history 2500-3000 years ago. It starts with horns tentatively entwined; swing breaks in briefly among the free exploratory sections linked by ringing horn riffs. The piano's long Tristano-esque lines are sliced by cymbals; the trumpet's obbligato is melancholy over arco bass. Lovano seems to turn Baron's inventive sounds into melodic phrases.

The ghost of Shorter's tunes seem to flit through these pieces. Douglas' The Transcendentalists has shades of Infant Eyes, the harmon mute adding piquancy to the mellow feel. The tremolo piano sounds otherworldly as the solos follow the unexpected angles of the chords. Douglas' Pythagoras hints at Speak No Evil and Fee-Fi-Fo-Fum, as the horns diverge from unison over its Afro-Latin pulse. Douglas is growly and exciting; Lovano skirts the harmony boppily with light feet. There's a particular pleasure in the way the horns and piano improvise round fragments of the theme.

A fine drum solo veers into a jazz-rock pulse in Lovano's Life on Earth, energy emanating from the supple bass. The trumpet solo is like decisive, clear speech; Lovano plays coruscating chromatic notes to melt your heart, then digs into the groove. His Sky Miles seems to travel a long way in a short time. Its skittish theme over impeccable swing dissolves freely as they create textures round each other's solos; Fields' piano solo is ecstatic. Midnight March has Baron's drums loosely marching behind the strong theme, the cymbals frothy over the powerful bass riffs. When the chords come in it's a surprise, as if the instruments are pulling in all directions- and having fun. Recorded just before lockdown, the album has the first-take freshness of well-gigged music with musicians who trust each other. This feels like essential music from a world- class band."-Alison Bentley, London Jazz News


Get additional information at London Jazz News

Artist Biographies

"Joseph Salvatore Lovano was born in Cleveland, Ohio on December 29, 1952 and grew up in a very musical household. His dad, Tony, aka Big T, was a barber by day and a big-toned tenor player at night. "Big T," along with his brothers Nick and Joe, other tenor players, and Carl, a bebop trumpeter, made sure Joe's exposure to Jazz and the saxophone were early and constant.

Joe's mom, Josephine, and her sister Rose were serious listeners, as well, His Mom remembers hearing Big T play opposite Stan Getz and Flip Phillips when they were engaged. And Aunt Rose went to hear Jazz at the Philharmonic with Ella Fitzgerald when they came through Cleveland.

Not surprisingly, Joe began playing the alto at five, switching to the tenor a few years later. By the time he got his driver's license at sixteen, Joe Lovano was a member of the Musician's Union, Local 4, and working professionally. He started playing club dates (sometimes subbing for his dad), and Motown cover bands, eventually saving enough money from these gigs to put himself through college."

-Joe Lovano Website (http://www.joelovano.com/biography/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dave Douglas is a prolific trumpeter, composer, educator and entrepreneur from New York City known for the stylistic breadth of his work and for keeping a diverse set of ensembles and projects active simultaneously.

His unique contributions to improvised music have garnered distinguished recognition, including a Guggenheim Fellowship, an Aaron Copland award, and two GRAMMY® nominations. While his career spans more than 40 recordings as a leader, his active projects include his Quintet; Sound Prints, a quintet co-led with saxophonist Joe Lovano; Riverside, a quartet co-led with Chet Doxas; a duo with pianist Uri Caine; and, debuting in 2015, High Risk, an electronic music-influenced quartet with Mark Guiliana, Jonathan Maron and Shigeto.

Since 2005, Douglas has operated his own record label, Greenleaf Music, releasing his own recordings as well as albums by other artists in the jazz idiom. Through his artist-friendly approach and innovative practices, he continues to prove himself a pioneer among artist-run labels.

Douglas has held several posts as an educator and continues to be very active as a director and programmer. He has been named the Artistic Director for the 2016 season of the Bergamo Jazz Festival, which occurs every year in March. Starting in 2012, Douglas was engaged for two years as International Jazz Artist in Residence at the Royal Academy of Music in London and launched his own Jazz Workshop, dedicated to enriching the musical experiences of younger players. From 2002 to 2012, he served as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada. He is a co-founder and director of the Festival of New Trumpet Music, which was founded in 2002 to support new music by a diverse community of trumpet and brass players. He also co-hosts, with Michael Bates, a podcast called Noise From the Deep which was named the top jazz podcast by the JazzTimes critics poll in 2014."

-Dave Douglas Website (http://www.davedouglas.com/about-dave)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lawrence Fields, born and bred in St. Louis, has earned a spot at the forefront of young jazz pianists, thanks to his blending of vintage ideals with a contemporary mindset. Veteran saxophone icon Joe Lovano - with his unerring ear for youthful talent - has become one of the pianist's biggest fans. Fields is a member of several bands led or co-led by Lovano: his Classic Quartet (originally featuring Lewis Nash and George Mraz in the rhythm section); the Sax Supreme Quartet (with Chris Potter); and his Sound Prints quintet with trumpeter Dave Douglas. The Wall Street Journal praised Fields' "elegant, probing" solos with Sound Prints, while The New York Times noted that he is "integral to the band's plunging, changeable style." A modern-minded bandleader from the younger generation also relies on Fields, as he mans the piano and keyboards for the Christian Scott Group. Referencing his role on acoustic and electric pianos in the trumpeter's band, NextBop said: "Fields remains a constant lyrical presence on the keys - innovative, expressive, supportive, able to soar like a bird in his solos. He never fails to impress."

On record, Fields has excelled for Scott on several albums, including the Centennial Trio (Ropeadope, 2017), Stretch Music (Ropeadope, 2015) and Christian Scott Atunde Adjuah (Concord, 2012). With Lovano and Douglas, the pianist features on Sound Prints: Live at Monterey Jazz Festival (Blue Note, 2015) as well as the upcoming Scandal (2018, Greanleaf). He also appears on the album Marsalis Music Honors Alvin Batiste with Branford Marsalis (2007), as well as on drummer Terri Lyne Carrington's More to Say (a 2009 disc for which he served not only pianist but also as composer-producer). Fields also appears on releases by drummer Jeff "Tain" Watts, bassist Yasushi Nakamura, vibraphonist Warren Wolf, and saxophonists Jaleel Shaw and Steve Slagle. The pianist has been a member of the Watts band, as well as that of trumpeter Nicholas Payton. In addition to performing onstage with the likes of Payton, Watts, Marsalis and Carrington, Fields has appeared with star bassist Christian McBride, trombonist Delfeayo Marsalis and bassist Robert Hurst, among others."

-Lawrence Fields Website (https://www.lawrencefields.com/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Malaysia, raised in, Perth, Western Australia, Linda began playing piano, bassoon and at fifteen dabbled on electric bass playing jazz in high school bands while playing a lot of Red Hot Chili Peppers. Linda studied at the W.A Academy of Performing Arts (WAAPA) where she graduated with first-class honors.

She was a James Morrison Scholarship Finalist in 2003 and in 2004 was an IAJE Sister in Jazz and received the ASCAP Young Jazz Composer's award in 2008. She also received an honorary mention at the 2009 Thelonious Monk Bass Competition and received the 2010 Bell Award for Young Australian Artist of the Year. In 2010 she was nominated for the Jazz Journalist's Awards for Up and Coming Artist of the Year, and received the award of No. 1 Acoustic Bass Rising Star in the Downbeat Critic's Poll. This same year she received 2nd place at the BASS2010 Competition in Berlin.

Linda completed her Masters at the Manhattan School of Music in 2008 studying with Jay Anderson, John Riley, Phil Markowitz, Dave Liebman and Rodney Jones. She now teaches the precollege division there and is involved in jazz videoconference master-classes for high-schools around the US. As an active teacher she was also involved in creating a series of lessons for the up and coming BassGuru app for iPad and iPhone.

Linda has performed with the musicians such as Joe Lovano, Steve Wilson, Vijay Iyer, Dave Douglas, Kenny Barron, Geri Allen, Fabian Almazan, and Terri Lyne Carrington. She is currently the bassist with guitarist, Pat Metheny.

Linda is an active double bassist, electric bassist and composer, composing music for various ensembles and short films, also participating in the BMI Film Composers Workshop and Sundance Labs at Skywalker Ranch. Linda composed for Sabrina McCormick's short film "A Good Egg" which was featured in the New York Shorts Festival.

In 2009 her self-released debut trio album "Entry" with Obed Calvaire and Ambrose Akinmusire was listed in Artforum magazine as one of Vijay Iyer's top ten of 2009.

Her second album "Initial Here" released on Greenleaf Records in 2012 features a quartet with Dayna Stephens on tenor sax, Fabian Almazan on piano and Rudy Royston on drums with special guest Jen Shyu on vocals. This album was mentioned several times for album of the year in various jazz polls.

"Sun Pictures" is her third release - a quartet album recorded live at WKCR studios featuring Ben Wendel on tenor saxophone, James Muller on guitar and Ted Poor on drums.

Her latest release in 2017 "Walk Against Wind" on Biophilia Records, received critical acclaim and was featured on the 2017 NPR Music Jazz Critics Poll. This album features Ben Wendel on tenor sax, Matthew Stevens on guitar, Justin Brown on drums featuring special guests - Fabian Almazan on piano and keys as well as Minji Park on Korean percussion. She will be performing this music for the first time at the distinguished Village Vanguard in New York City.

Linda is currently working on her second trumpet trio album and an eight-piece group featuring a string quartet Aventurine- with music that was commissioned by the Jazz Gallery in 2012.

She was a recent recipient of the Jerome Foundation Fellowship and is now a member of Pat Metheny's most recent quartet project which has recently recorded. Stay tuned for the new release."

-Linda May Han Oh Website (https://lindamayhanoh.com/bio.php)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bernard Joseph Baron (born June 26, 1955 in Richmond, Virginia) is an American avant-garde jazz drummer who plays frequently with Bill Frisell and John Zorn.

Baron was born on June 26, 1955, in Richmond Virginia. When he was nine, he taught himself how to play the drums. As a teenager, he played in rock bands and dixieland jazz groups. After high school, he spent a year at the Berklee College of Music. He moved to Los Angeles in the early 1970s and embarked on a professional career, playing with Carmen McRae and Al Jarreau. He worked as a freelance drummer and session musician with Chet Baker, Stan Getz, Dizzy Gillespie, and Hampton Hawes.

In 1982 he moved to New York City and joined guitarist Bill Frisell, with whom he would play often throughout his career. He also played in groups with Red Rodney, Fred Hersch, Enrico Pieranunzi, and Marc Johnson. Starting in the late 1980s, he became a bigger part of the avant-garde jazz scene when he played regularly at the Knitting Factory, recorded with singer Laurie Anderson, and began a long association with John Zorn. For several years he participated in Zorn's projects Naked City and Masada.

Baron contributed to David Bowie's Outside (1995). Bowie would later praise Baron, stating: "Metronomes shake in fear, he's so steady." "

-Wikipedia (https://en.wikipedia.org/wiki/Joey_Baron)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Space Exploration 10:00

2. Shooting Stars 1:05

3. Life On Earth 7:34

4. Manitou 5:59

5. Antiquity To Outer Space 7:45

6. The Flight 8:32

7. The Transcendentalists 5:42

8. Sky Miles 7:32

9. Pythagoras 8:23

10. Midnight March 7:25

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Quintet Recordings
Melodic and Lyrical Jazz

Search for other titles on the label:
Greenleaf Music.


Recommended & Related Releases:
Other Recommended Releases:
Douglas, Dave
Overcome [VINYL]
(Greenleaf Music)
Beginning with a reimagining of the Civil Rights anthem "We Shall Overcome", trumpeter Dave Douglas' album is an emotional and powerful statement of human engagement towards justice--Racial justice; Climate justice; Voting justice; Gender justice--performed with Ryan Keberle on trombone, Fay Victor on voice, Camila Meza on voice, guitar, Jorge Roeder on bass and Rudy Royston on drums.
Douglas, Dave
Secular Psalms
(Greenleaf Music)
A newly commissioned suite of ten pieces requested by the City of Gent and Handelsbeurs Theater to commemorate 600 years since the creation of the Gent Altarpiece by Jan Van Eyck performed with an international group of younger musicians, orchestrated with an unusual mix of instruments including serpent, lute, organ and sampler; a discerning and accomplished major work.
George, Kazemde
I Insist
(Greenleaf Music)
A solid modern jazz album in the Blue Note tradition with a Latin angle, the title a reference to Max Roach's 1960 protest album We Insist! Freedom Now Suite, evoked through strongly melodic tunes composed by Brooklyn saxophonist Kazemde George and performed with vocalist Sami Stevens, keyboardist Isaac Wilson, bassist Tyrone Allen II, and drummer Adam Arruda.
Sanford, David Big Band (feat Hugh Ragin)
A Prayer For Lester Bowie
(Greenleaf Music)
Active since 2013, David Sanford's powerful 20-piece big band based in New York City presents six Sanford originals, along with an effusive arrangement of Dizzy Gillespie's bop composition "Dizzy Atmosphere", the focal point of the album a large and spiritual work composed by trumpeter Hugh Ragin dedicated to and inspired by late trumpeter Lester Bowie.
Douglas, Dave Tiny Bell Trio
Constellations (2002 edition)
(Hatology)
A much-needed reissue of Dave Douglas's Tiny Bell Trio with guitarist Brad Shepik and drummer Jim Black, a remarkably telepathic group recorded mid-tour after 3 years working together.
Douglas, Dave
Showing Up / The Power of the Vote [7" VINYL]
(Greenleaf Music)
2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.
Baron, Joey / Bill Frisell
Just Listen
(Relative Pitch)
The duo of long-time collaborators guitarist Bill Frisell and drummer Joey Baron, two of Downtown NY's finest players, performing 9 tracks of original numbers and work by Sam Cooke, Ray Noble, Ron Carter, and Charlie Parker.



Customers Who Bought This Item Also Bought:
Ayler, Albert Trio
New York Eye And Ear Control, Revisited
(ezz-thetics by Hat Hut Records Ltd)
After moving to NYC in the early 60s, filmmaker Michael Snow was introduced the music of saxophonist Albert Ayler's Trio with bassist Gary Peacock & drummer Sunny Murray, inviting them and trumpeter Don Cherry, trombonist Rudd and altoist John Tchicai to record these three brilliant freely improvised tracks, parts of which would be used in his art film "New York Eye and Ear Control".
Campbell, Roy / John Dikeman / Raoul van der Weide / Peter Jacquemyn / Klaus Kugel
When The Time Is Right
(577 Records)
Performing at Bimhuis in 2013, the trans-Atlantic quintet of Roy Campbell on trumpet, flugelhorn & flute, John Dikeman on saxophone, Raoul van der Weide on cello & percussion, Peter Jacquemyn on bass & voice and Klaus Kugel on drums, perform an extended, energetic and dynamic set of free improvisation, with intricate melodies and beautifully rich transitions.
Mitchell, Roscoe / Sandy Ewen / Damon Smith / Weasel Walter
A Railroad Spike Forms The Voice
(ugEXPLODE)
The first meeting between Art Ensemble of Chicago saxophone legend Roscoe Mitchell and the long running improvisational trio of Sandy Ewen (guitar), Damon Smith (double bass) and Weasel Walter (drums), in an epic 72-minute recording captured live at Duende in Oakland, CA in 2014, an amazing display contrasting control & chaos, form and deconstruction; exemplary!
Mayas', Magda Filamental (w / Davies / Caddy / Theriot / Davies / Parkins / Thieke / Abdelnour)
Confluence
(Relative Pitch)
Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers.
Cranes: Matthias Muller / Eve Risser / Christian Marien
Formation < Deviation
(Relative Pitch)
Darkly powerful sonic interaction through transformative use of their instruments, the trio of trombonist Matthias Müller, drummer Christian Marien and pianist Eve Risser obscure their sources through non-traditional techniques, energetically and mysteriously evoking industrial mechanisms with riveting nuance and inventiveness, an exceptional achievement.
Leandre, Joelle
Beauty / Resistance [3 CD BOX]
(Not Two)
Live concert recordings at Alchemia club in Krakow captured during the Krakow Jazz Autumn Festival 2019 while double bassist Joëlle Léandre held residence, 3 CDs presenting first a quartet with Zlatko Kaucic on drums & percussion, Mateusz Rybicki on clarinets and Zbigniew Kozera on bass, then one disc in a duo with Zlatko Kaucic and another with guitarist Rafal Mazure.
Fujii, Satoko Tokyo Trio
Moon on the Lake
(Libra)
Pianist Satoko Fujii introduces a new trio with two younger and very active musicians on the Japanese jazz scene--bassist Takashi Sugawa and drummer Ittetsu Takemura--recording in 2020 at Pit Inn in Tokyo for their 3rd live date together, performing five lyrical Fujii original compositions, including "Aspirations" from her album with Leo Smith & Ikue Mori.
Costa, Carlo
Silos
(Neither/Nor Records)
While on vacation in Rome in 2018, NY percussionist Carlo Costa took his portable recorder inside a grain silo in the countryside north of the city, eschewing traditional percussion for found bricks, pipes, rocks and branches found nearby, recording in the resonance of the silo with the sounds of cicadas and other ambiance permeating the silo as he unfolds this engrossing, thoughtfully paced improvisation.
Ali, Sean
A Blink in the Sun
(Neither/Nor Records)
NY double bassist Sean Ali presents an engrossing journey in seven pieces that depict an inner journey through tone, technique and words, using the double bass to create deep sonic environments through interactively playing and layering, using extended approaches that support and contrast his narration; a compelling and descriptive observation on the nature of self.
Moffett, Joe
Stress Positions
(Neither/Nor Records)
The title referencing police tactics used to subdue a suspect, the 2nd solo album from NY trumpeter Joe Moffett finds the imporoviser approaching the instrument with atypical technique and a sense of sonic power in five engrossing works of technical prowess and creative imagination, producing "mangled, oscillating, chittering noises, a collision of muscle, bone, and metal".
Shyu, Jen & Jade Tongue
Zero Grasses: Ritual for the Losses
(Pi Recordings)
An articulate and important collection of songs devoted to the marginalized voices of women around the world from NY vocalist Jen Shyu, performed in a masterful quintet with Ambrose Akinmusire on trumpet, Mat Maneri on viola, Thomas Morgan on bass, Dan Weiss on drums, Shyu singing and performing on percussion, piano, Taiwanese moon lute, and Japanese biwa.
Bley, Paul Trio
Touching & Blood, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing two essential and innovative piano trio albums: Paul Bley Trio's 1965 album Touching with Bley on piano, Kent Carter on double bass and Barry Altschul on drums, plus the title track from the 1967 Bley album In Haarlem - Blood with Altschul and Mark Levinson taking the double bass roll, performing compositions by Paul Bley, Carla Bley and Annette Peacock.
Dunmall, Paul / Mark Sanders
Unity
(577 Records)
Despite countless collaborations in a variety of settings, UK saxophonist Paul Dunmall and drummer/percussionist Mark Sanders have never recorded one of the most straight-forward of pairings — the saxophone and drum duo — correcting their omission with his superb album of exploratory and exuberant dialogs, five tracks showing the skill and kinship between the two.
Coltrane, John Quartet
Newport, New York, Alabama, 1963, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Two quartets performing two live concerts from 1963 led by John Coltrane on tenor & soprano saxophones, the first at the Newport Jazz Festival with McCoy Tyner on piano, Jimmy Garrison on double bass and Roy Haynes on drums, the second at Birdland with Elvin Jones on the drums, plus 2 studio recordings with that quartet at Van Gelder Studio in the same year.
Zorn, John (Frisell / Riley / Lage)
Teresa de Avila
(Tzadik)
The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.
Tamura, Natsuki / Satoko Fujii
Keshin
(Libra)
An album of duets between trumpeter Natsuki Tamura and pianist Satoko Fujii, the husband & wife core of Libra Records, recorded as a DIY effort during the 2020 pandemic in their own home recording space and mixed by themselves, a diverse album of intimate and impressive improvisations that find the two in uniquely deep and expressively concentrative conversations.
Playfield (Carter, Muhr, Ishito, Plaks, Namenwirth, Takahashi, Swanson, Panikkar)
Vol. 3
(Orbit577)
The third of a 3-album trilogy, Playfield offers the musical equivalency of a walk through the diversity of New York in a loft-style extended improvisation from the octet of Daniel Carter on horns, reeds, Luisa Muhr on voice, Ayumi Ishito on saxophone, Eric Plaks on Nord piano, Aron Namenwirth and Yutaka Takahashi on guitar, Zach Swanson on bass, and Jon Panikkar on drums.
Fluke-Mogul, Gabby
Threshold
(Relative Pitch)
Applying extended techniques from rubbing & scraping to sawing and striking, New York violinist Gabby Fluke-Mogul presents a bold solo violin album of 6 pieces with titles like "Bruise" or "Teeth", drawing an incredible gamut of unusual sounds from the violin and its body, occasionally adding vocal utterance, all laid out with a wonderfully quirky sense of timing.
Mori, Ikue / Satoko Fujii / Natsuki Tamura
Prickly Pear Cactus
(Libra)
Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC