The Squid's Ear Magazine


Courvoisier, Sylvie / Mark Feldman: Time Gone Out (Intakt)

At around 20 years of collaboration, the duo of pianist Sylvie Courvoisier and violinist Mark Feldman has redefined the dialog between European and American approaches to improvisation and composition, bridging traditional and modern approaches, here in a studio album of power and restraint, energy and fragility, discipline and freedom.
 

Price: $18.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Sylvie Courvoisier-piano

Mark Feldman-violin


Click an artist name above to see in-stock items for that artist.




UPC: 7640120193263

Label: Intakt
Catalog ID: ITK326.2
Squidco Product Code: 27443

Format: CD
Condition: New
Released: 2019
Country: Switzerland
Packaging: Jewel Case
Recorded at Oktaven Audio, in Mount Vernon, New York, on September 29th, 2018, by Owen Mulholland.

Descriptions, Reviews, &c.

"In a partnership that spans decades, pianist Sylvie Courvoisier and violinist Mark Feldman have forged a musical language that essentially obliterates the idiomatic distinctions between classical composition and improvised jazz. Both are unquestioned virtuosos, with the technical ability to do virtually anything on their respective instruments, and this is critical to their ability to create music that is on the one hand deliberate and meticulously crafted and, on the other, free-spirited and adventurous. Only musicians who have worked together as extensively as these two can achieve such a feat, one that requires a complete fusion of perspectives and a unique complementarity of purpose.

Courvoisier and Feldman have a quartet that has recorded episodically, most recently on Birdies for Lulu (Intakt, 2014) with bassist Scott Colley and drummer Billy Mintz. But they have always relished their duo recordings, where their mutual interactions can unfold most directly and immediately. Their first was Music for Violin and Piano (Avant, 1999), and they've done four others, most recently Live at ThŽ‰tre Vidy- Lausanne (Intakt, 2013), before once again teaming up for their current disc, Time Gone Out. Together, these releases are an impressive body of work, documenting the evolution of the duo's distinctive attempt to locate the vitality and surprise of jazz within music that, at least on its surface, takes the form of avant- garde classical performance.

The eight pieces on Time Gone Out are highly varied, yet they do possess a shared sensibility that gives the album its remarkable coherence. There are several miniatures, ranging from three to four minutes, and with the exception of "ƒclats for Ornette," a previous version of which was found on Courvoisier's recent trio disc, D'Agala (Intakt, 2018), these are freely improvised; the longest pieces on the record are credited individually to either Courvoisier (the title track) or Feldman ("Not a Song, Other Songs"). Compositional credits aside, however, one of the marvels of this music is that it is virtually impossible much of the time to determine the boundaries between composed and improvised segments, so that the best way to appreciate the music is simply to take it in, reveling in its revelations, of which there are many.

The shorter, fully improvised pieces are potent bursts of concentrated energy and dynamic movement. Feldman's lyrical intensity shines on the opener, "Homesick for Another World," while Courvoisier's masterful use of the interior of the piano, one of her trademarks, offers piquant commentary on Feldman's floating lines and more abstract gestures. Contrastingly, pieces like "ƒclats for Ornette" and "Blue Pearl" have ferocious rhythmic vigor and zesty jazz inflections scattered throughout.

But many listeners will find the longer pieces even more compelling. The tour de force title track, at almost twenty minutes, is a world unto itself, with beautiful, charged musical fragments entering and receding, and enough room for each musician to develop ideas both independently and mutually, being governed all the while by the piece's central logic. Its use of space is especially noteworthy, allowing Courvoisier and Feldman to take full advantage of its expansive duration in presenting their ideas. And "Not a Song, Other Songs" may be even better, with a somewhat menacing undercurrent to the music provided by Courvoisier's thunderous chordal attacks and Feldman's ecstatic surges.

While Courvoisier and Feldman will undoubtedly continue to ply their trade in many other contexts, it's worth celebrating that they return to this setting every so oftenÑas a way to seek what is most essential in their music, and to allow us the opportunity to be astonished by their efforts."-Troy Dostert, All About Jazz


Get additional information at All About Jazz

Artist Biographies

"Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time.

Courvoisier has led several groups over the years and has recorded over 25 records as a leader or co-leader for different labels, notably ECM , Tzadik and Intakt Records and 30 cds as a sideperson. She has performed and recorded with John Zorn, Mark Feldman, Yusef Lateef, Ikue Mori, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb Robertson, Butch Morris, Evan Parker, Mark Dresser, Ellery Eskelin, Lotte Anker, Fred Frith, Michel Godard, Tomazs Stanko among others. She has been commissioned to write music for concerts, radio, dance and theater. Since 1996, she has been touring widely with her own groups and as a side person in USA, Canada, Japan, Australia and Europe.

Currently, Courvoisier is the leader of her TRIO with Kenny Wollesen and Drew Gress. She performs regularly Solo and since 1997, in Duo with violinist Mark Feldman. She co-leads the Sylvie Courvoisier/Mark Feldman Quartet with Scott Colley and Billy Mintz. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra. She is currently playing and touring in different projects of John Zorn including Cobra and Masada Marathon. She is also playing in Erik Friedlander's Trio, Herb Robertson's Quintet and Nate Wooley's Quartet. Since 2010, she has been working as a pianist and composer for flamenco dancer Israel Galvan's project "la Curva" with more than 150 performances around the world.

Awards include Switzerland's 1996 Prix des jeunes créateurs; Zonta Club's 2000 Prix de la Création; Switzerland's 2010 Grand Prix de la Fondation Vaudoise de la Culture; 2013's NYFA (NewYork Foundation For the Art) Music/Sound Fellowship."

-Sylvie Courvoisier Website (http://www.sylviecourvoisier.com/bio.htm)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mark Feldman (born 1955 in Chicago) is an American jazz violinist. Feldman worked in Chicago from 1973-1980, in Nashville, Tennessee from 1980-1986, in New York City and Western Europe from 1986. He has performed with John Zorn, John Abercrombie, The Masada String Trio, Dave Douglas, Uri Caine, and Billy Hart.

He was a member of the Civic Orchestra of Chicago and played in many bar bands in Chicago. He played on over 200 recordings in Nashville as a studio musician, was a member of the Nashville Symphony, and was a member of the touring groups of country western entertainers Loretta Lynn and Ray Price.

In 2003 he was soloist with Netherlands Radio Philharmonic Orchestra in Guus Janssen's Violin Concerto and with the WDR Jazz Orchestra in Concerto for Violin and Jazz Orchestra by Bill Dobbins. At Newf York's Lincoln Center he performed in duo with pianists Paul Bley and Muhal Richard Abrams.

He has recorded with Michael Brecker, Lee Konitz, Joe Lovano, and Chris Potter and has played on over 100 recordings in New York City as a soloist in contemporary music and modern jazz.

Feldman has released several albums, including Music for Violin Alone (Tzadik, 1995); Book of Tells (Enja, 2000); What Exit (ECM, 2006 with British pianist John Taylor; To Fly to Steal (Intakt, 2010) with bassist Thomas Morgan and drummer Gerry Hemingway; and Oblivia (Tzadik, 2010) with his wife, Swiss pianist Sylvie Courvoisier. In September 2012, he and violinist Jean-Luc Ponty produced the debut album of Scott Tixier. Feldman wrote the liner notes."

-Mark Feldman Website (https://en.wikipedia.org/wiki/Mark_Feldman)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Homesick for Another World 3:32

2. Eclats for Ornette 3:57

3. Limits of the Useful 3:10

4. Blindspot 4:11

5. Time Gone Out 19:51

6. Cryptoporticus 7:30

7. Not a Song, Other Songs 10:49

8. Blue Pearl 3:32

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Piano & Keyboards
Stringed Instruments
Duo Recordings
Intakt

Search for other titles on the label:
Intakt.


Recommended & Related Releases:
Other Recommended Releases:
Feldman / Rempis / Daisy
SIROCCO
(Aerophonic)
Welcoming third improvisers into the long-standing duo, Chicago saxophonist Dave Rempis and drummer Tim Daisy invite New York/Chicago violinist Mark Feldman to perform at Elastic Arts, in Chicago, heard in two extended improvisations, superb examples of masterful technique and profound dialog.
Feldman, Mark / Katinka Kleijn
Sine Nomine
(Listen! Foundation (Fundacja Sluchaj!))
Blurring free improvisation and compositional strategies in this encounter at the "First Meeting Series" at FAB Music Studio Chicago between New York violinist Mark Feldman and Chicago cellist Katinka Kleijn, a remarkable concert in two parts showing imaginative skills of phenomenal technical expertise and experience, instant compositions of the highest order.
Stemeseder, Elias
Piano Solo
(Intakt)
A solo album from Austrian-born, NY-based pianist Elias Stemeseder, a member of the Jim Black Trio and Dre Hocevar, here presenting 14 original compositions, succinct works of inventive structures and insightful improvisation along with a traditional Austrian tune "foeggslia'l", an album revealing great skill, quick wit, and a complex mind that yields delightfully intrepid discovery.
Courvoisier / Halvorson
Searching For The Disappeared Hour
(Pyroclastic Records)
The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.
Courvoisier / Rothenberg / Sartorius
Lockdown
(Clean Feed)
Recording in the studio in Switzerland, the trio of Sylvie Courvoisier on piano, Ned Rothenberg on alto saxophone, clarinet, bass clarinet & Shakuhachi, and Julian Sartorius on drums & percussion perform a mix of compositions, with 3 from Courvoisier and 1 by Rothenberg, and 4 collective improvisations; a unified and accomplished album of diverse approaches to free improv.
Alcorn, Susan Quintet
Pedernal
(Relative Pitch)
An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Guitarist Fred Frith performed 80 concerts at NY's The Stone between 2006-2016, in diverse configurations of duos, trios, quartets and large ensembles with some of the planet's finest improvisers, of which 23 recordings, titled from NY Times headlines of each concert's day, are presented in this essential 3-CD package, which includes a 24 page booklet detailing the collection.
Nauseef, Mark
All In All In all
(Relative Pitch)
Influenced by rock, jazz, Javanese and Balinese gamelan, NY drummer Mark Nauseef's career has embraced an inclusive blending of styles, heard in this fantastic new album embracing compositional and ea styles, recorded with previous collaborators including Tony Oxley, Bill Laswell, Walter Quintus, along with Sylvie Courvoisier, Pat Thomas, Miroslav Tadic, & Arthur Jarvinen.
Wooley, Nate
Battle Pieces 2
(Relative Pitch)
Commissioned by Anthony Braxton's Tri-Centric Foundation, trumpeter Nate Wooley developed a modular compositional structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, allowing Ingrid Laubrock (sax), Sylvie Courvoisier (piano), and Matt Moran (Vibes) exceptional freedom in improvisation, here in their 2nd recording live at Koeln's Loft.
Paul, Leah
We Will Do The Worrying
(Skirl)
LA flutist Leah Paul began these works as through-composed chamber pieces, with lyrical content evolving as each song took shape, performed in a hybrid band of improvisers and chamber players with Afton Hefley singing about meditation of dreams and childhood memories.
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.



Customers Who Bought This Item Also Bought:
Hawkins, Chester
Cops Need Serial Numbers [USB mp3 & wav + pdf]
(Intangible Arts)
DC electronic explorer Chester Hawkins releases this limited edition album of 50 copies shaped in a metal bullet that unscrews to reveal a USB drive with more than 4 hours of extended forays into psychedelic electronics, synth and tabletop guitar, journeys of hard drone & abstract concrete elements, in mp3 & wav format with a pdf, housed in a handsome black case.
Brown, Marion
Capricorn Moon To Juba Lee (remastered)
(ezz-thetics by Hat Hut Records Ltd)
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Ayler, Albert Quartets
Spirits To Ghosts Revisited (remastered)
(ezz-thetics by Hat Hut Records Ltd)
Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 with Norman Howard (trumpet), Sunny Murray (drums), and alternating bass between Henry Grimes & Earle Henderson; and 1965's "Ghosts" on Debut Records with Don Cherry (trumpet), Gary Peacock (bass), and Sunny Murray.
ICP Tentet
Tetterettet
(Corbett vs. Dempsey)
10 years after drummer Han Bennink, pianist Misha Mengelberg, and saxophonist Willem Breuker formed the ICP co-op, Bennink & Mengelberg formed this 10-piece "Tetterettet", an all-star international group including Peter Brotzmann, Tristan Honsinger, John Tchicai, this their first incredible and far-ranging album, remastered and available on CD for the first time.
Millevoi's, Nick Desertion Trio (w/ Jamie Saft)
Midtown Tilt
(Shhpuma)
Leaning more towards rock than jazz, but blending compelling blues-based improv, NY guitarist Nick Millevoi leads his Desertion project through a look at Wildwood, NY, the core of the trio as bassist Johnny DeBlase (Many Arms, Sabbath Assembly) and drummer Kevin Shea (Mostly Other People Do The Killing, Talibam!), with Jamie Saft on organ throughout.
Feldman, Morton played by John Tilbury & Philip Thomas
Two Pianos And Other Pieces 1953-1969 [2 CDs]
(Another Timbre)
"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.
Tamura, Natsuki / Fujii, Satoko
Chun
(Libra)
Intricately melodic and wonderfully ecstatic duos from trumpeter Natsuki Tamura and pianist Satoko Fujii improvising on 9 Fujii compositions.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC