The Squid's Ear Magazine


LFU (Lisbon Freedom Unit) : Praise Of Our Folly (Clean Feed)

Without a leader, this 9 piece collective ensemble includes members of Red Trio (Rodrigo Pinheiro, Hernaani Faustino and Gabriel Ferrandini), Garden (Jose Bruno Parrinha, Ricardo Jacinto, Luis Lopes), the duo Eitr (Pedro Sousa and Pedro Lopes), 2/3 of the Rodrigo Amado Motion Trio (Amado, Ferrandini) and half of the Luis Lopes Humanization 4tet (Lopes and Amado).
 

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Personnel:



Luis Lopes-electric guitar

Rodrigo Amado-tenor saxophone

Bruno Parrinha- soprano saxophone, clarinet

Pedro Sousa-tenor saxophone

Rodrigo Pinheiro- piano, rhodes

Ricardo Jacinto-cello

Hernani Faustino-double bass

Pedro Lopes-turntables, electronics

Gabriel Ferrandini-drums, percussion


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UPC: 5609063004809

Label: Clean Feed
Catalog ID: CF480
Squidco Product Code: 26172

Format: CD
Condition: New
Released: 2018
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Namouche studio, Lisbon, Portugal, on November 4th & 5th 2015, by Joaquim Monte.

Descriptions, Reviews, &c.

"The first avant-gardes of the 20th century began a special interiorization of aspects coming from the creativity of children, of the then-called "savages" and of the demented, and that interest explains much of the Western artistic evolution until today. The improvising co-operative Lisbon Freedom Unit assume that legacy in its musical practice and in the title of this record, refering it to the classic "In Praise of Folly", written by the Renascentist scholar Desiderius Erasmus. Without a leader, this ensemble of nine reunites some of the most distinguished musicians of the Lisbon free jazz and free music circles. Mixed here are the members of Red Trio (Rodrigo Pinheiro, Hernaani Faustino and Gabriel Ferrandini), of Garden (Jose Bruno Parrinha, Ricardo Jacinto, Luiis Lopes) and of the duo Eitr (Pedro Sousa and Pedro Lopes), and also 2/3 of the Rodrigo Amado Motion Trio (Amado, Ferrandini) and 2/4 of the Luis Lopes Humanization 4tet (Lopes and Amado). Having all of them in the same band it seems is in itself crazy, but the only chaos you'll hear is totally organized: if nobody follows a sacrament it's because only folly can bring us close to God, as Erasmus used to say."-Clean Feed


Artist Biographies

"Averse to any linearity, the idiosyncratic Luís Lopes, a musician connected to Jazz, improvised and experimental music, has been building his career, a simple and singular story, characterised by a unique voice, free of corsets, formal ties or constraints and mannerisms regarding strict stilistical implications. He is an unfollower... experiments himself through paradoxes. Invokes teachings by following standards of subversion to any possibility of pre-established idea. Eminent self-subversion... Introspective timeless trance.

Running Multi-international groups, especially his Humanization 4tet (with Portuguese Rodrigo Amado and Texan's Aaron and Stefan Gonzalez), Lisbon Berlin Trio (with Germans Christian Lillinger, Robert Landfermann), and his "Noise" or "Love Song(s)" Solos, plus his highly recommended records he is growing as an international artist, playing at important Festivals and venues not just in Portugal but in Europe and U.S.

Coming from a rock/punk and blues background, while studying at local classic and rock schools, he began studying Jazz at Hot Club Portugal School and then was finalist at Escola de Jazz do Barreiro/Lisbon. Then did studies with Saxophonist Joe Giardullo who opened for him the doors of modern jazz harmony complexity through the George Russell's "Lydian Chromatic Concept of Tonal Organization", plunging Lopes into the world of improvised and experimental music, without disregard for his fascination with distorion and guitar feedbacks, expressed in different incursions into noise music, while also canalizes energys towards projects where he can develop his composing abilities.

In more recent times, Lopes has played and / or recorded with different artists connected to jazz and improvised music, such as Noel Akchoté, Christian Lillinger, Robert Landfermann, Marco Von Orelly, Marc Unternahrer, Adam Lane, Igal Foni, Floros Floridis, Joe Giardulo, Harvey Sorgen, Benjamin Duboc, Phill Niblock, Ernesto Rodrigues, Paulo Curado, Sei Miguel, Rodrigo Amado, Hernâni Faustino, Gabriel Ferrandini, Rodrigo Pinheiro, Miguel Mira, Aaron Gonzalez, Stefan Gonzalez, Dennis Gonzalez, Elliot Levin, Alfred Hart, Daniel Levin, Reuben Radding, Daniel Carter, Jeb Bishop, Josh Abrams, Jean-Luc Guionnet, Samuel Blaser, Boris Hauf, Evan Parker, Olivier Benoit, Fred Lomberg-holm, Valentin Ceccaldi, Gonçalo Almeida, among many others."

-Luis Lopes Website (http://www.luislopes.pt/?page_id=972)
4/28/2025

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"Portuguese saxophonist (alto, C melody, baritone, and tenor) Rodrigo Amado specializes in free-form, composition-in-the-moment jazz, and his various projects and trios have given him an international following. Born in Lisbon in 1964, Amado began studying the sax at the age of 17, briefly at the Hot Club Music School of Lisbon and with mentors Carlos Martins, Pedro Madaleno, and Jorge Reis, among other leading Portuguese jazz artists. With diverse musical interests, he explored how improvisation is handled in other genres, although his work with his various ensembles like the Lisbon Improvisation Players and the Motion Trio (with Miguel Mira and Gabriel Ferrandini) falls clearly under the umbrella of 21st century jazz, and he has been an in-demand studio player on numerous recorded projects. He started his own label, Clean Feed, in 2001, with brothers Pedro and Carlos Costa, before leaving the imprint in 2005 to start a second label, European Echoes. Also an accomplished professional photographer, Amado continues to be a bright light on the Portuguese and international improvisational jazz scene."

-All Music, Steve Leggett (http://www.allmusic.com/artist/rodrigo-amado-mn0000249324/biography)
4/28/2025

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"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
4/28/2025

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Pedro Sousa is a Portuguese improviser, jazz saxophonist and guitarist, known for the groups Pedro Sousa, Johan Berthling & Gabriel Ferrandini; Canzana; EITR; Falaise (2); ikb; OTO; P‹o; Rajada.

-Discogs (https://www.discogs.com/artist/560912-Pedro-Sousa)
4/28/2025

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"Rodrigo Pinheiro was born in 1973 in Covilhã, a small town in the center of Portugal. He started learning the piano when he was five at the Conservatory of Covilhã and later at the Conservatory of Lisbon until he was eighteen. He soon got involved with the free Portuguese improvisation scene, having played with Américo Rodrigues, José Oliveira, Nuno Rebelo, Rodrigo Amado, Luís Desirat, Bruno Parrinha or Ernesto Rodrigues. Pinheiro's intuitive approach to improvisation and exploration of the piano timbres, using both classical and extensive techniques, makes his music energic, polyrhythmic and full of contrasts. Moreover, he has honed his technique at workshops of improvisa- tion and composition where he has played with virtuous names, such as Carlos Zíngaro, Peter Kowald, Gunther Muller or Patrick Brennan. He has also performed with several musicians, like Hiroshi Kobayashi, Cristin Wilboltz, Nathan Fuhr, Blaise Siwula, Per Anders Nilsson, John Zorn, Nobuyasu Furuya, Jason Stein, Nate Wooley, John Butcher, Lotte Anker, Joe McPhee, Keir Neuringer, among others. In 2010 Pinheiro formed his project RED Trio, with Hernâni Faustino (bass) and Gabriel Ferrandini (drums). The band has recorded four albums with Clean Feed and Nobusiness Records and performed live at jazz and improvised music festivals and concerts in Portugal, USA, Netherlands, Germany, Austria, Poland and Romenia. He is also a member of the Nobuyasu Furuya Quintet, which has two released albums by Chitei Records e Nobusiness Records. His most recent projects are his trio earNear, with João Camões (viola) and Miguel Mira (cello), and the Clocks and Clouds' quartet, with Luís Vicente (trumpet), Hernani Faustino (bass) and Marco Franco (drums)."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
4/28/2025

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"Ricardo Jacinto / Lisbon (1975). Lives and works in Lisbon and Belfast. Working as an artist and musician mainly focusing on the relation of sound and space. Currently pursuing a PHD at the Sonic Arts Research Center / Belfast. Graduated in Architecture at the University of Lisbon-Faculty of Architecture, and Sculpture and Advanced Visual Arts at Ar.Co / Lisbon. Graduate courses at the School of Visual Arts, New York. Musical studies at the Hot Clube de Portugal and Academia de Amadores de Música / Lisbon. Since 1998 has presented his work in individual and group exhibitions, concerts and performances, in Portugal and abroad. Has collaborated extensively with other artists, musicians, architects and performers. Founder of OSSO - Cultural Association

Presented is installation work in several contemporary art venues in Portugal and across Europe: Projet Room CCB_Lisboa, Círculo de Belas Artes em Madrid, MUDAM_Luxemburgo, Centro Cultural Gulbenkian_Paris, Manifesta 08_European Bienal de Arte Contemporânea de Itália, Loraine Frac- Metz, OK CENTRE_Linz_Austria, CHIADO 8_Culturgest_Lisbon, Casa da Música / Porto e Bienal de Arquitetura de Veneza de 2006.

As a cellist has mainly worked in the field of free improvised music playing in several formations and with different musicans: Nuno Torres, Rodrigo Pinheiro, David Maranha, Hernani Faustino, Ernesto Rodrigues, Luis Lopes, Ricardo Guerreiro, C Spencer Yeh, Shiori Usui, Manuel Mota, Pedro Rebelo, Franziska Schroeder, Simon Rose, Paul Stapletton, Jean Luc-Guionnet, Gabriel Ferrandini, Orquestra de geometria variável, PinkDraft, Cacto, FOIRMFADA, among others. Has played in different venues in Portugal and abroad: Fundação de Serralves / Porto, Palais Tokyo / Paris, SARC / Belfast, Festival VERBO / São Paulo, Festival Temps d' Images_Lisbon, Festival Rescaldo_Lisbon, Festival BigBang_CCB_Lisbon, Culturgest_Porto e Lisboa, ZDB / Lisboa, Dança Base_Edimbrugh, Kabinett 0047_Oslo, Fundação Calouste Gulbenkian / Paris, among others."

-Ricardo Jacinto Website (http://www.ricardojacinto.com/about)
4/28/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
4/28/2025

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"Pedro Lopes, is a turntablist, computer scientist & hardware t(h)inker.He plays turntables like they are full-fledged instruments, which means they can be bowed, percussed, scratched, subversed & hacked. He makes his own needles and records using circuit-bending and acrylic cutting. He engages in collaboration with visual artists, performance & improvisors.

He has played in venues such as Transmediale, Serralves Foundation, Casa da Música, OutFest, Rescaldo, Metasonic & Future Places and collaborate with many artists: Carlos Zíngaro, André Gonçalves, Gabriel Ferrandini, Pedro Sousa, Miguel Sá, Hernâni Faustino, Rodrigo Pinheiro, Per Gärdin, Carlos Santos, Manuela São Simão and in ensembles conducted by William Winnant (Zorn's Cobra), Reinhold Friedl & Ernesto Rodrigues."

-Pedro Lopes Website (http://plopesmusic.org/)
4/28/2025

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"He started playing drums at fourteen, when he took up his musical studies at the Crescendo School in São João do Estoril, near Lisbon. At nineteen, he made studies at the Hot Clube Portugal, where he stayed for a year and a half. In 2006 he entered the Academia de Amadores de Música where he studies to this day with Alexandre Frazão as his master. In 2007 he did a workshop with the drummer Paal Nilssen-Love.

Towards the end of 2007 and to date he has taken part in various concerts with multiple projects alongside artists and ensembles like: Nobuyasu Furuya Trio, Rodrigo Amado Motion Trio, Alípio C. Neto, Carlos Zíngaro, DJ Ride, Variable Geometry Orchestra, Riot Trio, Luís Lopes Duo, John Butcher, Jason Stein, Jon Irabagon, Ernesto Rodrigues Septet and the Nikolaus Gerszewski Ensemble."

-Gulbenkian Music (https://gulbenkian.pt/musica/en/biography/gabriel-ferrandini-2/)
4/28/2025

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Track Listing:



1. Praise: I 12:02

2. Praise: II 12:21

3. Praise: III 14:24

4. Praise: IV 13:16

Related Categories of Interest:


Clean Feed
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Large Ensembles
Staff Picks & Recommended Items
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Clean Feed.


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