Three label leaders come together for an album of free electroacoustic improvisation--Thanos Chrysakis (Aural Terrains); Kurt Liedwart (Mikroton); Ernesto Rodrigues (Creative Sources), with Nuno Torres on sax--for an extended dialog built of exotic and microscopic sound, string aberrations, and reed abnormalities; exceptional.
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Sample The Album:
Thanos Chrysakis-laptop computer, synthesizer
Kurt Liedwart-laptop computer
Nuno Torres-alto saxophone
Ernesto Rodrigues-viola
Click an artist name above to see in-stock items for that artist.
UPC: 5609053404241
Label: Creative Sources
Catalog ID: cs424
Squidco Product Code: 24767
Format: CD
Condition: New
Released: 2017
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at the Art Sound Recording Studio in Moscow, Russia, on June 17th, 2016, by
"When it comes to using electronics in improvisation (or as part of a compositional basis for improvising, à la Braxton's Diamond Curtain Wall Music), I've basically taken the attitude that if the result is engaging, I'll engage with it. I admit to something of a soft spot for acoustic albums, though, particularly as musicians develop some of the physical techniques for broadening their timbral pallets to include sonorities derived from electronic music.
Of course, considering that I so often interact with music via recordings, there is usually some element of "electronics" already involved anyway in what I actually hear. That said, I'm still emphasizing the element of spontaneous group interaction, rather than some fully rendered composition or process.
Within this "improvising with electronics" idiom, Thanos Chrysakis had already stood out to me for his sense of line & form, basically the way that he sculpts sounds & brings them to one's attention within a broad tapestry. This is true, once again, on Skiagraphía, a new improvising quartet release on Creative Sources, and a collaboration with Ernesto Rodrigues (with whom Chrysakis had collaborated most recently on Exaíphnes, a tightly conceived & brightly colored album, first discussed here in September 2015) & Kurt Liedwart of Moscow.
Filling out the quartet is Nuno Torres (alto), who has appeared on many similar projects with Rodrigues, including the rather comparable Primary Envelopment, with Wade Matthews on electronics. The latter was recorded in the first half of 2014 (discussed here in March 2015), and features an especially wide pitch canvas, from growling to piercing tones, amid which the listener often finds themselves surrounded. Although it includes a range of pitches, including timbres from helicopters & foghorns (metaphorically speaking) to whistling teapots, Skiagraphía proceeds more from the middle (i.e. human ranges), and shows Chrysakis's talent for rendering "strange" sounds into a coherent foreground presence. In that quality, it's rather similar to Carved Water, recorded later in 2014 (and discussed here this past January): Although the latter album has a different emphasis, particularly around wind articulation, and a resulting liveliness, it features a remarkably similar ensemble of two electronics artists (including Chrysakis) with viola & saxophone.
It's an earlier recording, though, with Skiagraphía originating in Moscow only this past June. I had heard Kurt Liedwart (b.1977) in a couple of albums previously, including with AMM legend Keith Rowe, but they hadn't really spoken to me: In particular, his work often seems to remain rather atmospheric, exploring the edge of audibility & articulation. That isn't the case with Chrysakis involved, and following on the "sound installation" concerns of Carved Water, Skiagraphía ("silhouette") can really capture one's attention, sometimes with urgency. Although it's a short album, I've found it to be consistently potent, with a strongly interactive dynamic across a range of timbral combinations, as explored by these experienced improvisers. There is a sonic richness that is never overwhelming, yet is also difficult to qualify amidst many shifting resonances: It makes for a satisfying haunting (or interrogation of haunting), somehow."-Todd McComb (medieval.org)
Get additional information at Todd McComb's Jazz Thoughts
Artist Biographies
• Show Bio for Thanos Chrysakis "Thanos Chrysakis' output consists of composition, performance, and installation. He was born in Athens in 1971. After residing in the UK between 1998-2014 he moved in 2015 to Belarus. With several albums to his name his work has appeared in festivals and events in several countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Academy of Arts / M:AI (Museum für Architektur und Ingenieurkunst NRW)- Berlin, TU - Berlin, Diapason Gallery - New York, ohrenhoch - der Geräuschladen Gallery - Berlin Neukölln, Spazioersetti Gallery - Udine, XXII "Sound Ways" International New Music Festival - St. Petersburg, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, ZEPPELIN festival - Barcelona, IVM (Institut Valencià de la Música) - Valencia, Motus/Festival Futura 2013 / 21 édition - Crest-Vallée de la Drôme-Diois, Xposed Club - Cheltenham, Festival de Música Contemporanea "Ramiro Guerra" - Monterrey, FACT Centre - Liverpool, Association Ryoanji - Salle Des Fêtes - Ahun, The Center for Advanced Musical Studies at Chosen Vale/International Chosen Vale Trumpet Seminar 2014 - Hanover-New Hampshire, Frost School of Music - Clarke Recital Hall - Coral Gables/Florida, XIII Festival Internacional de Música Nueva - Monterrey, Splendor - Amsterdam, VI European Clarinet Festival - Camerino - Italy, Logos Foundation - Ghent, Palacio de Bellas Artes - Mexico City, "On the Edge of Perceptibility - Sound Art" Műcsarnok Kunsthalle - Budapest, Festival del Bosque GERMINAL - Mexico City, Noise & Fury Festival - Moscow, Oosterkerk - Amsterdam, Center for New Music - San Francisco, Västerås Konstmuseum - Västerås, Störung festival - Barcelona, BMIC Cutting Edge concert series - The Warehouse - London. His music has been frequently aired by RAI Radio 3, BBC Radio 3, Radio Portugal Antenna 2, Radio Nacional de España Radio 3, Ireland's RTÉ Lyric FM, Polskie Radio (Warsaw), RTS - Radio Belgrade 3 (Serbia), FM Brussel, Elektramusic (Strasbourg), CKCU FM - (Ottawa), Undae! Radio and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid), Radio Horizon (Johannesburg), Motus/Radio Saint Ferréol -Les Territoires Du Son (la radio du Val de Drôme), Radio Nova (Oslo) among others. In addition, his texts have been also appeared in the Leonardo Music Journal (MIT Press), the Vague Terrain Journal, and in the volumes The Book of Guilty Pleasures and The Idea of the Avant Garde - And What It Means Today (Manchester University Press) edited by Marc James Léger. He composes for electronic and acoustic instruments, as well environmental sounds, focusing on the structural, aesthetic and transfigured capacity of sonic matter. His formal training encompasses percussion (Dimitris Tzafestas), Sonic Arts (Hugh Davies) at the Lansdown Centre for Electronic Arts and a PhD in composition from Goldsmiths, University of London (EMS/Michael Young) as well as private studies in orchestration with Dmitri Smirnov. However it is the yearning of the creative praxis itself that transmitted the crucial aspect of artistic practice: that something has to be staked, that something must be ventured. His work was amongst the selected works at the 32nd International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Composition Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal). He has written music for distinguished musicians such as Philippe Brunet (flugelhorn, trumpet), Wilfrido Terrazas (flutes), Chris Cundy (baritone saxophone, bass clarinet), the Stockholm Saxophone Quartet, Jason Alder (bass clarinet), Alexander Bruck (viola), Yoni Silver (bass clarinet), Natalia Pérez Turner (cello), Nadia Ratsimandresy (Onde), Mikael Rudolfsson (alto trombone), Matias Karlsen Bjornstad (soprano saxophone), Liam Hockley (clarinets), Michael Pelzel (church organ), Kate Ryder (piano, prepared piano), Tzenka Dianova (piano), Claire Chase (bass flute), Peter Evans (trumpet), Julie Kjaer (alto saxophone/alto, Luis Tabuenca (percussion), Philip Chase Hawkins (trumpet). Recent compositions amongst others, include: Above the Hidden Track an Endless Blaze (Aural Terrains 2015), Terra Firma (for Mikael Rudolfsson [alto trombone] 2015), Astraea (for the Stockholm Saxophone Quartet, 2013), Undercurrent (for Liam Hockley [clarinet in A] 2014), Arché (for Chris Cundy [baritone saxophone] 2014), Nocturnal Flight (for Nadia Ratsimandresy [onde] 2014), Ingress (for Yoni Silver [bass clarinet] 2015), Canto Intrare (for Philippe Brunet & Philip Chase Hawkins [duo trumpets] 2015), Μήτε το Κύμα / Νé da'll onde (for Wilfrido Terrazas & Natalia Pérez Turner [bass flute / cello] 2014]. He has recorded/performed with a number of improvisers including among others Wade Matthews, Dario Bernal-Villegas, Jerry Wigens, James O'Sullivan, Philip Somervell, Jamie Coleman, Chris Cundy, Zsolt Sőrés, Sebastian Lexer, Javier Pedreira, Julie Kjaer, Artur Vidal, Christian Kobi, Christian Skjødt, Yoni Silver, Nuno Torres, Kurt Liedwart, Ernesto Rodrigues, Abdul Moimême. Furthermore, he has also closely collaborated with the visual artists Pascal Dombis, and Villő Turcsány. Since 2007 he operates the record-label 'Aural Terrains' focusing in electroacoustics, composed and improvised music. He has held residencies at the Visby Centre for Composers (twice) and at the Artus Contemporary Arts Studio in Budapest. His work has been supported by PRS for Music Foundation and the Swedish Art Council. Current and upcoming projects for 2016-17 include a residency at the Porticello Artist Residency in Calabria/Italy, a series of compositions for the Hyperion Ensemble, Tim Hodgkinson (bass clarinet), Yoni Silver (bass clarinet), Tibi Cenuser (trombone), for the Stockholm Saxophone Quartet, for Konus Quartett, for Liam Hockley (clarinets in A and E♭), Laura Faoro (bass flute), Philippe Brunet (trumpet), Elena Kakaliagou (french horn), Stephan Vermeersch (bass clarinet), Alexander Bruck (viola), Natalia Pérez Turner (cello), Chris Cundy (bass clarinets), Markus Wenninger (clarinet E♭), Serge Bertocchi (Tubax E♭), Shadanga Duo (alto flute/alto clarinet), Katalin Szanyi (alto flute), Jason Alder (contra bass clarinet), Alejandro Tello (oboe), Wilfrido Terrazas (flutes), Dana Jessen (bassoon) as well a new electronic music CD entitled 'Equinox'." ^ Hide Bio for Thanos Chrysakis • Show Bio for Kurt Liedwart "Kurt Liedwart, born in 1977 in Moscow, USSR, is an artist, improviser, music producer, label owner and founder of the Moscow-based experimental and electroacoustic improvised music label Mikroton Recordings. He has developed his own art and sound that cross genres, mixing music practices such as electroacoustic and improvised music, noise and glitch, and art movements such as actionism and Fluxus. He plays a wide-ranging array of instruments such as analog synthesizers, electronics, light-controlled electronics, electromagnetic devices, laptop, sinewaves, field recordings, percussion processed electronically in real time. Plays and records solo and in various formations with Martin Taxt, Arturas Bumšteinas, Ernesto Rodrigues, Guilherme Rodrigues, Nuno Torres, Abdul Moimême, Julien Ottavi, Heddy Boubaker, Alexandre Losada, Jason Kahn, Burkhard Beins, Alexander Markvart, Sergey Kostyrko, Birgit Ulher, Gregory Büttner, Piotr Tkacz, Gerard Lebik, Annette Krebs, Klaus Filip, Noid, Norbert Möslang, Keith Rowe, Alfredo Costa Monteiro, Miguel A. Garcia, Xavier Lopez, Dmitry Krotevich, Nicola Ratti, Alberto Boccardi, Hannes Lingens, Pierre Borel, Radu Malfatti, Alexei Borisov, Ignaz Schick, Stefano Pilia, Thomas Buckner, Ilia Belorukov, Andrey Lomakin, Edita Fyl, Oleg Makarov, Phil Raymond, Bruno Duplant, Pedro Chambel, Andrey Popovsky, Konstantin Sukhan, Alexey Sysoev, Brinstaar, Denis Sorokin, Paul Roth, Ian Douglas-Moore and others. Various recordings released on his own Mikroton Recordings as well as on Intonema, Hideous Replica, Copy For Your Records and so on. Played at various festivals: Abracadabra (Moscow), Noise & Fury 2008 (Moscow), XXII Festival Of Modern Art (Bryansk), Love Live Electronic Festival (Moscow), Ru.Noise 2009 (Kiev), Ad Libitum 4 Festival (Warsaw), Ruby Attack Festival (Moscow), Prepared Environments on Prepared Wednesdays 2010: Informal Tribute to John Cage (Moscow), Prepared Environments on Prepared Wednesdays 2011 (Moscow), Poetronica 2010 (Moscow), Poetronica 2011 (Moscow), Teni Zvuka 2011 (Saint-Petersburg), Noise & Fury 2011 (Moscow), Alt+E Fest 2011 (Moscow), Prepared Environments 2012 (Moscow), Teni Zvuka 2013 / Mikroton Live 2 (2013 | Moscow, Saint-Petersburg), Prepared Environments 2013 (Moscow), Noise & Fury 2013 (Moscow, Yaroslavl, Saint-Petersburg), Teni Zvuka 2014 / Mikroton Live 3 (2014, Moscow, Saint-Petersburg), Der blöde dritte Mittwoch (2014, Vienna), Music Of Now (2015, Saint-Petersburg), Escucha! (2016, Madrid). As a music critic he wrote for Billboard Russian Edition, Electronic Music Magazine, Contemporary Music Magazine, Tonschrift., Colta." ^ Hide Bio for Kurt Liedwart • Show Bio for Nuno Torres "Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives." ^ Hide Bio for Nuno Torres • Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues
1/26/2026
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1/26/2026
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1/26/2026
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1/26/2026
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Track Listing:
1. Skiagraphia 32:13
Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation and Experimental Forms
London & UK Improv & Related Scenes
Quartet Recordings
Staff Picks & Recommended Items
Search for other titles on the label:
Creative Sources.
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| Rodrigues, Ernesto / Guilherme Rodrigues / Jung-Jae Kim / Andreas Willers Points of Dichotomy (Creative Sources) |
| This quartet of viola and crackle box, cello, tenor saxophone, and acoustic guitar/voice captured live in Berlin at Richten25 unfolds a finely balanced improvisation shaped by contrast and restraint, as acoustic textures and electronic disruptions interact through tension, fragmentation, and close collective listening within a continually shifting sonic landscape. |
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| Rodrigues, Ernesto / Ines Ferreira / Carlos Santos / Monsieur Trinite Cimetiere des Bateaux (Creative Sources) |
| Recorded live at Lisbon's Cossoul during the Creative Sources Improvised Music Series, Ernesto Rodrigues (viola, crackle box, objects), Inês Ferreira (violin, whistle), Carlos Santos (modular synth), and Monsieur Trinité (percussion) shape a single, textural improvisation where austere string detail, small percussion, and unstable electronics drift from near-silence into sharper, eccentric turns. |
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| Rodrigues, Ernesto / Guilherme Rodrigues Pico (Creative Sources) |
| Portuguese improvisers Ernesto Rodrigues and son Guilherme Rodrigues juxtapose a live Berlin performance with field recordings from Pico Island in a quietly probing duo set where viola, cello, crackle box, and environmental sound blend in austere, texture-driven improvisations that move between subtle acoustic detail and atmospheric ambiguity. |
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| Rodrigues, Ernesto / Jung-Jae Kim / Guilherme Rodrigues / Eric Bauer / Stephen Flinn Crossing The Floor (Creative Sources) |
| Emerging from Ernesto Rodrigues' post-Cage investigations, this quintet with Jung-Jae Kim, Guilherme Rodrigues, Eric Bauer, and Stephen Flinn shapes sparse, deeply relational music where strings, winds, electronics, and percussion hover in spectral balance, forming a quiet "ghost dance" of held tones and subtle motion that blurs interior and exterior spaces while sculpting time through restraint and resonance. |
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| Rodrigues, Ernesto / Erhard Hirt / Guilherme Rodrigues Munster (Creative Sources) |
| Recorded live at BLACK BOX in Münster, the trio of Ernesto Rodrigues (viola, crackle box), Erhard Hirt (electric guitar, electronics), and Guilherme Rodrigues (cello, objects) unfolds a focused, textural improvisation where tactile electronics, bowed strings, and percussive gestures move from fragile passages toward denser mechanical motion, shaping a richly detailed sonic environment with subtly shifting momentum. |
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| Rodrigues, Ernesto / Claudia Risch / Grgur Savic / Guilherme Rodrigues Past Dreams In Rust (Creative Sources) |
| Recorded in Berlin in 2022, this quartet of violin, flute/bass clarinet, alto saxophone, percussion, and cello unfolds a restrained improvisation focused on fragile textures, breath-driven tones, and microtonal tension, as shifting timbres and sparse gestures accumulate into a patient, weathered soundscape shaped by decay, resonance, and collective listening. |
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| Rotor (Rodrigues / Torres / Santos) Pulses and Paradox (Creative Sources) |
| Recorded live at Sistema Smop in Lisbon across two performances in late 2023, the trio of Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), and Carlos Santos (digital electronics) are captured sustained improvisations where acoustic timbre and electronic gesture converge in an expansive dialogue that alternates between subtle textural pulses and unpredictable sonic paradoxes. |
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| Rodrigues, Ernesto / Fala Mariam / Andre Hencleeday / Seu Barradas February Find (Creative Sources) |
| Captured live as part of the Creative Sources Improvised Music Series in Lisbon, this quartet performance brings viola, crackle box, alto trombone, piano, and percussion into a finely balanced improvisation where texture and restraint guide the music's unfolding, revealing a deeply interactive dialogue shaped by close listening, fragile electronics, and quietly evolving sonic relationships. |
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| Rodrigues, Ernesto / Guilherme Rodrigues / Maximilian Glass Beyond The Mist And The Unforeseen Encounters (Creative Sources) |
| An intimate, texturally rich trio session recorded in Berlin between Ernesto Rodrigues on viola & crackle box, Guilherme Rodrigues on cello, and Maximilian Glass on percussion, navigating misty lowercase atmospheres, glitch-box coloration, and finely balanced interactions that unveil subtle surprise and collective improvisation within a tight, exploratory sound world. |
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| Rodrigues, Ernesto / Miguel Mira / Flak / Tiago Varela / Manuel Guimaraes Genius Loci (Creative Sources) |
| Continuing Rodrigues' post-Cage series of single-track acoustic improvisations, this 2025 quintet with Miguel Mira, Flak, Tiago Varela, and Manuel Guimaraes blends viola, cello, electric guitar, fan organ, melodica, and piano in an evolving tapestry of mysterious breath, subtle continuity, and fragile sonic space recorded live in Lisbon with profound delicacy and restraint. |
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| Rodrigues, Ernesto / Ana Albino / Hernani Faustino / Carlos Santos A Glimpse To An End Of A Cycle (Creative Sources) |
| Recorded live in Lisbon in 2025, this quietly immersive quartet session from Ernesto Rodrigues, Ana Albino, Hernani Faustino, and Carlos Santos unfolds as a single extended movement of enigmatic timbral interplay, blending modular synth, electric guitar, viola and bass in a sparse, introspective soundscape shaped by mystery, fluidity, and subtle dynamic shifts. |
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| AGogol / NaabtalDeath / Ernesto Rodrigues / Guilherme Rodrigues Mistika Jpeg Oscillations (Creative Sources) |
| In a surreal electroacoustic encounter recorded live in Hannover, the quartet of AGogol, NaabtalDeath (Jerome Noetinger), Ernesto Rodrigues, and Guilherme Rodrigues deconstructs chamber music into a visceral, alchemical performance of modified strings, electronics, and crackling noise, blending absurd vocalizations, brutal textures, and delicate atmospheres into a raw, dreamlike sound theater. |
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| Chrysakis, Thanos Psyche (Eternal Music Projects) |
| Exploring the depths and boundaries of the psyche through seven compelling electroacoustic compositions, Greek composer Thanos Chrysakis delivers a deeply psychedelic, mysterious, and immersive sonic journey, masterfully blending electronic textures and acousmatic elements that resonate within the listener's consciousness, psyche, and imagination — a vivid reflection on complex inner landscapes. |
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| Van Schouwburg, Jean-Michel / Nuno Torres / Ernesto Rodrigues / Joao Madeira / Carlos Santos La Rambarde Des Songes, Les Congruences Des Soupirs (Creative Sources) |
| A hushed and enigmatic quintet improvisation featuring Jean-Michel Van Schouwburg's extended vocal techniques alongside Nuno Torres (alto saxophone), Ernesto Rodrigues (viola, crackle box), João Madeira (double bass), and Carlos Santos (modular synthesizer), unfolding in reductionist, pointillistic interplay that explores subtle texture, utterance, and resonance. |
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| Isotope Ensemble Caesium (Creative Sources) |
| Recorded live at CreativeFest #18 in Lisbon, the Isotope Ensemble channels the volatile and fluid nature of caesium through spontaneous improvisation, blending strings, brass, woodwinds, piano, electric guitars, modular synthesizer, electronics, and objects into a dynamic sonic reaction that reflects the element's unique liquid properties that make the isotope pivotal role in atomic timekeeping. |
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| Rodrigues, Ernesto / Jung-Jae Kim / Alvaro Rosso Meari: Instant Waves (Creative Sources) |
| A live trio improvisation from violist Ernesto Rodrigues, tenor saxophonist Jung-Jae Kim, and bassist Alvaro Rosso, recorded at Lisbon's CreativeFest#18 at Casa do Comum, in Lisbon, unfolding as a 28-minute journey from hushed, lowercase textures to dynamic, scrabbly interplay, emphasizing timbral nuance and collective exploration in an intimate acoustic setting. |
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| Parrinha, Bruno / Andrew Levine / Ernesto Rodrigues sENSOR oUT oF sERVICE (Creative Sources) |
| In a live performance emphasizing minimalism and lowercase improvisation, Ernesto Rodrigues (viola, crackle box), Bruno Parrinha (bass clarinet), and Andrew Levine (Theremin, modular synth, crackle box, stereo field) engage in a nuanced exploration of subtle textures and sonic interactions, resulting in an immersive and introspective auditory experience. |
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| Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues Whispers In The Moonlight - In Seven Movements [2CDs] (Creative Sources) |
| Capturing a richly nuanced sonic journey across seven improvised movements from concerts in Berlin, Köln, and Munich, this 2-CD set from the Portuguese trio of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), and Nuno Torres (alto sax) presents a masterful exploration of intricate textures, hushed atmospherics, and lyrical interplay, woven into a vivid tapestry of contemporary European free improvisation. |
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| Zingaro, Carlos / Carlos Bechegas / Ernesto Rodrigues Spleen (Creative Sources) |
| A fascinating live performance from Lisbon's Reverso Festival in 2024, where luminaries Carlos Zíngaro (violin), Ernesto Rodrigues (viola, crackle box), and Carlos Bechegas (flute, piccolo) intertwine their distinct approaches into an intricate tapestry that blends classical sensibilities with free improv exploration in a compelling journey through texture and timbre. |
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| Rodrigues, Ernesto / Carlos Santos / Miguel Mira The Knowledge That Our Time Is Limited Can Inspire Us (Creative Sources) |
| Recorded live during the 2024 Creative Sources Cycle, violist Ernesto Rodrigues, cellist Miguel Mira, and analog synthesist Carlos Santos deliver a nuanced and exploratory collective improvisation, drawing on Rodrigues's delicate textural approach, Mira's lyrical sensitivity, and Santos's ethereal synth interactions, evoking an urgent reflection on the fleeting nature of time. |
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| Rodrigues, Ernesto / Helena Espvall / Tracy Lisk Illuminations (Creative Sources) |
| A fluid and energetic improvisation recorded live at COSMOS in Lisbon, as Ernesto Rodrigues (viola, crackle box), Helena Espvall (cello), and Tracy Lisk (drums) engage in a texturally rich performance of scattered, bouncing string interplay, with percussion subtly framing the dialogue, resulting in a dynamic and layered exploration of sound. |
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| Alder, Jason / Thanos Chrysakis / Charlotte Keeffe / James O' Sullivan Inward Traces Outward Edges (Aural Terrains) |
| Embracing acoustic and electronic improvisation, this London-recorded session features Jason Alder's contrabass clarinet & sopranino sax, Charlotte Keeffe's trumpet & flugelhorn, James O'Sullivan's exploratory electric guitar and Thanos Chrysakis' laptop and synthesizers, collectively shaping a shifting, atmospheric soundscape of drone, spectral timbres, and dynamic textures. |
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| Rodrigues / Gratkowski / Rodrigues / Griener Unstable Molecules (Creative Sources) |
| Bridging jazz and contemporary forms, this 2024 live recording of four improvisations at Berlin's Kuhlspot Social Club channels collective power with chamber jazz influences, showcasing the refined techniques and deep experience of Ernesto Rodrigues on viola, Frank Gratkowski on clarinets and alto saxophone, Guilherme Rodrigues on cello, and Michael Griener on percussion. |
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| Rodrigues / Sa / Rocha / Rodrigues / Silva / Varela / Goncalves / Flak / Trindade Mimesis (Creative Sources) |
| Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon. |
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| Rodrigues / Torres / Hencleeday / Santos Synopsis (Creative Sources) |
| Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint. |
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| Lisbon String Trio & Carlos Santos Cobra (Creative Sources) |
| The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety. |
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