"Bobby Lee Bradford (born July 19, 1934) is an American jazz trumpeter, cornetist, bandleader, and composer. He is noted for his work with Ornette Coleman. In October 2009, Bradford became the second recipient of the Festival of New Trumpet Music's Award of Recognition.

Bobby Lee Bradford's life begins in Mississippi, he and his family then moved to Dallas, Texas, in 1946. He moved to Los Angeles, California in 1953 where he reunited with Ornette Coleman, whom he had previously known in Texas. Bradford subsequently joined Coleman's ensemble, but was drafted into the U.S. Air Force and replaced by Don Cherry.

After playing in military bands from late 1954 to late 1958, he rejoined Coleman's quartet from 1961 to 1963, which infrequently performed in public, but was indeed recorded under Coleman's Atlantic contract. Quite unfortunately, these tapes were among those many destroyed in the Great Atlantic Vault Fire. Freddie Hubbard acted as Bradford's replacement upon his departure to return to the West Coast and pursue further studies. Bradford soon began a long-running and relatively well-documented association with the clarinetist John Carter, a pairing that brought both increased exposure at international festivals (though the records remain scantily available, when one excludes web rips and bootlegs). Following Carter's death in 1991, Bradford fronted his own ensemble known as The Mo'tet, with which he has continued to perform since. He is the father of drummer Dennis Bradford. He is also the father of jazz vocalist Carmen Bradford.

He holds a B.M. degree from Huston-Tillotson College (now Huston-Tillotson University) in Austin, Texas.

In addition to Coleman, Bradford has performed with Eric Dolphy, Leon "Ndugu" Chancler, Ingebrigt H�ker-Flaten, Bob Stewart, Charlie Haden, George Lewis (trmbn.), James Newton, Frode Gjerstad, Vinny Golia, Paal Nilssen-Love, and David Murray, who was previously a student of his in the 1970s.

He is an instructor at Pasadena City College in Pasadena, California, and Pomona College in Claremont, California, where he teaches The History of Jazz, known to be one of the most popular classes available."

"Saxophonist/theorist Hafez Modirzadeh has performed, recorded, published and lectured internationally on original cross-cultural musical concepts which include "Convergence Liberation" (in Critical Studies in Improvisation, 2011), "Compost Music" (in Leonardo, 2009), "Aural Archetypes" (in Black Music Research, 2001), as well as "Chromodality" (for Wesleyan University, 1992). Twice an NEA Jazz Fellow, Dr. Modirzadeh received a Senior Fulbright Award in 2006 to work with Flamenco and Gnawan traditions in Andalucia and Morocco, and again in 2014, to research Turkish Makam harmonization in Ankara. He is currently a Professor of Creative/World Music at San Francisco State University."

Mark Dresser is a Grammy nominated, internationally renowned bass player, improviser, composer, and interdisciplinary collaborator. At the core of his music is an artistic obsession and commitment to expanding the sonic, musical, and expressive possibilities of the contrabass. He has recorded over one hundred thirty CDs including three solo CDs and a DVD. From 1985 to 1994, he was a member of Anthony Braxton's Quartet, which recorded nine CDs and was the subject of Graham Locke's book Forces in Motion (Da Capo). He has also performed and recorded music of Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Osvaldo Golijov, Gerry Hemingway, Bob Ostertag, Joe Lovano, Roger Reynolds, Henry Threadgill, Dawn Upshaw, John Zorn. Dresser most recent and internationally acclaimed new music for jazz quintet, Nourishments (2013) his latest CD (Clean Feed) marks his re-immersion as a bandleader. Since 2007 he has been deeply involved in telematic music performance and education. He was awarded a 2015 Shifting Foundation Award and 2015 Doris Duke Impact Award. He is Professor of Music at University of California, San Diego.

"Alex Cline (born January 4, 1956) is an American jazz drummer.

Born in Los Angeles, California, Cline began playing drums with his twin brother, guitarist Nels Cline, at the age of 11. Their first band was called Homogenized Goo and included David Hirschman on guitar. Alex Cline began a musical association with woodwind artist Jamil Shabaka in 1976 as "Duo Infinity". In 1977, he became a member of Vinny Golia's group as well as the Julius Hemphill Trio (along with Baikida Carroll), formed the electric improvisational trio Spiral (with brother Nels and synthesizer player and multi-instrumentalist Brian Horner) and began performing solo percussion concerts.

In 1979, Alex and Nels Cline, along with bassist Eric von Essen and violinist Jeff Gauthier, formed "Quartet Music", a group that enjoyed continued success in its performances and four recordings over an eleven-year period and was awarded grants from the National Endowment for the Arts and the California Arts Council.

In 1982, Alex Cline made his solo debut with Not Alone (Nine Winds), a double LP of percussion music. In 1987, he recorded The Lamp and The Star (ECM), his first album as a bandleader-composer. As the leader of his own group, The Alex Cline Ensemble, he can be heard on Sparks Fly Upward and The Constant Flame, two releases on Cryptogramophone Records, an LA-based independent creative-jazz label. Cline's other improvisational collaborations include right of violet and The Other Shore, both with Jeff Gauthier and ex-Shadowfax guitarist G.E. Stinson, and Cloud Plate (Cryptogramophone) with Stinson, vocalist Kaoru and koto player Miya Masaoka.

Other groups Cline has led are Alex Cline's Band of the Moment and The Rain Trio (with Eric Barber and Scott Walton). He has also been involved in duo percussion collaborations with Ron George, Peter Erskine, Christopher Garcia, Andrea Centazzo, Gregg Bendian and Dan Morris, as well as involved in performing the works of composers such as Robert Eriksson, Harold Budd and David Means.

Cline has served as composer and/or performer for numerous modern dancers and dance companies in Los Angeles, including Margaret Schuette, Linda Fowler, the Momentum Company's "Soundspace" concerts, Dance/LA, the UCLA Dance Company and has enjoyed a longstanding involvement with Will Salmon's Open Gate Theatre company.

He has participated in performance collaborations with visual artists Yoshio Ikezaki, Norton Wisdom, Kio Griffith and 2-Tu. He has worked on feature and cable television film soundtracks, done numerous sound workshops and percussion clinics, plus lecture-demonstrations on Asian metal percussion instruments. Cline has also been the curator of the Open Gate Theatre's Sunday Evening Concerts series, a new music/creative jazz showcase held monthly in Eagle Rock, California (since 1997).

He also works as an interviewer/interview series developer-coordinator at the UCLA Library Center for Oral History Research.

Cline has played on over eighty recordings, and has worked with Gregg Bendian, Tim Berne, Arthur Blythe, Bobby Bradford, John Wolf Brennan, John Carter, Buddy Collette, Mark Dresser, Marty Ehrlich, Vinny Golia, Henry Grimes, Charlie Haden, Joseph Jarman, Henry Kaiser, Yusef Lateef, Charles Lloyd, Myra Melford, Frank Morgan, Don Preston, Elliott Sharp, Wadada Leo Smith, Philip Gelb, Richard Grossman, and others."