"Based in Oslo, Norwegian bass player Ole Morten Vågan has been a central part of the scandinavian jazz and impro community for the last decade, performing with among others Motif, The Deciders, Håvard Wiik Trio, The Trondheim Jazz Orchestra, Maria Kannegaard Trio, Andratx, Bugge Wesseltofts NCOJ, Maciej Obara Int. Quartet, Audun Kleive´s Generator X and more recently also Joshua Redman Trio with Jorge Rossy and Ole Morten Vagan . After discovering jazz as a youngster in the Northern town of Brønnøysund (just below the polar circle), he went on to study with amongst others the fantastic bassist Mats Eilertsen, and attending the very influential Jazz Conservatory in Trondheim, Norway.

Also active as a composer, he has written commisions for a.o. the Grammy Nominated norwegian string orchestra The Trondheim Soloists, and more recently for the well renowned Trondheim Jazz Orchestra, of which he is now Artistic Director for 2017-2019 - In addition to steadily writing for bands like Motif and The Deciders for the last ten years. Folk music of different kinds has also been at the core of Vågans interests, and through collaborations with a.o. Jovan Pavlovic, Ola Kvernberg and Stian Carstensen, he has immersed himself in the gipsy music of eastern Europe, Indian Classical Music and also norwegian folk music. He has also had the pleasure of performing with artists from an array of different countries and cultures, including some of the premier Eastern European folk musicians, among them Giani Linca, Filip Simoneov, Ivo Papasov and Petar Ralchev (after a rehearsal with the latter two, Ole Morten experienced his first and probably also last odd meter-induced fever.)

A curious interest in folk music and also classical music is the main focus in the group Gammalgrass, where he plays alongside Carstensen and Kvernberg, two of the most talented musicians coming out of Norway in recent years. Vågan was also the recipient of the Dnb Nor/Kongsberg Jazz Festival Award in 2009, following in the footsteps of people like Sidsel Endresen, Bugge Wesseltoft, Christian Wallumrød, Audun Kleive, Nils Petter Molvaer and many more.

Over the years, Vågan has worked in a wide array of ensembles and settings, which have included some of the most central musicians and bands on the norwegian and international jazz scene. Among these are: Bugge Wesseltoft´s NCOJ, Maria Kannegaard, Thomas Strønen, John Scofield, The Joshua Redman Trio, Erlend Skomsvoll, Eirik Hegdal, Jason Moran, Jorge Rossy, Maciej Obara, Dominik Wania, Iain Bellamy, Ståle Storløkken, Nils Petter Molvær, Dhaffer Youssef, Ivo Papasov, Terje Rypdal, Audun Kleive, Perico Sambeat, Gard Nilssen, Jarle Vespestad, Stian Carstensen, Ola Kvernberg, Paal Nilssen Love, Håkon Kornstad, Tore Brunborg, Bobo Stenson, Jon Christensen, Axel Dörner, Rudi Mahall, Fredrik Ljungkvist, Tobias Delius, Kresten Osgood, Jon Fält, Christian Wallumrød, Eivind Lønning, Håvard Wiik, Jonas Kullhammar, Atle Nymo, , Håkon Mjåset Johansen, Michael Thieke, Arve Henriksen, Aaron Parks, Ambrose Akinmusire, Marcus Strickland and many others."

"Johan Erik Nylander (born 3 April 1981 in Norberg, Sweden) is a Swedish jazz musician (drums), improviser and composer, working in Norway since 2002. He plays in several bands, among them Ola Kvernberg Trio, "Kobert", Kirsti Huke Quartet, Tore Brunborg Trio, "Liarbird", Bjørn Alterhaug Quintet, "Peloton", Juxtaposed, Magic Pocket, "Monoswezi", and his own Erik Nylanders Orkester.

After completing high school at Domarhagsskolan, Nylander studied on the Jazz program at Trondheim Musikkonservatorium (2002-04). He fold recognition on the Norwegian and Nordic jazz scenes within various projects and contributed on a number of releases, among them the album Corrupted Mirror (2009), in a meeting with Karl Stømme (trumpet) and Steinar Nickelsen (keyboard). The album took shape in the studio where the musicians met without any specific intention to record an album. The idea was to use the three instruments in interaction playing all kinds of music, coming naturally in the moment. The recordings were made in three different sessions. Most of the tracks are improvised on the spot, but also includes compositions written by Strømme and Nickelsen. The Oberheim OB-X synthesizer from 1980 was crucial for the album soundscape.

In 2005 he performed at the international Jazz festival Nattjazz in Bergen, Norway, with Marita Røstad & "Velvet City". The album A festa Vale Tudo (2009) within his Erik Nylanders Orchestra (including Eivind Lønning, Espen Reinertsen, Hanna Gjermundrød, Ole Morten Vågan and Petter Vågan) marked Nylander's debut as a record producer and band leader. He has also collaboratively initiated several other band projects."

"Bachelor of performing jazz from Jazz Academy, Trondheim, NTNU, 2008.

Master of performing jazz/improvised music from Norwegian Academy of Music, finish 2016.

Written about Kristoffer Berre Alberts

"Alberts' hearty saxophone is a center piece of the music. Both brash and agile, he switches from post-bop lines to caterwauls in a moment's notice." av Paul Ascquaro. Freejazzblog

"Saxophonist Kristoffer Berre Alberts has mastered a personal tonal language" - Eyrel Hareuveni, All about jazz"

"Kristoffer Kompen (born 14 August 1984 in Oslo, Norway) is a Norwegian Jazz musician (trombone) and composer, known from a series of performances and recordings within bands like "Jazzin' Babies" and with musicians like Eirik Hegdal, Eyolf Dale, David Skinner, Håkon Storm-Mathisen and Kåre Nymark.

Kompen studied music and music education at the Norwegian Academy of Music (2005-11), and also attended the Agder Musikkonservatorium in Kristiansand (2004/2005) and Kungliga Musikhögskolan in Stockholm (2007/2008). He has toured several times with Rikskonsertene, various big bands and ensembles, theater productions and a variety of bands in jazz and related music. Compensation has performed in numerous occasions, including with Kringkastingsorkesteret in Den Norske Opera, August 2011.

At 15 years old he joined the orchestra "Jazzin' Babies", and later joined bands like Staffan William-Olsson Sextet and Kåre Nymark Band. He also has two own bands, the Swedish-Norwegian Union Rhythm Kings and Kompen Quintet. Within the latter band, Kompen released his acclaimed debut solo album Short Stories of Happiness in 2011. The reviewer Erling Wicklund of the NRK Jazz states: "The compositions by Kompen are also mysterious, but exciting enough".[1] On his second solo album A Tribute to Jack Teagarden (2013), he has chosen to honor his great inspiration Jack Teagarden (1905-64) by interpreting a dozen tunes from his repertoar. This is to sets the benchmark high as he was the leading jazztrombonisten from the 1920s right up to the bebop revolution of the 1940s. Kompen delivers an even more praised album this time.[2][3]

Kompen was musically responsible for the ending tour "Swing It, Love It Dig It" by Rikskonsertene 2012 and lead the opening concert of the Oslo Jazzfestival in Den Norske Opera the same year."