Squidco: Nagl, Max / Otto Lechner / Bradley Jones: Flamingos

Nagl, Max / Otto Lechner / Bradley Jones

Flamingos

Max Nagl (composer, saxophones), Otto Lechner (accordion, piano, voice) and Bradley Jones (double bass) play ten pieces inspired by Charles Mingus but with a unique signature that is Nagl's own.

Price: $13.75

In Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:

Product Information:

Personnel:

Max Nagl-alto saxophone, baritone saxophone, soprano saxophone

Otto Lechner-accordion, piano, voice

Bradley Jones-doublebass

Click an artist name above to see in-stock items for that artist.

UPC: 752156060925

Label: Hatology
Catalog ID: Hatology609
Squidco Product Code: 18480

Format: CD
Condition: New
Released: 2004
Country: Switzerland
Packaging: Cardstock 3 page foldover
Recorded January 27th-29th, 2003 at SWR Studio 1, Gunter Eich-Haus by Alfred Habelitz.

Descriptions, Reviews, &c.

"When music is so perfume-soaked, marked with such imagery, haunted by history,and pierced through and through with trembling and chills, it lays bare its own humility. And in doing so, enchants us. This is none other than a reflection of our own humanity. A reflection that, at the hand of these gifted musicians, becomes a little more desperate,and at the same time, a little more beautiful too."-Alex Dutilh

Track Listing:

1. Bowling 5:35

2. Pills 5:04

3. Cigar 4:30

4. Essing 3:57

5. Weird Nightmare 4:13

6. Bad Hotel 4:27

7. Frolic 3:49

8. Flamingo 4:55

9. Work Song/ Haitian Fight Song 5:07

10. Bad Chain 6:20

Related Categories of Interest:

Improvised Music
Hat Art

Search for other titles on the label:
Hatology.

Recommended & Related Releases:

Von Orelli 5, Marco
Alluring Prospect
(Hatology)

Innovative arrangements in trumpeter Marco von Oreilli's quintet release, performed with trombonist Lukas Briggen, pianist Michael Wintsch, bassist Kasper von Gruningen, and drummer Samuel Duhsler, through 7 original and lyrical compositions that never fail to surprise.

Customers Who Bought This Item Also Bought:

Shipp, Matthew / Steve Swell
Space Cube Jazz
(RogueArt)

The first duo recordings from fellow New York jazz musicians, trombonist Steve Swell and pianist Matthew Shipp, having brushed shoulders together with Whit Dickey, Dom Minasai, Jemeel Moondoc, Allen Lowe &c., they bring a wealth of familiar knowledge and language to their binary concentration, through twelve concise dialogs themed around the dark expanse of space; masterful and intimate.

Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Sud Des Alpes
(Aerophonic)

The 10th album from The Rempis Percussion Quartet, the dual-drumming free improvising collective quartet of Dave Rempis on alto & tenor saxophones, Ingebrigt Haker Flaten on bass, and Tim Daisy & Frank Rosaly on drums, celebrating their 15th anniversary as a working band through this exhilarating concert captured during their 2019 European Tour at AMR in Geneva, Switzerland.

Winter, Michael / Liminar
Single Track
(Another Timbre)

Working with Liminar, one of the premier new music ensembles in Mexico, German/US composer Michael Winter wrote this dynamic and extended work pursuing a method of enumerating all ways of articulating a 6-note chord with 7 instruments bound by certain constraints, using the computer science concept of "Gray Code" switches to create shifts within the piece's progressions.

von Orelli, Marco / Tommy Meier / Luca Sisera / Sheldon Suter
Lotus Crash
(ezz-thetics by Hat Hut Records Ltd)

Trumpeter Marco von Orelli's piano-less quartet with Tommy Meier on tenor saxophone, bass clarinet, Luca Sisera on double bass, and Sheldon Suter on drums is caught live at Theater am Gleis, in Winterthur, Switzerland in 2018, and at Boudoir au Revoir, the same year, performing von Orelli's compellingly clever compositions, plus one each from Adam lane and Tommy Meier.

Shipp, Matthew
Invisible Light, Live Sao Paulo
(ezz-thetics by Hat Hut Records Ltd)

Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".

Schlippenbach, Alexander von / Aki Takase
Live At Cafe Amores
(NoBusiness)

Legendary free jazz pianist Alexander von Schlippenbach, founder of Globe Unity Orchestra and Berlin Contemporary Jazz Orchestra, met masterful Japanese pianist Aki Takase in 1995 for a live concert at Cafe Amores, in Hofu, Yamaguchi, Japan, for a concert of intricate interplay and uniquely creative approaches, taking on work by Mingus, Monk, and even Frank Zappa.

Rosenberger, Katharina
SHIFT
(Hat [now] ART)

First recordings of composer Katharnia Rosenberger's SHIFT and other dynamic and exciting works incorporating spatialization, by an electroacoustic orchestra including Rage Thrombones, captured in 2016 at the University of California, in San Diego, California.

Paul, Leah
We Will Do The Worrying
(Skirl)

LA flutist Leah Paul began these works as through-composed chamber pieces, with lyrical content evolving as each song took shape, performed in a hybrid band of improvisers and chamber players with Afton Hefley singing about meditation of dreams and childhood memories.

Dahinden, Roland / Hildegard Kleeb
Stones
(Hatology)

Married and working as a duo since 1987, Swiss pianist Hildegard Kleeb and trombonist Roland Dahinden have a rare telepathic link in their freely improvised duos, informed by their work with Anthony Braxton, Alvin Lucier, John Cage, Pauline Oliveros, Christian Wolff, &c. &c.

Harrison, Jackson Trio
Sintering
(Hatology)

Melodic and texturally rich jazz from the trio of pianist Jackson Harrison with Ben Waples on double bass and brother James Waples on drums, a lyrical album of original compositions named for the process of coalescing a powder into a solid by heating it without liquefaction.

Sanna, Claudio
Ammentos
(Hatology)

Sardinian pianist Claudio Sanna, versed equally in the classical, jazz, and electroacoustic traditions, in his debut recording of 8 original compositions blending composition and improvisation, revealing an enthusiastic and curious approach to music.

Rempis Percussion Quartet, The (w/ Haker-Flaten / Rosaly / Daisy)
Cash And Carry
(Aerophonic)

After 10 years together, the Rempis Percussion Quartet led by saxophonist Dave Rempist, Frank Rosaly, Tim Daisy on drums and percussion, and Ingebrigt Haker-Flaten on bass, recorded this concert at Chicago's Hungry Brain for a superlative album of rhythmically simmering free improv.

Eskelin, Ellery
Solo Live At Snugs
(Hatology)

Ellery Eskelin performing solo on tenor saxophone at 61 Local in Brooklyn, NY, four original compositions, personal and distinctive improvisation like listening to tales from a well seasoned and adept traveler.

Wintsch, Michel
Roof Fool
(Hatology)

Innovative and idiosyncratic Swiss pianist Michel Wintsch in a set of original compositions that combine ambient sound and intentionality, displaying great technical skills and a unique mind that embraces melody and the unexpected aspects of improvisation.

Stockhausen / Beethoven (Pi-hsien Chen)
Klavierstucke / Sonaten
(Hat [now] ART)

Alternating between Stockhausen and Beethoven, pianist Pi-Hsien Chen performs solo works including "Klavierstuck", "Sonata A-Dur Op. 101" and "Sonata C-moll Op. 111", contrasting and comparing the innovations of both composers.

Fox, Chistopher
Works For Piano, Philip Thomas piano
(Hat [now] ART)

Four large and distinctive works by composer Christopher Fox performed by pianist Philip Thomas, who also writes the liner notes about the works, revealing and explaining the compositional elements, piano preparations, and physical requirements placed on the performer.

Raulin, Francois Trio
Trois Plans Sur La Comete
(Hatology)

Pianist Francois Raulin's trio with soprano saxophonist Francois Corneloup and double bassist Bruno Cheviloon, also providing vocals recording in the studio in France, 2000.

Bailey, Derek / Trevor Watts / John Stevens
Dynamics of the Impromptu
(FMR)

Live recordings from 1973-74 from the trio of drummer John Stevens, guitarist Derek Bailey, and saxophonist Trevor Watts, dynamic works performed "impromptu" with a wealth of ideas as these innovators demonstrate the skills that helped define them as masterful players.

Ammann, Dieter
The Freedom of Speech
(Hat [now] ART)

The Ensemble fur Neue Musik Zurich plays seven pieces by Swiss composer Dieter Ammann, each made through a very slow creative process that contrasts the very lively and gestural music.

Lim, Liza
The Heart's Ear
(Hat [now] ART)

Although she has probably become known as one of Australia's best-known composers, Liza Lim's compositions undermine centuries-old Eurocentrism and are largely inspired by Asian culture.

Counterpoise (Carisi / Sauter / Wolff / Wolfpe)
Counterpoise
(Hat [now] ART)

Four composers - John Carisi, Eddie Sauter, Christian Wolff, and Stefan Wolpe - create a program of works with a measured balance in the interrelated and contrasting material.

Haubenstock-Ramati, Roman
Mobile For Shakespeare
(Hat [now] ART)

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

Kasemets, Udo
Pythagoras Tree
(Hat [now] ART)

Pianist Stephen Clarke plays seven works for solo piano by Estonian-born, Canadian-naturalized composer Udo Kasemets that focus on specific designs of micro-detail.

Nagl, Max Ensemble
Ramasuri
(Hatology)

Musician and composer Max Nagl in his first release that breaks away from his standard miniaturist compositions and is played with a broad-band ensemble.

Grossman, Richard
Where The Sky Ended
(Hatology)

Pianist Richard Grossman in a trio with double bassist Ken Filiano and percussionist Alex Cline, playing freely improvised jazz in a live setting.