Representing some of the finest of UK free improvisers, the quartet of John Edwards on bass, Mark Sanders on drums, Liam Noble on piano, and Paul Dunmall on tenor & alto saxophones are recorded in the studio in Birmingham for three extended improvisations of commanding technique, creative drive and wide dynamics; the power of free jazz in the hands of masters.

The collaborative Australian electric jazz trio of Simon Jeans on guitar, Johannes Luebber on keyboards, and Daniel Susnjar on drums, who create semi-composed sonic structures that are used for collective improvisation and also live film scores and contemporary dance works, present 3 "Artefacts" using multiple structures of passionate and melodically inspired playing.

Comprised of Anglo-Russian pianist Vladimir Miller (Moscow Composers Orchestra), Italian double-bassist Pierpaolo Martino (Mondegreen, Howl and Machine3) and British saxophonist Adrian Northover (The Remote Viewers, London Improvisers Orchestra), this collective improv trio brings a lyrical and melodic approach to their performances of graceful and cultivated conversation.

A tightly integrated group that balance strongly melodic material and fully free and spacious improv from the Melbourne, Australia quartet of Hiroki Hoshino on double bass, Miles Henry on drums, Theo Carbo on guitar, led by trumpeter Paul Williamson, presenting four lyrical modern jazz compositions from both Williamson & Hoshino, and 4 collective improvisations.

NY pianist & composer Bob Gluck's band with Gluck on piano, Andrea Wolper on voice, Kinan Azmeh on clarinet, Ken Filiano on bass, and Tani Tabbal on drums, blends passionate songs of social justice with captivating improvisational interplay, balancing a love of beautiful melody and sonic innovation, powerful rhythms, and exhilarating interactions between players.

New York saxophonist Jon Irabagon, performing on alto and Swanee saxophone, joins alto & tenor saxophonist Paul Dunmall for a burning live performance at Sanson Studios in Birmingham in a quartet with bassist James Owston and drummer Tymek Jozwiak, the saxophones weaving and climbing over the powerful and adept rhythm section; formidable!

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

A duo of Brussels audio explorers, Jean-Jacques Duerinckx on sopranino saxophone and Anatole Damien on tabletop guitar and electronics, contrasting acoustic "dry" and highly effected "wet" sounds, the two develop sonic environments that build and release using unusual reed techniques and mutated string scrabbling in a strangely compelling set of dialogs.

Rob Burke composed the first seven pieces for this experimental NY quartet, the multi-reedist joined by guitarist Ben Monder, drummer Tom Rainey, and Ben Grayson on electronics, the last "Discordat" a collective improvisation in 4 parts, as the band investigates emotional approaches to playing, using subtle distortion and Grayson's post-editing sonic additions.

A burning album of collective free jazz from Canadian compatriots Francois Carrier on alto saxophone and Michel Lambert on drums, on a spring tour of Europe, performing at Poland's MOZG in Byrgoszcz, home of the MOZG Festival, with Polish tenor saxophonist Tomek Gadecki amd bassist Marcin Bozen, also on French Horn, in an exhilarating set of three extended improvisations.

Rick Countryman on alto saxophone, Simon Tan on bass, and Christian Bucher on drums cover diverse territory while letting each player stand out in this studio album of collective improvisation, their frequent collaborations allowing them to evoke a strong degree of melodicism among spontaneous interaction, from energetic grooves to ballads to beautiful textural work.

"Here Now Hear" is comprised of nine innovative Australian works commissioned and recorded by the Monash Art Ensemble between 2017 & 2019, featuring an eclectic mix of contemporary cross-genre music by significant Australian composers: Paul Grabowsky, Kate Neal, Andrew Ford, Robert Burke, Cat Hope, Marc Hannaford, Paul Williamson, Johannes Luebbers and Sandy Evans.

Quartet, trio and duo sessions between Paul Medley on alto saxophone & bass clarinet, Trevor Taylor on percussion & electronics, Matthew Hutchinson on piano, and Philipp Wachsmann on violin & electronics; improv and ea-improv that uses space and patient pacing, merging approaches from Circuit Electro-Acoustic Ensemble with an overall acoustic chamber feel--beautiful.

A single extended improvisation from the trio of Udo Schindler on reeds, brass & analogue synthesizer, Gunnar Geisse on laptopguitar & virtual instruments, and Anton Kaun on electronics, zeug & effects recorded live at Das Lihotzky/wagnis ART, in Munchen, Germany in 2017, a journey of odd intent, brilliant technique, eccentric attitude, and unorthodox dialog.

UK percussionist and electronic artist Trevor Taylor's Circuit project in an extended electroacoustic version with Jon Seagroat on reeds & electronics, Tim Chatzigiannis on computer & electronics, Mathew Hutchinson on piano, Paul Medley on reeds, and Philipp Wachsmann on violin & electronics, in carefully controlled and sublimely detailed improvisation.

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

NY Drummer Jim Bashford brought together the quartet of John O'Gallagher on alto saxophone, Drew Gress on bass, and Liam Noble on piano, writing these lyrical free jazz compositions that they brought on a tour of the UK, recording this album in the studio in Birmingham while touring, the band on fire as they work through Bashford's martial art's-influenced pieces.

A live performance at IKLECTIK in London in 2018 from trombonist Alan Tomlinson's inventive trio with Phillip Marks on drums & percussion and Dave Tucker on electric guitar, with special guest John Edwards joining on bass violin for the title track, in a superb display of free jazz led by an essential member of the London free jazz scene since the 70s.

A duo of Brussels audio explorers, Jean-Jacques Duerinckx on sopranino saxophone and Anatole Damien on tabletop guitar and electronics, contrasting acoustic "dry" and highly effected "wet" sounds, the two develop sonic environments that build and release using unusual reed techniques and mutated string scrabbling in a strangely compelling set of dialogs.

Birmingham drummer Ed Gauden's Crux trio with bassist Colin Somervell and saxophonist Mark Hanslip add keyboardist Steve Tromans in their 3rd album for FMR after their self-titled and "Believe" releases, originally developed from the sax and drum duo of Gauden & Hanslip; here in an extended studio improvisation of considerate exploration and lyrical intention.

Reissuing the 1977 album from UK guitarist Ian Brighton, written as an instrumental story for children, apparently very sophisticated children, in a mix of composed and freely improvised passages, using non-idiomatic approaches with unusual and extended techniques, open atmospheric passages and strange transitions, a peculiar and wonderful album of imaginative playing.

Scottland's large improvising ensemble of around 20 musicians, merging backgrounds in free improvisation, jazz, classical, folk, pop, experimental musics and performance art, in a 2-CD release of a piece commissioned by the BBC and featuring pianist Marilyn Crispell and saxophist Evan Parker, written using graphic scores, through composition, photographs and artwork.

Each track on this album is named for a tractor brand (Eicher, Kubota, &c.) and the liner notes are directions regarding a tractor's maintenance, as the ea-trio of UK improvisers Pat Thomas on piano & electronics, Dominic Lash on double bass, and Lawrence Casserley on a signal processing instrument provide 10 inventive improvisations that validate a sound working condition.

Two saxophones take the front line in Paul Dunmall's 2018 studio album, the leader on tenor saxophone with fellow tenor player Julian Siegel, also on bass clarinet, while Mark Sanders drums and Percy Pursglove handles bass and also trumpet, as the band falls into a hard bop mode, weaving lines together over wonderfully turbulent and soulful grooves; outstanding.

Improvised duos between Serbian violist Szilard Mezei and Hungarian cellist Albert Markos, for more than 15 years, with two previous albums recorded (Korom (Creative Sources, 2008), and "Der" (Bandcamp, 2016), this third album presents 5 interconnected works of subtle and impressive technique as the two string players trade approaches in a fascinating conversation.

The Portuguese ensemble Nau Quartet led by alto saxophonist Jose Lencastre, with Rodrigo Pinheiro on piano and Hernani Faustino on bass (both members of Red Trio) plus Joao Lencastre on drums, in their second album of beautifully hazy improvisation, building and receding in authoritative conversations of innovative and inspired playing; excellent.

Three strings, percussion and electronics from the quartet of Phillip Wachsmann on violin, electronics, Trevor Taylor on percussion, electronics, Marcio Mattos on bass, cello, electronics, and Ian Brighton on electric guitar, which grew out of the 2016 return of guitarist Ian Brighton and his String Thing, released on FMR as "Reunion: Live From Cafe Oto".

West Coast baritone saxophonist Dave Sewelson leads the accomplished quartet of Steve Swell on trombone, William Parker on bass, and Marvin "Bugalu" Smith on drums through six collective compositions, plus a reprise of Sewelson's earlier "Music for a Free World" composition, and his new composition "Bill" for guitarist/composer and friend Bill Horvitz.

Vojvodinian composer and violist Szilard Mezei formed this septet in 2005, his 3rd chamber group with a distinctly free jazz voice, citing influences Gyorgy Szabados, Anthony Braxton, Bela Bartok, Witold Lutoslawsky, Gyoryg Ligeti, Jimmy Giuffre, Steve Lacy, Mal Waldron, to which we would add Eric Dolphy, here in their second FMR album capturing a live concert in Serbia, 2018.

Serbian violinist and composer Szilard Mezei's septet in a recording for KCNS Novi Sad from 2015, three tracks of contemporarily orchestrated free improvisation performing three extended Mezei compositions, sophisticated works with effortlessly elaborate structures affording his septet opportunity in group interplay and well-developed soloing, a great achievement.

A large band project from UK composer, arranger and conductor Giles Thornton, directing 29 musicians through original works and reinterpretations of ballads like Joni Mitchell's "A Case of You", in a blend of acoustic and electronic musicians that avoids overt fusion overtones while keeping the music melodic with the occasional exotica flair.

Long-time collaborators, saxophonist Paul Dunmall and guitar Philip Gibbs are joined by Neil Metcalfe on flute and Ashley-John Long on bass for a concert at the Victoria Rooms, in Bristol, England in 2017, six collective improvisation of spectacular technique and inventive playing, often at very fast tempos, but always resolving to an inner calm and beauty.

Australia's performing trio Omelette of Jordan Murray on trombone, Ronny Fereller on drums, and Luke Howard on piano follow up their 2014 album on Jazzhead with this live album, the trio joined by Chilean percussionist working in Melbourne Javier Fredes, for a lyrical and rhythmically rich live performance at Melbourne's JazzLab in 2017.

Blending Serbian ethnic flavors, rich experience in both improvised and compositional/symphonic music, with inventive and creative free improvisation, viola player Szilard Mezei's leads his trio with double bassist Ervin Malina and drummer Istvan Csik through seven original compositions, two of which were captured live in performance in Novi Sad.

Clarinetist and bass clarinetist Peter Kuhn defines his "intentions" with his trio of bassist Kyle Motl and drummer Nathan Hubbard, recording in the studio in 2017 for an album of determined, informed and demanding free improvisation, a reflection of Kuhn's life and his direction to create superb modern jazz music with power, release, and inventive joy.

Multi-reedist Peter Kuhn returned to the San Diego scene in 2013, forming the Dependent Origination band with a core of drummer Alex Cline and saxophonist Dave Sewelson, referencing the Buddhist concept of interdependent co-arising; 4 years later this album adding Dan Clucas (cornet) & Scott Walton (bass) represents the current state of this excellent collective band.

A live recording from Kongsberg Jazzfestival in 2017 between frequent collaborators, Norwegian improviser Frode Gjerstad on reeds and Chicago improviser Fred Lonberg-Holm on cello and electronics, their second FMR album as a duo, alongside their work in the Cello Quartet and VCDC, showing the progression of their dynamic and fascinating dialog.

An amazing example of extremely detailed collective free improvisation from the trio of Szilard Mezei on viola, Tim Trevor-Briscoe on alto & tenor saxophone, soprano clarinet, and bass clarinet, and Nicola Guazzaloca on piano, Mezei's strings adding a rapid-scatter of expressive playing, as the trio pitches forward and lays back for lyrical moments; astonishing!

The peforming duo of Tokyo pianist Yoko Miura on conventional piano, toy piano and melodica, and free improvising vocalist Jean-Michel Van Schouwburg are recorded in the studio for 14 succinct and unusual improvisations, Fou Records leader Jean-Marc Foussat recording the affair and providing electronics on one track; wonderfully weird and informed.

Live recordings from Pollat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected!

After his duo release with John Stevens, Norwegian saxophonist continues his series of partnerships by joining with saxophonist Sabir Matten for an album recorded in New York City, 10 improvisation that show how their complementary style propel each into unique territory of intertwining, propulsive, and creative playing.

A wonderfully balanced example of melodic free improvisation from the UK trio of Mark Hanslip on tenor saxophone, Colin Somervell on bass, and Ed Gauden on drums, frequent collaborators with an interest in both lyrical and free/collective improvisation, with an approach that uses technique and conceptual approaches in accessible and embraceable ways.

An exciting album crossing free improvisation with chamber approaches and extended techniques from Serbian violist Szilard Mezei performing in a trio with pianist Marina Dzukljev and drummer/percussionist Vasco Trilla, recording in Novi Sad, Serbia in 2017.

Fascinating sound and drone music from this interesting German ensemble led by Reinhold Friedl, "ikebana" takes its name from the tradition of Japanese flower arranging which dates back to the 7th century, with 8 tracks named as such: Shoka, Rikka, Nigeria and Morimono.

During their 2014 tour, Canadian saxophonist Francois Carrier and long-time partner, percussionist Michel Lambert, went into the Experimental Sound Gallery [ESG 21] in St. Petersburg, Russia with pianist Alexey Lapin to record these superb free improvisations.

An album of improvised electronics from frequent collaborators Paul Dunmall on a Yamaha WX11 electronic wind instrument, and Philip Gibbs performing on electric guitar, in 9-parts exploring the unusual tonalities in both expansive and highly technical approaches.

Live recordings from the trio of Paul Dunmall on soprano and tenor sax, Philip Gibbs on guitar, and Ashley John Young on double bass, performing at Cardiff University School of Music Concert Hall in 2016, a great example of concentrative, complex and lively interplay.

Hard working free improv session from the UK trio of Paul Dunmall on tenor sax, John Edwards on double bass and the late Tony Marsh on drums, performing live at the Vortex in 2010, and at UWE in Bristol, 2007, never released material reminding of Marsh's stature and skill.

The collaboration of UK saxophonist Paul Dunmall and American ex-pat drummer Tony Bianco has at least a 15 year history, heard in these telepathic duos of free improvisation recorded at Delbury Hall, Shropshire in 2014 for 3 extended works of breathtaking playing.

Composer Frank Perry presents some new and some old unreleased recordings of solos, duos and trios featuring world famous musicians such as Evan Parker, David Toop, Paul Lytton, Paul Lovens, Jin Hi Kim and Trevor Taylor.