The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center.
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Sample The Album:
Udo Schindler-alto saxophone, bass clarinet, euphonium, trumpet
Eric Zwang Eriksson-drums
Erwin Rehling-percussion, objects
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Label: FMR
Catalog ID: FMR683
Squidco Product Code: 34279
Format: CD
Condition: New
Released: 2023
Country: UK
Packaging: Digipack - 3 panel
Recorded live at BASIS_Klangraum in MUCCA and dasvinzenz, in Munich, Germany, on July 8th, 2023, by Udo Schindler.
"Once again at the Munich Center of Community Arts on 8 July 2023, the tireless Udo Schindler has a percussionist at his side this time, Erwin Rehling, in addition to the much-tried Eric Zwang Eriksson on drums. With his own alto saxophone, bass clarinet, euphonium and slide trumpet and the wall of books in the BASIS_Klangraum behind him, which is a reinforcing backdrop for a book drinker. Rehling, born in 1954, has been the quick-witted third of folk music anarchists Die Interpreten since the mid-1980s, has recorded "Hommage an die verlorenen Sprachen" with Die.Hammerling and "Neues von Früher" with trombonist Pit Holzapfel. With (extended) percussion, cowbells, stone playing, (bass) marimba & Schellenbaum he illustrates "Geschichten zur Winterzeit" read by Gerd Anthoff (the Dr Reiter in "Unter Verdacht") and with Schusser & Gesang his own "Ois ned glong. A country youth". And shows that Bavaria and its lowlands, which unfortunately also include Franconia, occasionally produces ricochets worth listening to. It can be connected to music that Schindler has illustrated in a supra-Bavarian way with quotes from Giuseppe Penone and a tree sculpture from his "Idee di pietra" series. The deep-rooted down-to-earthness of this profound nature art and that of the 'Ritual Sound' music is always diametrically opposed to the arse-facedness of the world. It is archaically related to the music of the rain and its desire to roar thunderously. And with clogged, sometimes polymorphously perverse trumpets or quaintly crowing, roaring bass clarinets to four-handed rumbling, rattling, rattling, jingling of neo-archaic, anarchic Art Brut and Arte Povera. Clapping and junky, chirping, grating and with foolish shamanic 'singing', the pig-shanked Mia San Mia is confronted with the out-of-Africa reality. Schindler plops and whoops with the euphonium and toots to the moon to the accompaniment of goblin-like strumming and marimba tinkling. And finally he croons and squeals crookedly with the alto, between two crashing avalanches of stone."-Bad Alchemy, Rigobert Dittmann
Artist Biographies
• Show Bio for Udo Schindler "Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation." ^ Hide Bio for Udo Schindler • Show Bio for Eric Zwang Eriksson "Interweaving two distinct forms of creative expression, Eric Zwang-Eriksson aka EaZy aka Klangwahn fashions a variety of audio-visual installations. Likewise, he works with performers, authors and theaters as a musician and a composer. The artist's approach is shaped by his 30 years' experience in improvised music." Translated by Sylvia Charbonnier ^ Hide Bio for Eric Zwang Eriksson • Show Bio for Erwin Rehling Erwin Rehling: Drums, stone game, bells, bell tree, bass marimba Born on February 2nd, 1954 in Soyen am See. Study of Bavarian history. Theater experiments with Zbigniew Cynkutis, Zygmunt Molik, NeliaVeksel. From the mid-1980s he worked as a percussionist for the folk music anarchists "Die Interpreten", after which he worked on other theater and music projects, as well as three highly acclaimed documentaries. Founded the duo HAMMERLING with Fritz Moßhammer in 2002. ^ Hide Bio for Erwin Rehling
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Ritual Sound Exposure #1 7:11
2. Ritual Sound Exposure #2 40:11
3. Ritual Sound Exposure #3 10:37
4. Ritual Sound Exposure #4 4:24
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Trio Recordings
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