"Francisco Jose Mela is a Cuban drummer and percussionist who has performed with a wide array of prominent international Latin and jazz artists including Kenny Barron, Gary Bartz, JoAnne Brackeen, Jane Bunnett, Regina Carter, Anat Cohen, Paquito D'Rivera, George Garzone, Larry Grenadier, Stefon Harris, Lionel Loueke, Joe Lovano, Jason Moran, John Patitucci, John Scofield, Esperanza Spalding, Mark Turner, McCoy Tyner, Chucho Valdés, Kenny Werner, and many others.

Born in Bayamo, Cuba, Francisco Mela studied at the Music School of Arts El Yarey as a teenager before furthering his studies at the National School of Arts for Teachers, el CENCEA. He taught at Rafael's Cabrera Conservatory of Music and played with some of the country's top Latin jazz musicians, as well as leading his group, MelaSon Latin Jazz Band, that toured throughout Mexico. In 2000, he moved to Boston to study at Berklee College of Music and was invited to join the percussion faculty. He became the house drummer at the Wally's Café. It was here where he developed the concept for what would later be his own group.

In 2005, Mela joined the quartet of saxophonist Joe Lovano. Of particular note was the group's 2008 album on Blue Note entitled Folk Art.Later that year, Mela was approached by McCoy Tyner to join his trio.

Mela was named the Twin Cities Jazz Festival's first artistic director in 2014, Before appointment, he served as artistic director for the Xalapa Jazz Festival in Veracruz, Mexico (2010-2013).

In late 2016, Mela was part of an inaugural ensemble that joined Afro-Cuban pianist Chucho Valdés and saxophonist Joe Lovano for an international tour throughout Europe and North America. He also leads his own group, The Crash Trio."

"As a composer, performer, instrument builder/designer, storyteller, teacher, mentor, and organizer, Cooper-Moore [b. August 31, 1946] has been a major, if somewhat behind-the-scenes, catalyst in the world of creative music for over 40 years. As a child prodigy Cooper-Moore played piano in churches near his birthplace in the Piedmont region of the Blue Ridge Mountains of Virginia. His performance roots in the realm of avant jazz music date to the NYC Loft Jazz era in the early/mid-70s. His first fully committed jazz group was formed in 1970 - the collective trio Apogee with David S. Ware and drummer Marc Edwards. Sonny Rollins asked them to open for him at the Village Vanguard in 1973, and they did so with aplomb. A studio recording of this group was made in 1977, and issued as Birth of a Being on hatHut under Ware's name in 1979 (re-mixed and re-issued in expanded form on AUM Fidelity in 2015!). Following an evidently rather trying European tour with Ware, Beaver Harris, and Brian Smith in 1981, Cooper-Moore returned home and completely destroyed his piano, with sledgehammer and fire, in his backyard. He didn't play piano again until some years after, instead focusing his energies from 1981-1985 on developing and implementing curriculum to teach children through music via the Head Start program. Returning to New York in 1985, he spent a great part of his creative time working and performing with theatre and dance productions, largely utilizing his hand-crafted instruments. It was not until the early 90s, when William Parker asked him to join his group In Order To Survive, that Cooper-Moore's pianistic gifts were again regularly featured in the jazz context. In the early 'aughts the group Triptych Myth was his own first regular working jazz group in decades and together they blazed some trails and released two albums: one rich formative, and one exquisite. A destined creative re-union with David S. Ware in the Planetary Unknown quartet, the Digital Primitives trio with Assif Tsahar & Chad Taylor, and continued work with William Parker followed. Cooper-Moore's creative life continues well-strong and unabated into the present day. He will be/was the Lifetime Achievement Honoree at the 22nd iteration of Vision Festval, NYC on May 29, 2017."

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."