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Pavone, Mario / Dialect Trio + 1: Blue Vertical (Out Of Your Head Records)

Recorded in 2021, one of late New York bassist Mario Pavone's final studio albums sees the composer extending his Direct Trio of pianist Matt Mitchell and drummer Tyshawn Sorey with trumpeter Dave Ballou, a longtime collaborator who brings an additional level of lyrical excitement and sophistication to the group's work, in 9 substantial compositions and collective works.
 

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product information:


UPC: 198000164850

Label: Out Of Your Head Records
Catalog ID: OOYH 010
Squidco Product Code: 31226

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold
Recorded at Samurai Hotel Studio, in Astoria, Queens, New York, on March 25th and 26th, 2021, by Dave Stollar.


Personnel:

Mario Pavone-bass, compositions

Dave Ballou-trumpet, arrangements

Matt Mitchell-piano

Tyshawn Sorey-drums

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Artist Biographies:

"Bassist/composer Mario Pavone has collaborated with both legendary innovators and today's most respected young musicians to consistently define the cutting edge of jazz for the past 40 years. He has anchored the trios of Paul Bley (1968-72), Bill Dixon (1980's), and the late Thomas Chapin (1990-97), and co-led a variety of notable ensembles with Anthony Braxton, Wadada Leo Smith, Marty Ehrlich, and Michael Musillami. His list of sidemen past and present includes Steven Bernstein, Gerald Cleaver, Dave Douglas, Peter Madsen, Tony Malaby, Joshua Redman, George Schuller, Michael Sarin, Craig Taborn, and Matt Wilson among many others. And, unlike most artists whose careers span five decades, his most recent recordings are his most widely acclaimed, appearing on best-of-the-year lists from Slate.com, AllAboutJazz.com, AllAboutJazz-New York, Coda, the Village Voice , and the New York Times among others.

Although a long career in jazz awaited him, Pavone never received formal music training and didn't seriously encounter jazz until his freshman year at the University of Connecticut in 1958. Growing up in Waterbury, Connecticut, he developed a fondness for black R&B vocal groups, as well as the 1940's movie music he heard as a child, but a college friend's jazz record collection-and seeing John Coltrane one fateful night at the Village Vanguard in 1961-set him on the musical path. With legendary guitarist/fellow Waterbury native Joe Diorio's encouragement, Pavone rented a bass in the summer of 1964 and began plucking out the percussive sound that would become his trademark.

He was playing professionally by 1965, though his full-time job was putting his Industrial Engineering degree to work for major corporations. Upon hearing the news about Coltrane's death in 1967, he left his briefcase on his desk, got in the car, and drove to the funeral, where he decided on the spot to dedicate the rest of his life to music. He toured Europe with Paul Bley in 1968, and performed on the pianist's recording, Canada (Radio Canada), with Barry Altschul. Soon after he met vibraphonist/composer Bobby Naughton, among others, and became a part of New York's early 70's loft scene with groups like Bill Dixon's Orchestra of the Streets. By 1975, he was a founding member of the New Haven, Connecticut-based Creative Music Improvisers Forum (CMIF), with Naughton, Wadada Leo Smith, Gerry Hemingway, Wes Brown, Reverend Dwight Andrews and others, which produced concerts and recordings that gave musicians more control over their own music.

In 1980, Pavone began an 18-year musical relationship with Thomas Chapin, which would lead to a number of collaborations, most notably Chapin's seminal trio with drummer Michael Sarin. Around the same time, Pavone recorded his first titles as a leader, 1979's Digit and 1981's Shodo on his own Alacra label, crediting Naughton and Smith with motivating him to write his own music and teaching him about open-ended composition. Since Chapin's untimely death in 1998, Pavone has recorded exclusively with his own bands, with the exception of his son Michael's 2001 debut, Trio (Playscape). His discography now features 25 recordings as a leader/co-leader, including his acclaimed 2006 release, Deez to Blues, on Playscape Recordings, the label he has called home since 1999. In addition to his ongoing activities as a bandleader, Pavone's artwork and photography have graced the covers of dozens of recordings since the mid 90's, and he currently serves as an educator, administrator and board member for the Litchfield Jazz Festival and Litchfield Summer Jazz Camp in Litchfield, Connecticut."

-Mario Pavone Website (http://www.mariopavone.com/artist.html)
12/2/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Trumpeter/Improviser/Composer/Educator, Dave Ballou has released ten CD's as a leader and co-leader. He has performed or recorded with ensembles led by Michael Formanek, Denman Maroney, Maria Schnieder, Andrew Hill, Dave Liebman, Oliver Lake, Joe Lovano, Sheila Jordan, Steely Dan, Rabih Abou-Kahlil, Don Preston and an extensive list of jazz personalities. Dave has performed Bach's Brandenburg Concerto #2 with the Bella Musica Orchestra of NY, Larry Austin's Improvisations with the Boston Modern Orchestra Project, and Gunther Schuller's Journey into Jazz with the Spokane Symphony and Boston Modern Orchestra Project. He appeared as a featured soloist for the premiere of Schuller's Encounters, a composition celebrating the 100th anniversary of Jordan Hall.The Meridian Arts Ensemble, The TILT Brass ensemble and the Monarch Trio have all performed his compositions. His work for solo trumpet, "Samskara" has been recorded by Jon Nelson for release in 2010. In 2009, Dave received an Individual Artist Award from the Maryland State Arts Council. In 2010, Universtiy of Michigan French Horn professor, Adam Unsworth, performed an adaptation of "Samskara" for horn.

Dave is a Professor of Music at Towson University and coordinator of the Jazz/Commercial music division. He teaches classes in Jazz history, Jazz theory and improvisation, Jazz arranging, studio jazz trumpet and improvisation for all instrumentalists, jazz composition and coaches small jazz ensembles including the improvisation ensemble. He has taught at the Litchfield Jazz Camp, the Maryland Summer Jazz Camp, the Maine Jazz Camp and The Banff Institute.

He earned a BM (magna cum laude) from Berklee College of Music in 1986 and a MA from the University of New Hampshire in 1991.Born in Peace Dale, Rhode Island Dave was drawn to the trumpet at age 11 and quickly was excited by the sounds of jazz trumpeters Clifford Brown, Woody Shaw, Maynard Ferguson, Clark Terry, the Thad Jones Mel Lewis Orchestra as well as classical trumpeterers John Willbraham and Bud Herseth. His early trumpet studies were with RI philharmonic trumpeter Julio Tancredi. Dave began working gigs at the age of 16 playing society gigs in the mansions of Newport and Italian Festival parades in Providence, RI.After brief study at the University of Rhode Island, Dave attended the Berklee College of Music. There he studied with Herb Pomeroy, Greg Hopkins, Jimmy Mosher and Greg Fritze. Other teachers have been George Garzone, Jerry Bergonzi, Hal Crook, Laurie Frink, Charles Schluter, Jeff Stout and Paul Caputo.

Tours with the big bands of Tommy Dorsey (led by Buddy Morrow) and Woody Herman (led by Frank Tiberi) followed studies at Berklee. Dave then attended the University of New Hampshire and received a Master's of Art's degree in 1992. At UNH he came under the direct influence of the jazz great Clark Terry.

Dave worked many types of gigs in the Boston area during and after his studies at UNH. He was also a member of the bands Orange Then Blue and the Either/Orchestra.

In 1994 Dave moved to New York City. Seeking a community in which he could grow as an artist and be surrounded by like-minded musicians, Dave settled into Brooklyn and took part in the vibrant scene there. In NY Dave played Broadway shows , recording sessions and many jazz concerts with some of his heroes: Joe Lovano, Sheila Jordan, Tim Berne, Billy Hart, Dewey Redman, Michael Formanek and Dave Liebman.

Dave joined the faculty of Towson Universtiy in the fall of 2004. He became to coordinator of the Jazz and Commercial Music division in 2006 and has worked to reconnect the Jazz program with the community of musicians influenced by former TU music professor Hank Levy. Earning tenure and promotion to Associate Professor in the 2009-2010 academic year Dave has become recognized as an innovative pedagouge in the teaching of improvisation and composition. His students have become leaders in the improvised music scene in Baltimore.

He continues to perform with innovative improvisors and composers. Recently appearing with on recordings by Denman Maroney, Mario Pavone and Grammy nominated John Hollenbeck Large Ensemble, Dave continues to develop as an instrumentalist, composer and teacher."

-Dave Ballou Website (http://daveballou.com/?page_id=528)
12/2/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matt Mitchell is a pianist and composer interested in the intersections of various strains of acoustic, electric, composed, and improvised new music. He currently composes for and leads several ensembles featuring many of the current foremost musicians and improvisers, including Tim Berne, Kim Cass, Caroline Davis, Kate Gentile, Ben Gerstein, Sylvaine Hélary, Jon Irabagon, Travis Laplante, Ava Mendoza, Miles Okazaki, Ches Smith, Chris Speed, Tyshawn Sorey, Chris Tordini, Anna Webber, Dan Weiss, and Katie Young.

He is an anchor member of several significant creative music ensembles which integrate composed and improvised music, including Tim Berne's Snakeoil, the Dave Douglas Quintet, John Hollenbeck's Large Ensemble, Rudresh Mahanthappa's Bird Calls, Jonathan Finlayson's Sicilian Defense, Dan Weiss's Large Ensemble, Steve Coleman's Natal Eclipse, the Darius Jones Quartet, Kate Gentile's Mannequins, Mario Pavone's Blue Dialect Trio, Anna Webber's Simple Trio, Ches Smith's We All Break, Michael Attias' Spun Tree, Ohad Talmor's Grand Ensemble, and Quinsin Nachoff's Flux. He is also among the core performers of John Zorn's Bagatelles.

Musicians with whom he performs and has performed include Jon Irabagon, Chris Lightcap's Bigmouth, John Hollenbeck's Claudia Quintet + 1, JD Allen, Rudresh Mahanthappa and Bunky Green's Apex, Rez Abbasi's Invocation, Lee Konitz, Kenny Wheeler, Ralph Alessi's Baida Quartet, Dave King's Indelicate duo, Amir ElSaffar, Marc Ducret, David Torn, Vernon Reid, Clarence Penn and Penn Station, Linda Oh, Rudy Royston, Allison Miller, Donny McCaslin, Brad Shepik, and Darcy James Argue's Secret Society.

He has taught extensively with the Brooklyn-based School for Improvisational Music, as well as at the New School, NYU, and the Siena Jazz Workshop. He is also a 2015 receipient of a Doris Duke Impact Award and a 2012 recipient of a Pew Fellowship from the Pew Center for Arts and Heritage."

-Matt Mitchell Website (http://www.mattmitchell.us/bio/)
12/2/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tyshawn Sorey (born July 8, 1980 in Newark, New Jersey) is an American musician and composer who plays drum set, percussion, trombone and piano.

Since graduating from William Paterson University, Sorey has been a sought-after musician in many different musical idioms. He is both a performer and composer, and has had works reviewed in The Wire, The New York Times, The Village Voice, Modern Drummer and Down Beat. In August 2009, Sorey was given the opportunity to curate a month of performances at the Stone, a New York performance space owned by John Zorn. He was selected as an Other Minds 17 (2012).

Sorey recently completed a Master of Arts in composition at Wesleyan University in Middletown, Connecticut. In the fall of 2011, he began pursuing doctoral work in composition at Columbia University.

To date, Sorey has released four albums as a leader: That/Not (2007, Firehouse 12 Records), Koan (2009, 482 Music), Oblique (2011, Pi Recordings) and Alloy (2014, Pi Recordings). He has recorded or performed with musicians including Wadada Leo Smith, Steve Coleman, Anthony Braxton, John Zorn, Steve Lehman, Joey Baron, Muhal Richard Abrams, Pete Robbins, Vijay Iyer, Dave Douglas, Butch Morris and Sylvie Courvoisier, among many others."

-Wikipedia (https://en.wikipedia.org/wiki/Tyshawn_Sorey)
12/2/2022

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track listing:


1. Twardzik 6:48

2. OK WA 7:33

3. Blue Poles 5:53

4. Isabella 7:56

5. Philosophy Series 7:37

6. Blue Vertical 5:20

7. Good Treble 5:33

8. Legacy Stories 6:53

9. Face Music 8:10
sample the album:








descriptions, reviews, &c.

"I would like to thank the musicians Matt Mitchell and Tyshawn Sorey for their brilliant sensory delivery of these compositions and for their warm personal support; and Dave Ballou who also played brilliantly and who rendered these dynamic arrangements. Thank you to Dave Stoller, Ed Tetreault and Michael MacDonald for capturing the sound. And Adam Hopkins, thank you for your enthusiasm, expediency and support that brought this album to completion in record time. Finally, thank you to my wife Mary for her enduring love and guidance in this project.

Blue Vertical is to be the final recording by the legendary bassist and composer Mario Pavone, who passed on May 15 2021. Though in the final stages of a 17-year battle with cancer, Pavone pushed throughout April 2021 to make sure this music would be a part of his recorded legacy. On March 25 and 26 2021 he gathered his Dialect Trio with Matt Mitchell and Tyshawn Sorey (an active group since 2014), and the addition of his longtime collaborator Dave Ballou on trumpet, to record the music that has become Blue Vertical.

Blue Vertical is releasing simultaneously with the album Isabella on Clean Feed Records. In the interview "Mario Pavone Makes His Final Statement" by journalist Kevin Whitehead (recently featured in Downbeat Magazine), Pavone said: "I'm just happy to get these two releases done. It took every bit of energy, and the music is what got me through. I've had a great life and I'm so appreciative of all the players who jumped in and generously contributed, from the heart. I'm grateful, happy, satisfied with my life, ready to move to this next cycle." "-Out Of Your Head



"Blue Vertical is a posthumous release from bassist, Mario Pavone (1940-2021) and his Dialect Trio + 1. The +1 here is trumpeter, Dave Ballou joining the trio of Pavone, Matt Mitchell (piano), and Tyshawn Sorey (drums).

Dialect Trio has been working together since 2014 and that history is apparent in their playing, as the group has developed a distinct musical dialect that is most apparent in their concept of time (periodic/in-tempo and aperiodic/free). They have a beguiling way of eliding into and out of a unified tempo into free playing or multiple, simultaneous tempi. They do this so smoothly, so fluidly, that the development is often unnoticeable; at moments the listener is left unsure of what is in-tempo and what is free, not to mention what is in between. The album's final track, 'Face Music,' showcases the organic nature of the group's approach to time, with very patient free playing, polytemporal playing, and moments of in-time playing from two or three members converging to a single tempo...or perhaps that is an assessment of hindsight and it's just four great musicians improvising together at the highest of levels.

Six of the tracks on this record use the traditional jazz form of head/solos/head as their basic structure. The opening track, 'Twardzik' is a clear example of this, where the constrained playing of an angular, composed melody abruptly drops into beautifully organic improvising led by Pavone's low, rich bass lines. The track concludes with a restatement of the melody following an open drum solo. 'Philosophy Series' utilizes the same form and features a churning bass line worthy of mention.

The second track, 'OKWA' is a fine example of this group's ability to move almost indistinguishably from composed material to improvised material and from a single tempo into free playing and back again with ease and total continuity.

The final two tracks on the album, 'Legacy Stories' and 'Face Music' appear to be freely improvised with no composed elements. 'Legacy Stories' starts free and develops into medium-up swing with interruptions of free playing and ultimately resolves into a medium swing groove that dissolves back into free playing. 'Face Music' presents as ballad-like, becomes pointalistic and then briefly develops into one of the most rhythmically dense textures on the album.

'Blue Poles' is unique on the album with its very short composed melody (three bars of 4/4 or six seconds in length) played in unison by all four players that is stated once at the beginning of the track and never restated. This track also demonstrates Pavone's playful and tricky use of rhythmic displacement audible within the first few seconds of in-time improvisation after the short melodic statement.

It must be noted that the sound quality of this album is superb. The audio capture, mixing, and mastering is excellent, making it a pleasure to return to for repeated listenings.

Ultimately, this is a fascinating and highly enjoyable record, finely created, from the audio production to the compositions, arrangements, and especially the improvising. It is another high quality release from Out of Your Head Records, which showcases striking artwork on each album it releases-Blue Vertical is no exception. The beauty of this record is the ensemble playing, which is creative music making of careful listening, empathy, and deft reflexivity. Listening to this record is like eavesdropping on a casual conversation between old friends where there is much more than just the words heard-there is a deep history and understanding there too.

For listeners that may be new to Pavone's work, this is the kind of album that will compel them to search out more of his recordings, as well as more work from the Dialect Trio and Dave Ballou. This is also the kind of album that will seduce those unfamiliar with creative music to fall in love with it."-Ron Coulter, The Free Jazz Collective



This album has been reviewed on our magazine:

The Squid
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Get additional information at The Free Jazz Collective
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