Having played in trio settings before, pianist Satoko Fujii and Spanish drummer Ramon Lopez seized the opportunity to record as a duo in the studio in NY, bringing just two Fujii compositions to guide them, they began freely improvising, creating this stunning album of elegant interaction, peaceful yet detailed, intuitively beautiful and sophisticated music.
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Catalog ID: 202-057
Squidco Product Code: 27797
Packaging: Cardboard Gatefold
Recorded at Samurai Hotel, In New York, on December 12, 2018.
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• Show Bio for Satoko Fujii
"Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996).
Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art.
Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers."-Satoko Fujii Website (http://www.satokofujii.com/bio.html)
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• Show Bio for Ramon Lopez
"Ramon Lopez was born on August 6th 1961 in Alicante, Spain. Drummer, Percussionist and Composer. He began as a self-taught drummer in the mid-1970's. Witnessing a Max Roach solo concert in 1980 was a turning point that fundamentally changed his understanding of music. He was part of local groups until he decided to move to Paris in January 1985 and became increasingly involved in the experimental scene in France. At the same time, he developed an interest in Indian music, and took tabla lessons with Krishna Govinda K.C. He is currently a student of Pandit Subhankar Banerjee, while teaching Indian music himself with Patrick Moutal at the Paris Conservatory (1994-2001) His first recording as a leader, an album of solo drums, was released in 1997 on the British Leo label linked to free jazz music and improvisation. Besides Jazz and Indian music, he is attracted especially to flamenco music. He has worked with some of the great flamenco artists, among them Carmen Linares, Esperanza Fernández, Inés Bacán, Gerardo Núñez, Rafael de Utrera, Chano Domínguez, etc... His musical endeavours have always been challenging; his interpretation of songs from the Spanish civil war (2001) spring to mind, or his duos dedicated to Roland Kirk (2002). From 1997 to 2000 he was drummer in the renowned French Orchestre National de Jazz under Didier Levallet, who continues to expand the traditional vocabulary of the orchestra with new elements. Among many others, Lopez has worked at concerts and festivals and in the recording studio with the following musicians of the jazz avant-garde: Beñat Achiary, Rashied Ali, Majid Bekkas, Anthony Coleman, Andrew Cyrille, Sophia Domancich, Agustí Fernández, Glenn Ferris, Sonny Fortune, Barry Guy, Charles Gayle, Teppo Hauta-Aho, Howard Johnson, Hans Koch, Joachim Kuhn, Daunik Lazro, Jeanne Lee, Thierry Madiot, Roscoe Mitchell, Joe Morris, Ivo Perelman, Enrico Rava, Paul Rogers, Louis Sclavis, Alain Silva, Archie Shepp, John Surman, Claude Tchamitchian, Mal Waldron, Christine Wodrascka... Ramon Lopez is an un-typical percussionist. He is a musician who has mastered a number of different musical traditions. He loves to work with artists from other disciplines, with actors, choreographers or visual artists. He is currently one of the most respected European musicians in the area of contemporary jazz or improvised music. The French government named him "Chevalier of the Order of Arts and Letters" in 2008."-Jorge García, Institut Valencia de la Musica.-Ramon Lopez Website (http://www.ramonlopez.net/bio.html)
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1. Asatsuyu 5:11
2. Road Salt 8:36
3. Run! 3:33
4. Winter Sky 6:22
5. Three Days Later 4:31
6. Tick Down 4:20
7. Quiet Shadow 8:24
8. Confluence 4:58
sample the album:
"There are times-and they are very rare-when musicians just click instantly. Confluence (available July 26 via Libra Records) captures just such a moment between pianist-composer Satoko Fujii and Spanish drummer Ramon Lopez. Although Lopez and Fujii had known each other for several years, they had only played together once before in a trio. When the opportunity arose for them to record as a duo in New York, they knew they had to seize the chance to make an album. With no advance planning, they simply began to play in the studio and something very special happened.
"This recording was a kind of a miracle for me," Fujii says. "We didn't talk about anything before we played. Ramon is a person with a big and deep heart. When we started recording, something came down to me that I didn't expect. I felt that the room was filled with music and love. It was such a beautiful moment that I ended up playing in a very quiet and peaceful way."
Indeed, Confluence features some of the most delicate and nuanced playing in each of the participant's careers. Fujii opens "Asatsuyu," one of two of her own originals included on the disc, with a solo that emphasizes the graceful freedom and subtly of her line. Lopez enters discretely on brushes, a nonintrusive and supportive presence. The hushed calm of the moment provides ample opportunity to fully appreciate his unique orchestration of the drum kit and the conversational flow of his rhythms.
Their easy rapport continues on "Road Salt." Fujii begins by plucking sounds on the inside of the piano and Lopez matches the metallic ping of the piano wires with gentle swirl of brushes on cymbals. When Fujii proposes a melody from the keyboard, Lopez taps his approval and they start off in a new direction. It's a quietly joyful performance that climaxes in an ecstatic burst of rhythmic energy and is so perfectly structured it's hard to believe it's all improvised.
In fact, attention to structure and detail are hallmarks of the entire album. "Three Days Later," another Fujii original, showcases the growing refinement of Fujii's improvising. She speaks volumes with a mere two chords or a distilled turn of phrase. She's never been more poetic. Lopez finds the perfect sound or gesture to support or embellish the evanescent beauty of her playing. "Tick Down" evolves from soft-focus prepared piano through unsettled melodic pathways to blissful vamps, absorbing different techniques and ideas into a unified whole. A high-pitched, eerily beautiful drone from the piano strings frames "Quiet Shadow," providing a rich backdrop for the subtle sound manipulations of Lopez.
"Run!" begins and ends with fast, sharply articulated phrases and crashing chords from the piano and a skein of drum rhythms that help define the ebb and surge of the music. Each improvisation on the album feels complete and distinct.
Spanish drummer, percussionist, and composer Ramon Lopez is a master of many styles. Besides his deep involvement in free jazz and improvisation, he studied tabla with Krishna Govinda K.C., and performed with some of the world's leading flamenco artists. His first recording under his name, 11 Drum Songs (Leo Lab), an album of solo percussion, was released in 1997. From 1997 to 2000 he was drummer in the renowned French Orchestre National de Jazz under Didier Levallet. His musical endeavors have always been challenging, from his interpretation of songs from the Spanish Civil War to his duos dedicated to Roland Kirk (2002). The French government named him Chevalier of the Order of Arts and Letters in 2008. Recently he's had a fruitful association with English bassist Barry Guy, recording a duet with him, and appearing as a regular member of his Blue Shroud orchestra. In addition, he has recorded or performed with Joachim Kuhn, Angelica Sanchez, Agusti Fernandez, Joe Morris, and many others.
Critics and fans alike hail pianist and composer Satoko Fujii as one of the most original voices in jazz today. She's "a virtuoso piano improviser, an original composer and a bandleader who gets the best collaborators to deliver," says John Fordham in The Guardian. In concert and on more than 80 albums as a leader or co-leader, she synthesizes jazz, contemporary classical, avant-rock, and folk musics into an innovative style instantly recognizable as hers alone. A prolific band leader and recording artist, she celebrated her 60th birthday in 2018 by releasing one album a month from bands old and new, from solo to large ensemble. Franz A. Matzner in All About Jazz likened the twelve albums to "an ecosystem of independently thriving organisms linked by the shared soil of Fujii's artistic heritage and shaped by the forces of her creativity."
Over the years, Fujii has led some of the most consistently creative ensembles in modern improvised music, including her trio with bassist Mark Dresser and drummer Jim Black and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins. Her ongoing duet project with husband Natsuki Tamura released their sixth recording, Kisaragi, in 2017. "The duo's commitment to producing new sounds based on fresh ideas is second only to their musicianship," says Karl Ackermann in All About Jazz. Aspiration, a CD by an ad hoc quartet featuring Wadada Leo Smith, Tamura, and Ikue Mori, was released in 2017 to wide acclaim. "Four musicians who regularly aspire for greater heights with each venture reach the summit together on Aspiration," writes S. Victor Aaron in Something Else. As the leader of no less than five orchestras in the U.S., Germany, and Japan (two of which, Berlin and Tokyo, released new CDs in 2018), Fujii has also established herself as one of the world's leading composers for large jazz ensembles, leading Cadence magazine to call her, "the Ellington of free jazz." "-Libra
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