Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.

Two fiercely intuitive trio sessions drawn from concerts in Chicago and Milwaukee by Dave Rempis, Jason Adasiewicz, and Chris Corsano, capturing the group's Chicago-forged, ego-free interplay as they shift effortlessly between surging, full-throttle improvisation and finely detailed, pointillistic exploration, always prioritizing collective motion over individual display.

Japanese alto-saxophonist Naoko Saito living in Tokyo presents a full solo effort, shaping airy subtones, soft breath, and tentative melodic fragments into a ghostly, introspective soundscape - a contemplative and quietly expressive improvisational voice that marks her emergence as a distinctive new presence on the Deathrash Armageddon roster.

Reimagining and transforming Ahmed Abdul-Malik's Jazz Sahara in their first studio session, the [Ahmed] quartet of Pat Thomas, Joel Grip, Antonin Gerbal, and Seymour Wright ignite four compact, single-take explorations that fuse percussive intensity, kaleidoscopic group interplay, and a fearless reshaping of tradition into dizzying, future-leaning improvisation.

Anthony Braxton's 1989 recording of seven compositions (glued together into three performances) in a trio with bassist Adelhard Roidinger and drummer Tony Oxley.

In 1988, on the spur of the moment, Blake and Braxton met to record this set of 8 standards, including pieces by Monk, Parker, Gillespie, Miles Davis, Mal Waldron, &c.

Remaster of the exhilarating second set from saxophonist and composer Anthony Braxton's concert at the Kuumbwa Jazz Center in Santa Cruz, CA, 1993, one of 7 nights performing with the quartet of Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on percussion.

Anthony Braxton's and Ray Anderson's short-lived 1979 quartet interpreting seven of Braxton's compositions with amazing results.

Double CD remaster of Braxton's incredible 1978 concert in Koln with a massive orchestra including Ned Rothenberg, Leo Smith, Marilyn Crispell, Bob Ostertag, Marty Ehrlich, JD Parran, &c. &c. &c.!

On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.

Long delayed but bursting with life, guitarist Amanda Monaco's freebopping quartet — Michael Attias, Sean Conly, and Satoshi Takeishi — delivers a sharp, melodic, and mischievously adventurous set, blending playful grooves, quick-turn interplay, and Monaco's distinctive compositional voice into a vibrant, high-spirited vinyl debut from her Deathblow project.

A fascinating double album uniting guitarist Gene Torchia on amplified classical guitar and John Stowell on electric guitar, recorded in the studio between 2023 and 2025, blending composed works written for modern classical guitar and flute with Stowell's improvisations to create a rich and stylistically diverse dialogue spanning blues, Latin, Irish, baroque, and avant-garde forms.

An eight-piece horn and electronics ensemble featuring David Peck, Hilary Noble, Cliff White, Dennis Livingston, John Fugarino, Bob Moores, Eric Dahlman, and Duane Reed, creating a vividly shifting chamber improvisation where reeds and brass intertwine with auxiliary percussion and electronics, generating dynamic waves of color, density, and resonance in a constantly evolving acoustic spectrum.

Featuring David Peck, John Fugarino, Bob Moores, Eric Woods, and Mike Gruen, this edition of Metal Chaos Ensemble merges horns, electronics, and metallic percussion in a dense improvisational landscape where shifting textures, resonant drones, and abstract rhythmic interplay create an evolving sound world of raw intensity, shimmering atmosphere, and inventive sonic dialogue.

An extraordinary collective improvisation uniting David Peck, Michael Caglianone, John Fugarino, Robin Amos, Jonathan LaMaster, and Michael Knoblach, merging woodwinds, brass, strings, percussion, and electronic instruments in a fluid and intricately balanced dialogue that juxtaposes turbulence and calm, unfolding with expansive textures, measured intensity, and vivid sonic interplay.

An extraordinary solo piano album from UK pianist Pat Thomas, recorded at London's Fish Factory Studio, presenting eight deeply focused improvisations and compositions reflecting Thomas's lifelong engagement with Sufism and spiritual expression through sound; a luminous, exploratory work that unites the traditions of jazz and mysticism into a transcendent, profoundly human statement.

An extraordinary solo piano album from UK pianist Pat Thomas, recorded at London's Fish Factory Studio, presenting eight deeply focused improvisations and compositions reflecting Thomas's lifelong engagement with Sufism and spiritual expression through sound; a luminous, exploratory work that unites the traditions of jazz and mysticism into a transcendent, profoundly human statement.

A powerful 1972 duo performance from alto saxophonist Mike Osborne and pianist Stan Tracey, and the 2nd release on Cadillac Records, recorded live at Surrey Hall and unfolding as a nearly 47-minute continuous improvisation, blending OsborneÕs fierce, vocal intensity with TraceyÕs harmonically adventurous, percussive drive in a richly inventive and compelling exchange.

Celebrating guitarist Joe Morris's 70th, this trio with Brad Barrett on cello and Beth Ann Jones on bass unfolds with deliberate restraint and deep listening, Morris layering textures around Barrett's lyrical and percussive bowing while Jones anchors with sculptural, propulsive bass, the group seamlessly shifting between spacious intimacy and taut collective momentum in an immersive improv dialogue.

Expanding to a nine-piece ensemble, Leap of Faith Orchestra with PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Dennis Warren, and Joel Simches, transforms through broad palette improvisations where horns, strings, guitar, bass, percussion, electronics, and real-time processing converge into a richly layered orchestral improvisation.

With PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Scott Samenfeld, Cliff White, and Joel Simches, Leap of Faith expands into a richly textured septet where strings and horns form the core dynamic, augmented by percussion, electronics, and processing in an improvisation that evolves through a vast range of sonorities.

Recorded live at Saint Augustine's Wrangthorn in Leeds, UK, the duo of saxophonist Ed Jones and drummer Emil Karlsen bridge free jazz and free improvisation in a dynamic, low-key but deeply interactive session, emphasizing collective phrasing, evolving structures, and subtle momentum in an hour-long exploration of nuanced, expressive dialog.

HOLE PUNCH PROMO

Recorded live at the 2022 Vision Festival in Brooklyn, Jason Kao Hwang conducts a remarkable ensemble of strings, guitars, bass, and percussion in a work that blends notated passages with conduction-driven improvisation, forging a powerful and fluid language that transcends cultural and stylistic boundaries while illuminating collective individuality and truth.

Recorded live at the Bimhuis, Ziv Taubenfeld's Full Sun gathers Michael Moore, Joost Buis, Yung-Tuan Ku, Nico Chientaroli, Rozemarie Heggen, and Onno Govaert for a slow-unfolding suite steeped in polyphonic colors, lyrical interplay, and spirited homage to Jimmy Lyons, Duke Ellington, Sun Ra, and Misha Mengelberg, shaping a warm, exploratory, and deeply communal sonic journey.

Founded in 2001 and reunited after their last album in 2007, the quartet of Satoko Fujii (piano), Natsuki Tamura (trumpet), Hayakawa Takeharu (bass), and Tatsuya Yoshida (drums) unleashes a high-energy blend of avant jazz-rock, shifting from atmospheric fragments to dense, electric-edged turbulence, driven by sharp contrasts, ferocious rhythms, and the group's volatile, genre-bending interaction.

Swiss pianist Sylvie Courvoisier and legendary trumpeter Wadada Leo Smith meet in a deeply focused duo session, their through-composed material unfolding with stunning restraint, architectural clarity, and a quiet but potent freedom, as each phrase, gesture, and interval feels acutely calibrated in a shared space of mystery, immediacy, and poetic intent.

A vinyl-only sampler spanning 1970-2007, showcasing Joe McPhee's fiercely inventive spirit through funk-driven grooves, spiritual jazz depth, fiery collaborations with Cato Salsa Experience and The Thing, and intimate duo interplay with Paal Nilssen-Love - a defiant, time-jumping portrait of one of improvised music's most dynamic voices.

A profoundly personal solo recording from Ken Vandermark on tenor and baritone saxophones and clarinets, captured live at Corbett vs. Dempsey in Chicago in March 2025, performing a suite dedicated to Joe McPhee that interlaces composed and freely improvised works — each named for symbolic flowers — into a deeply expressive tribute of melody, emotion, and inventive clarity.

Captured live in the Manila studio, the duo of Swiss drummer/percussionist Christian Bucher and alto saxophonist Rick Countryman engage in improvisation built on the idea of musical phrasing as syntax, where saxophone lines, punctuated drums and responsive space converge into a series of sound-sentences in which tone, pause and gesture become elements in a live lexicon of form.

Energetic trio interplay from saxophonist James McKain with Damon Smith and Weasel Walter, recorded in Collinsville, Illinois, where taut lines, volatile textures, and razor-cut dynamics sketch "free jazz by way of the European tradition," six concise pieces whose titles nod to Thomas Bernhard and whose restless momentum — anchored by springy bass and splintered drums — turns spontaneity into vividly shaped form.

Reinventing his compositional voice, Clevenger charts a reflective and lyrical suite for a deep Bay Area ensemble, the writing balancing chamber-like colour and improvisational space as reeds, low flutes, brass, cello, vibes, marimba, drums and bass articulate an expansive journey of personal discovery and renewed purpose.

Recorded live at IBeam in Brooklyn, the trio of María Valencia (alto saxophone, Bb clarinet), Matt Moran (vibraphone), and Brandon Lopez (bass, percussion) weave a richly textured improvisation of lyric tension and resonant space, where breath, metal, and wood converge in shifting layers of sound, balancing volatility with quiet reflection in an atmosphere of deep, intuitive dialogue.

Returning to its core quartet, Natural Information Society — Joshua Abrams, Lisa Alvarado, Mikel Patrick Avery, and Jason Stein — unfolds a single continuous composition of hypnotic polyrhythms and evolving textures, merging minimalism, modal jazz, and dub-inspired production into a richly layered soundfield that pulses with meditative intensity, collective focus, and transcendent rhythmic flow.

Continuing their ever-evolving duo series, tenor saxophonist Ivo Perelman and trumpeter Nate Wooley expand their intuitive, exploratory language with a bold new dimension, including the duo's first-ever use of overdubbing to create layered, prismatic improvisations that push their Polarity collaboration into strikingly multidirectional terrain.

A deeply personal collaboration between pianists Eri Yamamoto and Matthew Shipp, recorded live in the studio with Yamamoto in the left channel and Shipp in the right, as Yamamoto marks thirty years in New York with a set of original compositions for this occasion, their distinctive voices intertwining in an elegant, searching, and harmonically rich conversation of friendship, individuality, and creative life.

Blending Arabic maqam with jazz-inflected improvisation, ElSaffar's new quartet — joined by Tania Giannouli, Ole Mathisen, and Tomas Fujiwara — delivers an intense and expressive live performance whose spontaneous, newly composed material unfolds with lyrical depth, microtonal color, and dynamic interplay, captured at Berlin's Pierre Boulez Saal with additional alternate takes.

Blending Arabic maqam with jazz-inflected improvisation, ElSaffar's new quartet — joined by Tania Giannouli, Ole Mathisen, and Tomas Fujiwara — delivers an intense and expressive live performance whose spontaneous, newly composed material unfolds with lyrical depth, microtonal color, and dynamic interplay, captured at Berlin's Pierre Boulez Saal with additional alternate takes.

With PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Scott Samenfeld, Cliff White, and Joel Simches, Leap of Faith expands into a richly textured septet where strings and horns form the core dynamic, augmented by percussion, electronics, and processing in an improvisation that evolves through a vast range of sonorities.

Expanding to a nine-piece ensemble, Leap of Faith Orchestra with PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Dennis Warren, and Joel Simches, transforms through broad palette improvisations where horns, strings, guitar, bass, percussion, electronics, and real-time processing converge into a richly layered orchestral improvisation.

New York pianist Eva Novoa joins bassist Drew Gress and drummer Devin Gray for their second trio release on 577 Records, weaving melodic themes with swing and groove as Novoa expands the palette with Chinese gongs and whistling, Gress layers in modular synth textures, and the ensemble explores freedom, interplay, and evocative electronic landscapes.

Led by alto saxophonist Jorrit Dijkstra, BLINK embraces collective improvisation over solo display, blending microtonal tuning, layered rhythmic cycles, and ensemble interplay inspired by insect swarms, African High Life, and minimalist rock, resulting in an inventive, off-balance sound that thrives on tension, texture, and spontaneous cohesion.

Reuniting pianist Pandelis Karayorgis with bassist Nate McBride and drummer Randy Peterson, and featuring composer-pianist Eric Moe, this microtonal project bridges jazz and contemporary composition through Werntz's Capricious Nocturnal Variations, as Karayorgis' trio expands its themes with richly textured interplay and fluid explorations of the uniquely tuned Werntz Nocturne Scale.

After a six-year hiatus, The Young Mothers return with their third album as Ingebrigt Håker Flaten, Jawwaad Taylor, Jason Jackson, Stefan Gonzalez, Jonathan F. Horne, and Frank Rosaly merge jazz, hip-hop, experimental rock, electronics, and free improvisation into a restless and unpredictable collective statement, balancing cinematic flair with raw immediacy in their most dynamic release to date.

After a six-year hiatus, The Young Mothers return with their third album as Ingebrigt Håker Flaten, Jawwaad Taylor, Jason Jackson, Stefan Gonzalez, Jonathan F. Horne, and Frank Rosaly merge jazz, hip-hop, experimental rock, electronics, and free improvisation into a restless and unpredictable collective statement, balancing cinematic flair with raw immediacy in their most dynamic release to date.

Bringing together his Knarr ensemble for a second recording, bassist and composer Ingebrigt Håker Flaten leads Mette Rasmussen, Karl Hjalmar Nyberg, Erik Kimestad Pedersen, Oscar Grönberg, Jonathan F. Horne, Olaf Moses Olsen, Oddrun Lilja Jónsdóttir, and Joakim Rainer Petersen in an exuberant homage to Jaimie Branch, weaving spirited improvisation, textured arrangements, and collective joy into a vibrant and heartfelt statement.

Tenor saxophonist Ivo Perelman and trombonist Ray Anderson distill their proven chemistry heard in the quartet album Molten Gold (FSR 03|2023), here in twelve concise, alchemy-titled improvisations, Perelman's elastic lines and altissimo edge intertwining with Anderson's plunger color, slide glissandi, and buoyant phrasing to forge vividly conversational miniatures of texture, tension, and release.

Drawn from three 2024 concerts in Berlin, St. Johann, and Cormons, drummer Joe Hertenstein's touring trio with Michael Moore (reeds) and Michael Formanek (bass) welcomes trombonist Ray Anderson, the quartet forging strong themes and free-form interplay where Anderson's ebullience, Moore's lyricism, Formanek's foundational lines, and Hertenstein's flexible drive spark constantly evolving momentum.

Recorded at The Bunker Studio in Brooklyn in 2025, this first document of Peter Evans (trumpet), Joe Morris (bass), and Tyshawn Sorey (drums) captures four expansive improvisations where Evans's quicksilver trumpet, Sorey's architecturally detailed drumming, and Morris's tensile bass cohere into a lucid, high-energy trio language that balances raw edge with striking clarity.

The first documented meeting of bassist John Edwards, trumpeter Luís Vicente, and percussionist Vasco Trilla channels the duo rapport of Vicente/Trilla into a volatile trio language, where tensile bass arcs, quicksilver trumpet figures, and textured percussion intertwine from hush to rupture across four expansive studio improvisations captured in Portugal — forcefully fractured.

The fourth piano trio release from veteran UK pianist and composer Tim Richards, joined by bassist Alex Keen and drummer Daniel Howard, drawing on the deep traditions of McCoy Tyner and Thelonious Monk while embracing calypso, Brazilian rhythm and soul-jazz colour, the trio's years of residency shaping fluid interplay, melodic clarity and an unforced balance between swing, lyricism and joyful invention.

Recorded in Quezon City, Philippines during Typhoon Crising, the long-running trio of Christian Bucher (drums), Simon Tan (double bass), and Rick Countryman (alto saxophone) capture urgent and agile free improvisation between canceled gigs and storm delays, their 13 years of collaboration driving vibrant exchanges that balance volatility with poised, spontaneous form.

A collaborative project by Éric Normand, Dur Temps Pour les Rouges (Hard Times for the Reds.) combines recordings from 2020-2025 by a large ensemble of voices, horns, strings, guitars, drums, synths, and electronics to realize a textured and emotionally rich sound world: intimate and expansive, lyrical and experimental, a striking and immersive listening experience.

Inspired by Gertrude Stein's experimental poem Yet Dish, Swiss saxophonist Christoph Gallio leads an ensemble with vocalist Sonia Loenne, bassist Vito Cadonau, and percussionist Flo Hufschmid in a nuanced exploration of language and sound, transforming Stein's rhythmic abstractions into vivid musical dialogues where wit, structure, and spontaneity intertwine with poetic precision.

Recorded in Verona, Italy, pianists Francesca Gemmo and Magda Mayas engage in an intricate dialogue between piano and prepared piano, blending Gemmo's contemplative lyricism and impressionist echoes with Mayas's inventive explorations of touch, timbre, and texture, creating a vivid and unpredictable sonic landscape of tension, nuance, and resonance.

A contemplative meeting of Pierre Favre, Sergio Armaroli, Andrea Centazzo, and Francesca Gemmo, exploring percussion, vibraphone, and piano in spacious improvised forms that privilege resonance over rhythm, weaving subtle dynamics and reflective timbres into an existential soundscape where silence, decay, and shimmering overtones converge in quietly radical dialogue.

Recorded live at the 2022 Vision Festival in Brooklyn, Jason Kao Hwang conducts a remarkable ensemble of strings, guitars, bass, and percussion in a work that blends notated passages with conduction-driven improvisation, forging a powerful and fluid language that transcends cultural and stylistic boundaries while illuminating collective individuality and truth.

Blending incisive lyricism with modern chamber-jazz intensity, vocalist Laura Ann Singh leads a quintet with Scott Clark, Adam Hopkins, John Lilley, and Bob Miller through richly composed pieces that move from fragile introspection to assertive rhythmic drive, intertwining trumpet and saxophone lines with atmospheric bass and percussion in a deeply emotive, genre-fluid statement.

Recorded at Roulette Intermedium in Brooklyn, drummer and composer Tomas Fujiwara introduces his Percussion Quartet with Patricia Brennan on vibraphone, Tim Keiper on African strings and percussion, and Kaoru Watanabe on Japanese drums and flute, blending global traditions into vivid, imaginative works that traverse groove, texture, and color with striking originality and depth.

Five years after their debut, co-leaders Anna Webber and Angela Morris return with a 19-piece large ensemble recording that showcases their next-level compositional voices, unfolding through the "Just Intonation Etudes for Big Band" suite and a series of richly orchestrated works that balance drones, contrapuntal density, rhythmic blasts, and lyrical themes in an adventurous exploration of sound and structure.

Five years after their debut, co-leaders Anna Webber and Angela Morris return with a 19-piece large ensemble recording that showcases their next-level compositional voices, unfolding through the "Just Intonation Etudes for Big Band" suite and a series of richly orchestrated works that balance drones, contrapuntal density, rhythmic blasts, and lyrical themes in an adventurous exploration of sound and structure.

Exploring the tradition of night music with subtle, dreamlike elegance, Zorn's latest piano-trio work — the fourth in his series with Brian Marsella, Jorge Roeder, and Ches Smith after Suite for Piano, Ballades, and Impromptus — unfolds as a lyrical and expressive creation performed with seemingly telepathic, virtuosic, and finely nuanced interplay.

Celebrating guitarist Joe Morris's 70th, this trio with Brad Barrett on cello and Beth Ann Jones on bass unfolds with deliberate restraint and deep listening, Morris layering textures around Barrett's lyrical and percussive bowing while Jones anchors with sculptural, propulsive bass, the group seamlessly shifting between spacious intimacy and taut collective momentum in an immersive improv dialogue.

The debut of Sydney-based quartet Believe-Peter Farrar (alto saxophone), Novak Manojlovic (piano), Clayton Thomas (double bass), and Laurence Pike (drums)-unleashes three expansive improvisations of visceral energy and nuanced intimacy, blending extended techniques, shifting textures, and percussive interplay into a powerful free jazz statement that feels as natural as wind and waves.

Recorded in the extraordinary resonance of Paris's Saint-Merry Church, this double album captures soprano and sopranino saxophonist Michel Doneda in duo with pianist Frédéric Blondy, their improvisations unfolding in deep dialogue with the architecture itself, as tones and textures expand into the vast acoustics, creating immersive, luminous soundscapes of remarkable depth and presence.

In a live set at Amsterdam's club & workspace Splendor, Argentinian tenor/sopranino explorer Ada Rave and Polish pianist Marta Warelis shape an intimate but volatile dialogue, fusing air, resonance, clusters, and melody into patient arcs that bloom from microscopic detail to surging release, a great example of the city's improvising community at their most attentive and fearless.

Drummer and composer Dan Weiss brings together Peter Evans (trumpet), Patricia Brennan (vibraphone), and Miles Okazaki (guitar) in a set of compositions written for their distinct voices, shifting from meditative calm to intense peaks, weaving intricate contrapuntal textures and improvisations into a mysterious and transcendent collective sound.

Drummer and composer Dan Weiss brings together Peter Evans (trumpet), Patricia Brennan (vibraphone), and Miles Okazaki (guitar) in a set of compositions written for their distinct voices, shifting from meditative calm to intense peaks, weaving intricate contrapuntal textures and improvisations into a mysterious and transcendent collective sound.

Seventeen years after their last recording, the New York trio of Steve Lehman (alto saxophone), Vijay Iyer (piano, Rhodes), and Tyshawn Sorey (drums) reunite with dense, high-impact compositions and fearless interplay, blending complexity with groove as they reaffirm their status as one of the most vital ensembles in contemporary improvised music.

Seventeen years after their last recording, the New York trio of Steve Lehman (alto saxophone), Vijay Iyer (piano, Rhodes), and Tyshawn Sorey (drums) reunite with dense, high-impact compositions and fearless interplay, blending complexity with groove as they reaffirm their status as one of the most vital ensembles in contemporary improvised music.

Composer Henry Threadgill conducts a suite for six acoustic guitars and two pianos, bringing together Bill Frisell, Miles Okazaki, Brandon Ross, Gregg Belisle-Chi, Jerome Harris, Stomu Takeishi, Maya Keren, and Rahul Carlberg in an intricately orchestrated work whose intervallic syntax and meticulous counterpoint entwine with unexpected timbres to reveal his singular and sublime vision.

Composer Henry Threadgill conducts a suite for six acoustic guitars and two pianos, bringing together Bill Frisell, Miles Okazaki, Brandon Ross, Gregg Belisle-Chi, Jerome Harris, Stomu Takeishi, Maya Keren, and Rahul Carlberg in an intricately orchestrated work whose intervallic syntax and meticulous counterpoint entwine with unexpected timbres to reveal his singular and sublime vision.

Born from weekly sessions in Oakland, this adventurous sextet of winds, cello, drums, and electronics channels old-school improvisational spirit into a modern orchestral sound that feels both cosmic and grounded, as spontaneous grooves, abstract textures, and Zachary James Watkins' remix work expand their collective language into a vibrant, deeply inventive debut.

Recorded live at the Donaueschingen Music Festival in 1971, this extraordinary collaboration between Don Cherry, Krzysztof Penderecki, and The New Eternal Rhythm Orchestra merges free jazz with avant-garde composition, blending fiery improvisation, unconventional orchestrations and global influences into a powerful experience that challenges traditional genre boundaries.

Drawing on decades of fearless improvising, saxophonist Evan Parker and bassist Joëlle Léandre engage in an intense and unfiltered acoustic dialogue recorded live in France, their shared language enabling lightning reactions, extended techniques, surges of density and flow, hushed textural intimacy, and moments where Léandre's wordless voice merges seamlessly into their spontaneous interplay.

Blending lush harmonies, rhythmic twists, and inspired interplay, alto saxophonist and composer Beth Schenck leads a Bay Area quintet of Cory Wright, Matt Wrobel, Lisa Mezzacappa, and Jordan Glenn in a set of fiercely original compositions that traverse ethereal soundscapes and propulsive forms, reflecting deep musical relationships, artistic nuance, and a richly personal voice.

The transatlantic quartet of Elisabeth Harnik (piano), Dave Rempis (saxophones), Fred Lonberg-Holm (cello), and Tim Daisy (drums) in their second album, recorded live at the North St. Cabaret in Madison, WI, weaving surges of energy with passages of lyricism, deep timbral exploration, and spacious formal development, balancing ferocity and subtlety in a richly detailed and dynamic collective architecture.

Marking their 39th year together, pianist Chris Abrahams, drummer Tony Buck, and bassist Lloyd Swanton expand their immersive approach to improv across three discs of evolving intensity, recording in the studio in Australia, where four long-form pieces unfold with hypnotic patience, microscopic detail, and The Necks' hallmark balance of restraint, texture, and boundless improvisational discovery.

An extraordinary 1996 Mixtery Studio encounter between pianist Borah Bergman, Anthony Braxton on a wide range of reeds, and Peter Brötzmann on saxophones, clarinet, and tárogató, balancing ferocious torrents of free jazz interplay with moments of surprising lyricism and abstraction, as three titans of improvisation push their individual voices into a thrilling collective dialogue.

Spanning a decade of collaborations, this double LP and CD set presents Phillip Schulze's electro-acoustic responsive instrument in dialogue with Anthony Braxton, Christian Jendreiko, Andrew Raffo Dewar, and Detlef Weinrich, each duo exploring transidiomatic communication through improvisations that merge analog and digital realities, resulting in vivid encounters of texture, gesture, and sonic imagination.

Bringing together two major figures of UK improvisation, saxophonist Larry Stabbins - long associated with innovators like Mike Westbrook, Keith Tippett, and Robert Wyatt - and percussionist Mark Sanders (Paul Dunmall, John Butcher, Veryan Weston, &c) in 2024 Bristol sessions captured with stunning clarity, their 1st-take performances unfolding as thoughtful, exploratory dialogs of texture, rhythm, and timbre.

The trio of Rachel Musson on tenor saxophone, Pat Thomas on piano, and Mark Sanders on drums perform as Shifa, their 46-minute improvisation moving through fiery intensity and spacious reflection in a cohesive journey shaped by deep trust, attentive listening, and fearless exploration, captured live at London's Café Oto in 2023.