Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Using field recordings collected around the world, Kim Cascone has constructed a CD which is neither an exploration of inner space nor a meditation on hearing.

A live recording at Cafe Oto in 2013 from this sextet in an extended and dynamic piece in which the musicians develop material they had presented in small groups in the first half of the concert, mixing improvised and prepared elements.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

7 works by Greek composer Jani Christou performed by the Oakland Symphony Orchestra, Rundfunkorchester Hanover, NDR, Ensemble "musik unserer zeit", and Christou himself.

Detailed electro-acoustic improvisation from the trio of Thanos Chrysakis on MaxMSP & electronics, Wade Matthew on synth and field recordings, and Dario Bernal-Villegas on percussion.

Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).

Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".

The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.

The 7 part "Knotted Alembic" is an improvisation between electroacoustic artist and label leader Thanos Chrysakis and Brazilian based Chilean pianist Philip Somervell performing inside and out of the piano.

The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.

The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.

A continuation of Chrysakis' "inscapes" series, compositions based on the structural and aesthetic capacity of sonic matter using field-recordings, synthesized & acoustic sounds.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

A collaboration between two Seoul, South Korean sound artists--Hong Chulki and Ryu Hankil--both performing on no-input mixer & objects for an album of electronic, glitch and sputtering sound with an extreme dynamic range and twisted purpose.

The first in a series of recordings from the shifting Circuit ea-improv ensemble, here with Trevor Taylor, Paul Dunmall, Jonathan Implett and Nick Stephens.

The 3rd CD in a series by the ea-improv group Circuit (Pat Thomas, Trevor Taylor, &c). music influenced by the japanese artist and illusionist Akiyoshi Kitaoka.

Percussionist Trevor Taylor's Circuit mixes acoustic instruments, electronics and real-time processing to morph alien sounding landscapes through well-honed improvising, here with Paul Dunmall, Hilary Jeffires, and Roberto Filoseta.

The UK electroacoustic improvising group led by FMR's label leader Trevor Taylor in two quartet recordings with Jonathon Seagroatt (reeds & electronics), Rob Stevenson (reeds & electronics), Steve Hubback (percussion) and and Geof Harris (bass).

The 5th release from the electronic and electroacoustic group Circuit, featuring Trevor Taylor and a changing set of collaborators, exploring improvisation with real time manipulation.

An audio and acousmatic documentary of the sounds along the St. Lawrence River, above and below water, and the voices of the people living around the shore.

Composer Clara Maida's compositions performed by Ensemble Resonanz, Kammerensemble Neue Musik Berlin, Ensemble Orchestral Contemporain,Arditti String Quartet, &c.

Clean Feed's side label Shhpuma presents a solo release from multi-instrumentalist Guilherme Goncalves (Gala Drop), dreamy and informed guitar-driven music borrowing from kosmische musik, Edgar Froese, or Loren Connors, in gorgeously paced lush instrumental music.

A live performance of saxophonist Bhob Rainey, electronics artist Bonnie Jones and percussionist Chris Cogburn performing live at AAMP in Austin, TX, and at Crolwey Theatre, Marfa, TX.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

Osvaldo Coluccino's "Atto" uses various acoustic objects but no musical instruments or electronic manipulation, here in 5 pieces recorded near Milan, Italy in 2011.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.

On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

On the surface an album of organized field recordings, which Eric Cordier recorded in both France and Japan, from outdoor sounds (frogs/birds) to indoor environments, over which Murayama added percussion and vocal utterances, synthesizing unusual and engaging environments.

From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Jean Derome (sax, vocals), Normand Guilbeault (double bass), Michel F. Cote (drums, vocals) and Martin Tetreault (turntables) in a release that is ageless and archaic.

Shofar, a ram horn, is the unifying sound in these experimental compositions performed by Alvin Curran, who also uses electronics, in a NY quartet with Arnold Dreyblatt (accordion), William Winant (large tam tam), Michael Riessler (clarinet).

Site recordings from Berlin by audio explorer Peter Cusack, documenting evocative locations throughout the city based on an inquiry into Berlin resident's favorite sounds, with a booklet detailing the 31 recordings and the scope of the project.

Two CDs and a 90 page hardback book with photos, info and interviews from audio documenter and experimenter Peter Cusak, recording in Chernobyl, The Caspian Oilfields, and various dangerous locations in the UK.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

Recordings from early DIY electroacoustic improviser and instrument inventor, the late Hugh Davies, accompanied in live performance by Adam Bohman, Lee Patterson, and Mark Wastell.

Six delicate, complex and suubtle studio compositions from the trio of Rhodri Davies on harp & electronics, David Toops on guitar and percussive devices, and Lee Patterson on amplified devices.

A single 34 minute live recording at Musica Portuguesa Hoje Festival in Lisbon, 2008 from this excellent set of expressive and contemplative electroacoustic performers.

The collaboration between the electroacoustic duo of Cremaster (Ferran Fages and Alfredo Costa Monteiro) and violinist Angharad Davies, mixing contemporary electronics with long-form minimalist drone music.

Limited edition archive CDR of 1960's instrument inventor the late Hugh Davies, solo and with Richard Orton, to accompany the Another Timbre release "For Hugh Davies".

Understated and exquisite improvisation using trumpet, violin, bass clarinet, flute and field recordings from three forward-thinking performers.

Terry Day plays a wide variety of instruments including piano, saxophones, drums, cello, mandolin, voice and many more in these analogue studio recordings made between 1978 and 1981.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

Trombonist Michael Dessen in a trio of works drawing inspiration from Pablo Neruda's "Ars Poetica", with the computer used as a 4th voice in several tracks.

West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

An electroacoustic composition from Herbert Distel, a "Travelogue" of field recordings organized into two long works that present hallucinatory sound with an illusive rhythmic component, structured into a long journey with a departure, journey and arrival.

A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.

The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland.

Unusual, head-scratching works of sound & noise or cracked pludnerphonics with a good sense of pacing that lulls and befuddles on it's own schedule.

Sinister looping and shimmering works from Mr. Dorgon taking on the trumpet - or at least, a dead trumpeter: an unusual homage to cool dead player Miles Davis.

Featuring an x-rated insert in a puff-up brown paper package, Mr. Dorgon attacks with two electronic works and a harmonica solo from a live show on KFJC in California.

A live recording from Portugal's Cine-Theatre Curvo-Semedo of the minimal ea-improv quartet of trumpeter Axel Dorner, violist Ernesto Rodrigues, prepared electric guitarist Abdul Moimeme, and Ricardo Guerreiro on computer.

Four masterful improvisers - Axel Dorner (trumpet), Andreas Willers (acoustic guitar & electronics) and Achim Kaufmann (piano) - performing as the .AAA. trio, and then each presenting a solo work, demonstrating their incredible music skills together and alone.

The Texas duo of amplified & acoustic trombonist David Dove and Jawwaad Taylor on electronics, voice and trumpet, urban-oriented creative free improvisation in slowly evolving and evocative forms.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

Sound and noise artists Kevin Drumm and Jason Lescalleet collaborate on this 2 CD set, a diverse set of sound pieces from slowly building drones to unsettling environments, with tapes punctuating the hallucinatory aspects of their rich and impressive aural tapestries.