A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Using field recordings collected around the world, Kim Cascone has constructed a CD which is neither an exploration of inner space nor a meditation on hearing.

Kim Casone's Knotted Constellation is a cinematic sound narrative that moves the listener through a series of auditory fields, with contributions by C. Spencer Yeh, Darius Ciuta, &c.

1,111 vinyl records combined with a live performace by Doc Chad (prepared guitar & banjo) and Mark Dixon (homemade and robotic instruments) in a tribute to the number 11.

Reissue of the 1998 double CD release on Old Gold, compiling all of Chad's Amsterdamn based cassette Jungle Cookies series, eclectic audio collage songs.

24-track messed up montage from Doc Chad, dedicated to a woman who scammed many people by pretending to have cancer, a true horror show...

Eccentric tape collage from the CD re-master of Doc Chad's original cassette issue of "The Beat Goes On", strange, twisting and turning fragmented journeys of the familiar and bizarre.

The 1st part of Doc Chad's new "Concerto" series features a homemade Smoke Detector in a variety of instrumental settings involving organ, piano, a vintage Martin acoustic, the Bo Diddley Gretsch electric & Doc Chad's large scale percussion ensemble.

Double CD reissue of 2 of Doc Chad's 80s cassettes, combining two extended compositions utilizing home overdubbing and homemade instruments, released in their entirety.

A live recording at Cafe Oto in 2013 from this sextet in an extended and dynamic piece in which the musicians develop material they had presented in small groups in the first half of the concert, mixing improvised and prepared elements.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

Improvisations and realisations of indeterminate scores by Michael Pisaro and John Cage from this trio originally brought together by a reading of Cardew's "Treatise".

Their 6th duo album, cornetist/electronic artist Rob Mazurek & drummer/percussionist/electronic artist Chad Taylor's release is concerned with the balance between controlled and uncontrolled experiences.

Grey is the color of these murky recordings from Scott Konzelmann, AKA Chop Shop, sounding like they were recorded inside a furnace with distant punctuation occasionally contributing to the gloom of this oppressive audio environment.

7 works by Greek composer Jani Christou performed by the Oakland Symphony Orchestra, Rundfunkorchester Hanover, NDR, Ensemble "musik unserer zeit", and Christou himself.

Combining sound-synthesis with field recordings and percussion these three improvisers create electroacoustic environments from intricate tranquility to howling furies.

Detailed electro-acoustic improvisation from the trio of Thanos Chrysakis on MaxMSP & electronics, Wade Matthew on synth and field recordings, and Dario Bernal-Villegas on percussion.

Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).

Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".

The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.

The 7 part "Knotted Alembic" is an improvisation between electroacoustic artist and label leader Thanos Chrysakis and Brazilian based Chilean pianist Philip Somervell performing inside and out of the piano.

The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.

The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.

A continuation of Chrysakis' "inscapes" series, compositions based on the structural and aesthetic capacity of sonic matter using field-recordings, synthesized & acoustic sounds.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

A collaboration between two Seoul, South Korean sound artists--Hong Chulki and Ryu Hankil--both performing on no-input mixer & objects for an album of electronic, glitch and sputtering sound with an extreme dynamic range and twisted purpose.

The first in a series of recordings from the shifting Circuit ea-improv ensemble, here with Trevor Taylor, Paul Dunmall, Jonathan Implett and Nick Stephens.

The 3rd CD in a series by the ea-improv group Circuit (Pat Thomas, Trevor Taylor, &c). music influenced by the japanese artist and illusionist Akiyoshi Kitaoka.

Percussionist Trevor Taylor's Circuit mixes acoustic instruments, electronics and real-time processing to morph alien sounding landscapes through well-honed improvising, here with Paul Dunmall, Hilary Jeffires, and Roberto Filoseta.

The UK electroacoustic improvising group led by FMR's label leader Trevor Taylor in two quartet recordings with Jonathon Seagroatt (reeds & electronics), Rob Stevenson (reeds & electronics), Steve Hubback (percussion) and and Geof Harris (bass).

The 5th release from the electronic and electroacoustic group Circuit, featuring Trevor Taylor and a changing set of collaborators, exploring improvisation with real time manipulation.

Frode Gjerstad's genre-bending Circulasione Totale Orchestra with Sabir Mateen, Anders Hana, Louis Moholo, Paal Nilssen-Love, Lasse Marhaug, &c. in a 2 disc set, one each live in 2010 from Oslo, and Philadelphia.

An audio and acousmatic documentary of the sounds along the St. Lawrence River, above and below water, and the voices of the people living around the shore.

Composer Clara Maida's compositions performed by Ensemble Resonanz, Kammerensemble Neue Musik Berlin, Ensemble Orchestral Contemporain,Arditti String Quartet, &c.

Clean Feed's side label Shhpuma presents a solo release from multi-instrumentalist Guilherme Goncalves (Gala Drop), dreamy and informed guitar-driven music borrowing from kosmische musik, Edgar Froese, or Loren Connors, in gorgeously paced lush instrumental music.

A live performance of saxophonist Bhob Rainey, electronics artist Bonnie Jones and percussionist Chris Cogburn performing live at AAMP in Austin, TX, and at Crolwey Theatre, Marfa, TX.

A durational piece featuring saxophonist Seymour Wright, electronic artist Grundik Kasyansky (Grundik + Slava) & trumpeter Jamie Coleman, members of Eddie Prevost's improv workshop.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

Osvaldo Coluccino's "Atto" uses various acoustic objects but no musical instruments or electronic manipulation, here in 5 pieces recorded near Milan, Italy in 2011.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

Active in various formats since 2005 when The London Musicians' Collective commissioned the ensemble from electric harpist Rhodri Davies, this album with John Butcher (sax & amplifier) and Lee Patterson on amplified devices is surprisingly their first release.

The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.

The Chicago-based duo of Noe Cuellar and Joseph Kramer on bellows and electronics, since 2009 producing original compositions for stage and fixed media, uncovering sonic textures & compositional ideas that are peculiar to their unique instrumentation.

On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

On the surface an album of organized field recordings, which Eric Cordier recorded in both France and Japan, from outdoor sounds (frogs/birds) to indoor environments, over which Murayama added percussion and vocal utterances, synthesizing unusual and engaging environments.

From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Jean Derome (sax, vocals), Normand Guilbeault (double bass), Michel F. Cote (drums, vocals) and Martin Tetreault (turntables) in a release that is ageless and archaic.

Jason Crumer (Aluminum Noise, Now in Darkness World stops turning, Reverse Baptism, &c) in 3 detailed sound works ranging from building quiet burbles to extreme noise responses, a wild ride from rich to stark sound.

Shofar, a ram horn, is the unifying sound in these experimental compositions performed by Alvin Curran, who also uses electronics, in a NY quartet with Arnold Dreyblatt (accordion), William Winant (large tam tam), Michael Riessler (clarinet).

Site recordings from Berlin by audio explorer Peter Cusack, documenting evocative locations throughout the city based on an inquiry into Berlin resident's favorite sounds, with a booklet detailing the 31 recordings and the scope of the project.

Two CDs and a 90 page hardback book with photos, info and interviews from audio documenter and experimenter Peter Cusak, recording in Chernobyl, The Caspian Oilfields, and various dangerous locations in the UK.