Recorded mostly in the early'60s in a sextet with Marshall Allen, John Gilmore, &c., this album explores stripped back forms and colour combinations that take jazz into unusual territories.

Sound and installation pioneer Akio Suzuki in a work based on field recordings from the bay and caves of Takano, Tango-cho in the northern-most coast of Kyoto, Japan.

Japanese installation and sound artist Akio Suzuki in recordings made at the New Taiza Tunnel in Tango Kyoto, 1999, rich and pure works of ambient environments.

Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.

A sound project by experimental musician Luis Tabuenca with Wade Matthews and ethnomusicologist Ana Maria Alarcon-Jimenez, inspired by the sonic heritage of Aragon, in pieces that reflect and question issues of memory, space & place.

Canadian artist Ryan Waldron (The Riderless) works with collected and constructed instruments, here in a mystic release inspired by the sound and polyrhythms of frogs.

The duo of Ferran Fages on electronic devices and Eduard Maquez on percussion in a beautiful long-form drone, a drifting and haunting work that hangs off of slowly building crescendos which release to beautifully suspended sonic environments.

An improvisation for two laptop computers performed by Tim Blechmann and Klaus Filip, recorded live in Vienna at "neue musik in st ruprecht", 2010, contrasting minimal tones with massive bass rumble and frothing frequencies.

The trio of Roberto Fega (electronics), Elio Martusciello (guitar, electronics) and Graziano Lella (laptop) in a series of compositions and improvisations that explore the syncretism between different musical codes.

Fascinating compositions combining improvisation and organized sound from Martusciello, Lella, & Fega, using acoustic and electronic instruments to frightening effect.

Nasuno Mitsuru (Altered States, Seijaku, Korkyojin, &c) in a new band with two synthesizers, bass, and drums, rock in a Heldon/Tangerine Dream mode using modern electroacoustic principles for richly hypnotic electronic music.

Five works from composer James Tenney for solo percussion, performed by Matthias Kaul, plus one work for tape and percussion and one work for percussion and tape-delay-system with Rudiger Orth ("Deus Ex Machina").

Tetras is drummer Jason Kahn, organist/electronic artists Jeroen Visser, and bassist Christian Weber, where the artists often reverse roles to create an album of ghostly grooves and blurry edges.

Two CDs from experimental electronic artist Martin Tetreault; one a studio work from 1991-92 using sampling, the second a collection of various experimental works recorded between 1984 and 86.

The Inframince/Immensity split CD is the first in a series of discs exploring the work of musicians based in Berlin, a city which has been one of the most vibrant centres for improvised and contemporary music since the 1960's.

A diverse and fascinating release from clarinetist Michael Thieke, also on zither and providing field recordings, with guitarist Martin Siewert, accordionist Luca Venitucci, and two bassists--Christian Weber & Derek Shirley, and two drummers--Steve Heather and Eric Schaefer.

A suite of fiendishly complex compositions for mixed real (Bob Drake, Chris Cutler, Djorge Delibasic, Pegja Milosavljevic) and virtual resources.

A 2nd outing for this electronics-based trio using field recordings, zithers, turntables, amplified knitting machine, &c.; a 60 minute improvisation recorded in concert in Hull in November 2010.

Thomas Lehn & Gerry Hemingway's 3rd "Tom & Gerry" release presents tracks recorded in Europe from 2003-2006, incredible electro-acoustic improvisations.

A powerful mix of rock and jazz in this extraordinary debut album by a young trio comprised of Luca Serrapiglio, Antonio Bertoni, and Carlo Garof playing a variety of acoustic and electronic instruments in fresh variations.

Two extended improvisations by three of Europe's most accomplished improvising musicians, taken from live performances in Austria and Germany.

The NY duo of Ben Miller (voice) and Franck Vigroux (electronics) in a studio recording influenced by industrial, punk, and electroacoustic music.

Traw (Welsh for pitch or encompassing wholeness) is harpist and electronic artist Rhodri Davies with sampling and real-time processing artists Owen Martell, Richard Llewellyn, and Simon Proffitt, here in 6 pieces about water using layers of Davies' sonic output.

Goldstripe uses data read from the magnetic stripes of credit cards and bank cards to create a set of musical conditions for improvisation.

Triac is an electronic music trio from Italy formed in the end of 2011 by Rossano Polidoro, Marco Seracini and Augusto Tatone, using laptop, fisa, electric bass, piano synth to investigate minimal ambient music.

A visual/sound work, in collaboration with visual artist Mariska De Groot, recorded using projected sounds of certain shapes in a narrative way, amplifying the "character" of abstract forms and leading to different mental states and emotions.

Wandelweiser artist Manfred Werder and Japanese field recording artist Toshiya Tsunoda in a large, layered work that merges and contrasts natural and urban sounds into a detailed work of subtle ambiance and intriguing sound.

UK free improvising drummer Roger Turner meets Japanese guitarist Otomo Yoshihide at the Hara Museum, Tokyo in the winter of 2013 for a performance that balances introspective improvisation with assertive and authoritative playing for a captivating and dynamic album.

A minimal solo electronic work by Stylianos Tziritas, drawing inspiration from the concept of Love as the dominant expression of human life, in 5 musical compositions in which sound generators, electronics and contact microphone are used.

Minimal sound sources and extraneous trumpet sounds using unusual techniques in a duo of subtle yet captivating recordings from these frequent collaborators.

Delicate nuance and fascinating textures from the minimal improvisations of trumpeter Birgit Uhler, violist Ernesto Rodriguez and live sampling from Carlos Santos.

A minimal theater in sound from Taku Unami and Takahiro Kawaguchi and starring Yoko Chosakabe and Kumio Kurachi, recording at the Ueno Okura Theater Older Building.

Andrea Belfi (percussion), David Grubbs (guitar), David Maranha (organ), and Pete Simonelli (voice) perform "Ten Intrusions", following the model set by Harry Partch's 1949-1950 composition "Eleven Intrusions".

Based on the anthems of nations that have endured recent struggles, from the duo of Marcin Masecki on keys and Candelaria Saenz Valiente on vocals and percussion, embraceable songs with unusual structures paying tribute to the beautiful themes for each nation.

The synthetic soundtrack to the radioplay "No Man's Land" about the Dust Bowl period in the USA and the people in the Oklahoma Panhandle; and "The Stranger" based on Camus' book.

Large scale electroacoustic conduction by Ernesto Rodrigues (Creative Sources) with a monumental orchestra including some of Europe's finest improvisers performing live at Porto's Casa da Musica.

Triple CD from Variable Geometry Orchestra, who create music by juxtaposing acoustic and electronic sound matter with subliminal and psycho-acoustic side effects.

Volume 2 documenting the Berlin festival "Inventionen", a retrospective sampler with recordings of works by: Westerkamp, Sciarrino, Cage, Namtchylak, Jones, Scelsi, Fujita, Driscoll.

New Pricing April 2019: Recordings from the Berlin Inventionen Festivals for New Music 2005 and 2006 featuring compositions by Edgar Barroso ("ODD"); Mario Verandi ("Comme un jeu des images"); Paul Wilson ("Trhough the Rain"); Ricardo Climent ("Wallwoodpeckers"); Vladimir Djambazov ("The Secret Life of a Snare Drum"); and Ludger Brummer ("Glasharle").

Two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers.

910 Noise presents: Douceur Violente A 14 track compilation of electronic and noise artists from Wilmington, North Carolina.

A limited edition hand painted & numbered compilation featuring Bicephalic and ACK Recording noise artists Carl Kruger, Ryan Lewis, Allison Parker and August Traeger.

An encompassing modern guitar compilation curated by Elliott Sharp with pieces from Henry Kaiser, Nels Cline, Scott Fields, Mary Halvorson, Janet Feder, Kazuhisa Uchihashi, Mick Barr &c. &c.!

The 3rd issue from Elliott Sharp's compiled series of guitar work in the 21st century, demonstrating new sounds, processes, techniques, melodies, riffs and gestures from a who's-who of modern improvising guitarists, a must-have release for all guitar fans and players.

An excellent compilation of modern Musique Concrete featuring compositions by Chin, Kosk, Cee, Donato, Minard, Mitterer, Dhomont, Karlsson, and Wishart.

Recordings of a concert at London's Cafe Oto dedicated to Jozef Patkowski's Polish Radio Experimental Studio (CD2), which are transformed in the studio by John Tilbury, Eddie Prevost, Phil Durrant, Maciej Sledziecki & Mikolaj Palosz (CD1).

soccer Committee and Machinefabriek's duo album from 2008 is remixed by artists Nate Wooley, Francisco Lopez, Taylor Deupree, Lawrence English, Xela, &c. &c.

Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006.

A live presentation at the Shunt Lounge, London Bridge in November of 2006, including an AMM duo of John Tilbury and Eddie Prevost.

Franck Vigroux takes on the dangers of surveillance technology in a dark and disturbing concept record of electronic noises and mutant beats that create thick, paranoid atmospheres.

Prisme is the music for a sound installation by sound artist Franck Vigroux and a collaboration with Fabien Zocco in a live audiovisual performance.

Electronic sound artist Franck Vigroux uses electronics, guitar, percussion, and his voice in this dark release with vocalist Annabelle Playe.

A split CD from Berlin-based flautist and composer Sabine Vogel: a composition using recordings made at various exterior locations as part of her work with Landscape Quartet; and a recording of a live improvisation as part of the 2012 NOW now festival in Sydney.

Wild British improvisers Volcano The Bear, borrowing from a cross-section of styles including jazz, rock, ethno-folk, organized sound, with an inexplicable and insanely passionate approach to their eccentric and excellent music.

Ilan Volkov directs the Bucharest based chamber group Hyperion Ensemble merging the history of Romanian music with moder avant-garde music, here performing the music of Ana-Maria Avram & Iancu Dumitrescu with guest guitarist Stephan O'Malley.

German composer, cellist and fluxus artist Michael von Biel in 5 works, two performed by the Pellegrini-Quartett in 2003, a string quartet from '67, and two electronic works from '64 & '68.

An excellent quartet of UK and European improvisers recording at Gateway Studio, London in 1997, a set of 8 intriguing recordings emphasizing the acoustics end of free improvisation with accented electronic interventions.

Warburton's latest in his Walk Series, using field recordings from Morocco to study the fragile barriers between composition, improvisation, natural, and man-made sound.

Guitarist and 910 Noise artist Jason Ward in a release that explores concepts in sound and string, music that ranges far and surprises with both lovely playing and distressed processing.

A dark kiss of acid from Lasse Marhaug performing on electronics, computer and the compositional structures, with Mark Wastell submitting rich recordings of a 32" Paiste tam-tam.

Using low-fi electronics, mixing desk, delay pedals, contact mic, sand paper, singing bowls, &c. &c., Rhodri Davis and Mark Wastell create an amazing audio environment, captured live at the Melbourne Festival in 2005.

This long overdue re-issue celebrates the unique encounter of eleven like-minded musicians from Japan, England, Wales, Germany, Basque Country & Norway, brought together in the studio for one day only for this daytime recording session followed by an evening concert.

Electronics artist Watkins wrote this piece for resonant spaces, interactive electronics, audience participation & string quartet, here in a special version tuning each string to an odd partial of 60Hz.