Electronic artist (and on this release, pianist) Olivia Block and radical trumpeter Greg Kelley meet for five works that range from breathy meditations to active "slapstick" routines of bewilderingly interesting sound.

A mysterious electroacoustic work in seven compositions commissioned by the Sylvain Emard Danse group of keyboard artists Tiari Kese, aided by trumpeter Ellwood Epps and percussionist Michel F Cote.

Extreme percussion work from Eli Keszler, mostly solo pieces using a diverse sonic palette, and assisted on 2 tracks by clarinetist Ashley Paul, plus brass player Andrew Fenlon and prepared pianist Sakkiko Mori.

KGB (Dougherty/Hennebohl/Cascone) in audio environments fromm 2 day-long performances in Berlin using a mix of found objects, constructions, machines, contact mics & traditional instruments.

Michel F. Cote, Bernard Falaise, and Alexandre St-Onge on their second CD as Klaxon Gueule, but now as an electroacoustic chamber ensemble instead of a power trio.

Three Swiss improvisers - Hans Koch on bass clarinet, Alexandre Bable on percussion, and Gaudenz Badrutt on electronics - in an inventive and exceptionally well-balanced 7 part suite of tonal work, quick interplay, and extended techniques.

2CD set with electronic and software-generated compositions by pioneer G.M. Koenig.

NY saxophonist and pocket trumpeter Joe McPhee meets Turkish free-improv group konstruKt, who have collaborated with Evan Parker, Marshall Allen and Peter Brotzmann, for these fascinating improvisations mixing jazz, traditional instrumentation, and electronics.

Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio.

Berlin based Annette Krebs and Tokyo sound artist Taku Unami bring together a variety of improvisation, compositional and unlikely sources for 5 part puzzle box of understated sound.

Performing on cello, piano, prepared guitar, tapes, and the mixing desk itself, Anthea Caddy, Magda Maya, and Annette Krebs present two improvisations, one from the studio and one live in Boston.

Guitarist and electroacoustic musician Krebs met harpist and electronicist Rhodri Davies in 2008 for these recordings, which Krebs then organized for these fascinating recordings.

Abstract sound design from 910 Noise collective artist Carl Kruger, 5 tracks on a lovely 3" CD created through the processing of acoustic sound and electronics, a dynamic set of excellent compositions.

Incredible and telepathic ea-oriented improv from violist Ernesto Rodrigues, saxophonist Martin Kuchen, cellist Guilherme Rodrigues, and electronicist Carlos Santos.

The dual alto saxophones of Martin Kuchen and Seymour Wright meet guitarist Keith Rowe for an impressive journey of free improvisation with Rowe taking the lead.

The second album from the long running lowercase / ea-improv "pop" duo of Burkhard Stangl and Christof Kurzmann, understated and intensely skewed music and songs.

Unusual electroacoustic improv from the duo of Christof Kurzmann on lloopp and Irena Tomazin on voice and dictaphone, recording at Radio Student and at Amann Studio in 2012 and 2013.

Accordionist and electronic artist Robert Kusiolek conceived of the 7 chapter "Nuntium" project, which intersects free improvisation with jazz tradition, world, and modern music.

Aberrant experiments with a stereo DJ mixer from Herbal International label leader Goh Lee Kwang, 5 tracks of unexpected sounds, micro-drills, crackles, purrs, hums, buzzes, quirks and bleeps from the mixer itself, performed live with no overdubs or pre-programming.

A work for heavy electronic drone and glitch, Herbal International Label founder Goh Lee Kwang presents this live performance from Malaysia's Finders Art Space in Kuala Lumpur, for 36 minutes of mysterious intensity that settles and fills the listening space like a pall.

A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.

A sound track to the Malaysian stage play "Butterfly Lovers", which explores the themes of human relationships and emotions through a Zen perspective, from sound artist Goh Lee Kwang in a sextet that merges traditional Malaysian instrumentation and electronics.

A fun and unusual electronic album from Malaysian sound artist Goh Lee Kwang's, whose instrument of choice is an old Roland Jupiter analogue synth, with toy keyboards, saxophones, bass and drums also thrown into the pot and merrily melted down by Max/MSP.

Two extended works from Herbal International label leader Goh Lee Kwang: the two part "Vurnmmkied" the first of static sonic environments that slowly morph, while the second varies with a mix of subtle and harsh sound; "3753" contrasts with gentler, slower territory.

A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.

Dark electronic soundscapes with dark beats and vocal improvisations.

Intelligent Dark Electronica with a touch of Krautrock and experimental ambient.

An ambient electronic adventure driven by experimental touches of noise and glitch in a journey through moods of mystery, melancholy, eminent peril, and even elation inspired by the magickal strength of Aleister Crowley.

Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.

Site specific recordings made for two live performances in Le Havre and Liege (2010) by sound artists Eric La Casa and Cedric Peyronnet, one disc each of sound sculpted from the same field recordings, but with vastly different results.

A concept album for their Inscape project: onsite installations with strategically placed microphones mixed in real time to create complex and intriguing sound sculptures.

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations.

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.

Early recordings from Lab Coast (Chris Dadge and David Laing) from an odd session of improvisation recorded to cassette and restored for the band's debut release.

Paletuvier, or "mangrove", is part of a color series where Labrosse, Lauzier and Tanguay use close-miked acoustic instruments to create an ecosystem of sound in subtle and rich interplay.

Incredible hybrid of styles from Houle, Zubot & Co., incorporating electro-acoustic, improvisation, folk-inspired melodies, samples and odd dialogue.

Recorded at Graham Lambkin house, the duo treated the entire building and surrounding grounds as a studio in "musical settings for common environments and domestic situations".

An incredible and twisted journey in sound from sonic explorers Graham Lambkin and Jason Lescalleet, who alternately hypnotize and startle the listeners in a series of "photographs" documenting their personal histories in sound.

Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.

Koto and gu zheng player Brett in duos with some of our favorite and most important improvisers: Anthony Braxton; Jim O'Rourke; Gino Robair; John Shiurba; Loren Connors; Gino Robair; &c.

Kook is the duo of Norweigan guitarists Stian Larsen and Erik Ahlsen creating a series of improvised soundscapes using their guitars and live electronics; absorbing music of unusual tone, texture, and direction.

Four improvisers from Quebec and Norway playing prepared reeds, strings, and a broken turntable, an ea-improv release evoking the sonic and industrial world of sound.

The Canadian duo of reedist Philippe Lauzier and bassist Eric Normand freely improvise in sound environments that are both introspective and precarious, using subtle and aberrant approaches to playing that evoke unusual aspects of their instruments in oddly refined dialog.

Hong Kong composer Lee Ingrid in four pieces from subtle beauty to harsh power, including a duo for piano and accordion, a piece for vibrating amplified snare drums, a work for piano, electric guitar and percussion, and one for string quintet and vibraphone.

Berlin sound artist Hanno Leichtmann's modern version of minimal music with strong connections to dub, ambient and club music, recorded with the help of Kai Fagaschinski (clarinet), Sabine Ercklentz (trumpet), and Alex Stolze (violin).

Six unique, abstract pieces from the electroacoustic trio of Ayelet Lerman (viola), Wade Matthews (synthesis, field recordings), and Carmel Raz (violin)

Taking their name from the German Town Bad Fallingbostel, this album collects recordings from the 3 year collaboration of these two improvising sound artists: Gunnar Lettow on prepared bass guitar, electronics & objects; and Korhan Erel on computer & controllers.

Two powerful electro-acoustic improvisations by two of the most exciting voices from the current London improv scene.

A quiet quartet session intended for loud volume with Jacob Lindsay (reeds), Ava Mendoza (electric guitar), Damon Smith (7-string ergo-bass & lloopp), and Weasel Walter (percussion & bagpipe chanter), unusual tapestries of sound plus a recipe!

NY-based Arto Lindsay's diverse career includes No Wave band DNA, Ambitious Lovers with Peter Scherer, acclaimed Brazilian-tinged pop records, and improvising with a great set of Downtown NY players, much of which is presented in this excellent cross-section of his work to date.

Looper (Nikos Veliotis, Martin Kuchen and Ingar Zach) in Another Timbre's Silence and After series, layered and slowly moving sound work of great depth and subtlety.

The electroacoustic improvising trio Looper of Martin Kuchen (sax & pocket radio), Ingar Zach (percussion) and Nikos Vleiotis (cello & video) presenting four intense and extended works recorded in the studio.

Francisco Lopez created this work by dubbing a blank cassette back and forth for hundreds of generations in real time with no noise reduction; this is the reissue of the original 1997 release.

Sections of complex deep sound work juxtaposed with stillness in this 43 minute epic of sophisticated industrial environments full of suspense and engaging darkness.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction.

Electronics and natural objects with a common love for the E Bow from this electroacoustic improvising trio recording at Middlesex University in 2009.

Pianist and accordionist Joao Lucas' music for Andresa Soares' choreography "It was a very abstract thing", structured acoustic improvisation with a slight electronic edge.

Lutnahimat is the London-based project of composer/sound sculptor Ian S. in a work mixing electronic self-built instruments with sound samples recorded in India and Cameroon.

Nate Wooley and Paul Lytton continue their collaborations, extending their new duo recordings with live tracks from The Stone in NYC with Ikue Mori, and at Chicago's Hideout with Ken Vandermark.

A soundtrack for their first retrospective exhibition at Mori Art Center in Tokyo in 2009-2010 commissioned to Yoshio Machida by legendary French jeweler Van Cleef & Arpels.

An alternative edit of the soundtrack for Makino Takashi's film In Your Star, an intense electronic work with beautiful microtonal and digital soundscapes.

Machinefabriek (Rutger Zuydervelt) in an EP of a long sine save compositions that creates a minimally moving piece of consonance and dissonance using beautifully recorded tones.

Machinefabriek, aka Rutger Zuydervelt, recorded the music on this release with tuning forks, steel wool, contact mics, memo recorders, looped cassettes from an answering machine tape, a ring modulator, and looper pedals.

A live performance at Ephemere, Studio Loos in The Netherlands from Rutger Zuydervelt, AKA Machinefabriek, in a set that mixes his sources with recordings from the room, creating a dynamic and vibrant recording that ranges from subtle near-silence to thick electronic excitement.

Sketches for the soundtrack of a documentary directed by Chris Teerink about American conceptual artist and minimalist sculptor, printmaker, photographer and painter Sol LeWitt.

After recording Stroomtoon in December 2011, electronic sound artist Rutger Zuydervelt wanted to capture more of the roughness and spontaneity of his live performances, so he recorded more material for this second installation.

Originally released in 2008 on Sentient Recognition Archive, "Vloed" is a collection of (slightly edited) live performances, recorded between 2006-08 in Amsterdam and Den Haag.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

12 compositions for mediated acoustic piano from Dr. Nerve bassist MacLean, beautifully composed and recorded works showing his taste for Crumb, Satie, Cage, Reich, Eno, &c.

Beautiful studio works created by Steve MacLean (Dr. Nerve) using guitar and field recordings from the water's edge of frogs, bugs, birds, and pond ambiance.

Experiments in sound from early Velvet Underground member Angus Maclise performing on vocals, prepared tape, cembalum, bells, arp synthesizer and field recordings, joined by Hetty Maclise on organ, piano and autoharp.