Clean Feed's side label Shhpuma presents a solo release from multi-instrumentalist Guilherme Goncalves (Gala Drop), dreamy and informed guitar-driven music borrowing from kosmische musik, Edgar Froese, or Loren Connors, in gorgeously paced lush instrumental music.

A live performance of saxophonist Bhob Rainey, electronics artist Bonnie Jones and percussionist Chris Cogburn performing live at AAMP in Austin, TX, and at Crolwey Theatre, Marfa, TX.

A durational piece featuring saxophonist Seymour Wright, electronic artist Grundik Kasyansky (Grundik + Slava) & trumpeter Jamie Coleman, members of Eddie Prevost's improv workshop.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

Osvaldo Coluccino's "Atto" uses various acoustic objects but no musical instruments or electronic manipulation, here in 5 pieces recorded near Milan, Italy in 2011.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

Active in various formats since 2005 when The London Musicians' Collective commissioned the ensemble from electric harpist Rhodri Davies, this album with John Butcher (sax & amplifier) and Lee Patterson on amplified devices is surprisingly their first release.

The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.

The Chicago-based duo of Noe Cuellar and Joseph Kramer on bellows and electronics, since 2009 producing original compositions for stage and fixed media, uncovering sonic textures & compositional ideas that are peculiar to their unique instrumentation.

On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

On the surface an album of organized field recordings, which Eric Cordier recorded in both France and Japan, from outdoor sounds (frogs/birds) to indoor environments, over which Murayama added percussion and vocal utterances, synthesizing unusual and engaging environments.

From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Jean Derome (sax, vocals), Normand Guilbeault (double bass), Michel F. Cote (drums, vocals) and Martin Tetreault (turntables) in a release that is ageless and archaic.

A quartet of electronic and acoustic improvisers in six spacious and graceful soundscapes, beautifully drifting works of hallucinatory tones.

Jay Crockers follows the allure of salvage from six years of recordings, taking sketches and mini-improvs and organizing them into a large and unusual sonic journey.

Jason Crumer (Aluminum Noise, Now in Darkness World stops turning, Reverse Baptism, &c) in 3 detailed sound works ranging from building quiet burbles to extreme noise responses, a wild ride from rich to stark sound.

Shofar, a ram horn, is the unifying sound in these experimental compositions performed by Alvin Curran, who also uses electronics, in a NY quartet with Arnold Dreyblatt (accordion), William Winant (large tam tam), Michael Riessler (clarinet).

Site recordings from Berlin by audio explorer Peter Cusack, documenting evocative locations throughout the city based on an inquiry into Berlin resident's favorite sounds, with a booklet detailing the 31 recordings and the scope of the project.

Two CDs and a 90 page hardback book with photos, info and interviews from audio documenter and experimenter Peter Cusak, recording in Chernobyl, The Caspian Oilfields, and various dangerous locations in the UK.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

Recordings from early DIY electroacoustic improviser and instrument inventor, the late Hugh Davies, accompanied in live performance by Adam Bohman, Lee Patterson, and Mark Wastell.

Four extraordinary improvisations by musicians spanning 3 countries and 3 generations, a dark, brooding, swirling music from a remarkably tight and unified ensemble.

Six delicate, complex and suubtle studio compositions from the trio of Rhodri Davies on harp & electronics, David Toops on guitar and percussive devices, and Lee Patterson on amplified devices.

A single 34 minute live recording at Musica Portuguesa Hoje Festival in Lisbon, 2008 from this excellent set of expressive and contemplative electroacoustic performers.

The collaboration between the electroacoustic duo of Cremaster (Ferran Fages and Alfredo Costa Monteiro) and violinist Angharad Davies, mixing contemporary electronics with long-form minimalist drone music.

Limited edition archive CDR of 1960's instrument inventor the late Hugh Davies, solo and with Richard Orton, to accompany the Another Timbre release "For Hugh Davies".

Understated and exquisite improvisation using trumpet, violin, bass clarinet, flute and field recordings from three forward-thinking performers.

Terry Day plays a wide variety of instruments including piano, saxophones, drums, cello, mandolin, voice and many more in these analogue studio recordings made between 1978 and 1981.

Acousmatic work from electronic composer Degrassi: two serial pieces using algorithmic software, an elabration of recorded sounds, and an improvisation using real-time synthesizers.

Two extended and unusual improvisations between Australian saxophonist Jim Denley and Dutch pianist Cor Fuhler, developed over 7 weeks and recorded in the studio in 2013, using imaginative preparations and inventions to create fascinating new sounds and structures.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

Trombonist Michael Dessen in a trio of works drawing inspiration from Pablo Neruda's "Ars Poetica", with the computer used as a 4th voice in several tracks.

West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).

Two sides of "Banned" and "Bent" from experimental sound artist Aaron Dilloway, using synthetic and sampled sounds to create a revolving audio excursion of bizarre sonic substance, thickly mysterious and satisfying.

Two solo performances from Thomas Dimuzio performing at the Edinburgh Castle Tavern in San Francisco, powerful sonic work with long sustained textures and nuanced sound.

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

An electroacoustic composition from Herbert Distel, a "Travelogue" of field recordings organized into two long works that present hallucinatory sound with an illusive rhythmic component, structured into a long journey with a departure, journey and arrival.

A series of works from improvising DJ Lenar (Marcin Lenarczyk), using material from the large volumes of miniatures created by Polish Radio Experimental Studio (PRES) artist Eugeniusz Rudnik, transformed into new concrete compositions; in other words, reprising PRES.

A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.

D. Petri & Doggy P. Lips, aka Dog Hallucination, in a 3" CD with hand-cut packaging of experimental-psychedelia using specifically designed tonalities, texture sculpturing, rhythms, and unique compositional structures.

The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland.

Hardcore ea-improv from saxophonist Doneda, guitarist Desmarchelier and amplified objectician Toulemonde, active, attention-grabbing and downright frightening sound work.

Dorgon takes vinyl LPs on wobbly trips of obsessively delaying, gyrating and decaying obsessions on a variety of themes and ideas.

Unusual, head-scratching works of sound & noise or cracked pludnerphonics with a good sense of pacing that lulls and befuddles on it's own schedule.

Sinister looping and shimmering works from Mr. Dorgon taking on the trumpet - or at least, a dead trumpeter: an unusual homage to cool dead player Miles Davis.

Featuring an x-rated insert in a puff-up brown paper package, Mr. Dorgon attacks with two electronic works and a harmonica solo from a live show on KFJC in California.

A live recording from Portugal's Cine-Theatre Curvo-Semedo of the minimal ea-improv quartet of trumpeter Axel Dorner, violist Ernesto Rodrigues, prepared electric guitarist Abdul Moimeme, and Ricardo Guerreiro on computer.

Four masterful improvisers - Axel Dorner (trumpet), Andreas Willers (acoustic guitar & electronics) and Achim Kaufmann (piano) - performing as the .AAA. trio, and then each presenting a solo work, demonstrating their incredible music skills together and alone.

The Texas duo of amplified & acoustic trombonist David Dove and Jawwaad Taylor on electronics, voice and trumpet, urban-oriented creative free improvisation in slowly evolving and evocative forms.

Using alto & soprano sax, guitar, live sampling, looping and synths, Ntshuks Bonga and Dave Draper use traditional approaches to instrumental dialog, amplified and modified by the reintroduction of live interactive sound.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

Sound and noise artists Kevin Drumm and Jason Lescalleet collaborate on this 2 CD set, a diverse set of sound pieces from slowly building drones to unsettling environments, with tapes punctuating the hallucinatory aspects of their rich and impressive aural tapestries.