The collaboration between the electroacoustic duo of Cremaster (Ferran Fages and Alfredo Costa Monteiro) and violinist Angharad Davies, mixing contemporary electronics with long-form minimalist drone music.

Limited edition archive CDR of 1960's instrument inventor the late Hugh Davies, solo and with Richard Orton, to accompany the Another Timbre release "For Hugh Davies".

Understated and exquisite improvisation using trumpet, violin, bass clarinet, flute and field recordings from three forward-thinking performers.

Terry Day plays a wide variety of instruments including piano, saxophones, drums, cello, mandolin, voice and many more in these analogue studio recordings made between 1978 and 1981.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

Trombonist Michael Dessen in a trio of works drawing inspiration from Pablo Neruda's "Ars Poetica", with the computer used as a 4th voice in several tracks.

West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).

Two sides of "Banned" and "Bent" from experimental sound artist Aaron Dilloway, using synthetic and sampled sounds to create a revolving audio excursion of bizarre sonic substance, thickly mysterious and satisfying.

Two solo performances from Thomas Dimuzio performing at the Edinburgh Castle Tavern in San Francisco, powerful sonic work with long sustained textures and nuanced sound.

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

An electroacoustic composition from Herbert Distel, a "Travelogue" of field recordings organized into two long works that present hallucinatory sound with an illusive rhythmic component, structured into a long journey with a departure, journey and arrival.

A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.

The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland.

Hardcore ea-improv from saxophonist Doneda, guitarist Desmarchelier and amplified objectician Toulemonde, active, attention-grabbing and downright frightening sound work.

Unusual, head-scratching works of sound & noise or cracked pludnerphonics with a good sense of pacing that lulls and befuddles on it's own schedule.

Sinister looping and shimmering works from Mr. Dorgon taking on the trumpet - or at least, a dead trumpeter: an unusual homage to cool dead player Miles Davis.

Featuring an x-rated insert in a puff-up brown paper package, Mr. Dorgon attacks with two electronic works and a harmonica solo from a live show on KFJC in California.

A live recording from Portugal's Cine-Theatre Curvo-Semedo of the minimal ea-improv quartet of trumpeter Axel Dorner, violist Ernesto Rodrigues, prepared electric guitarist Abdul Moimeme, and Ricardo Guerreiro on computer.

Four masterful improvisers - Axel Dorner (trumpet), Andreas Willers (acoustic guitar & electronics) and Achim Kaufmann (piano) - performing as the .AAA. trio, and then each presenting a solo work, demonstrating their incredible music skills together and alone.

The Texas duo of amplified & acoustic trombonist David Dove and Jawwaad Taylor on electronics, voice and trumpet, urban-oriented creative free improvisation in slowly evolving and evocative forms.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

Sound and noise artists Kevin Drumm and Jason Lescalleet collaborate on this 2 CD set, a diverse set of sound pieces from slowly building drones to unsettling environments, with tapes punctuating the hallucinatory aspects of their rich and impressive aural tapestries.

Bassist and composer Trevor Dunn with found soundtracks to films by Peter Bolte, Cameron Vale and Holly S. Neuberg, with players Chris Speed, Kenny Wollesen, Rob Burger, &c.

The 4th release by EKG (Bruckmann/Karel) presents live electroacoustic recordings extracted and restructured by Bruckman, emphasizing the electronic nature of their work.

Underground drone, guitar and electronic artist Brian McKenzie in two extended works of beautifully building sound, the first primarily electronic and building, the second melodic and spacious using gorgeous guitar riffs.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

A mixed work for ensemble revolving around the sequences of video and electronic composition, showing a series of Chilean and Argentine landscapes and cityscapes.

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

A double CD release of works from Italian composer Franco Evangelisti, who was specifically interested in scientific theories behind sound; recordings include work with David Tudor and Eberhard Blum.

An album of collaborative improvisational compositions for laptop and acoustic instrument, developed between laptop artist Sam Pluta, trumpeter Peter Evans and violinist Jim Altieri.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

Jazz cornetist Rob Mazurek with Nicole Mitchell, Matt Bauder, Jeb Bishop, Jason Adasiewicz, Jason Stein, Mike Reed, &c. &c., a unique and incredible orchestra of acoustic & electronic improvisation.

Five improvisers from Germany, Italy, France and USA - Wendelin Buchler; David Fenech; Gino Robair; Argo Ulva; Ezramo - in a mix of weird pop, avanttrash, free improvised music, mediterranean folklore and noise drones.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Unpublished work by the late electronic composer Ferrari, two pieces for tape and various instruments that incorporate improvisation; mysterious and sonically beautiful compositions.

Ferrari's 2nd disc for Mode presents 3 works, including one commissioned by Art Zoyd using taped environmental sounds; a work of serialism; and a work using field recordings from the Asian commercial center of Paris.

Subtle and reflective improvisations with electronics, flutes and melodica from these two active women of the European improvisation scene.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

The Swedish trio of Mats Gustafsson, Johan Berthling and Andreas Werliin collaborating with Australian guitarist Oren Ambarchi for an album of hypnotic, psychedelic rock'n'jazz exploration (CD has 1 track not included on the LP edition).

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

American noise from 910 Noise Collective artists August Traeger and Ryan Lewis, a mix of harsh and atmospheric sound in an EP of wild, untamed and surprising sound work.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images.

Three exquisite electro-acoustic compositions by the New York-based duo of Anne Guthrie (french horn, electronics, recordings) and Billy Gomberg (bass guitar, recordings), using a combination of field recordings, electronics and improvisations on French horn and bass guitar.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

Deconstructed sounds from Ralf Wehowsky (RLW) on electronics & Johannes Frisch on double bass, citing Ornette Coleman's "Free Jazz" album as an (abstract?) influence, using noise, glitch, acoustics and jump-cut compositional styles that surprise but won't make you want to dance.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Frith's 75 minute intense improvisatory journey work is a graphic structural model by which the most diverse types of musical events are linked together along a time line.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

In The Flirts, Fuhler manipulates sounds from turntables and mbiras, filtering them through an analogue synth, with Prins focusing on electronic noise-based music.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".